How the CIA and Military Control the Music Industry
by Wes Penre, Illuminati News, Dec 21, 2008
http://www.illuminati-news.com/00357.html
Categories: The Controllers of Art | Articles by Wes Penre
When everything else in the world seems to be
upside down, at least we can find our comfort in
rock music, by listening to our old heroes, who
truly know what the world is about and how to rebel against it.
At least this is what we are led to believe.
As I write this, it's been ten years since I
published my first article on the Internet and at
the same time established the "Illuminati News
Website". Although it has been a challenge and I
have had wonderful, and not so wonderful,
responses over the years, there is one subject I
have brought up that has caused more upsets and
uproar than any other, and that is the exposure
of the music industry, to which I have dedicated
a whole section. It is a holy cow, indeed.
Of course, most people who are blues and
rock'n'roll fans have heard about Robert Johnson
and how he sold his soul to the Devil at the
Crossroads in exchange for brilliant musical
skills. Whether this is a myth or if it's true, I
leave for you to decide, but strange things are
happening behind the scenes in the Music Industry
and unfortunately, the rock stars most of us have
worshipped are not always what we thought they
were. Although the Robert Johnson story could be
a myth, he is not the only one claiming to have
sold his soul to the Devil for fame and fortune.
There are quite a few admitting to the same
thing, where Bob Dylan is one of them as we shall see later in this article.
The Music Industry as a Propaganda Machine
First of all, before we start putting the pieces
together, we need to dissolve the myth that the
Music Industry has our best interests in mind. By
now, more and more people become aware of that
this world is to a major degree controlled by a
secret cabal we call the Illuminati, a Shadow
Government if you will, who wants to create a New
World Order and a One World Government. They have
already taken over a big part of world politics,
business, education and religious movements. This
fact is accepted by many, because the evidence is
overwhelming, so why would this cabal, who wants
total control and the ability to take over our
minds and thinking processes, leave the film and music industries alone?
Bob Dylan
Bob Dylan
Put yourself in these people's shoes and you will
understand what I'm talking about. If I were
them, the music and film industries would be two
of the first things I wanted to control. Why?
Because here you have a golden opportunity to
influence the masses and lead them in any
direction you want. All you need to do is to
create super heroes (Gods) that people can look
up to and follow. Although Bob Dylan sings in
"Subterranean Homesick Blues" in 1965,
"Don't follow leaders
Watch the Parking Meters"
he must have known pretty well that although they
are true, these are just empty words. By writing
those lines, his audience would be even more
attached to him and he would really create
followers. So it's a contradiction, and some
would call it "reversed psychology".
Black Sabbath
Black Sabbath
We see a similar phenomenon when Black Sabbath is
singing about how we should fear the Devil and
cry to God for help. How come then they are not
creating a Christian fellowship, but instead it
has the opposite effect? It is because they are
actually leading the audience into violence and
darkness by tuning down the guitars to lower
vibrations, turning up the volume to maximum and
repeating hypnotic riffs over and over again.
What stays in people's minds is not that we
should turn to God, but that Black Sabbath is
singing about the Devil and demon possession and
it's cool. People start getting interested in
mysticism and occultism of the darkest kind
instead, as per the plan. It's mind control, my
friends. But it's not just the audience that is
mind controlled, so are many of the artists as
well, which brings me to the real purpose of this
article - to expose who is pulling the strings on
the artists and ultimately - us!
Military and Intelligence Connection
It's public knowledge now, due to the "Freedom of
Information Act", that MK ULTRA mind control is
the real deal and that psychiatrists working for
the CIA used sophisticated mind control
techniques on people who had no wish to
participate[0]. This destroyed the lives of the
victims and many of them died as a result of the
experiments. The government created Manchurian
Candidates to use in the Cold War, but also as
political assassins in general. However, we are
told that these experiments stopped some time in
the 1970s and are now just another dark chapter
in American history. Victims and researchers are
telling us different, though. These experiments
have continued up to this day, but under other
code names and are now even more sophisticated.
The Illuminati scientists are very knowledgeable
about how the human mind works and understand how to manipulate it.
These mind control techniques are what has been
used in the music industry and are still used
today in Grunge, Gangsta Rap, Hip Hop or any new
genre. Same old techniques with new labels...
