[scifinoir2] Re: Oppose eliminating the filibuster!

2005-05-19 Thread Kelly Wright
This is so wrong, and the arrogance of it is stunning.  The
Republicans think they have forged a permanent majority so they feel
they are immune to the consequences.  This is incredibly
short-sighted.  It reminds me of when the Republicans engineered the
two-term limitation on presidents after Roosevelt won four consecutive
terms.  Little did they know they would be altering history.  Without
term limitations there would have been no Watergate as Nixon would
have easily won a third term and Ronald Reagan could have served into
his senility. (On the other hand, Bill Clinton would still be president).

~rave!

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RE: [scifinoir2] Re: Star Wars fans have strong presence at theatre

2005-05-19 Thread Astromancer



Then you'll have 'perfumed' funk...Keith Johnson [EMAIL PROTECTED] wrote:


They could always bring a bottle of Old Spice and try to cover up the funk with liberal amounts of it slathered on. 
-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of MetaSent: Wednesday, May 18, 2005 12:19To: scifinoir2@yahoogroups.comSubject: [scifinoir2] Re: Star Wars fans have strong presence at theatre
--- In scifinoir2@yahoogroups.com, Bosco Bosco [EMAIL PROTECTED] wrote: --- [EMAIL PROTECTED] wrote: "But I keeping looking at them, and mixed in with that admiration is one thought: "Man that theatre is going to *stink* with all the funk up in there!" Maybe someone remembered to bring some 'Baby-wipes".Meta
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Re: [scifinoir2] Re: Star Wars fans have strong presence at theatre

2005-05-19 Thread Astromancer



Nah...It's raining here...hope they brought soap...Martin Pratt [EMAIL PROTECTED] wrote:

I anticipate a severe water drain in major metropolitan areas on May 20th.Meta [EMAIL PROTECTED] wrote: 
--- In scifinoir2@yahoogroups.com, Bosco Bosco [EMAIL PROTECTED] wrote: --- [EMAIL PROTECTED] wrote: "But I keeping looking at them, and mixed in with that admiration is one thought: "Man that theatre is going to *stink* with all the funk up in there!" Maybe someone remembered to bring some 'Baby-wipes".Meta"Excuse me while I whip this out."Cleavon Little , "Blazing Saddles"


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RE: [scifinoir2] Hercules

2005-05-19 Thread Astromancer



Hey, that reminds me of a paraphrase from the movie Airplane: "Have youever watched movies about gladiators?"Martin Pratt [EMAIL PROTECTED] wrote:

I'm kinda relieved. I only caught the last thirty myself, and I thought that I'd missed too much for it to make sense. I see that I didn't.Keith Johnson [EMAIL PROTECTED] wrote: 


Amen, maybe that's why I find myself sometimes watching old '50s and '60s films based on the classic mythical tales. At least they're more enjoyable. give me the dark-haired Hercules from the '50s over tonight's. Give me Kirk Douglas playing Odysseus over Armand Assante (from the same people who did tonight's debacle). Hell, give me "Jason and the Argonauts" or even those corny Sinbad journeys with Patrick Wayne. At least the old stuff had cool/creepy stop motion creatures! 

I just posted a long critique of this wasted three hours of my life. Check it out and see what I missed.


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of md_moore42Sent: Monday, May 16, 2005 23:29To: scifinoir2@yahoogroups.comSubject: [scifinoir2] HerculesI actually watched the last 30 minutes of Hercules. Oh, the pain! Today's kids will never understand why these storieslasted. Writers/directors/whoever feel the need to eviserate everyGreek legend they approach. They can't even be consistent with thenames of the Gods--instead choosing Greek names and some Roman names.(Pluto is the Roman Hades; and Hades is not Hell, people!) One of these days, I would like to see a writer accept those myths andlegends on their own terms. Now, I like revisiting old tales to showthem in a new light myself. I'm in the
 middle of writing one. But Iwouldn't ever have the ancient character voice 20th century beliefs. "Excuse me while I whip this out."Cleavon Little , "Blazing Saddles"


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RE: [scifinoir2] Hercules on NBC--Weak!

2005-05-19 Thread Astromancer



"Tell me son; have you ever seen a grown man naked???"Martin Pratt [EMAIL PROTECTED] wrote:

That was a British accent?

I have to agree with you, from what little I saw. This felt like a SciFi special (not surprising, considering that this was still in the Family). I missed the final credits, so I don't know where this was shot, or who should BE shot for staging it. The last fight scene didn't even seem real, and the guy who was playing the evil king, at times, seemed not to know where his marks were (he appeared to be staring into space at times, when he was supposed to be looking at Herc). If you or anyone knows who was behind this, send them numerous e-mails asking them to retire immediately, for the good of mankind.Keith Johnson [EMAIL PROTECTED] wrote:


Man this was weak! Mediocre FX, confusing plot, performances that seemed like the actors were sleepwalking through their roles. The dude who played Hercules had the musculature but looked way too Caucasian to my tastes (the British accent didn't help). Is there some law that Greek men can't play Greek characters? Honestly, I think the last time a Greek dude played a god was back in the OS Trek episode, "Who Mourns for Adonis?". I heard more British, Kiwi, and American accents in this thing than I could count. Sean Astin was wasted as teacher/sidekick Linus, looking rather blank, which worked for simpleminded Samwise Gamgee, but here makes one wonder if Astin's contemplating a fading career instead of thinking about his lines. Timoty Dalton must have grabbed a fat check to play Herc's father, as he had little to
 do but bring his trademark piercing eyes and cultured voice to a boring character. Leeli Sobieski (sp?)got on my nerves playing a wood nymph, with that bronze Nivea tanning lotion slathered on her and the dopey floating scenes where grunts were obviously lowering her from a tree on a rope.Shedid a couple of shots that came periously close to flashing us withher bare breasts, which I guess was supposed to be daring or titillating, but seemed contrived.

I'd go on, but the movie doesn't warrant further criticism.Well, maybe a little more. The only things that made it of minor note were that the writers brought in some realism about the characters' motivations and behaviour. For example, unlike the recent sanitized Hercules series, this treatment pretty much stated that Zeus raped Hercules' mother after morphing into a likeness of her husband. And unlike the series, mother and son didn't have a good relationship, as she spent her entire life trying to do in her son, even going so far as to purposefully being behind Hercules' murder of his own kids. Mom got started way before that though. She was the one who put the snakes in Herc's crib, which were of course strangled by the mighty infant. There were some scenes with nubile women running through the woods with satyrs, and one scene where a lady laid on her back on the grass, about to get
 busy with one of the goat-like demigods! That was surprising on network TV at 8 pm.Then there was the Oracle of Delphi who was revealed to be an hermaphrodite (Hercules and others called him "man-woman").He/she gets blinded in a vicious scene for accidentally violating a secretceremony devoted to Hera. The lady who blinded him? Herc's mother. And there was a homosexual thing played up between Hercules' brother and his cousin, who at the end of the movie were shown in bed together. But given the overall clumsiness of the rest of the movie, these attempts at "realism" and a mature theme merely served to highlight the weakness of the rest of the effort, and thus appeared (perhaps unfairly) as heavy-handed and falseattempts to be daring.

Frankly, it wasn't as well done or intelligent as the better Hercules and Xena story arcs. When those shows cut lose with the humour, they were funny as heck. When they dug deep for drama and played it straight, they could be downright impressive. Tonight's efffort was nowhere near as good.


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Keith JohnsonSent: Sunday, May 15, 2005 17:26To: scifinoir2@yahoogroups.comSubject: [scifinoir2] "Hercules" on NBC
Heard about this one? Soundsa little more serious than Sorbo's outing, as it deals with the aftermath of Hercules having killed his own children.I'll guess I'll have to check it out. My wife already commented that "at least they finally got a dark-haired Hercules with real muscles". She could never get with Sorbo due to his brownish hair and slim physique. That muscled, curly-haired dude from the '50s Hercules flicks set the standard to her mind.

http://www.nbc.com/nbc/Hercules/
He was the slave that defied the gods. The hero who won the people. The man who became a legend. From Emmy Award winning executive producer Robert Halmi Sr. ("The Odyssey," "Gulliver's Travels," "Merlin") comes this epic tale based on the spectacular exploits of Hercules, the super-strong figure fathered 

RE: [scifinoir2] Enterprise episode Demons--minor spoilers

2005-05-19 Thread Astromancer



OK, that does it...Bring out the 7-Up!Martin Pratt [EMAIL PROTECTED] wrote:

PLEASE? It's so- SPARKLY...Astromancer [EMAIL PROTECTED] wrote: 

NOWMartin Pratt [EMAIL PROTECTED] wrote: 

But...but...Astromancer [EMAIL PROTECTED] wrote: 

OK guys...back away from the remotes...Keith Johnson [EMAIL PROTECTED] wrote: 


Nooo! Why'd you have to say it out loud? Now someone's gonna start developing it. I envision a bunch of young hard bodies--blonde women with fake boobs, dudes with surgically-carved abs and impossibly white teeth--jumping through time trying to right the wrongs created by Kirk and other offenders. Sooner or later they'll have to create a nemesis for the team, and then the show will degenerate into a catch-him-if-you-can scenario. I imagine something on the level of "Baywatch Nights".


