Another suggestion. Find an old Brownie box camera that takes
120 film and that has time exposure capability. They should
be $5.00 or so. It is easy to take the lens out and put in
a pinhole. Then you will have 6x9 cm images instead of 35mm
and can still get commercial processing. I mostly do
Thanks for the input on transparency film...I have used Velvia 120 in the
past with a good light meter and had wonderful results with lenses...My hope
is that the slide film will give me a better or truer read on my
exposures...I currently use 100 or 200 asa color or the Kodak C41 process
BW film
Andrew -
A few years ago I bought a box of Europe's Finest single weight paper from
Freestyle Photographic in California. I've used that for paper negatives on
quite a few occasions and I found it worked very well. I know Freestyle
doesn't sell it anymore, but I haven't looked elsewhere. If you
The only problem with transparency film is it has much less latitude, less
tolerance for variation in exposure.
andy
-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Pettit, Ronnie
(RBI-US RCD)
Sent: Thursday,
Hi Ronnie, welcome to the list.
In my work with pinhole and zoneplate bodycaps I use
any slide film which is of high contrast due to the
low-contrast nature of pinhole. My latest ventures
are with Velvia, a nice contrasty slide film. If you
have good friends in a developing lab, or if you
I have been a lurker on this list for a few months and have enjoyed the
vast amount of knowledge I have been able to glean from cyberspace.
I have been a fan of pinhole photography since my college days where I
studied under Wiley Sanderson, Mary Ruth Moore and Dr Robert Nix at the
University of
Fuji Frontier used normally in minilabs prints digital into Fujicolor (usually
Fuji Crystal) paper.
I don't know the technical details.
Regards
António Vieira
http://www.livinginabox.net
-Original Message-
From: Nick Dvoracek [mailto:dvora...@vaxa.cis.uwosh.edu]
Sent: Segunda-feira,