David McGowan, a brilliant researcher, is in the
process of publishing a very detailed and lengthy
series of articles called "Inside The LC: The
Strange but Mostly True Story of Laurel Canyon
and the Birth of the Hippie Generation", and the
first twelve parts are published here on the
Illuminati News Website and the rest will be
published as soon as David has finished them. It
is an amazing body of research, where he
effectively is pointing out the fact that more
often than not, the top artists within the music
and film industries, their managers and producers
have military and/or military intelligence
connections. Many are also involved in organized
crime, drug dealing, murder, prostitution, child
pornography, snuff movies and black magic. Here
are a few examples of musicians from the hippie
era, who have family ties to people within the U.S. Military:
Jim Morrison of "The Doors": His father was the
U.S. Navy Admiral George Stephen Morrison[1]. Jim
was more or less brought up on military bases and abused by his father.
Frank Zappa: Son of Francis Zappa, a
mathematician and a chemist, working for the U.S.
defense industry[2]. Frank himself, although one
of those who was in the frontline of creating the
Hippie Movement, never made it a secret that he
had nothing but contempt for this culture. He was
also a great supporter of the Vietnam War[3].
Frank was married to Adelaide Gail Sloatman, who
comes from a "long line of career Naval officers,
including her father, who spent his life working
on classified nuclear weapons research for the
U.S. Navy. Gail herself had once worked as a
secretary for the Office of Naval Research and
Development (she also once told an interviewer
that she had “heard voices all [her] life”). Many
years before their nearly simultaneous arrival in
Laurel Canyon, Gail had attended a Naval
kindergarten with “Mr. 'Mojo Risin’” himself, Jim
Morrison (it is claimed that, as children, Gail
once hit Jim over the head with a hammer). The
very same Jim Morrison had later attended the
same Alexandria, Virginia high school as two
other future Laurel Canyon luminaries – John Phillips and Cass Elliott."[4].
"Papa" John Phillips of "The Mamas and the
Papas": Son of a retired Marine Corps officer
(Captain Claude Andrew Phillips)[5]. "John
attended a series of elite military prep schools
in the Washington, D.C. area, culminating in an
appointment to the prestigious U.S. Naval Academy
at Annapolis...John married Susie Adams, a direct
descendant of ‘Founding Father’ John Adams.
Susie’s father, James Adams, Jr., had been
involved in what Susie described as
“cloak-and-dagger stuff with the Air Force in
Vienna,” or what we like to call covert
intelligence operations. Susie herself would
later find employment at the Pentagon, alongside
John Phillip’s older sister, Rosie, who dutifully
reported to work at the complex for nearly thirty
years. John’s mother, ‘Dene’ Phillips, also
worked for most of her life for the federal
government in some unspecified capacity."[6]
Stephen Stills of "Buffalo Springfield" and
"Crosby, Stills, Nash (and Young): Born to a
Military family[7]. Stills was educated primarily
at schools on military bases and at elite military academies.[8]
David Crosby of "The Byrds" and "Crosby, Stills,
Nash (and Young)": "...the son of an Annapolis
graduate and WW II military intelligence officer,
Major Floyd Delafield Crosby. Like others in this
story, Floyd Crosby spent much of his
post-service time traveling the world. Those
travels landed him in places like Haiti, where he
paid a visit in 1927, when the country just
happened to be, coincidentally of course, under
military occupation by the U.S. Marines. One of
the Marines doing that occupying was a guy that
we met earlier by the name of Captain Claude
Andrew Phillips"[9] (father of "Papa" John
Phillips. Small world, Wes Penre's comment).
"Suffice it to say that the Crosby family tree
includes a truly dizzying array of US senators
and congressmen, state senators and assemblymen,
governors, mayors, judges, Supreme Court
justices, Revolutionary and Civil War generals,
signers of the Declaration of Independence, and
members of the Continental Congress. It also
includes, I should hasten to add – for those of
you with a taste for such things – more than a
few high-ranking Masons. Stephen Van Rensselaer
III, for example, reportedly served as Grand
Master of Masons for New York. And if all that
isn’t impressive enough, according to the New
England Genealogical Society, David Van Cortlandt
Crosby is also a direct descendant of ‘Founding
Fathers’ and Federalist Papers’ authors Alexander Hamilton and John Jay."[10]
Jackson Browne: "...the product of a career
military family. Browne’s father was assigned to
post-war ‘reconstruction’ work in Germany, which
very likely means that he was in the employ of
the OSS, precursor to the CIA. As readers of my
“Understanding the F-Word” may recall, U.S.
involvement in post-war reconstruction in Germany
largely consisted of maintaining as much of the
Nazi infrastructure as possible while shielding
war criminals from capture and prosecution.
