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THE NEW AMERICAN MILITARISM
The normalization of war
By Andrew J Bacevich 


At the end of the Cold War, Americans said "yes" to military power. The 
skepticism about arms and armies that pervaded the American experiment from its 
founding vanished. Political leaders, liberals and conservatives alike, became 
enamored with military might. 

The ensuing affair had and continues to have a heedless, Gatsby-like aspect, a 
passion pursued in utter disregard of any consequences that might ensue. Few in 
power have openly considered whether valuing military power for its own sake or 
cultivating permanent global military superiority might be at odds with 
American principles. Indeed, one striking aspect of America's drift toward 
militarism has been the absence of dissent offered by any political figure of 
genuine stature. 

For example, when Senator John Kerry, Democrat of Massachusetts, ran for the 
presidency in 2004, he framed his differences with George W Bush's national 
security policies in terms of tactics rather than first principles. Kerry did 
not question the wisdom of styling the US response to the events of September 
11, 2001, as a generations-long "global war on terror". It was not the prospect 
of open-ended war that drew Kerry's ire. It was rather the fact that the war 
had been "extraordinarily mismanaged and ineptly prosecuted". Kerry faulted 
Bush because, in his view, US troops in Iraq lacked "the preparation and 
hardware they needed to fight as effectively as they could". Bush was expecting 
too few soldiers to do too much with too little. Declaring that "keeping our 
military strong and keeping our troops as safe as they can be should be our 
highest priority", Kerry promised if elected to fix these deficiencies. 
Americans could count on a President Kerry to expand the armed forces and 
improve their ability to fight. 

Yet on this score Kerry's circumspection was entirely predictable. It was the 
candidate's way of signaling that he was sound on defense and had no intention 
of departing from the prevailing national-security consensus. 

Under the terms of that consensus, mainstream politicians today take as a given 
that American military supremacy is an unqualified good, evidence of a larger 
American superiority. They see this armed might as the key to creating an 
international order that accommodates American values. One result of that 
consensus over the past quarter-century has been to militarize US policy and 
encourage tendencies suggesting that American society itself is increasingly 
enamored with its self-image as the military-power nonpareil. 


How much is enough?
This new American militarism manifests itself in several different ways. It 
does so, first of all, in the scope, cost, and configuration of America's 
present-day military establishment. 

Through the first two centuries of US history, political leaders in Washington 
gauged the size and capabilities of America's armed services according to the 
security tasks immediately at hand. A grave and proximate threat to the 
nation's well-being might require a large and powerful military establishment. 
In the absence of such a threat, policymakers scaled down that establishment 
accordingly. With the passing of crisis, the army raised up for the crisis went 
immediately out of existence. This had been the case in 1865, in 1918, and in 
1945. 

Since the end of the Cold War, having come to value military power for its own 
sake, the United States has abandoned this principle and is committed as a 
matter of policy to maintaining military capabilities far in excess of those of 
any would-be adversary or combination of adversaries. This commitment finds 
both a qualitative and quantitative expression, with the US military 
establishment dwarfing that of even America's closest ally. Thus, whereas the 
US Navy maintains and operates a total of 12 large attack aircraft carriers, 
the once-vaunted Royal Navy has none - indeed, in all the battle fleets of the 
world there is no ship even remotely comparable to a Nimitz-class carrier, 
weighing in at some 97,000 tons fully loaded, longer than three [US] football 
fields, cruising at a speed above 30 knots, and powered by nuclear reactors 
that give it an essentially infinite radius of action. Today, the US Marine 
Corps possesses more attack aircraft than does the entire Royal Air Force - and 
the United States has two other even larger "air forces", one an integral part 
of the navy and the other officially designated as the US Air Force. Indeed, in 
terms of numbers of men and women in uniform, the US Marine Corps is half again 
as large as the entire British army - and the Pentagon has a second, even 
larger "army" actually called the US Army - which in turn also operates its own 
"air force" of some 5,000 aircraft. 

All of these massive and redundant capabilities cost money. Notably, the 
present-day Pentagon budget, adjusted for inflation, is 12% larger than the 
average defense budget of the Cold War era. In 2002, American defense spending 
exceeded by a factor of 25 the combined defense budgets of the seven "rogue 
states" then comprising the roster of US enemies. Indeed, by some calculations, 
the United States spends more on defense than all other nations in the world 
together. This is a circumstance without historical precedent. 

