I would think that from the original question, that the user was using
his studio strobes on light stands. He did mention that they were
Speedatron Brownline. For the member with the one pop per stop to get
his exposure right (considering the laws of physics) he would have to
move his light in a
Hello there,
This discussion's been a good test for the
tolerant spirit that prevails in this list. Reading
the archives I can see that there have been some
controversies in the past, but they have been more
about shape than substance. In this case, is
different, is about a technical
exposure.
- Original Message -
From: John Yeo jonn...@thegrid.net
To: pinhole-discussion@p at ???
Sent: Monday, November 20, 2000 7:21 PM
Subject: Re: [pinhole-discussion] READ THIS ONE- Studio Photography
Why would reciprocity failure even be a problem? It occurs when
.
Levi
On Mon, 20 Nov 2000 17:14:34 -0800 Tom Ferguson tomf2...@pipeline.com
writes:
From: Levi Brown kerpl...@juno.com
Subject: [pinhole-discussion] READ THIS ONE- Studio Photography
Andrew,
I've been doing this for several years now... here is what you
do.
First
Because reciprocity failure comes about in accumulated exposure. 100 pops of
a flash is accumulated exposure in the same way that 100 seconds of
continuous exposure is. My experience is that you need to account for some
reciprocity failure.
|-Original Message-
|
|
|
|Why would reciprocity
|-Original Message-
|
| Ideally if you can get your meter to read F-45 you are doing good. This
| whole bit about doubling your number of flashes to add an extra stop is
| nonsense. Everytime that you flash the strobes you add an extra stop of
| light. Lets say that I set up my lights
Subject: Re: [pinhole-discussion] READ THIS ONE- Studio Photography
From: Levi Brown kerpl...@juno.com
Subject: [pinhole-discussion] READ THIS ONE- Studio Photography
Andrew,
I've been doing this for several years now... here is what you do.
First determine the effective aperture
From: Levi Brown kerpl...@juno.com
Subject: [pinhole-discussion] READ THIS ONE- Studio Photography
Andrew,
I've been doing this for several years now... here is what you do.
First determine the effective aperture of your camera. For my 4x5 mine
is about F-256 and for my converted
Andrew,
I've been doing this for several years now... here is what you do.
First determine the effective aperture of your camera. For my 4x5 mine
is about F-256 and for my converted Hasselblad it is about F-140. Get
yourself a flash meter and get your strobes close to your subject.
Ideally
