Hi all,
I will be using polaroid type 669 in a pinhole
utilizing daylight. Has anyone done any color
correction tests so that I may bave this information
before I start? Specifically, what gel do I need to
correct for any overall color casts? My goal is to
have the pics as "neutral" as possible
- Original Message -
From: "Jason Russell"
>
> The corrected time you gave me worked very well. Thank you!
>
> However, I want to clarify one thing...
>
> Did you go to the Polaroid website to get the numbers to plug into the
> WinCurveFit program? Did you just pull the numbers from the
Polaroid is not my recording medium of choice, but without a 4x5 darkroom,
Polaroid is a practical choice, and scan. Most of my pictures on PinPLUS
side of www.huecandela.com are Polaroid. Have found that Polaroid Polapan
54 for sunlight and Polaroid Polapan 72 for overcast, full shade, and fl
Guillermo,
The corrected time you gave me worked very well. Thank you!
However, I want to clarify one thing...
Did you go to the Polaroid website to get the numbers to plug into the
WinCurveFit program? Did you just pull the numbers from the displayed graph
and plug them into the program and
Dai,I just visited your website and found it too, inspirational
just wanted to say that to you
Robin
- Original Message -
From:
To:
Sent: Tuesday, October 29, 2002 9:58 PM
Subject: RE: [pinhole-discussion] re:pinhole nude
> Hi Robert,
>
> I the final images are printed on Cachet "Multi
- Original Message -
From: "Jason Russell"
>
> Will the equation change with different types of film?
The equation is just a math model of the reciprocity correction curve, the
latter is just a graphic representation of the discrete values, either given
by manufactures (like the ones give
Hi Robert,
I the final images are printed on Cachet "Multibrom Variable Contrast
Fiber Base Double Weight Matte Paper." The paper is VERY nice but
availability is spotty. I got my supply from B&H.
I have some bad (photo/scan) images of the camera here:
http://www.justdai.com/cam1.jpg
http:
- Original Message -
From: "Paul Prober"
>
> Note! By using flash there is no recopicity failure. The effect is the
same
> as opening the shutter for 1/1,000 of a second each time the flash is
fired.
Sure, there is a "reciprocity" like effect, its name is Intermittency
Effect.
Guillermo
Beautiful work!
Thanks for more insight about flash and pinhole.
Catherine
--- dain...@aol.com wrote:
> Hi Folks,
>
> I did a series several years ago using a portable
> Vivitar flash and a
> pinhole camera shooting nudes. A sample can be
> viewed here:
> http://www.justdai.com/topo/index.ht
Dai,
Those are very impressive and beautiful images. Thanks for the inspiration!
What type of paper are they printed on? I know if they look that good as
tiny compressed jpegs, the real prints must be stunning.
Do you have any link to show what your homemade camera looks like?
Regards,
R.J.
--
Hi Folks,
I did a series several years ago using a portable Vivitar flash and a
pinhole camera shooting nudes. A sample can be viewed here:
http://www.justdai.com/topo/index.html The final images are 11X14 from
6X7 120 negative.
Shooting pinhole with flash is astonishingly easy and rather l
> whatever are everyone elses thoughts on authentic
> space?
>
> steve
Steve, might this refer to the difference between
authentic to perhaps, contrived space? I have found
the certain areas or places have a "feel" to them, a
feel that I might try to cpature with a photgraph.
These areas, to my se
Guillermo,
Will the equation change with different types of film? Or do I just plug
the indicated time into the equation to get a starting point? If it does
change, which numbers will be different and how do I figure them out?
Thanks
Jason Russell
WISH-TV
Indianapolis, IN
"If you go any faste
Yes! There is another way. That is to use flash. My website at
http://www.huecandela.com/hue-x/Pin-html/PP_h-pwr1.html has pictures that
are 6 inches to over 4 1/2 feet from a f/250 pinhole in one picture. Plus
information on using flash units with many firings for one picture. Also a
complete s
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