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Martin PrattSent: Thursday, May 12, 2005 19:50To: scifinoir2@yahoogroups.comSubject: RE: [scifinoir2] "Enterprise" episode "Demons"--minor spoilers
I had the most horrible thought the other night, after reading some of my backlog of e-mails, in particular the one about Shatner pitching the Starfleet Academy concept to Paramount. An idea that BB would DROOL over. Are you ready?

Starfleet Temporal Investigations (shoot me NOW, for even MENTIONING it).Keith Johnson [EMAIL PROTECTED] wrote:


It wasn't bad, just weak, more like a Season one ep. Please--no more time travel :(


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Martin PrattSent: Wednesday, May 11, 2005 14:51To: scifinoir2@yahoogroups.comSubject: RE: [scifinoir2] "Enterprise" episode "Demons"--minor spoilers
I'm still lagging in reading that thread, so pardon my inexactitude. As for the show, it wasn't bad. Didn't give me the "wow" that most of Coto's other stories have this season, but I enjoyed it. I'm almost afraid to see how the matter of how the baby is Trip's and T'Pol's. (BB, the Return of the Convoluted, UnnecessaryTime Travel Story?) As for the bright idea of sending a Vulcan undercover into a racist underground netowrk- HUNH?Keith Johnson [EMAIL PROTECTED] wrote: 


Yeah, I guess you could say it's progress that they put Travis witha white woman in fairly intimate situations too (real kissing, not the quick peck usually shown with Black men and white women). But I'm not as impressed with interracial couples as I am with good Black couples. That was indeed the focus of that thread you mentioned, where there was discussion about things such as why Will Smith lets the studios pair him with Latinas instead of fighting for a Black-on-Black love story. We need to get our own couples to be seen in a more positive light before we branch out to the others.

By the way, did you see the show? Thoughts?


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Martin PrattSent: Sunday, May 08, 2005 08:47To: scifinoir2@yahoogroups.comSubject: Re: [scifinoir2] "Enterprise" episode "Demons"--minor spoilers
The one thing that struck me about this ep hearkens back to a thread we had running a bit back, about Blacks, Whites and love, how Black chars were rarely paired with Black love interests. I know, this is an offshoot of Roddenberry's vision, in which the world knows no color, but COME ON!Keith Johnson [EMAIL PROTECTED] wrote: 


Minor spoilers...

What did y'all think about tonight's show? I wasn't too impressed. For some reason the pacing seemed rushed, as if the script had been thrown together. I mean, in about five minutes they go from the discovery of Tripp and T'Pol's baby to that Lunar mining facility with little of the moments to really explore the situation. It's as if they moved from one chapter in a story to another, with little connection between those chapters. At first I wondered if it was Levar Burton's direction, but I realize he simply filmed the script he was given. The characters seemed less realized, less multi-dimensional, than I've seen them in weeks. The show felt like a season one ep written by BB, with a weak script and sketch characterization filling in for a good story. Even my wife said something was off with the characterization and pacing. 
Also, several nagging things about it bugged me:

--What sense did it make to send Trip and T'Pol on the "secret" mission to the Lunar mining colony?? You're gonna send a Vulcan to a hotbed of xenophobic activity, and, to boot, the parents of the hybrid child, *and* two of the most famous people in the world? WTF? What braindead person wrote that artificial device?
--Is it me, or did the mining facility seem awfully cliched-looking for that time? Dirty people hand-lifting Lunar rocks like a bucket brigade? In this time of artificial gravity and warp drive, people still have to worklike a Kentuckian labouring underground in the coal mines? Looked like something from a bad Van Damme 

Re: [scifinoir2] NYTimes.com: Blowing Up an Assumption

2005-05-19 Thread Astromancer



...Or else...Martin Pratt [EMAIL PROTECTED] wrote:

I'm in a couple of politically-oriented groups outside Yahoo, and I've been preaching this point for close to three years now. The invariable response, from all of the neocons, is that "Islam is a religion steeped in hatred of the West." They don't even bother to answer the posed idea. It's just the party-line rhetoric for them. "Believe only in what we tell you."[EMAIL PROTECTED] wrote: 






 




 

   

 



This page was sent to you by: [EMAIL PROTECTED] Sensible ideas to ponder. If only the Bushites would heed! OPINION |  May 18, 2005 Op-Ed Contributor: Blowing Up an Assumption By ROBERT A. PAPE Suicide terrorism is mainly a response to foreign occupation rather than a product of Islamic fundamentalism. 





 




  1. A Critic Takes On the Logic of Female Orgasm 2. Adrift 500 Feet Under the Sea, a Minute Was an Eternity 3. Op-Ed Columnist: Outrage and Silence 4. Eating Well: Most Improved Pasta 5. Personal Data for the Taking » Go to Complete List  





 

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Re: [scifinoir2] Re: Oppose eliminating the filibuster!

2005-05-19 Thread KeithBJohnson



Similar crap took place in my native Texas when the Republican majority started major redistricting to cut the few gains made over the years. Gots to stop all that "unfair" advantage given to people of color!

-- Original message -- This is so wrong, and the arrogance of it is stunning. TheRepublicans think they have forged a permanent majority so they feelthey are immune to the consequences. This is incrediblyshort-sighted. It reminds me of when the Republicans engineered thetwo-term limitation on presidents after Roosevelt won four consecutiveterms. Little did they know they would be altering history. Withoutterm limitations there would have been no Watergate as Nixon wouldhave easily won a third term and Ronald Reagan could have served intohis senility. (On the other hand, Bill Clinton would still be president).~rave!--- In scifinoir2@yahoogroups.com, Amy Harlib [EMAIL PROTECTED] wrote: Dear Friend,  Right now the U.S. Senate is debating whether to end the use of the filibuster. I don't think politicians should have the only voice in the debate. Add your voice by sending a message to your senators today!   NARAL Pro-Choice America will deliver your comments to the Senate. Please take action by 10:00 Eastern tomorrow, Thursday, so that they can deliver your message before the vote happens!   Click on the link below to learn more and get involved. Thanks! http://prochoiceaction.org/campaign/sen_sendamsg_nuclear?rk=G7qFNWF1hmOVW  *** Powered by GetActive Software, Inc. Relationship Management for Member Organizations (tm) http://www.getactive.com ***







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[scifinoir2] Re: Oppose eliminating the filibuster!

2005-05-19 Thread g123curious
Agreed. It is wrong. However, most Radical Republicans I've talked 
with have this attitude: Politics is a rough sport. Stop whinning 
and deal with it. Plus, we Republicans have the votes in the House 
and Senate. So, we can do as we please.

What we progressives, Independents, Democrats, and sensible 
Republicans need to do is vote out these radicals in the upcoming 
elections. That seems to be the only feedback the Radical Right 
will listen to.

George

--- In scifinoir2@yahoogroups.com, Kelly Wright [EMAIL PROTECTED] 
wrote:
 This is so wrong, and the arrogance of it is stunning. The
 Republicans think they have forged a permanent majority so
 they feel they are immune to the consequences.  This is
 incredibly short-sighted. It reminds me of when the Republicans
 engineered the two-term limitation on presidents after Roosevelt
 won four consecutive terms. Little did they know they would be
 altering history. Without term limitations there would have been
 no Watergate as Nixon would have easily won a third term and
 Ronald Reagan could have served into his senility. (On the other
 hand, Bill Clinton would still be president).

snip





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RE: [scifinoir2] Re: Star Wars fans have strong presence at theatre

2005-05-19 Thread KeithBJohnson



Don't know about you, but I had way too much exposure to that growing up. Man, even now I can smell the rancid smell of the locker room at school, funk and dirty clothes mixed with Old Spice, Brut, British Sterling. I need to eat a peppermint now before I retch.

