Is their any1 that sequences on the Motif ES?
On Jan 27, 2015, at 10:21 PM, Kevin Reeves wrote:
> Hey Chad.
>
> You can definitely paste multiple tracks. As long as you have the same number
> of target and destination tracks, everything will be pasted properly. You’ll
> want to cut rather than
Hey Chad.
You can definitely paste multiple tracks. As long as you have the same number
of target and destination tracks, everything will be pasted properly. You’ll
want to cut rather than copy for obvious reasons.
Hope this helps.
Kevin
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Nick thx, good info!!!
Sent from my iPhone
> On Jan 27, 2015, at 8:35 PM, Nick Gawronski wrote:
>
> Hi, The ilok license manager is written in QT which has some accessibility
> issues but in the newest version of QT voiceover will work with it provided
> the developer does the accessibility w
This is a feature that Cakewalk, Logic, and Reaper have been able to do since
day 1. Unfortunately, your only options are to import to a new track and cut
and paste to your desired track, or import to the clip list and drag, which I
haven’t had much luck with.
Trust me, I love PT, but in certain
Hi, The ilok license manager is written in QT which has some
accessibility issues but in the newest version of QT voiceover will work
with it provided the developer does the accessibility work. I remember
a message about this being sent to the list a few months back and did
some research on QT
Sorry, I thought of one more question. Can you copy and paste multiple tracks
at a time? One of the clients I work with sends me his project files. I would
like to be able to quickly insert the audio from those files into the template.
>From Chad's iPhone
> On Jan 27, 2015, at 8:12 PM, Slau Hal
I guess I should've thought of that one. LOL
Thank you!
>From Chad's iPhone
> On Jan 27, 2015, at 8:12 PM, Slau Halatyn wrote:
>
> Hi chad,
>
> Simply, as you've been doing, import audio to a new track, select the audio
> from that new track and paste it into the track into which you intended
Hi chad,
Simply, as you've been doing, import audio to a new track, select the audio
from that new track and paste it into the track into which you intended the
audio and delete the unused track.
Hope that helps,
Slau
On Jan 27, 2015, at 8:52 PM, chad morrison wrote:
> Hello all,
> I hope yo
Hello all,
I hope you all can help me. I was wondering if there is any way to import audio
on to a pre-existing track? The way I have been doing it imports the audio, but
it also creates an audio track. I've created a template that I would like to
use with sins and the track routed through the a
My go-to mixbus plugs are fairly uninteresting. ReaXcomp and a touch
of Mongoose from Boz Digital Labs.
On 1/28/15, TheOreoMonster wrote:
> So what are you guys loving for saturation/distortion and mix bus
> compression these days?
> On Jan 27, 2015, at 3:02 PM, Chris Smart wrote:
>
>> thanks.
So what are you guys loving for saturation/distortion and mix bus compression
these days?
On Jan 27, 2015, at 3:02 PM, Chris Smart wrote:
> thanks.
>
> At 02:47 PM 1/27/2015, you wrote:
>> Ah, unless that bass synth is particularly percussive then I guess
>> it's the parallel distortion I must
thanks.
At 02:47 PM 1/27/2015, you wrote:
Ah, unless that bass synth is particularly percussive then I guess
it's the parallel distortion I must be hearing. Nice work man.
On 1/27/15, Chris Smart wrote:
> there are a couple things going on there.
>
> The bass is being ducked very briefly to l
Ah, unless that bass synth is particularly percussive then I guess
it's the parallel distortion I must be hearing. Nice work man.
On 1/27/15, Chris Smart wrote:
> there are a couple things going on there.
>
> The bass is being ducked very briefly to let the kick drum through.
> But it's also bei
i haven't yet.
Love his seminars though.
At 01:55 PM 1/27/2015, you wrote:
I've swapped some emails with Ian Shepherd and studied one of his
courses before, seems like a nice chap. Has anyone contacted him to
see whether there's anything that can be done toward native
accessibility yet? If not,
there are a couple things going on there.
The bass is being ducked very briefly to let the kick drum through.
But it's also being distorted, with the distorted version blended in
at low level to make it growl.
The other thing in there is a bass synth that the band really wanted
to hear, and
I've swapped some emails with Ian Shepherd and studied one of his
courses before, seems like a nice chap. Has anyone contacted him to
see whether there's anything that can be done toward native
accessibility yet? If not, I'll gladly do the honors.
On 1/24/15, Chris Smart wrote:
> Here's one profe
Interesting effect on the bass! I like how it makes the fingers
landing kinda squidgy. Can you give any clues of what you did there? I
can hear compression, but it seems like there's a lil somethin' extra.
On 1/25/15, Chris Smart wrote:
> I'm so glad to be mixing and mastering the new album by Or
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