Against that backdrop, Jackson Browne was born in
a military hospital in Heidelberg, Germany."[11]
Gram Parsons of "The Flying Burrito Brothers":
"...was the son of Major Cecil Ingram “Coon Dog”
Connor II, a decorated military officer and
bomber pilot who reportedly flew over 50 combat missions."[12]
Jimi Hendrix of "The Jimi Hendrix Experience":
"Hendrix was born on November 27, 1942, in
Seattle, Washington, USA, while his father was
stationed at an Army base in Oklahoma."[13]
Michael Jeffrey, Jimi Hendrix' Manager: Michael
Jeffrey admitted to being an Intelligence Agent.
Information was uncovered by Hendrix' biographers
Harry Shapiro and Caesar Glebeek in their book,
"Jimi Hendrix: Electric Gypsy; from rock
historian R. Gary Patterson in his book,
Hellbounds on Their Trail: Tales from the Rock
‘n’ Roll Graveyard"[14]; and from John McDermott
and Eddie Kramer in their book, "Hendrix: Setting
the Record Straight"[15]. The following is a
summary of their collective findings:
* Jeffrey often boasted of "undercover work
against the Russians, or murder, mayhem and
torture in foreign countries." Jeffrey’s father
said his son had been stationed in Egypt years
earlier and could speak Russian.
* Friends of Hendrix suspected Jeffrey was
crooked and they (the friends) confiscated
documents from his office which indicated he was
embezzling large amounts of money from Jimi’s
concert performances. The friends gave the
documents to Hendrix, who reportedly took legal
actions to recover the embezzled money.
* In July 1970, two months before his death,
Hendrix broke all communications with Jeffrey. At
that time, Hendrix told film director Chuck Wein:
"The next time I go to Seattle will be in a pine box."89
* Two days after Hendrix’s death, Michael Jeffrey
confessed to recording engineer Alan Douglas that
he was involved in the murder. "In my opinion,"
Douglas reportedly stated, "Jeffrey hated Hendrix".
Joni Mitchell: "...her father [Bill Anderson]
[was] an officer in the Royal Canadian Air Force.
During the war years, she moved with her parents
to a number of bases in western Canada."[16]
"Colonel" Tom Parker, Elvis Presley's Manager:
"...at about the age of 20 [he] joined the United
States Army, despite the fact he was not a U.S.
citizen [he was Dutch and his real name was
Andreas Cornelis (Dries) van Kuijk, Wes Penre's
comment]. Van Kuijk was stationed in Hawaii, at a
base commanded by a Captain Tom Parker. After
leaving the service, van Kuijk adopted the name Tom Parker.[18]
All these military connections are hardly
coincidences. I strongly recommend that you read
the whole series of articles by David McGowan. It
is stunning to learn that all these people
mentioned above (except Col. Tom Parker) moved
approximately at the same time to Laurel Canyon
in California, without knowing each other
beforehand (at least that's what we are supposed
to believe), and there they started the Hippie
Movement together. And here is the key: they all had military connections!
For us who used to believe that the Hippie
Movement was a grass root movement against the
Vietnam War and authority better think again.
David shows us without any doubt that the Hippie
Culture which started out in Laurel Canyon,
California, had shady origins to say the least,
and corruption, crime, murder and you name it
followed in its trail and was part of the daily
life of the so-called "peace movement", which
escalated into the Charles Manson murders. Manson
himself, of course, was a central figure in the
Hippie Peace Movement and good friends with among
others Dennis Wilson of the Beach Boys and Neil Young.
Mind Control, Occultism, and Satanism in Rock Music
Fritz Springmeier
Fritz Springmeier
Occultism and science go hand in hand and one
wouldn't do well without the other. There are
several excellent books written on the subject of
occultism and Satanism, among which Fritz
Springmeier's and Cisco Wheeler's, "The
Illuminati Formula Used to Create an Undetectable
Total Mind Controlled Slave"[17] is perhaps one
of the better in the genre. In this book, among
other things, they mention that the music
industry (and the Country Music Industry in
particular) is loaded with artists who work as
mind control programmers, and many of the
musicians are mind control slaves with split
personalities, themselves victims of MK ULTRA
mind control. Mentioned are Kris Kristofferson,
Jerry Lee Lewis, Glen Campbell, and Willie Nelson
as being programmers, working for the Illuminati.
The Country Music Industry is nothing but a front
for secret Illuminati drug smuggling, according
to Fritz Springmeier, Cisco Wheeler, former
Illuminati mind controlled slave Cathy O'Brien,
and other victims of MK ULTRA who have come forth
to speak the truth, fearing for their lives while doing so.