-- Original message -- 
Then you'll have 'perfumed' funk...Keith Johnson [EMAIL PROTECTED] wrote: 


They could always bring a bottle of Old Spice and try to cover up the funk with liberal amounts of it slathered on. 
-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of MetaSent: Wednesday, May 18, 2005 12:19To: scifinoir2@yahoogroups.comSubject: [scifinoir2] Re: Star Wars fans have strong presence at theatre
--- In scifinoir2@yahoogroups.com, Bosco Bosco [EMAIL PROTECTED] wrote: --- [EMAIL PROTECTED] wrote: "But I keeping looking at them, and mixed in with that admiration is one thought: "Man that theatre is going to *stink* with all the funk up in there!" Maybe someone remembered to bring some 'Baby-wipes".Meta


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RE: [scifinoir2] Hercules on NBC--Weak!

2005-05-19 Thread KeithBJohnson



Watch it with those "gladiator" jokes, or Yahoo will be hop-scotching us to SciFiNoir3, 4, and 5!!

-- Original message -- 
"Tell me son; have you ever seen a grown man naked???"Martin Pratt [EMAIL PROTECTED] wrote: 

That was a British accent?

I have to agree with you, from what little I saw. This felt like a SciFi special (not surprising, considering that this was still in the Family). I missed the final credits, so I don't know where this was shot, or who should BE shot for staging it. The last fight scene didn't even seem real, and the guy who was playing the evil king, at times, seemed not to know where his marks were (he appeared to be staring into space at times, when he was supposed to be looking at Herc). If you or anyone knows who was behind this, send them numerous e-mails asking them to retire immediately, for the good of mankind.Keith Johnson [EMAIL PROTECTED] wrote:


Man this was weak! Mediocre FX, confusing plot, performances that seemed like the actors were sleepwalking through their roles. The dude who played Hercules had the musculature but looked way too Caucasian to my tastes (the British accent didn't help). Is there some law that Greek men can't play Greek characters? Honestly, I think the last time a Greek dude played a god was back in the OS Trek episode, "Who Mourns for Adonis?". I heard more British, Kiwi, and American accents in this thing than I could count. Sean Astin was wasted as teacher/sidekick Linus, looking rather blank, which worked for simpleminded Samwise Gamgee, but here makes one wonder if Astin's contemplating a fading career instead of thinking about his lines. Timoty Dalton must have grabbed a fat check to play Herc's father, as he had little to do but bring his trademark piercing eyes and cultured voice to a boring character. Leeli Sobieski (sp?)got on my nerves playing a wood nymph, with that bronze Nivea tanning lotion slathered on her and the dopey floating scenes where grunts were obviously lowering her from a tree on a rope.Shedid a couple of shots that came periously close to flashing us withher bare breasts, which I guess was supposed to be daring or titillating, but seemed contrived.

I'd go on, but the movie doesn't warrant further criticism.Well, maybe a little more. The only things that made it of minor note were that the writers brought in some realism about the characters' motivations and behaviour. For example, unlike the recent sanitized Hercules series, this treatment pretty much stated that Zeus raped Hercules' mother after morphing into a likeness of her husband. And unlike the series, mother and son didn't have a good relationship, as she spent her entire life trying to do in her son, even going so far as to purposefully being behind Hercules' murder of his own kids. Mom got started way before that though. She was the one who put the snakes in Herc's crib, which were of course strangled by the mighty infant. There were some scenes with nubile women running through the woods with satyrs, and one scene where a lady laid on her back on the grass, about to get busy with one of the goat-like demigods! That was surprising on network TV at 8 pm.Then there was the Oracle of Delphi who was revealed to be an hermaphrodite (Hercules and others called him "man-woman").He/she gets blinded in a vicious scene for accidentally violating a secretceremony devoted to Hera. The lady who blinded him? Herc's mother. And there was a homosexual thing played up between Hercules' brother and his cousin, who at the end of the movie were shown in bed together. But given the overall clumsiness of the rest of the movie, these attempts at "realism" and a mature theme merely served to highlight the weakness of the rest of the effort, and thus appeared (perhaps unfairly) as heavy-handed and falseattempts to be daring.

Frankly, it wasn't as well done or intelligent as the better Hercules and Xena story arcs. When those shows cut lose with the humour, they were funny as heck. When they dug deep for drama and played it straight, they could be downright impressive. Tonight's efffort was nowhere near as good.


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Keith JohnsonSent: Sunday, May 15, 2005 17:26To: scifinoir2@yahoogroups.comSubject: [scifinoir2] "Hercules" on NBC
Heard about this one? Soundsa little more serious than Sorbo's outing, as it deals with the aftermath of Hercules having killed his own children.I'll guess I'll have to check it out. My wife already commented that "at least they finally got a dark-haired Hercules with real muscles". She could never get with Sorbo due to his brownish hair and slim physique. That muscled, curly-haired dude from the '50s Hercules flicks set the standard to her mind.

http://www.nbc.com/nbc/Hercules/
He was the slave that defied the gods. The hero who won the people. The man who became a legend. From Emmy Award winning executive producer Robert Halmi Sr. 

[scifinoir2] What happened to Grey's Anatomy?

2005-05-19 Thread KeithBJohnson



I tuned into this show because I'd heard a Sister was the creator and main writer. She spoke at length with Tavis Smiley aboutthe diverse cast (three Blacks and an Asian) and how the stories often center around guests of color. That may be true, but I haven't seen anything that really differentiates this from other shows I've seen that focus on the whites. The star's in a love affair with the doc played by Patrick Dempsey, the buxom nurse (who used to be on Roswell) has gotten some storylines, including one that had her stripping to her underwear in front of her co-workers. The Asian nurse is apparently pregnant. Frankly I quit watching after two episodes because nothing convinced me the Blacks would get major treatment. From what I can tell they're more like window dressing to the white characters. 
I notice that among the Blacks we have what are becoming familiar caricatures: the older doctor who ostensibly runs the place. But like Fancy on NYPD Blue, it remindsme of the device where you create a leader who's Black, then push him to the background...a mean doc who's shepherding the newbies. She comes onscreen, barks at the youngsters, then stalks off...and Isiah Washington's arrogant, self-centered genius, who reminds me ofEric LaSalle's character on "ER". He gets a few lines where he helps himself by being a real human to his charges, then off he goes. They all seem to do little more than provide plot points for the scared doctors to be, yet have little in the way of fully fleshed out roles themselves. 

Maybe I'm wrong, but I just feel the hoped-for strong usage of the people of color isn't materializing. This seems to be borne out by all the coverage I've seen: not one commercial on TV shows the Black actors, instead focusing almost exclusively on the star and her lover, with a little bit of coverage given to the other non-Blacks. TV Guide recently did an article on the show that included a two-page spread of photos of the "stars that make it hot". Not *one* of the Blacks was pictured!

Am I off base? Are the Blacks used effectively? Do the guest stars consist of people of color with strong roles? Anyone watching this?









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RE: [scifinoir2] Hercules on NBC--Weak!

2005-05-19 Thread Astromancer



Oops! My bad[EMAIL PROTECTED] wrote:

Watch it with those "gladiator" jokes, or Yahoo will be hop-scotching us to SciFiNoir3, 4, and 5!!

-- Original message -- 
"Tell me son; have you ever seen a grown man naked???"Martin Pratt [EMAIL PROTECTED] wrote: 

That was a British accent?

I have to agree with you, from what little I saw. This felt like a SciFi special (not surprising, considering that this was still in the Family). I missed the final credits, so I don't know where this was shot, or who should BE shot for staging it. The last fight scene didn't even seem real, and the guy who was playing the evil king, at times, seemed not to know where his marks were (he appeared to be staring into space at times, when he was supposed to be looking at Herc). If you or anyone knows who was behind this, send them numerous e-mails asking them to retire immediately, for the good of mankind.Keith Johnson [EMAIL PROTECTED] wrote:


Man this was weak! Mediocre FX, confusing plot, performances that seemed like the actors were sleepwalking through their roles. The dude who played Hercules had the musculature but looked way too Caucasian to my tastes (the British accent didn't help). Is there some law that Greek men can't play Greek characters? Honestly, I think the last time a Greek dude played a god was back in the OS Trek episode, "Who Mourns for Adonis?". I heard more British, Kiwi, and American accents in this thing than I could count. Sean Astin was wasted as teacher/sidekick Linus, looking rather blank, which worked for simpleminded Samwise Gamgee, but here makes one wonder if Astin's contemplating a fading career instead of thinking about his lines. Timoty Dalton must have grabbed a fat check to play Herc's father, as he had little to
 do but bring his trademark piercing eyes and cultured voice to a boring character. Leeli Sobieski (sp?)got on my nerves playing a wood nymph, with that bronze Nivea tanning lotion slathered on her and the dopey floating scenes where grunts were obviously lowering her from a tree on a rope.Shedid a couple of shots that came periously close to flashing us withher bare breasts, which I guess was supposed to be daring or titillating, but seemed contrived.

