Hmm. How is polyphonic aftertouch different from regular aftertouch?
Not that I have a keyboard that supports aftertouch, but someday I'll get one.
On March 15, 2020 9:50:31 AM HST, Will Godfrey
wrote:
>On Thu, 12 Mar 2020 20:06:27 -0400
>Ted Felix wrote:
>
>>On 3/12/20 3:25 AM, Will Godfrey
On Thu, 12 Mar 2020 20:06:27 -0400
Ted Felix wrote:
>On 3/12/20 3:25 AM, Will Godfrey wrote:
>> People want it so that they can use various effects and instrument plugins,
>> some of which don't have stand-alone versions.
>
> Thanks, Will.
>
> BTW, have you been working with the latest
On 15/03/2020 08:26, Will Godfrey wrote:
My experience with RG and Yoshimi hasn't been good. Way too often, I get
a voice/setup I want in Yoshimi, point RG at it, and RG insists on using
Yoshimi's default first standard instrument. I have to go back into
Yoshimi and set it up again, then it
On 3/14/20 9:26 PM, Will Godfrey wrote:
On Sat, 14 Mar 2020 20:24:55 -1000
david wrote:
I'm definitely not in the professional league!
I use Rosegarden for making scores and recordings of those songs. I
usually use the DSSI plugin to interface with fluidsynth.
My experience with RG and
On Sat, 14 Mar 2020 20:24:55 -1000
david wrote:
>I'm definitely not in the professional league!
>
>I use Rosegarden for making scores and recordings of those songs. I
>usually use the DSSI plugin to interface with fluidsynth.
>
>My experience with RG and Yoshimi hasn't been good. Way too often,
I'm definitely not in the professional league!
I use Rosegarden for making scores and recordings of those songs. I
usually use the DSSI plugin to interface with fluidsynth.
My experience with RG and Yoshimi hasn't been good. Way too often, I get
a voice/setup I want in Yoshimi, point RG at