In Monarch Programming [an MK ULTRA offspring]
the use of mirrors is a basic, important tool to
make split multiple personalities. This may sound
esoteric and unbelievable to those who are not at
all familiar with the techniques, but after
reading Springmeier's and Wheeler's book, the following becomes much clearer:
The "mental mirrors", which are programmed into
the victim, create thousands of alters
(artificial personalities), which can then be
programmed in whatever way the Illuminati
programmer wants. It's very similar to
partitioning a computer hard drive into hundreds,
(sometimes even thousands) of partitions and fill
each partition with whatever information you
want. When opening one of the hard drive
partitions, you can access what is in there, but
the specific section of the hard drive "doesn't
know" what the other sections contain. When the
mind is split, the handler and/or the programmer
can then make any partition in the brain the
"active" one, which means the personality which
is programmed into that partition will be the
main personality. By using trigger words or codes
embedded into the program, the programmer/handler
can then switch between the pre-programmed
personalities of the victim and bring forth a
totally different character, setting that one as "active".
This is very useful if you for example want to
create a public person who is an excellent
entertainer with a gentle personality as a front,
someone who appears to be a balanced family
person, and then by using trigger words he/she
can change into a cold-blooded killer, a drug
dealer, a spy or whatever you want to use him
for. No one would have suspected this person,
because whatever criminal act he/she is
programmed to do, it's literally "out of
character". And just like the example with the
hard drive, the victim himself is often not aware
of his different personalities and often doesn't
even remember the crime he committed.
Here are some more excerpts from
Springmeier/Wheeler's book in regards to mirrors:
"The child must learn to match identical items
very early--even before they can speak. This is
so they will be able to build mirror images into
their mind. All the senses are trained for
building the mirror images; for instance such as
silks and cottons can be used for the sense of
touch" Chapter 1 page 12. "The elements that make
up who a person is--i.e. personality elements
such as memories, are fractured. These fragments
have in turn often been built up into full-blown
personalities with all the elements of full-blown
personalities. There is no "real" person, just as
if you smash a mirror into a thousand pieces,
there is no single piece that is the "real"
original mirror but rather simply fragments that
can in turn operate as mirrors.
However, there is still a primal self. Early
splits are led to believe they are the core"
Chapter 1 page 28. "Children are set in front of
circus mirrors that make them taller or smaller
for programming. They are set in front of mirrors
which duplicate their image." Chapter 4 page 64.
"pg. 90 Book 3 Ozma of Oz, "Princess Langwidere's
sitting-room was paneled with great mirrors,
which reached from the ceiling to the floor; also
the ceiling was composed of mirrors, and the
floor was of polished silver that reflected every
object upon it. So when Langwidere sat in her
easy chair and played soft melodies upon her
mandolin, her form was mirrored hundreds of
times, in walls, and ceilings and floor, and
whichever way..." This is the mirror programming
that has been done to so many victims! Chapter 5
page 112. "Mirrors, and lots of them, are
important in occult programming because they make
images. They create so many internal images one
doesn't know which way to go " [Chapter 10].
The following format the words in italic are
direct quotes from Lena Pepitone's book which is
entitled Marilyn Monroe Confidential An Intimate
Personal Account, NY: Simon & Schuster, 1979. ·
p.16- "Floor-to-ceiling mirrors were everywhere.
Even the dining alcove at the rear of the living
room had a table with a mirrored top. All these
mirrors didn't cheer things up." In programming
Monarch slaves, mirrors are used a great deal.
Within the Monarch slave's mind, countless mirror
images are made. The slave sees thousands of
mirrors everywhere in their mind. Because Marilyn
was so stripped of any personal identity, she
decorated her house as her mind looked on the
inside--full of mirrors. Although other Monarchs
may have some desires to decorate with mirrors,
Marilyn is the most extreme case I know of
filling one's house full of mirrors" [Chapter 12].