I'd go on, but the movie doesn't warrant further criticism.Well, maybe a little more. The only things that made it of minor note were that the writers brought in some realism about the characters' motivations and behaviour. For example, unlike the recent sanitized Hercules series, this treatment pretty much stated that Zeus raped Hercules' mother after morphing into a likeness of her husband. And unlike the series, mother and son didn't have a good relationship, as she spent her entire life trying to do in her son, even going so far as to purposefully being behind Hercules' murder of his own kids. Mom got started way before that though. She was the one who put the snakes in Herc's crib, which were of course strangled by the mighty infant. There were some scenes with nubile women running through the woods with satyrs, and one scene where a lady laid on her back on the grass, about to get
 busy with one of the goat-like demigods! That was surprising on network TV at 8 pm.Then there was the Oracle of Delphi who was revealed to be an hermaphrodite (Hercules and others called him "man-woman").He/she gets blinded in a vicious scene for accidentally violating a secretceremony devoted to Hera. The lady who blinded him? Herc's mother. And there was a homosexual thing played up between Hercules' brother and his cousin, who at the end of the movie were shown in bed together. But given the overall clumsiness of the rest of the movie, these attempts at "realism" and a mature theme merely served to highlight the weakness of the rest of the effort, and thus appeared (perhaps unfairly) as heavy-handed and falseattempts to be daring.

Frankly, it wasn't as well done or intelligent as the better Hercules and Xena story arcs. When those shows cut lose with the humour, they were funny as heck. When they dug deep for drama and played it straight, they could be downright impressive. Tonight's efffort was nowhere near as good.


-Original Message-From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Keith JohnsonSent: Sunday, May 15, 2005 17:26To: scifinoir2@yahoogroups.comSubject: [scifinoir2] "Hercules" on NBC
Heard about this one? Soundsa little more serious than Sorbo's outing, as it deals with the aftermath of Hercules having killed his own children.I'll guess I'll have to check it out. My wife already commented that "at least they finally got a dark-haired Hercules with real muscles". She could never get with Sorbo due to his brownish hair and slim physique. That muscled, curly-haired dude from the '50s Hercules flicks set the standard to her mind.

http://www.nbc.com/nbc/Hercules/
He was the slave that defied the gods. The hero who won the people. The man who became a legend. From Emmy Award 

[scifinoir2] Help protect wild horses from slaughter

2005-05-19 Thread Amy Harlib
Dear Friend,

I thought you might be interested in this HSUS campaign to
protect wild horses from slaughter. Wild horses were protected
from slaughter for years, but this protection was stripped by a
stealth change in the law last year. More than 40 wild horses
have already been sold and slaughtered. 

The House of Representatives will vote Thursday, May 19, on an
amendment to ensure that no tax dollars are used for any sale of
wild horses that could lead to their slaughter. Please ask your
U.S. Representative to vote YES on the Rahall-Whitfield Interior
Appropriations amendment. The vote is this Thursday, so please
go to this link and take action today:

https://community.hsus.org/campaign/wild_horses?rk=odao7vd1hzNLW

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[scifinoir2] Star Wars Stupidity

2005-05-19 Thread Brent Wodehouse
S P O I L E R S !
-
http://www.nowtoronto.com/issues/2005-05-19/movie_reviews.php

Star Wars stupidity

Episode III isn't the worst in the series, but it's a still a galactic
letdown

By GLENN SUMI

STAR WARS: EPISODE III - REVENGE OF THE SITH directed by George Lucas,
with Ewan McGregor, Natalie Portman, Hayden Christensen, Samuel L. Jackson
and Ian McDiarmid. 140 minutes. A 20th Century Fox release. Opens today
(Thursday, May 19). For venues and times, see Movies, page 117. Rating: NN


At one point in the disappointing Revenge Of The Sith, Ewan McGregor's
Obi-Wan Kenobi asks, How did this happen? We're smarter than this.

Apparently not.

The final, bridging movie between George Lucas's two epic Star Wars
trilogies ends not with a bang but with plenty of artistic whimpering.

After the incomprehensible, offensive (remember Jar Jar Binks?) Episode I
- The Phantom Menace and the better but still lightweight (remember Anakin
and Padmé cavorting in the fields?) Episode II - Attack Of The Clones,
Episode III ought to be a no-brainer.

Basically, we're willing to wait through all the repetitive space fights,
wooden acting and Industrial Light  Magic exhibitionism for two events:
the birth of heroic twins Luke and Leia and the moment when their dad,
Anakin, goes to the Darth side, donning the iconic shiny black helmet, and
Hayden Christensen's whiny voice gets replaced by James Earl Jones's
booming bass.

These should be mythic touchstones, as resonant in their own pop-cult way
as Excalibur rising from the water or Sieglinde realizing she's pregnant
with Siegfried in Wagner's Ring Cycle.

Lucas does send a shiver up our collective spines as Darth Vader rises (a
moment that's been spoiled by trailers), but the unemotional birth scene
is shoddily set up and made ridiculous when the babies are perfunctorily
parcelled out. Says Jimmy Smits as Bail Organa, Leia's future adoptive
dad, We were looking to adopt a baby girl, a clunker that gets an
unintentional laugh.

Lucas is ticking items off his checklist here, getting his plot lines and
characters in place so the original Star Wars film makes some sort of
sense. On the design front, it's satisfying to see the familiar stark
white hallways of Episode IV appear, as well as the less sophisticated
ship control panels.

You could also argue that the ongoing war (sense a contemporary relevance
here?) is so destructive that it's caused citizens to start constructing
their world in Episode IV from scratch.

But then how to explain the hair? At one point in the new movie, we see
pregnant Padmé Amidala with her tresses rolled up in bunches at the side
like Princess Leia's double-donut look. Since Leia never met her mom, are
we to think that cool hairstyles are genetically passed on?

Other silly details include the failure to properly introduce us to the
Wookiee Chewbacca, and having C3PO say not once but twice that he's under
a lot of stress, a phrase that sounds more like a psyched-out Hollywood
writer than a galactic droid.

The one unfortunate omission concerns Jango Fett, the bounty hunter who
was cloned for the army in Episode II. In the earlier film, his son Boba
saw him killed. He picked up his dad's head. Wouldn't it make dramatic
sense for him to return in Episode III and seek some sort of vengeance?
And wouldn't this have reinforced Lucas's theme of fathers and sons?

Also, the underhanded way the Jedi council deals with the dissenting
Emperor Palpatine (Ian McDiarmid, in one of the film's two strong
performances; the other's from McGregor) goes against the Force's
philosophy.

I guess in a film where all dialogue seems to be spoken in front of a blue
screen, you can't expect logic.

Maybe the word Sith is an anagram.



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[scifinoir2] Re: What happened to Grey's Anatomy?

2005-05-19 Thread Kelly Wright
I like Grey's Anatomy, it is a perfect companion to Desparate 
Housewives but if I miss either, it is not a tragedy.  When the show 
first came on I mentioned the 'bizarro world' aspect of it --where 
the blacks were ostensibly in charge and were, in essence, oppressing 
the downtrodden white characters.  I am sure the show's creators had 
to make many compromises.  For instance, one of the four interns was 
supposed to be a black man but I guess that was too much diversity 
for the suits that run ABC.  Television is a cruel master and an 
incredibly difficult place for a person of color to get a foothold. 

There has been much to do about Everybody loves Raymond coming to a 
conclusion after nine seasons.  One of the hubbubs when the show was 
getting off the ground was that they didn't want Italian Ray Barone's 
wife to be too ethnic.  By that Les Moonves (who is married to an 
Asian woman as is Rupert Murdock)didn't want Ray's wife to be Italian 
or Jewish.  They originally wanted someone like Meredith Baxter 
Birney.  If Ray Romano can't get an Italian wife in a show based on 
his life on a show he co-created and co-executive produces, what 
chance does a black show producer have?  

That said, let me say I thoroughly enjoyed the episode of Grey's 
Anatomy where Anna Maria Horsford played an old scrub nurse who was 
dying and even though her illness was terminal and the hospital could 
do nothing to save her the administration was letting her stay until 
she died.  This episode showed the humanity of all the black totems 
and taught the callow young white interns something about caring and 
community.  

