Oh, yeah, true. If you have a pad switch, and that's on, then yes.
Sometimes, that can cause some extra noise. You might actually be on to
something there.
I didn't realize you had a pad switch; thank you for clarifying.
Does it cut down any of that extraneous noise if you turn that off?
Ch
Glad to hear everything's going well. Cool,
Slau
On Feb 11, 2016, at 10:45 AM, Ricky Prevatte wrote:
> Slau Great job on the upgrade and working with avid. Daniel with Sweetwater
> tech-support finished my install in less than 15 minutes this morning. I have
> had an opportunity to explore ver
Hi Nick and Slau,
Yes, that is what I was looking for. I am in contact with Sweetwater
now to try and figure out which is the pad and which is the
instrument. I really appreciate your answer.
Chris, and Chris, perhaps I did not write my concerns clearly. Pad on
and instrument off is what may be t
Slau Great job on the upgrade and working with avid. Daniel with Sweetwater
tech-support finished my install in less than 15 minutes this morning. I have
had an opportunity to explore version 12 just a bit this is great.
Ricky Prevatte LMBT1154
> On Feb 10, 2016, at 8:59 PM, Christopher-Mark G
Hi Vaughn
As Slau said, a pad or attenuator is where you should start. Condenser
microphones will always be more sensitive than dynamic microphones.
After getting your levels sorted you can look at mic placement to try sort out
bleed and only after that reach for processing like gates.
Sent fr
Hi Vaughn,
When using condenser mics on loud sources like drums or amps, it's typical to
use an attenuator (or pad) to decrease the output of the mic to the preamp.
Condensers' outputs are significantly higher than dynamic mics which accounts
for the difference in levels you're seeing. I'm not
