Will do thanks for the help.
On 2010-11-21, at 8:46 PM, Slau Halatyn wrote:
> Avid has a compatibility page on their site. Otherwise, contact a local Avid
> rep or a place like Sweetwater. They should have the info handy.
>
> Slau
>
> On Nov 21, 2010, at 8:37 PM, Michael Huckabay wrote:
>
>> H
That's exactly what I needed to know. Thank you.
Herman
On 11/21/10, Slau Halatyn wrote:
> Ah, OK, now I understand. First I'll explain how to remedy the problem that
> exists and then I'll suggest a way to do what you're trying to do in a
> better way.
>
> So, after you've recorded that punch-in
Yeah, and actually, I woudn't say that it's a problem, per se. I think it
behaves the way it does but, for a blind user, the whole Audio/MIDI Setup isn't
terribly accessible. I'll have to spend a little more time with it as well.
Slau
Avid has a compatibility page on their site. Otherwise, contact a local Avid
rep or a place like Sweetwater. They should have the info handy.
Slau
On Nov 21, 2010, at 8:37 PM, Michael Huckabay wrote:
> Hay all dus enny one own a presonis studio live 24 board I'm looking into
> getting one and
Ah, OK, now I understand. First I'll explain how to remedy the problem that
exists and then I'll suggest a way to do what you're trying to do in a better
way.
So, after you've recorded that punch-in, stop the transport. Assuming your
insertion point isn't following playback, you should be right
Odd, can you reproduce it consistently in GarageBand Bryan? I used GB
pretty heavily for a few weeks and never saw anything like this
happen.
On 11/21/10, Bryan Smart wrote:
> This isn't just a problem with Pro Tools. Happens with Garage Band, also. I
> seem to remember that it happened with Logi
Hay all dus enny one own a presonis studio live 24 board I'm looking into
getting one and wunder if it would work with Pro tools Version nine. Thanks.
I'll exaggerate here a little bit but I think this will illustrate better.
I want to punch in at bar 5 for example. I start recording a little
bit before bar five in order to get my hands on the guitar ready to
play right at bar five. But I have covered some audio right before bar
five. For argume
Hey Herman,
It's not clear to me what your question is, exactly. What's the problem?
Slau
On Nov 21, 2010, at 6:24 PM, Herman Fermin wrote:
> If you are the only one recording and you have only two hands and that
> is the set up I currently have, I'm getting confused about some of
> the shortc
If you are the only one recording and you have only two hands and that
is the set up I currently have, I'm getting confused about some of
the shortcuts. Since my punch in begins obviously a little earlier
than I actually play , I need to pull the audio of the last region so
it meets up where I act
Yeah, sighted users have it so easy, don't they? ;) I'm in the middle of a
project just like that where tracks are fairly unorganized and labeled with
very descriptive names like, "Audio-1" and "Audio-2." Not only that, but
multiple songs were recorded in a single session so there are tracks tha
That's extremely helpful thank you. I will be putting this in my tips
folder. It would be nice to know though just if the track has data. A
sighted person can just look at it and those are a lot of hoops. Where
it may get really annoying is if you have multiple tracks to deal with
because the perso
Oo, excellent question, Herman, and one that's kind of complicated to answer
but I'll give it a try…
Let's assume a few things first. 1. that the track in question is the only one
currently being shown and 2. There's no active group that it belongs to like
the All Group or something else.
OK,
Hmmm, good point Slau, can't be routing voice over into ProTools, that was a
very bad plan of mine!
Chuck's method is great of course, but unfortunatley it will always involve
a bit of setting up at the start of every session as I'm just a small drop
in the ocean when it comes to who's using t
How bout just a little mixer or a tiny speaker running from the mac in the
other room at your school? Would that work?
On Nov 21, 2010, at 8:24 AM, HF wrote:
> In almost all the studios in my school, we use something called the central
> station made by Presonus. It allows you to easily jump thr
Anyway to quickly tell if a track is empty? Would the region list help
in this kind of thing?
HF
A better option for you is to feed your monitors and headphone amp with a small
mixer. Some people with simple workstations feed the monitors/cans directly
from their interface, but working through a mixer offers lots of advantages.
In my setup, I have two main computers, not to mention the bala
This isn't just a problem with Pro Tools. Happens with Garage Band, also. I
seem to remember that it happened with Logic, also, but haven't tried Logic in
months, since there isn't much to see until Apple makes major changes.
Bryan
-Original Message-
From: ptaccess@googlegroups.com [mai
Where's the computer's audio being routed? A routing issue like that has
nothing really to do with Pro Tools but, rather, how the studios are wired.
It's something you might have to find a workaround for by splitting the
computer signal either by multing at the patch bay or with a Y jack at the
Hey Herman,
All plug-ins are automatically mapped to encoder knobs on control surfaces. Of
course, plu-in-specific pop-up menus are not mapped to anything which is by
design. Fader flip mode is helpful in general but I find that keeping a log of
files that list the knob positions and parameters
I have found that a lot of the Waves plug-ins are mapped to knobs
which is wonderful, but you cannot move those parameters at all by
interacting with them with VO.
HF
On 10/22/2010 11:37 AM, Chuck Reichel wrote:
Hi Herman,
Yes and Waves automatically assigns the parameters to your control
s
In almost all the studios in my school, we use something called the
central station made by Presonus. It allows you to easily jump through
different sources/speakers and the digital output of the computer for a
CD. The problem is that you can't hear VO at the same time as PT since
they are dif
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