bobertuk;675000 Wrote:
Interestingly though...
I fingerprint tracks on a MacBook Pro then copy them over to a headless
Linux NAS for streaming. When I copy them over, I scan them into the
local (NAS) MIP database. The Hi-Res files that haven't been
fingerprinted require validation by the
Nikhil;675127 Wrote:
Yes they may appear mixable, but have you looked at the mixes they
generate? In my experience a 24bit seed track will generate a mix of
only 24bit tracks and not 16bit tracks that may be musically more
appropriate for the mix. The tag swapping approach seems to have
I'm going to answer my own question. The MusicIP tags appear to be
identical between the 16bit and 24bit versions for the files that I
have tested, so I don't think this approach can work.
--
Nikhil
Nikhil's Profile:
I am going to answer my own question. Copying over the MusicIP tags from
16bit versions of the tracks to the original 24bit versions allow the HD
versions to be mixed properly by MusicIP. You do have to remove the
tracks from the MusicIP database and rescan it for it to work. I simply
deleted my
I've found the same issue with Hi-Res music and MIP. Your information is
very useful so I may give it a try.
Interestingly though...
I fingerprint tracks on a MacBook Pro then copy them over to a headless
Linux NAS for streaming. When I copy them over, I scan them into the
local (NAS) MIP
As far as I can tell, MusicIP is unable to create mixes of higher res
(24bit and perhaps 48KHz and higher material) with standard red book
sourced tracks. I thought it might be a good idea to:
1)Make 16bit 44.1 KHz copies of all my high res material
2) Analyze these by MusicIP
3) Copy the 2
