I am saddened to read this.  Did Mr. August finish his project of 
writing a play commemmorating each decade of the past century?

~rave!

--- In scifinoir2@yahoogroups.com, "Tracey de Morsella \(formerly 
Tracey L. Minor\)" <[EMAIL PROTECTED]> wrote:
> -----Original Message-----
> From: African-Americans in Higher Education
> [mailto:[EMAIL PROTECTED] Behalf Of RODNEY COATES
> Sent: Friday, August 26, 2005 8:12 AM
> To: [EMAIL PROTECTED]
> Subject: [AFAMHED] fwd: August Wilson,American playwright ill
> 
> 
> I am so saddened to tell you that great American, descendant of the
> slaves
> playwright, August Wilson has been diagnosed with liver cancer  and 
is
> very
> ill, but not bedridden. If you know his work or know the man he 
laughs
> in
> the face of truth and finds comfort.  I am so glad that I was able 
to
> meet
> him, touch and know him through his wonderful family and his 
stories.
> Stories which bind me to myself, my history and to the depth of my 
own
> truth. I am thrilled that Imani will be able to grow up to say that 
it
> was a
> Gus Wilson play that made her first thrill to adult theatre and
> playwright.
> 
> Gus has chosen to not to seek a curative treatment and in Stage IV .
> His
> sister Freda is joining him in Seattle this week and to help him
> through the
> many decisions that he has to make. There is more than you can do 
than
> go
> for medical intervention to be treated.  I hope that he finds one of
> these
> to lift him beyond the illness and provide a quality of life that I 
am
> sure
> he would appreciate and make use of while he is ill.
> 
> What an American treasure and his writings have been to this 
country.
> I am
> so saddened. His favorite critic and niece is a member of this list 
and
> we
> want Kim to know that we are here for her.  The word cancer has such
> power
> over a family and a family's love.
> 
> http://www.cnn.com/SPECIALS/2001/americasbest/pro.awilson.html
> His poetic plays about African-American life offer plainspoken 
truths
> that
> transcend race
> 
> 
> 
> You will find that the media will be reporting it in the news on
> tomorrow.
> 
> Please join me in prayers for Gus and his family. He has given us so
> much.
> His genius and a reminder of "what our ancestors gave . . . the hope
> and the
> faith of the slave."
> 
> 
> Tuesday, May 20, 2003
> 
> A moment with...playwright August Wilson
> 
> By JOE ADCOCK
> SEATTLE POST-INTELLIGENCER REPORTER
> 
> August Wilson is arguably America's greatest living playwright. Time
> magazine has said so and I agree. The man is a sort of industry. He
> lives in
> Seattle, but his works are produced all over the world. He is the
> subject of
> conferences, lectures, essays and syllabuses. He is even the 
subject of
> an
> e-Bay "collectibles" niche.
> 
> Wilson's epics of African American life include two Pulitzer Prize
> winners,
> "Fences" (1987) and "The Piano Lesson" (1990). Each of Wilson's nine
> major
> plays chronicles a 20th-century decade as experienced by struggling
> Pittsburgh ghetto dwellers. His most recent play, "Gem of the 
Ocean,"
> deals
> with the 1900s. That leaves one more decade to cover, the 1990s.
> 
> But Wilson, 58, has taken a sudden detour. He has written for 
himself a
> solo
> performance piece, "How I Learned What I Learned." It begins
> production
> Thursday as part of the Seattle Repertory Theatre's annual new plays
> series,
> running through June 2.
> 
> I talked to Wilson Saturday at the Mecca Cafe, a Lower Queen Anne
> coffee
> shop that is smoker-friendly (Wilson is an avid smoker).
> 
> Why the sudden shift of focus from writing to performing? Sharon Ott
> (the
> Rep's artistic director) asked me to do a 45-minute show as part of
> their
> 40th anniversary celebration. I said no, but I'll do an hour. At
> yesterday's
> rehearsal, I'd talked for 54 minutes and I hadn't even gotten to the
> first
> story. The show is made up of eight or nine stories, anecdotes about
> things
> that happened to me when I was 20, 21, 22 -- stories I've told 100
> times.
> But they come out different every time.
> 
> What kind of stories? Like the time I was put in jail for breaking 
into
> my
> own apartment. I hadn't paid my rent. I got home and found a 
padlock on
> my
> door. I talked to a lawyer I knew. I asked him if I could break the
> lock. He
> said yes. The landlord has to give 30 days notice. So I broke the 
lock
> and
> went to bed and fell asleep. Next thing I knew two cops were 
standing
> over
> me, 'Get up buddy, you're coming with us.' There was no charge, 
though.
> I
> was acting on advice of counsel. That's a valid out. But in fact the
> lawyer
> was wrong. He didn't know that this was a furnished apartment. With 
a
> furnished apartment you can't break the lock.
> 
> Previous performing experience? None. Well, no speaking parts.
> 
> Non-speaking? That's another story I can use in the show: my first
> kiss.
> This was in the seventh grade (of a Pittsburgh Catholic parochial
> school).
> Sister Mary Eldephonse hated me. I was one of the best readers in 
the
> class.
> But she gave me a non-speaking part in the Christmas 
pageant. 'You'll
> play
> the cymbals,' she said. You know, 'And, lo, the wise men came unto 
the
> manger and ... ' CRASH! I bang the cymbals together. When I went to 
get
> the
> cymbals, Catherine Moran was waiting for me in the cloakroom. There 
was
> this
> light around her. I'd never seen anything like it before -- and 
never
> since.
> I was astonished. I kissed her. I was really disconcerted. I was so
> disconcerted that I missed my cue for the cymbal clash. So I just
> banged
> them as soon as I came to my senses. Sister Mary Eldephonse accused 
me
> of
> deliberately sabotaging her whole pageant.
> 
> A movie version of 'Fences' is in the works, no? I'm writing the
> second
> draft of the script. It's due by the end of June. I'd have it to the
> producer on time if it weren't for this Rep project. But you can't 
get
> blood
> from a turnip.
> 
> Thanks very much for your time. I'll let you go now. I know you're
> very
> busy. Oh, no, I'm glad to talk. Anything to keep out of rehearsal.
> Performing is hard work!
> 
> 
> Bj
> 
> 
> ||<>|||///\\\///\\\|||<>|||///\\\///\\\|||<>|||||<>|||///\\\///
\\\|||O|||///
> 
> \\\///\\\|||<>|||
> "...She had nothing to fall back on. Not maleness. Not whiteness. 
Not
> ladyhood. Not anything. And out of the profound desolation of her
> reality,
> she may well have invented herself".
> Toni Morrison
> 
> 
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