As an aside, I have never been an Isaiah Washington fan.  I loathe 
almost every character I have seen him play including his debut in 
Spike Lee's Girl 6 where despite substantial screen time he is 
credited simply as the Shoplifter.  But I saw him the other day 
on The View touting Grey's Anatomy and he was lovely.  He looked 
great, loved his mama (as came out in an anectodote) and he simply 
adored his pregnant wife of nine years(who was black and in the 
audience).  This man has been horribly miscast.  I hope to one day 
write something worthy of his silky elegance.

~rave!

--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:
 I tuned into this show because I'd heard a Sister was the creator 
and main writer. She spoke at length with Tavis Smiley about the 
diverse cast (three Blacks and an Asian) and how the stories often 
center around guests of color. That may be true, but I haven't seen 
anything that really differentiates this from other shows I've seen 
that focus on the whites.  The star's in a love affair with the doc 
played by Patrick Dempsey, the buxom nurse (who used to be on 
Roswell) has gotten some storylines, including one that had her 
stripping to her underwear in front of her co-workers.  The Asian 
nurse is apparently pregnant. Frankly I quit watching after two 
episodes because nothing convinced me the Blacks would get major 
treatment.  From what I can tell they're more like window dressing to 
the white characters.  
 I notice that among the Blacks we have what are becoming familiar 
caricatures:  the older doctor who ostensibly runs the place. But 
like Fancy on NYPD Blue, it reminds me of the device where you  
create a leader who's Black, then push him to the background...a mean 
doc who's shepherding the newbies. She comes onscreen, barks at the 
youngsters, then stalks off...and Isiah Washington's arrogant, self-
centered genius, who reminds me of Eric LaSalle's character on ER.  
He gets a few lines where he helps himself by being a real human to 
his charges, then off he goes. They all seem to do little more than 
provide plot points for the scared doctors to be, yet have little in 
the way of fully fleshed out roles themselves.  
 
 Maybe I'm wrong, but I just feel the hoped-for strong usage of the 
people of color isn't materializing. This seems to be borne out by 
all the coverage I've seen: not one commercial on TV shows the Black 
actors, instead focusing almost exclusively on the star and her 
lover, with a little bit of coverage given to the other non-Blacks.  
TV Guide recently did an article on the show  that included a two-
page spread of photos of the stars that make it hot. Not *one* of 
the Blacks was pictured!
 
 Am I off base? Are the Blacks used effectively? Do the guest stars 
consist of people of color with strong roles? Anyone watching this?




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[scifinoir2] Grammer To Play Blue Beast in 'X-Men 3'

2005-05-19 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Fans of Kelsey Grammer are set to find him tough to recognize in his next
project - he's playing a furry blue monster in the second X-Men sequel. In
X-Men 3, the former Frasier star will play oversized mutant Beast, who has
not yet appeared in any of the franchise's installments. While there has
been a shocked reaction to Grammer's casting, producers of the movie insist
he's the perfect choice for the part - because Beast is the most intelligent
of all the mutants. Snatch star Vinnie Jones is also set to undergo a huge
image overhaul when he plays villainous Juggernaut in the movie. His
character is a 900 pound metal-clad battering ram. The sci-fi series stars
Halle Berry, Ian McKellen, Famke Janssen, Hugh Jackman and Rebecca Romijn.
The movie, to be directed by Matthew Vaughn, is set to debut in May next
year

Tracey de Morsella
Phone: 215-849-0946
Email:  [EMAIL PROTECTED]
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[scifinoir2] NASA Challenge: Pull Oxygen from Moon Dirt, Win $250,000

2005-05-19 Thread Brent Wodehouse
http://www.space.com/news/050519_moonrox_challenge.html

NASA Challenge: Pull Oxygen from Moon Dirt, Win $250,000

By Tariq Malik
Staff Writer

posted: 19 May 2005


NASA has promised a cool $250,000 for the first team capable of
pulling breathable oxygen from mock moon dirt, the latest award in the
space agency's Centennial Challenges program.

The cash prize is the reward for winners of the agency's Moon Regolith
Oxygen (MoonROx) challenge, the third contest set by NASA to encourage
commercial space industry.

It our hope to kind of seed some of the long-term technologies that
were going to need for future exploration, said Brant Sponberg, NASA's
Centennial Challenges program manager, in a telephone interview.

In the MoonROx contest, NASA and the Florida Space Research Institute
(FSRI) challenge inventors to pull at least 11 pounds (five kilograms)
of breathable oxygen from a volcanic ash-derived lunar soil substitute
called JSC-1.

But it doesn't end there. Participants not only have to extract the
oxygen, but must accomplish the feat within eight hours. The
competition expires June 1, 2008.

Oxygen extraction technologies will be critical for both robotic and
human missions to the moon, said Sam Durrance, executive director for
FSRI. Like other space-focused prize competitions, the MoonROx
challenge will encourage a broad community of innovators to develop
technologies that expand our capabilities.

Earlier this year, NASA detailed two other centennial challenges.

The 2005 Beam Power Challenge will award $50,000 to the first team
that can use wireless technology to lift a weight off the ground. Such
technology could eventually be employed to beam payloads off Earth.
Meanwhile, the 2005 Tether Challenge calls for teams to build the
strongest tether of a specific diameter. The tethers will each be
stretched to the breaking point, with winners advancing through the
ranks toward a final showdown with NASA's house tether, made of
existing material. Beat the house tether and you snag $50,000.

NASA plans to set aside about $80 million towards Centennial Challenge
prizes over the next five years to encourage private space technology
development. Partly spurred by the $10 million Ansari X Prize for a
private, manned suborbital spaceflight - which was snared last year
by Scaled Composites' SpaceShipOne - the cash prize is also geared to
help support NASA's space exploration vision.

That vision, announced by President Bush on Jan. 14, 2004, calls
for a resurgence of human missions to the moon by 2020, as well as the
ultimate push out to Mars and beyond.

The use of resources on other worlds is a key element of the vision
for space exploration, said Craig Steidle, NASA's associate
administrator for the exploration systems mission directorate, in a
statement. This challenge will reach out to inventors who can help us
achieve the vision sooner.

Sponberg said that more challenges will be announced in upcoming
weeks, and may include additional contests to develop off-planet
resource utilization tools or astronaut support systems.

Other front-runners for near-term contests could challenge innovators
to develop a better spacesuit glove or an unmanned, lighter-than-air
vehicle that could one day lead to a Venus or Mars probe.

Longer-term challenges may call for full-up space missions or complex
demonstrations, such as a high-precision landing, Sponberg added.

I think it adds great dimensions to our [exploration vision],
Sponberg said of the Centennial Challenges program. It's a great way to
reach out to innovators that we couldn't before.



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[scifinoir2] Fw: Listen to Bill Moyers' historic speech

2005-05-19 Thread Amy Harlib






[EMAIL PROTECTED]

Do check this out! A goldmine of enlightenment!


  
  

  
  

  
  Dear Amy Harlib: 
  In an historic speech on Sunday, legendary television 
  journalist Bill Moyers blasted Kenneth Tomlinson of the Corporation of 
  Public Broadcasting (CPB) for launching a partisan witch hunt at PBS and 
  called for a series of town hall meetings across the country.
  "I simply never imagined that any CPB chairman, Democrat or 
  Republican, would cross the line from resisting White House pressure to 
  carrying it out for the White House," Moyers told a packed room at the 
  National Conference for Media Reform. "And that's what Kenneth Tomlinson 
  has been doing."
  You can now watch or listen to Moyers' entire speech on the 
  Free Press Web site:
  An audio recording can be downloaded at: www.freepress.net/conference/audio05/moyers.mp3
  Or you can watch the video at: www.freepress.net/conference/audio05/freepress-closing40515.mov
  Transcript online (as soon as it's available) at www.freepress.net/conference.
  In his first public statement since the controversy at PBS 
  emerged, Moyers endorsed a call by media reform groups for a series of 
  town hall meetings nationwide so that Americans can speak directly to 
  station managers and policymakers about what they want and expect from 
  public broadcasting.
  More than 50,000 Americans have already signed the Free 
  Press petition calling on Kenneth Tomlinson to resign and demanding that 
  the public be put back into PBS.
  Please add your name to the petition by clicking www.freepress.net/action/pbs.
  "That great mob that is democracy is rarely heard, and 
  that's not just the fault of the current residents of the White House and 
  Capitol," Moyers said. "There is a great chasm between those of us in the 
  business and those who depend on TV and radio as their window to the 
  world. We treat them too much like audiences and not enough like citizens. 
  They are invited to look through the window, but too infrequently to 
  participate and make public broadcasting public."
  Please support Bill Moyers, public broadcasting, quality 
  journalism and democracy by signing 
  the petition and passing along this message to everyone you know.
  Onward, 
  Robert W. McChesneyFree Presswww.freepress.net 
  
  P.S. The conference was a rousing success. Visit www.freepress.net/conference 
  for audio and video recordings of the sessions, new episodes of "Media 
  Minutes" and news reports. New content is being added daily. 
  