With this in mind, it's interesting to read the
lyrics from the song called "Room full of
mirrors" by Jimi Hendrix. The lyrics go:
"I USED TO LIVE IN A ROOM FULL OF MIRRORS
ALL I COULD SEE WAS ME
WELL I TOOK MY SPIRIT AND I CRASHED MY MIRRORS
NOW THE WHOLE WORLD IS HERE FOR ME TO SEE
I'VE GOT A WHOLE WORLD THAT'S HERE FOR ME TO SEE
NOW I'M SEARCHING FOR MY LOVE TO BE
BROKEN GLASS WAS FALLING IN MY BRAIN
CUTTIN' AND SCREAMIN' AND CRYING IN MY HEAD
BROKEN GLASS WAS FALLING IN MY BRAIN
IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED
IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED
I SAID MAKING LOVE WAS STRANGE IN MY BED"
Jimi Hendrix
Jimi Hendrix
The book (and movie) "The Wizard of Oz" is used
in Illuminati mind control on a regular basis;
this has been confirmed by many mind control
survivors. Therefore it is interesting to note
that Pink Floyd's incredibly successful album,
"The Dark Side Of The Moon"[19] from 1973 seems
to be tightly connected to "The Wizard of Oz"
movie from 1939 in an interesting way, possibly
to trigger mind control survivors. Here is a quote from Wikipedia:
"When the album is played simultaneously with the
1939 film The Wizard of Oz, numerous images from
the film appear to synchronise with the music and
lyrics. Band members firmly state the phenomenon,
dubbed "Dark Side of the Rainbow" or "Dark Side
of Oz" by fans, is a coincidence."[20]
Jim Morrison
Jim Morrison
Jim Morrison, the lead singer in "The Doors", who
died from a heart attack at the age of 27,
admitted to being possessed, and his band
members, interviewed after his death,
acknowledged the fact and that they themselves
noticed this, especially when they played on
stage. Jim was convinced he was possessed by the
spirit of a dead shaman, who also was his musical
guide and from whom he got his charisma. Whether
this entity was actually what possessed him or
not is up for debate, but there is no doubt that
Jim was possessed by something. It shows clearly
in this video clip. After Jim left The Doors, he
claimed that the shaman had abandoned him and he
was "alone with himself", which made him very
lost and confused. He complained that his
charisma and musical drive were gone due to that
the shaman had left Jim's body.
Bob Dylan, Jewish singer, composer and poet, is
perhaps one of our most admired artists now
living. Though he supposedly converted to
Christianity in the late 70s, he has been
dedicated to the Jewish Mystery Religions and the
occult most of his career. His "Christian Period"
may very well have been sincere, but he is once
again back where he started and his logo is that
of Jewish Freemasonry and Egyptian Mystery Cults, as we can see here:
Bob Dylans' logo Bob Dylans' logo
[The above items come from bobdylanstore.com]
Another thing about Dylan, which I find quite
interesting, is from an interview with Ed Bradley
on "60 Minutes", around the time when Dylan
released the first volume of his book, the
trilogy: "Chronicles". I happened to watch it on
video.google, more or less by accident (the video
clip has since then been removed). Here Dylan
suggests he made a bargain with the Devil. This is how the story goes:
Ed Bradley, in the beginning of the interview,
asks Dylan how he could write such incredible
songs in the 60s. Dylan replies that he really
doesn't know; that they were "magically written",
and that he can't write songs like that anymore.
He also tells Bradley that he felt pretty early
in his life that he had a certain "destiny" that
he had to keep silent about. By the end of the
interview, about 14 minutes and 50 seconds into it, Bradley asks:
- Why do you still do it...why are you still out here?
Dylan replies: - Well, it goes back to that
destiny thing. I made a bargain with the...(here
Dylan catches himself and doesn't complete the
sentence. He continues): You know, a long time
ago and...I'm...holding up my end...
Bradley: - What was your bargain?
Dylan: - To get where...ah...I am now.
Bradley (smiling): - Should I ask whom you made the bargain with?
Dylan (nervously smiling and stuttering) -
With...with...with...yeah, with the Chief...eh...the Chief Commander...
Bradley: - Of this Earth??? (which is the Devil)
Dylan: - Uhm...of...of this Earth and the world
we can't see (Dylan's smile and nervous laughter
is shifting back to the melancholy sadness that
has been his only expression throughout the whole
interview up until Bradley asks about the Devil).
One important thing to remember, though, is that
not all artists and musicians are mind
controlled, and some don't know anything about
what is really going on in the business. Besides
that some parts of the industry don't make much
sense, they just write it off as oddities. In
fact, you don't need to put everybody under mind
control to accomplish your goal. As long as the
trend makers are either controlled or "one of
them" by free will, the rest will follow. When a
new trend is created by one or a few artists,
more artists will start creating similar kind of
music, and the snowball is rolling. The ones who
follow often do so without any knowledge of
what's going on behind the scenes; they are just milk cows to the Industry.
The Origins of Rock Music
Most people think that rock music started in the
1950s and was a new musical invention. In fact,
rock music is an ancient music form, originating
from the old Mystery Religions:
"Since the launching of the Beatles as an
international project via TV in 1963, "rock" has
been the most influential recruiter to Satanism.
Rock was created, and is still coordinated by
Crowley’s followers and by the OTO network, in
cooperation with WICCA. It is, not so
incidentally, also the Satanist’s biggest
money-maker, and believed to provide the chief
logistical support for deployments and other
activities of the OTO-WICCA efforts world-wide.