Furthermore, in all likelihood, the gap in military spending between the United 
States and all other nations will expand further still in the years to come. 
Projected increases in the defense budget will boost Pentagon spending in real 
terms to a level higher than it was during the Ronald Reagan era (1981-1989). 
According to the Pentagon's announced long-range plans, by 2009 its budget will 
exceed the Cold War average by 23% - despite the absence of anything remotely 
resembling a so-called peer competitor. However astonishing this fact might 
seem, it elicits little comment, either from political leaders or the press. It 
is simply taken for granted. The truth is that there no longer exists any 
meaningful context within which Americans might consider the question, "How 
much is enough?" 

On a day-to-day basis, what do these expensive forces exist to do? Simply put, 
for the Department of Defense and all of its constituent parts, defense per se 
figures as little more than an afterthought. The primary mission of America's 
far-flung military establishment is global power projection, a reality tacitly 
understood in all quarters of American society. To suggest that the US military 
has become the world's police force may slightly overstate the case, but only 
slightly. 

That well over a decade after the collapse of the Soviet Union the United 
States continues to maintain bases and military forces in several dozens of 
countries - by some counts well over a hundred in all - rouses minimal 
controversy, despite the fact that many of these countries are perfectly 
capable of providing for their own security needs. That even apart from 
fighting wars and pursuing terrorists, US forces are constantly prowling around 
the globe - training, exercising, planning, and posturing - elicits no more 
notice (and in some cases less) from the average American than the presence of 
a cop on a city street corner. Even before the Pentagon officially assigned 
itself the mission of "shaping" the international environment, members of the 
political elite, liberals and conservatives alike, had reached a common 
understanding that scattering US troops around the globe to restrain, inspire, 
influence, persuade, or cajole paid dividends. Whether any correlation exists 
between this vast panoply of forward-deployed forces on the one hand and 
antipathy to the United States abroad on the other has remained for the most 
part a taboo subject. 


The quest for military dominion
The indisputable fact of global US military preeminence also affects the 
collective mindset of the officer corps. For the armed services, dominance 
constitutes a baseline or a point of departure from which to scale the heights 
of ever greater military capabilities. Indeed, the services have come to view 
outright supremacy as merely adequate and any hesitation in efforts to increase 
the margin of supremacy as evidence of falling behind. 

Thus, according to one typical study of the US Navy's future, "sea supremacy 
beginning at our shorelines and extending outward to distant theaters is a 
necessary condition for the defense of the US". Of course, the US Navy already 
possesses unquestioned global preeminence; the real point of the study is to 
argue for the urgency of radical enhancements to that preeminence. The 
officer-authors of this study express confidence that given sufficient money 
the navy can achieve ever greater supremacy, enabling the navy of the future to 
enjoy "overwhelming precision firepower", "pervasive surveillance", and 
"dominant control of a maneuvering area, whether sea, undersea, land, air, 
space or cyberspace". In this study and in virtually all others, political and 
strategic questions implicit in the proposition that supremacy in distant 
theaters forms a prerequisite of "defense" are left begging - indeed, are 
probably unrecognized. At times, this quest for military dominion takes on 
galactic proportions. Acknowledging that the United States enjoys "superiority 
in many aspects of space capability", a senior defense official nonetheless 
complains that "we don't have space dominance and we don't have space 
supremacy". Since outer space is "the ultimate high ground", which the United 
States must control, he urges immediate action to correct this deficiency. When 
it comes to military power, mere superiority will not suffice. 

The new American militarism also manifests itself through an increased 
propensity to use force, leading, in effect, to the normalization of war. There 
was a time in recent memory, most notably while the so-called Vietnam Syndrome 
infected the American body politic, when Republican and Democratic 
administrations alike viewed with real trepidation the prospect of sending US 
troops into action abroad. Since the advent of the new Wilsonianism, however, 
self-restraint regarding the use of force has all but disappeared. During the 
entire Cold War era, from 1945 through 1988, large-scale US military actions 
abroad totaled a scant six. Since the fall of the Berlin Wall, however, they 
have become almost annual events. The brief period extending from 1989's 
Operation Just Cause (the overthrow of Manuel Noriega) to 2003's Operation 
Iraqi Freedom (the overthrow of Saddam Hussein) featured nine major military 
interventions. And that count does not include innumerable lesser actions such 
as Bill Clinton's signature cruise-missile attacks against obscure targets in 
obscure places, the almost daily bombing of Iraq throughout the late 1990s, or 
the quasi-combat missions that have seen GIs dispatched to Rwanda, Colombia, 
East Timor, and the Philippines. Altogether, the tempo of US military 
interventionism has become nothing short of frenetic. 