  You ([EMAIL PROTECTED]) are 
  receiving this message as a subscriber of the Free 
  Press E-Activist list. To discontinue receiving messages, please visit 
  

RE: [scifinoir2] Re: What happened to Grey's Anatomy?

2005-05-19 Thread Keith Johnson
Title: Message





From 
your response and Tracey's, I guess ABC's pullling stealth diversity, using 
white-oriented marketing to pull in the mainstream. Like I said ,all the 
commercials focus on the whites. And I'm still troubled by magazine and other 
media coverage like TV Guide, which completely ignores the 
Blacks.
Isaiah 
Washington's a good actor, but something about him often seemed to get him 
villain roles. He was a villain in "Romeo Must Die", and a couple other films I 
saw. I saw him in an interesting movie a few years back with Mirando Otto (Eowen 
from "Lord of the Rings"), where he falls in love with a white South African 
played by Otto. He was a villain in "Exit Wounds" too. But Washington's done a 
lot of work, almost 40 films! Could we be looking at another Sam Jackson? check 
out his filmography:

http://www.imdb.com/name/nm0913460/

Also, 
I have to give him my props, as he's a fellow Texan!

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Kelly WrightSent: Thursday, May 19, 2005 22:07To: 
  scifinoir2@yahoogroups.comSubject: [scifinoir2] Re: What happened 
  to "Grey's Anatomy"?I like "Grey's Anatomy," it is a 
  perfect companion to "Desparate Housewives" but if I miss either, it is 
  not a tragedy. When the show first came on I mentioned the 'bizarro 
  world' aspect of it --where the blacks were ostensibly in charge and were, 
  in essence, oppressing the downtrodden white characters. I am sure 
  the show's creators had to make many compromises. For instance, one 
  of the four interns was supposed to be a black man but I guess that was 
  too much diversity for the suits that run ABC. Television is a cruel 
  master and an incredibly difficult place for a person of color to get a 
  foothold. There has been much to do about "Everybody loves Raymond" 
  coming to a conclusion after nine seasons. One of the hubbubs when 
  the show was getting off the ground was that they didn't want Italian Ray 
  Barone's wife to be "too ethnic." By that Les Moonves (who is 
  married to an Asian woman as is Rupert Murdock)didn't want Ray's wife to 
  be Italian or Jewish. They originally wanted someone like Meredith 
  Baxter Birney. If Ray Romano can't get an Italian wife in a show 
  based on his life on a show he co-created and co-executive produces, what 
  chance does a black show producer have? That said, let me 
  say I thoroughly enjoyed the episode of "Grey's Anatomy" where Anna Maria 
  Horsford played an old scrub nurse who was dying and even though her 
  illness was terminal and the hospital could do nothing to save her the 
  administration was letting her stay until she died. This episode 
  showed the humanity of all the black totems and taught the callow young 
  white interns something about caring and community. As an 
  aside, I have never been an Isaiah Washington fan. I loathe almost 
  every character I have seen him play including his debut in Spike Lee's 
  "Girl 6" where despite substantial screen time he is credited simply as 
  the "Shoplifter." But I saw him the other day on "The View" touting 
  "Grey's Anatomy" and he was lovely. He looked great, loved his mama 
  (as came out in an anectodote) and he simply adored his pregnant wife of 
  nine years(who was black and in the audience). This man has been 
  horribly miscast. I hope to one day write something worthy of his 
  silky elegance.~rave!--- In scifinoir2@yahoogroups.com, 
  [EMAIL PROTECTED] wrote: I tuned into this show because I'd heard a 
  Sister was the creator and main writer. She spoke at length with Tavis 
  Smiley about the diverse cast (three Blacks and an Asian) and how the 
  stories often center around guests of color. That may be true, but I 
  haven't seen anything that really differentiates this from other shows 
  I've seen that focus on the whites. The star's in a love affair with 
  the doc played by Patrick Dempsey, the buxom nurse (who used to be on 
  Roswell) has gotten some storylines, including one that had her 
  stripping to her underwear in front of her co-workers. The Asian 
  nurse is apparently pregnant. Frankly I quit watching after two 
  episodes because nothing convinced me the Blacks would get major 
  treatment. From what I can tell they're more like window dressing to 
  the white characters.  I notice that among the Blacks we 
  have what are becoming familiar caricatures: the older doctor who 
  ostensibly runs the place. But like Fancy on NYPD Blue, it reminds me of 
  the device where you create a leader who's Black, then push him to 
  the background...a mean doc who's shepherding the newbies. She comes 
  onscreen, barks at the youngsters, then stalks off...and Isiah 
  Washington's arrogant, self-centered genius, who reminds me of Eric 
  LaSalle's character on "ER". He gets a few lines where he helps 
  himself by being a real human to his charges, then off he goes. They all 
  seem to do little 

RE: [scifinoir2] NASA Challenge: Pull Oxygen from Moon Dirt, Win $250,000

2005-05-19 Thread Keith Johnson
Title: Message





This 
is one of the things we discussed a couple a days ago in how terraforming would 
work. I noted that needed gases could be pulled from a planet's soil. 
Wouldn't that be awesome?

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Brent WodehouseSent: Thursday, May 19, 2005 23:38To: 
  scifinoir2@yahoogroups.comSubject: [scifinoir2] NASA Challenge: 
  Pull Oxygen from Moon Dirt, Win $250,000http://www.space.com/news/050519_moonrox_challenge.htmlNASA 
  Challenge: Pull Oxygen from Moon Dirt, Win $250,000By Tariq 
  MalikStaff Writerposted: 19 May 2005NASA has promised 
  a cool $250,000 for the first team capable ofpulling breathable oxygen 
  from mock moon dirt, the latest award in thespace agency's Centennial 
  Challenges program.The cash prize is the reward for winners of the 
  agency's Moon RegolithOxygen (MoonROx) challenge, the third contest set by 
  NASA to encouragecommercial space industry."It our hope to kind of 
  seed some of the long-term technologies thatwere going to need for future 
  exploration," said Brant Sponberg, NASA'sCentennial Challenges program 
  manager, in a telephone interview.In the MoonROx contest, NASA and the 
  Florida Space Research Institute(FSRI) challenge inventors to pull at 
  least 11 pounds (five kilograms)of breathable oxygen from a volcanic 
  ash-derived lunar soil substitutecalled JSC-1.But it doesn't end 
  there. Participants not only have to extract theoxygen, but must 
  accomplish the feat within eight hours. Thecompetition expires June 1, 
  2008."Oxygen extraction technologies will be critical for both robotic 
  andhuman missions to the moon," said Sam Durrance, executive director 
  forFSRI. Like other space-focused prize competitions, the 
  MoonROxchallenge will encourage a broad community of innovators to 
  developtechnologies that expand our capabilities.Earlier this 
  year, NASA detailed two other centennial challenges.The 2005 Beam 
  Power Challenge will award $50,000 to the first teamthat can use wireless 
  technology to lift a weight off the ground. Suchtechnology could 
  eventually be employed to beam payloads off Earth.Meanwhile, the 2005 
  Tether Challenge calls for teams to build thestrongest tether of a 
  specific diameter. The tethers will each bestretched to the breaking 
  point, with winners advancing through theranks toward a final showdown 
  with NASA's house tether, made ofexisting material. Beat the house tether 
  and you snag $50,000.NASA plans to set aside about $80 million towards 
  Centennial Challengeprizes over the next five years to encourage private 
  space technologydevelopment. Partly spurred by the $10 million Ansari X 
  Prize for aprivate, manned suborbital spaceflight - which was snared last 
  yearby Scaled Composites' SpaceShipOne - the cash prize is also geared 
  tohelp support NASA's space exploration vision.That vision, 
  announced by President Bush on Jan. 14, 2004, callsfor a resurgence of 
  human missions to the moon by 2020, as well as theultimate push out to 
  Mars and beyond."The use of resources on other worlds is a key element 
  of the visionfor space exploration," said Craig Steidle, NASA's 
  associateadministrator for the exploration systems mission directorate, in 
  astatement. This challenge will reach out to inventors who can help 
  usachieve the vision sooner.Sponberg said that more challenges 
  will be announced in upcomingweeks, and may include additional contests to 
  develop off-planetresource utilization tools or astronaut support 
  systems.Other front-runners for near-term contests could challenge 
  innovatorsto develop a better spacesuit glove or an unmanned, 
  lighter-than-airvehicle that could one day lead to a Venus or Mars 
  probe."Longer-term challenges may call for full-up space missions or 
  complexdemonstrations, such as a high-precision landing," Sponberg 
  added."I think it adds great dimensions to our [exploration 
  vision],"Sponberg said of the Centennial Challenges program. It's a great 
  way toreach out to innovators that we couldn't before.