There is nothing spontaneous or accidental about
"rock." It is a product of classical studies of
the ancient Phrygian terrorist cult of
Satan-Dionysos, the model for the Roman Bacchic
cults of similar characteristics. Crowley’s
control of the "rock industry" has been
documented by a team of [private] investigators,
who have also noted, that in addition to the
Satanist lyrics, Satanist messages embedded
sublimely in rock recordings are a key feature of this subversive operation.
The "rock rhythm" itself is copied from the old
Dionysian-Bacchic cults. Even without the drugs
and sexual orgies which are characteristic
features of hard-core rock affairs, repeated,
frequent, hours-long exposure to constant
repetition of "rock rhythms" produces lasting,
drug-like effects on the mind of the victim.
Reducing sexual practices to the level of
bestiality, is a crucial feature of Satanism in
all historical periods studied, from Phrygian
Cybele-Dionysos cult-period onward."[21]
Aleister Crowley
Aleister Crowley (with the same occult symbol in
the middle of the pyramid as on Bob Dylan's logo above)
For those unfamiliar with Aleister Crowley
mentioned in the quote above, he was a Freemason,
a magician, an occultist and the Grand Master of
the OTO (Ordo Templi Orientis), which is an
occult order, based on the teaching of the old
Egyptian and Eastern Mystery Religions, still
alive and practiced in today's society, often by
people in high positions inside business,
politics and entertainment. Many rock musicians,
such as Jimmy Page and John Bonham (deceased) in
former Led Zeppelin, Sting, The Beatles, The
Rolling Stones, Ozzy Osbourne, The Eagles, David
Bowie and The Doors, to name a few, see Crowley
as their mentor and spiritual guide. Jimmy Page
has one of the largest collections of Crowley's
books in the world and even bought his property
by Lake Lochness in Scotland. Crowley named
himself "The Beast 666", which is Satan's number.[22]
Gavin Baddeley[23], another Crowley student, is
the head of Church of Satan in Great Britain, and
the author of the book, "Lucifer Rising: Sin,
Devil Worship, and Rock'n'Roll"[24]. This is
actually an excellent resource if you really want
to know what the music industry is all about. In
the book he is interviewing artists that are
overtly and covertly satanic, many of them also
admitting to being members of the Church of
Satan, which makes shocking reading. The book
definitely kills the myth that occultism and
Satanism in rock music is just a gimmick; it's
the real thing. The information comes directly from the horse's mouth.
The Destruction of Fine Art
Years ago, I believe in the 1990s, there was a
documentary on Television about a famous young
New York "painter", who sat in a bar with a
reporter, bragging over his art, drinking whisky
like water. Then he showed the reporter his art
gallery. Well in there, you could see about
twenty painters creating paintings like if it was
in a factory. Ten, maybe twenty unfinished
canvases were lined up against the wall, and the
painters walked from painting to paining, back
and forth, and added something new to each one.
Our famous, bragging "painter phenomenon" with
the whisky glass looked at the finished paintings
and either accepted or rejected them. Then he put
HIS signature on them, although he never even
used one brush stroke on any of them. Later he
sold a painting for around $800,000.00. The real
painters, who had created his work, were nothing
more than slave labor and were poorly paid.
This is the effect of the OTO-connected Andy
Warhol, who finally destroyed fine art in the
60's with his so called pop-art. He said in an
interview something to the effect that "fine art
is dead - this is the art of the New Era"
(referring to his own pop-art). An act of
rebellion or an act with a purpose to degrade art
like they've done with music? Warhol was a big
puppet for the Illuminati Elite; by degrading the
art we also degrade the human spirit.
Picasso once said that to be able to create a
good "alternative" art form and even abstract
art, you basically must be an excellent
traditional painter first. He was right, and if
you look at his early work, you can see that he
was mastering traditional painting before he
changed styles into what he became famous for.
But his wise words now seem to be forgotten.
Put in Perspective
In the beginning of this article we talked about
Hollywood and the Music Industry as propaganda
machines, which is exactly what they are.
Entertainment - yes, but with a specific message.