As this roster of incidents lengthened, Americans grew accustomed to - perhaps 
even comfortable with - reading in their morning newspapers the latest reports 
of US soldiers responding to some crisis somewhere on the other side of the 
globe. As crisis became a seemingly permanent condition, so too did war. The 
Bush administration has tacitly acknowledged as much in describing the global 
campaign against terror as a conflict likely to last decades and in 
promulgating - and in Iraq implementing - a doctrine of preventive war. 

In former times American policymakers treated (or at least pretended to treat) 
the use of force as evidence that diplomacy had failed. In our own time they 
have concluded (in the words of Vice President Dick Cheney) that force "makes 
your diplomacy more effective going forward, dealing with other problems". 
Policymakers have increasingly come to see coercion as a sort of all-purpose 
tool. Among American war planners, the assumption has now taken root that 
whenever and wherever US forces next engage in hostilities, it will be the 
result of the United States consciously choosing to launch a war. As President 
Bush has remarked, the big lesson of September 11 was that "this country must 
go on the offense and stay on the offense". The American public's ready 
acceptance of the prospect of war without foreseeable end and of a policy that 
abandons even the pretense of the United States fighting defensively or viewing 
war as a last resort shows clearly how far the process of militarization has 
advanced. 

The new esthetic of war
Reinforcing this heightened predilection for arms has been the appearance in 
recent years of a new esthetic of war. This is the third indication of 
advancing militarism. 

The old 20th-century esthetic of armed conflict as barbarism, brutality, 
ugliness, and sheer waste grew out of World War I, as depicted by writers such 
as Ernest Hemingway, Erich Maria Remarque, and Robert Graves. World War II, 
Korea, and Vietnam reaffirmed that aesthetic, in the latter case with films 
like Apocalypse Now, Platoon, and Full Metal Jacket. 

The intersection of art and war gave birth to two large truths. The first was 
that the modern battlefield was a slaughterhouse, and modern war an orgy of 
destruction that devoured guilty and innocent alike. The second, stemming from 
the first, was that military service was an inherently degrading experience and 
military institutions by their very nature repressive and inhumane. After 1914, 
only fascists dared to challenge these truths. Only fascists celebrated war and 
depicted armies as forward-looking - expressions of national unity and 
collective purpose that paved the way for utopia. To be a genuine progressive, 
liberal in instinct, enlightened in sensibility, was to reject such notions as 
preposterous. 


But by the turn of the 21st century, a new image of war had emerged, if not 
fully displacing the old one at least serving as a counterweight. To many 
observers, events of the 1990s suggested that war's very nature was undergoing 
a profound change. The era of mass armies, going back to the time of Napoleon, 
and of mechanized warfare, an offshoot of industrialization, was coming to an 
end. A new era of high-tech warfare, waged by highly skilled professionals 
equipped with "smart" weapons, had commenced. Describing the result inspired 
the creation of a new lexicon of military terms: war was becoming surgical, 
frictionless, postmodern, even abstract or virtual. It was "coercive diplomacy" 
- the object of the exercise no longer to kill but to persuade. By the end of 
the 20th century, Michael Ignatieff of Harvard University concluded, war had 
become "a spectacle". It had transformed itself into a kind of "spectator 
sport", one offering "the added thrill that it is real for someone, but not, 
happily, for the spectator". Even for the participants, fighting no longer 
implied the prospect of dying for some abstract cause, since the very notion of 
"sacrifice in battle had become implausible or ironic". 

Combat in the information age promised to overturn all of "the hoary dictums 
about the fog and friction" that had traditionally made warfare such a chancy 
proposition. American commanders, affirmed General Tommy Franks, could expect 
to enjoy "the kind of Olympian perspective that Homer had given his gods". 