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[scifinoir2] FW: Bill Moyers Blasts CPB Chairman Tomlinson

2005-05-19 Thread Keith Johnson
Title: Message





Amy, I hadn't heard about 
Moyers recent speech until you posted that info tonight.So I searched and 
found this article about it. Are we surprised? I've been wondering when 
the villagers would start bringing their pitchforks and torches to the public 
broadcasting arena. I remember years ago when NPR was airing Mumia Abu 
Jamal's "Live from Death Row" recordings. There wasa firestorm of protest 
from citizens and some public officials, a huge mess. NPR finally dropped him. I 
think Pacifica Radio picked it up, or it might have been a conscious, 
independent radio station here in Atlanta, WRFG. But the bottom line is NPR was 
forced to kowtow to the right. I knew then it was only a matter of time, 
and with Bush in office the witchhunters are emboldened indeed. Very worrisome 
this is...

http://www.truthout.org/docs_2005/051605N.shtml

Bill Moyers Blasts CPB Chairman 
TomlinsonThe Free Press 
Sunday 15 May 2005
Veteran journalist calls for nationwide public hearings on 
  future of public broadcasting in speech at the National Conference for Media 
  Reform.
St. Louis - In a speech before 1,400 media activists, 
television journalist Bill Moyers lambasted Kenneth Tomlinson, chairman of the 
Corporation for Public Broadcasting (CPB), for hijacking public broadcasting to 
serve a partisan agenda.
"I simply never imagined that any CPB chairman, 
Democrat or Republican, would cross the line from resisting White House pressure 
to carrying it out for the White House," Moyers told a packed room at the 
National Conference for Media Reform. "And that's what Kenneth Tomlinson has 
been doing."
Tomlinson, a staunch Republican, has launched a 
personal crusade aimed at "eliminating the perception of political bias" in PBS 
programs. He has covertly promoted right-wing programming and tried to install 
his political allies to CPB's board and executive offices. He even contracted an 
outside consultant to monitor Moyers' weekly PBS news program, "NOW with Bill 
Moyers," for signs of liberal bias.
"The more compelling our journalism, the angrier the 
radical right of the Republican Party gets," Moyers said. "That's because the 
one thing they loathe more than liberals is the truth. And the quickest way to 
be damned by them as liberal is to tell the truth."
In his first public statement since the controversy 
over the CPB emerged, Moyers announced that he had sent a letter to Tomlinson 
requesting an hour-long program on PBS to debate the direction of public 
broadcasting. Earlier this month, 50,000 concerned citizens signed a Free Press 
petition urging Tomlinson to resign.
Moyers also endorsed a call by Free Press, Common 
Cause, Consumer Federation of America, Consumers Union and Media Access Project 
for a series of town hall meetings nationwide so Americans can speak directly to 
station managers and policymakers about what they want and expect from public 
broadcasting.
"That great mob that is democracy is rarely heard, 
and that's not just the fault of the current residents of the White House and 
Capitol," Moyers said. "There is a great chasm between those of us in the 
business and those who depend on TV and radio as their window to the world. We 
treat them too much like audiences and not enough like citizens. They are 
invited to look through the window, but too infrequently to participate and make 
public broadcasting public."
The National Conference for Media Reform, hosted and 
organized by the nonpartisan media reform group Free Press, brought together 
thousands of media activists, educators, journalists, policymakers and concerned 
citizens from across the country and around the world who are concerned with the 
current state of the media.
"An unconscious people, an indoctrinated people, a 
people fed only partisan information and opinion that confirm their own bias, a 
people made morbidly obese in mind and spirit by the junk food of propaganda, is 
less inclined to put up a fight, ask questions and be skeptical," Moyers said. 
"And just as a democracy can die of too many lies, that kind of orthodoxy can 
kill us, too."







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Re: [scifinoir2] NASA Challenge: Pull Oxygen from Moon Dirt, Win $250,000

2005-05-19 Thread Mikal Howard
I want to play a 'Moon Is A harsh Mistress' role playing
game. before veyerhoeven RUINS IT  with a TRUNCHEON the
way he decimated ST.

mikal x!
--- Brent Wodehouse [EMAIL PROTECTED]
wrote:

http://www.space.com/news/050519_moonrox_challenge.html
 
 NASA Challenge: Pull Oxygen from Moon Dirt, Win
 $250,000
 
 By Tariq Malik
 Staff Writer
 
 posted: 19 May 2005
 
 
 NASA has promised a cool $250,000 for the first team
 capable of
 pulling breathable oxygen from mock moon dirt, the
 latest award in the
 space agency's Centennial Challenges program.
 
 The cash prize is the reward for winners of the
 agency's Moon Regolith
 Oxygen (MoonROx) challenge, the third contest set by
 NASA to encourage
 commercial space industry.
 
 It our hope to kind of seed some of the long-term
 technologies that
 were going to need for future exploration, said Brant
 Sponberg, NASA's
 Centennial Challenges program manager, in a telephone
 interview.
 
 In the MoonROx contest, NASA and the Florida Space
 Research Institute
 (FSRI) challenge inventors to pull at least 11 pounds
 (five kilograms)
 of breathable oxygen from a volcanic ash-derived lunar
 soil substitute
 called JSC-1.
 
 But it doesn't end there. Participants not only have
 to extract the
 oxygen, but must accomplish the feat within eight
 hours. The
 competition expires June 1, 2008.
 
 Oxygen extraction technologies will be critical for
 both robotic and
 human missions to the moon, said Sam Durrance,
 executive director for
 FSRI. Like other space-focused prize competitions, the
 MoonROx
 challenge will encourage a broad community of
 innovators to develop
 technologies that expand our capabilities.
 
 Earlier this year, NASA detailed two other centennial
 challenges.
 
 The 2005 Beam Power Challenge will award $50,000 to
 the first team
 that can use wireless technology to lift a weight off
 the ground. Such
 technology could eventually be employed to beam
 payloads off Earth.
 Meanwhile, the 2005 Tether Challenge calls for teams
 to build the
 strongest tether of a specific diameter. The tethers
 will each be
 stretched to the breaking point, with winners
 advancing through the
 ranks toward a final showdown with NASA's house
 tether, made of
 existing material. Beat the house tether and you snag
 $50,000.
 
 NASA plans to set aside about $80 million towards
 Centennial Challenge
 prizes over the next five years to encourage private
 space technology
 development. Partly spurred by the $10 million Ansari
 X Prize for a
 private, manned suborbital spaceflight - which was
 snared last year
 by Scaled Composites' SpaceShipOne - the cash prize is
 also geared to
 help support NASA's space exploration vision.
 
 That vision, announced by President Bush on Jan. 14,
 2004, calls
 for a resurgence of human missions to the moon by
 2020, as well as the
 ultimate push out to Mars and beyond.
 
 The use of resources on other worlds is a key element
 of the vision
 for space exploration, said Craig Steidle, NASA's
 associate
 administrator for the exploration systems mission
 directorate, in a
 statement. This challenge will reach out to inventors
 who can help us
 achieve the vision sooner.
 
 Sponberg said that more challenges will be announced
 in upcoming
 weeks, and may include additional contests to develop
 off-planet
 resource utilization tools or astronaut support
 systems.
 
 Other front-runners for near-term contests could
 challenge innovators
 to develop a better spacesuit glove or an unmanned,
 lighter-than-air
 vehicle that could one day lead to a Venus or Mars
 probe.
 
 Longer-term challenges may call for full-up space
 missions or complex
 demonstrations, such as a high-precision landing,
 Sponberg added.
 
 I think it adds great dimensions to our [exploration
 vision],
 Sponberg said of the Centennial Challenges program.
 It's a great way to
 reach out to innovators that we couldn't before.
 
 

http://particlezen.proboards7.com/index.cgi
the edge of everything.  no, really.

http://www.deadjournal.com/users/cataleptik/
catal3ptik is a rav3r



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[scifinoir2] Fw: Bill Moyers slams right-wing takeover of public broadcasting

2005-05-19 Thread Amy Harlib

[EMAIL PROTECTED]
I saw and heard the whole speech on the Internet and it is so dead on!
Don't miss this!