You may say that of course there are rock groups
that are overtly Satanic and destructive, but
there are also artists that are gentle, writing
beautiful songs about love and harmony. How can
they possibly be part of the Agenda? But they
are, often without their knowledge. This is how it works, in a nutshell:
The Illuminati works with the principles of Yin
and Yang. There has to be a balance; that's why
many of them also are philanthropists to counter
the negativity they are involved in. If all music
was dark and Satanic in its nature, most people
would reject it. There has to be music for
everybody, but they also know that where you put
your intention and your energy, that's where you
get results. And if you watch Hollywood movies
and listen to the lyrics of your music heroes and
are knowledgeable about the occult and the
Illuminati Agenda, you will soon discover how
much occult symbolism and covert promotion for a
World Government and a unity of all people and
races into one united world there is in the
context. There is nothing wrong with being
united, and many people embrace it, such as the
New Age Movement (another culture created by the
Illuminati). However, they don't know what
uniting means in this case and what the end
product will be. They only know that their heroes
are singing about love and unity and it sounds
like a good thing. The Power Elite is not stupid,
they know how the human mind works.
This is how art, music and film are intertwined
with the New World Order Agenda:
1. Let's say that the Illuminati is ready to move
on to the next level of control over the world
and they need to indoctrinate people in a new way
to have their support. Much of the planning is
political and financial in nature and is
happening behind the scenes, but two of their
most powerful instruments are Hollywood and the
Music Industry, because that is where they can
reach the masses. So they are deciding to set a
new trend to promote their latest strategy.
2. They use mind controlled people
(musicians/actors/producers etc.) and other
greedy artists, who have sworn obedience to the
cause to set this trend, in exchange for wealth,
drugs, groupies and/or whatever they want, in
order to be satisfied. Those controlled artists
and actors are heavily promoted with techniques
learnt from Nazi Germany, which developed the
most extraordinary techniques to manipulate the
masses that this world has ever seen. L. Ron
Hubbard, the founder of Scientology, confessed to
his disciples in writing that he used Goebbels’
Propaganda Machine to get people into the cult
(and keep them there). The Illuminati have no
problems promoting whatever they want, and have
people respond like they want them to.
3. The “trend-makers” set the direction for the
new trends, and people will start worshipping those new idols.
4. Other (often more talented) musicians follow
up on that trend and create their own version of
the new idea. Those musicians also get contracts
with the Record Companies, and can be ordinary
people like you and I, who have never been
tampered with in mind control programs like MK
ULTRA and Project Monarch. Those musicians (and
actors) don’t have to be severely mind controlled
to unwittingly help out with the Agenda of the
Elite. They just jump on the same bandwagon as
the trend-makers, and the snowball is starting to
roll. Thus, the Illuminati, who basically
invented the trend, can sit back and watch. We,
the citizens, are doing the rest for them. And of
course, there is a financial aspect to it as
well; whatever it takes to make an extra buck.
Thus, they also sign up artists they know will
probably only have one hit and then they throw them out.
5. Other gifted musicians and actors, who are
creating art that goes outside the Agenda – or
against it – have little chance to get their
message out broadly, because nobody at the top of
the Industry (where the money is) is willing to
promote them. It is the same pattern as within
politics. Only those who are promoted by the
super-wealthy Elite stand a chance. The
International Bankers (The Illuminati) are the
ones who own the Industry. As soon as someone
outside the Agenda is creating something new (may
it be a new type of music trend, a new label with
contrary or new fresh ideas) which is either
against their interests or a threat in the sense
of competition, the Illuminati is quick to buy
them out. If the Company or the persons refuse to
sell, they are threatened. We all have seen Mafia
Movies. That is exactly how it works.
So are we supposed to stop listening to the music
we've always liked after have read this article?
It's up to each one of us to make that decision,
but for mass mind control like this to work, the
receiver has to be ignorant of what is going on
or it won't work. I am torn myself, because I
love some of the old music from the 60s-70s and I
still listen to it with pleasure, but without
being indoctrinated and seeing the musicians as
heroes. On the other hand, by buying the music, I
support this criminal industry, which I don't
like to do. So that's where I stand, in all honesty.
Conclusion
From what we have discussed in this article, we
can see the pattern. It is no coincidence that so
many mega rock stars have military and
Intelligence family ties. It's within the
Military complex and the Intelligence Agencies
that mind control takes place, and many of those
rock stars are either under mind control or just
greedy, willing to follow any agenda to get an
abundance of money, sex and drugs. We also see
that behind it all lurk the secret societies with
their occult knowledge. The guru for many rock
stars is Aleister Crowley, a magician who spent
his life in and out of asylums due to the rituals
he practiced and all the drugs he took. Also,
people close to him had a strange tendency to die
before their time. But he had great occult
knowledge and this knowledge is used within the
music/film industries as well as high up in the Illuminati.
The reason why we have financial meltdown, why
life is so hectic and why all these wars are
going on all over the planet is because there is
a secret powerful cabal of occult practitioners
behind the scenes creating this chaos with a long
term goal to accomplish a One World Government
where no one is free and nothing but slave labor
to those in power. This is a goal they have been
working on for centuries and it's a huge task to
accomplish, and they know that they would have
little chance to reach there unless they had
Hollywood and the Music Industry to use as major propaganda machines.