In short, by the dawn of the 21st century the reigning postulates of 
technology-as-panacea had knocked away much of the accumulated blood-rust 
sullying war's reputation. Thus reimagined - and amidst widespread assurances 
that the United States could be expected to retain a monopoly on this new way 
of war - armed conflict regained an esthetic respectability, even palatability, 
that the literary and artistic interpreters of 20th-century military cataclysms 
were thought to have demolished once and for all. In the right circumstances, 
for the right cause, it now turned out, war could actually offer an attractive 
option - cost-effective, humane, even thrilling. Indeed, as the Anglo-American 
race to Baghdad conclusively demonstrated in the spring of 2003, in the eyes of 
many, war has once again become a grand pageant, performance art, or perhaps a 
temporary diversion from the ennui and boring routine of everyday life. As one 
observer noted with approval, "public enthusiasm for the whiz-bang technology 
of the US military" had become "almost boyish". Reinforcing this enthusiasm was 
the expectation that the great majority of Americans could count on being able 
to enjoy this new type of war from a safe distance. 


The moral superiority of the soldier
This new esthetic has contributed, in turn, to an appreciable boost in the 
status of military institutions and soldiers themselves, a fourth manifestation 
of the new American militarism. 

Since the end of the Cold War, opinion polls surveying public attitudes toward 
national institutions have regularly ranked the armed services first. While 
confidence in the executive branch, the Congress, the media, and even organized 
religion is diminishing, confidence in the military continues to climb. 
Otherwise acutely wary of having their pockets picked, Americans count on men 
and women in uniform to do the right thing in the right way for the right 
reasons. Americans fearful that the rest of society may be teetering on the 
brink of moral collapse console themselves with the thought that the armed 
services remain a repository of traditional values and old-fashioned virtue. 

Confidence in the military has found further expression in a tendency to 
elevate the soldier to the status of national icon, the apotheosis of all that 
is great and good about contemporary America. The men and women of the armed 
services, gushed Newsweek in the aftermath of Operation Desert Storm, "looked 
like a Norman Rockwell painting come to life. They were young, confident, and 
hard-working, and they went about their business with poise and elan." A writer 
for Rolling Stone magazine reported after a more recent and extended immersion 
in military life that "the army was not the awful thing that my [anti-military] 
father had imagined"; it was instead "the sort of America he always pictured 
when he explained ... his best hopes for the country". 

According to the old post-Vietnam-era political correctness, the armed services 
had been a refuge for louts and mediocrities who probably couldn't make it in 
the real world. By the turn of the 21st century a different view had taken 
hold. Now the United States military was "a place where everyone tried their 
hardest. A place where everybody ... looked out for each other. A place where 
people - intelligent, talented people - said honestly that money wasn't what 
drove them. A place where people spoke openly about their feelings." Soldiers, 
it turned out, were not only more virtuous than the rest of us, but also more 
sensitive and even happier. Contemplating the GIs advancing on Baghdad in March 
2003, the classicist and military historian Victor Davis Hanson saw something 
more than soldiers in battle. He ascertained "transcendence at work". According 
to Hanson, the armed services had "somehow distilled from the rest of us an 
elite cohort" in which virtues cherished by earlier generations of Americans 
continued to flourish. 

Soldiers have tended to concur with this evaluation of their own moral 
superiority. In a 2003 survey of military personnel, "two-thirds [of those 
polled] said they think military members have higher moral standards than the 
nation they serve ... Once in the military, many said, members are wrapped in a 
culture that values honor and morality." Such attitudes leave even some senior 
officers more than a little uncomfortable. Noting with regret that "the armed 
forces are no longer representative of the people they serve", retired Admiral 
Stanley Arthur has expressed concern that "more and more, enlisted as well as 
officers are beginning to feel that they are special, better than the society 
they serve". Such tendencies, concluded Arthur, are "not healthy in an armed 
force serving a democracy". 

In public life today, paying homage to those in uniform has become obligatory 
and the one unforgivable sin is to be found guilty of failing to "support the 
troops". In the realm of partisan politics, the political right has shown 
considerable skill in exploiting this dynamic, shamelessly pandering to the 
military itself and by extension to those members of the public laboring under 
the misconception, a residue from Vietnam, that the armed services are under 
siege from a rabidly anti-military left. 