Subject: Fw: Bill Moyers slams right-wing takeover of public broadcasting


 The slam is well deserved.


http://www.stltoday.com/stltoday/news/stories.nsf/stlouiscitycounty/story/BBB15FFD38DCFFFB86257003001B326B?OpenDocument

 Speech at conference assails right wing
 By Michael D. Sorkin
 Of the Post-Dispatch
 05/15/2005

 Bill Moyers denounced on Sunday the right wing and top officials at the
White House, saying they are trying to silence their critics by controlling
the news media.

 He also took aim at reporters who become little more than willing
government stenographers. And he said the public increasingly is content
with just enough news to confirm its own biases.

 Moyers spoke in St. Louis at a conference on media reform. His reports
have appeared on the Public Broadcasting System since the 1970s. He was an
aide to President Lyndon Johnson and is a former newspaper publisher.

 Moyers said those in power - government officials and their allies in the
media - mean to stay there by punishing journalists who tell the stories
that make princes and priests uncomfortable.

 Moyers described those officials as obsessed with control of the media.
He said they are using the government to threaten and intimidate.

 Moyers answered for the first time recent charges that public television
in general and he in particular have become too liberal.

 Those charges are from Kenneth Tomlinson, chairman of the Corporation for
Public Broadcasting, and, in effect, Moyers' boss at the network.

 Tomlinson, a Republican, paid an outside consultant $10,000 to keep track
of the political leanings of guests on Moyers' show, Now. Moyers left the
show last year but is back on public television as host of the series Wide
Angle.

 Tomlinson, on the recommendation of administration officials, hired a
senior White House aide to draw up guidelines to review the content of
public radio and television broadcasts, according to a report in The New
York Times on May 2.

 Tomlinson has denied that he was carrying out a White House mandate.

 Tomlinson complained that Moyers' show was consistently critical of
Republicans and the Bush administration. He said there was a tone deafness
at PBS headquarters on issues of tone and balance.

 Moyers said he knew his broadcasts have created a backlash in Washington.

 The more compelling our journalism, the angrier became the radical right
of the Republican Party, he said.

 That's because the one thing they loath more than liberals is the truth.
And the quickest way to be damned by them as liberal is to tell the truth.

 Moyers' speech was interrupted by standing ovations at the Conference for
Media Reform here over the weekend. More than 2,500 people attended the
three-day conference.

 Ernest Wilson III serves with Tomlinson on the board that oversees public
broadcasting. He said PBS outranks the Fox News Channel, CNN and all the
broadcast news networks in a survey that asked whom the public trusts.

 We are, by far, the most 'fair and balanced,' he said, a reference to
the motto of Fox News.

 Moyers complained that PBS' liberal label is undeserved.

 In contrast to the conservative mantra that public television routinely
features the voices of establishment critics, he said, alternative voices
on public television are rare and usually drowned out by government and
corporate views.

 Moyers said that's exactly what the right wing wants.

 They want your reporting to validate their belief system, and when it
doesn't God forbid.

 He said he always thought that the American eagle needed both a left wing
and a right wing. But with two right wings, or two left wings, it's no
longer an eagle, and it's going to crash.

 Moyers said right wingers had attacked him after he closed a broadcast by
placing a flag in his lapel.

 It was the first time that he had worn a flag. He said he put it on to
remind himself that not every patriot thinks we should do to the people of
Baghdad what bin Laden did to us.

 The flag has been hijacked and turned into a logo, a trademark of a
monopoly on patriotism, Moyers said.

 Moyers had harsh words for reporters who simply recount what officials
say, without scrutinizing what they say and do.

 He said New York Times correspondent Judith Miller, among other reporters,
had relied on official but unnamed sources when she served essentially as
the government's stenographer for claims that Iraq possessed weapons of mass
destruction.

 Moyers said he has come to understand that news is what people want to
keep hidden and everything else is publicity.

 He said that kind of reporting has never been tougher to do:

 Without a trace of irony, the powers that be have appropriated the news
speak vernacular of George Orwell's '1984,' giving us a program, no child
will be left behind, while cutting funds for educating disadvantaged
children.

 They give us legislation 

Re: [scifinoir2] Fw: Bill Moyers slams right-wing takeover of public broadcasting

2005-05-19 Thread Mikal Howard
for a long time asa commercial art and communications
grad i have noted that NPR is a mouthpiece for the right
-- to the point where -- if a guest has ideas that are
liberal the guests -- like mart i moss-cowan or terry
gross try to put words in theimouth to the tune of
surely you didn'tmean to disparage capitalism. as an
anarchist i am especially sensitive to these 'little
things that mean so, so much.

it's...not so complicated. there is a force happening in
america that people who wish to be proud' of their
nation don't want to look at -- a force that mirrirs
like a click on the spiral the repression and sneaky
censorship that led to the down forall of Germany at the
hands of the National Socialists.  America is perhaps
even more ripe for that sortof real evil to seduce it
because americans are so proud -- they don't want to
admit that there is anything wrong.

Moyers is a man of means. Intelectual means, emotional
means. I am glad he soke out -- especially becaue se
NPRs status as non commercial is ajoke -- each hour they
thank with advertisements some of the riches t people in
the nation or the world with reminders.

MERCK.  The Ford Foundation for chrissake.  it's not in
vain to consider that the radio is now obsolete as a
place for progressive views.  i have had issues witgh
some fake progressives who toe the line a pull punches
for years -- and i monitor NPR as part of work for
independent media concerns (other than the left biased
and ethically spotty indymedia.arrgh.).

what is happening in the united states is a fascist
tranformation -- a fall to the darkes of places where
enlightenment is traded in for illumination -- and at
the same time -- perhaps there is some sort of grey
awakening taking place. i would not call moyers anything
but a reactionary conservative -- but all conservatives
are not as evil as some of them come off. maybe the good
guys are waking up.


there's a tidal wave of mysticim coursing through our
jket age generation.  -- P-Funk All Stars

mikal x
--- Amy Harlib [EMAIL PROTECTED] wrote:

 
 [EMAIL PROTECTED]
 I saw and heard the whole speech on the Internet and
 it is so dead on!
 Don't miss this!
 
 Subject: Fw: Bill Moyers slams right-wing takeover of
 public broadcasting
 
 
  The slam is well deserved.
 
 

http://www.stltoday.com/stltoday/news/stories.nsf/stlouiscitycounty/story/BBB15FFD38DCFFFB86257003001B326B?OpenDocument
 
  Speech at conference assails right wing
  By Michael D. Sorkin
  Of the Post-Dispatch
  05/15/2005
 
  Bill Moyers denounced on Sunday the right wing and
 top officials at the
 White House, saying they are trying to silence their
 critics by controlling
 the news media.
 
  He also took aim at reporters who become little more
 than willing
 government stenographers. And he said the public
 increasingly is content
 with just enough news to confirm its own biases.
 
  Moyers spoke in St. Louis at a conference on media
 reform. His reports
 have appeared on the Public Broadcasting System since
 the 1970s. He was an
 aide to President Lyndon Johnson and is a former
 newspaper publisher.
 
  Moyers said those in power - government officials
 and their allies in the
 media - mean to stay there by punishing journalists
 who tell the stories
 that make princes and priests uncomfortable.
 
  Moyers described those officials as obsessed with
 control of the media.
 He said they are using the government to threaten and
 intimidate.
 
  Moyers answered for the first time recent charges
 that public television
 in general and he in particular have become too
 liberal.
 
  Those charges are from Kenneth Tomlinson, chairman
 of the Corporation for
 Public Broadcasting, and, in effect, Moyers' boss at
 the network.
 
  Tomlinson, a Republican, paid an outside consultant
 $10,000 to keep track
 of the political leanings of guests on Moyers' show,
 Now. Moyers left the
 show last year but is back on public television as
 host of the series Wide
 Angle.
 
  Tomlinson, on the recommendation of administration
 officials, hired a
 senior White House aide to draw up guidelines to
 review the content of
 public radio and television broadcasts, according to a
 report in The New
 York Times on May 2.
 
  Tomlinson has denied that he was carrying out a
 White House mandate.
 
  Tomlinson complained that Moyers' show was
 consistently critical of
 Republicans and the Bush administration. He said there
 was a tone deafness
 at PBS headquarters on issues of tone and balance.
 
  Moyers said he knew his broadcasts have created a
 backlash in Washington.
 
  The more compelling our journalism, the angrier
 became the radical right
 of the Republican Party, he said.
 
  That's because the one thing they loath more than
 liberals is the truth.
 And the quickest way to be damned by them as liberal
 is to tell the truth.
 
  Moyers' speech was interrupted by standing ovations
 at the Conference for
 Media Reform here over the weekend. More than 2,500
 people attended the