On the bright side, people are currently waking
up to this fact and start getting their voices
heard. However, we are racing against time,
because the Power Elite is quite close to
accomplishing their goals and we need to act now
if we will stand a chance. Once they succeed, it
will be next to impossible to reverse the effects.
End notes and References:
[0] ^ http://en.wikipedia.org/wiki/MKULTRA
[1] ^
http://en.wikipedia.org/wiki/Jim_Morrison#Early_years;
http://www.illuminati-news.com/articles2/00201.html
[2] ^ http://en.wikipedia.org/wiki/Frank_Zappa#Early_life
[3} ^ http://www.illuminati-news.com/articles2/00201.html
[4] ^ ibid.
[5] ^ http://en.wikipedia.org/wiki/John_Phillips_(musician)#Early_life
[6] ^ http://www.illuminati-news.com/articles2/00201.html
[7] ^ http://en.wikipedia.org/wiki/Stephen_Stills#Early_years
[8] ^ http://www.illuminati-news.com/articles2/00201.html
[9] ^ ibid.
[10] ^ ibid.
[11] ^ ibid. See also:
http://en.wikipedia.org/wiki/Jackson_Browne#Early_life_and_songwriter_for_others
[12] ^ http://www.illuminati-news.com/articles2/00201.html
[13] ^ http://en.wikipedia.org/wiki/Jimi_hendrix#Early_life
[14] ^ http://www.amazon.com/Jimi-Hendrix-Electric-Harry-Shapiro/dp/0312130627
[15] ^
http://www.amazon.com/Hendrix-Setting-Straight-Edward-Kramer/dp/0446394319
[16] ^ http://en.wikipedia.org/wiki/Joni_Mitchell#Early_life
[17] ^
http://www.amazon.com/Illuminati-formula-create-undetectable-controlled/dp/B0006QXVU4
[18] ^ http://en.wikipedia.org/wiki/Colonel_Tom_Parker#Real_birthplace
[19] ^ http://en.wikipedia.org/wiki/The_Dark_Side_of_the_Moon
[20] ^ ibid.
[21] ^
http://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_lucytrust03.htm
[22] ^ To read more about the Illuminati,
occultism, secret societies and and Aleister
Crowley, see the following sections of my
website: The Illuminati, Secret Societies and
Occultism. Occultism in relation to
entertainment, see section The Occult Rock Music.
[23] ^ http://en.wikipedia.org/wiki/Gavin_Baddeley
[24] ^
http://www.amazon.com/s/ref=nb_ss_gw/105-3916154-7459636?url=search-alias=stripbooks&field-keywords=lucifer+rising
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'From South America, where payment must be made
with subtlety, the Bormann organization has made
a substantial contribution. It has drawn many of
the brightest Jewish businessmen into a
participatory role in the development of many of
its corporations, and many of these Jews share
their prosperity most generously with Israel. If
their proposals are sound, they are even provided
with a specially dispensed venture capital fund.
I spoke with one Jewish businessmen in Hartford,
Connecticut. He had arrived there quite unknown
several years before our conversation, but with
Bormann money as his leverage. Today he is more
than a millionaire, a quiet leader in the
community with a certain share of his profits
earmarked as always for his venture capital
benefactors. This has taken place in many other
instances across America and demonstrates how
Bormann’s people operate in the contemporary
commercial world, in contrast to the fanciful
nonsense with which Nazis are described in so much “literature.”
So much emphasis is placed on select Jewish
participation in Bormann companies that when
Adolf Eichmann was seized and taken to Tel Aviv
to stand trial, it produced a shock wave in the
Jewish and German communities of Buenos Aires.
Jewish leaders informed the Israeli authorities
in no uncertain terms that this must never happen
again because a repetition would permanently
rupture relations with the Germans of Latin
America, as well as with the Bormann
organization, and cut off the flow of Jewish
money to Israel. It never happened again, and the
pursuit of Bormann quieted down at the request of
these Jewish leaders. He is residing in an
Argentinian safe haven, protected by the most
efficient German infrastructure in history as
well as by all those whose prosperity depends on his well-being.'
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Please consider seriously the reason why these elite institutions are not discussed in the mainstream press despite the immense financial and political power they wield?
There are sick and evil occultists running the Western World. They are power mad lunatics like something from a kids cartoon with their fingers on the nuclear button! Armageddon is closer than you thought. Only God can save our souls from their clutches, at least that's my considered opinion - Tony
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