In fact, the Democratic mainstream - if only to save itself from extinction - 
has long since purged itself of any dovish inclinations. "What's the point of 
having this superb military that you're always talking about," Madeleine 
Albright demanded of General Colin Powell, "if we can't use it?" As Albright's 
question famously attests, when it comes to advocating the use of force, 
Democrats can be positively gung-ho. Moreover, in comparison to their 
Republican counterparts, they are at least as deferential to military leaders 
and probably more reluctant to question claims of military expertise. 

Even among left-liberal activists, the reflexive anti-militarism of the 1960s 
has given way to a more nuanced view. Although hard-pressed to match 
self-aggrandizing conservative claims of being one with the troops, 
progressives have come to appreciate the potential for using the armed services 
to advance their own agenda. Do-gooders want to harness military power to their 
efforts to do good. Thus the most persistent calls for US intervention abroad 
to relieve the plight of the abused and persecuted come from the militant left. 
In the present moment, writes Michael Ignatieff, "empire has become a 
precondition for democracy". Ignatieff, a prominent human-rights advocate, 
summons the United States to "use imperial power to strengthen respect for 
self-determination [and] to give states back to abused, oppressed people who 
deserve to rule them for themselves". 

The president as warlord
Occasionally, albeit infrequently, the prospect of an upcoming military 
adventure still elicits opposition, even from a public grown accustomed to war. 
For example, during the run-up to the US invasion of Iraq in the spring of 
2003, large-scale demonstrations against President Bush's planned intervention 
filled the streets of many American cities. The prospect of the United States 
launching a preventive war without the sanction of the UN Security Council 
produced the largest outpouring of public protest that the country had seen 
since the Vietnam War. Yet the response of the political classes to this 
phenomenon was essentially to ignore it. No politician of national stature 
offered himself or herself as the movement's champion. No would-be statesman 
nursing even the slightest prospects of winning high national office was 
willing to risk being tagged with not supporting those whom President Bush was 
ordering into harm's way. When the Congress took up the matter, Democrats who 
denounced George W Bush's policies in every other respect dutifully authorized 
him to invade Iraq. For up-and-coming politicians, opposition to war had become 
something of a third rail: only the very brave or the very foolhardy dared to 
venture anywhere near it. 


More recently still, this has culminated in George W Bush styling himself as 
the nation's first full-fledged warrior-president. The staging of Bush's 
victory lap shortly after the conquest of Baghdad in the spring of 2003 - the 
dramatic landing on the carrier USS Abraham Lincoln, with the president decked 
out in the full regalia of a naval aviator emerging from the cockpit to bask in 
the adulation of the crew - was lifted directly from the triumphant final 
scenes of the movie Top Gun, with the boyish George Bush standing in for the 
boyish Tom Cruise. For this nationally televised moment, Bush was not simply 
mingling with the troops; he had merged his identity with their own and made 
himself one of them - the president as warlord. In short order, the marketplace 
ratified this effort; a toy manufacturer offered for US$39.99 a Bush-lookalike 
military action figure advertised as "Elite Force Aviator: George W Bush - US 
President and Naval Aviator". 


Thus has the condition that worried C Wright Mills in 1956 come to pass in our 
own day. "For the first time in the nation's history," Mills wrote, "men in 
authority are talking about an 'emergency' without a foreseeable end." While in 
earlier times Americans had viewed history as "a peaceful continuum interrupted 
by war", today planning, preparing, and waging war has become "the normal state 
and seemingly permanent condition of the United States". And "the only accepted 
'plan' for peace is the loaded pistol". 

Monday: Role of the second-generation neo-cons 

Andrew J Bacevich is professor of international relations and director of the 
Center for International Relations at Boston University. A graduate of West 
Point and a Vietnam veteran, he has a doctorate in history from Princeton and 
was a Bush Fellow at the American Academy in Berlin. He is the author of 
several books, including the just-published The New American Militarism: How 
Americans Are Seduced by War. This article is a slightly adapted excerpt from 
that book, and is used by permission of Tomdispatch, of the author, and of 
Oxford University Press Inc. 

(Copyright 2005 Andrew J Bacevich.)

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