[scifinoir2] Darkest of Star Wars dark lords get his day in the sun

2005-05-20 Thread Kelly Wright
http://www.jsonline.com/onwisconsin/movies/may05/327099.asp

Darkest of 'Star Wars' dark lords gets his day in the sun

By BOB LONGINO

Atlanta Journal-Constitution
Posted: May 19, 2005

Skywalker Ranch, Calif. - More than 20 years after Scottish actor Ian
McDiarmid first donned the dark threads of Emperor Palpatine as ruler
of Star Wars'  evil Empire, the robe's back on.
53727'Star Wars'

And in Revenge of the Sith, the final installment in George Lucas'
Star Wars saga that opened worldwide this week, the dark lord is
finally having his day in the sun.

Palpatine gets to wield a lightsaber, slicing his way through a
mélange of Jedi knights.

He uses that hellish lightning-from-the-fingertips moxie he's got in a
blistering, senate chamber-smashing duel with Yoda. And he gets to
order around Anakin Skywalker, compelling him to do evil deeds with
simple commands, like Kill him.

If Darth Vader is the baddest guy in the universe, what does that make
him?

It makes me beyond that, said McDiarmid, a veteran stage and TV
actor with limited big-screen appearances. Blackest of the black.
Darkest of the dark. But, unfortunately, still recognizably human.

McDiarmid was 38 when fans first saw him as the creepy, disfigured
emperor when The Return of the Jedi was released in 1983.

Now he's 60 and actually much closer in age to the character he's
played in four Star Wars films.
From Shakespeare to Sith

McDiarmid has progressed from senator to supreme chancellor to, now,
the man who would be emperor.

For a dozen years, McDiarmid was joint artistic director of the
Almeida Theatre in north London. He's performed with the Royal
Shakespeare Company, the Royal National Theatre and the Royal Court.
He's played Edward II, Henry IV and Prospero in The Tempest. He's
had small parts on the big screen in Tim Burton's Sleepy Hollow,
Gorky Park and Dirty Rotten Scoundrels.

His left profile, emphasizing a weak chin, slightly pointed nose and a
splash of swept-back gray hair, is the spitting image of the notorious
Mr. Burns of The Simpsons.

The whole of 'The Simpsons' (seems to be) obsessed with 'Star Wars,'
 McDiarmid said.

He doesn't know if Palpatine was in Matt Groening's mind, the actor
added, but I wouldn't be surprised.

Lucas hadn't seen McDiarmid's work on stage, but a casting director
did, in the small, upstairs theater at the Royal Court at the dawn of
the '80s.

It was Sam Shepard's play, 'Seduced,' in which I played the aging -
well, his version of the aging - Howard Hughes with the long hair and
the fingernails, motionless in bed, McDiarmid recalled.

His performance struck the right notes: paranoia, confidence,
arrogance, obsessiveness.

Later, McDiarmid was called to lunch with Lucas.

Even when I got back (home), I didn't know why we had been speaking,
though I imagined it had something to do with 'Star Wars,'  he said.

His agent phoned.

Obviously it went well because you got the part, the agent said.

I said, 'What part?' 

The agent leafed through his papers, searching for the role, and then
uttered four words - emperor of the universe.

 'We'll be doing that then,' I said. And that's how it started.
Creating a villain

Once McDiarmid saw the ghastly prosthetics planned for the emperor's
face - the reason behind his metamorphosis from the normal-looking
supreme chancellor to the hideous emperor is illustrated in Sith -
he conjured up the character's distinctive, cackling voice.

Oh, he's like a toad, McDiarmid said. He's a terrible reptile. I
thought his voice should come from the dark depths. From the bowels of
the Earth or the bowels of his being. . . .

And the voice just sort of arrived.

Sith provides McDiarmid with the most screen time he's had yet.
High praise

His co-star, Hayden Christensen, who plays Anakin/Darth Vader, said
McDiarmid took advantage of the moment.

He steals the show, Christensen said. I think so much of why this
film works is from his performance.

He makes choices I don't know that I could really muster the courage
to make. And he pulls it off, Christensen added. You can see the
process in his eyes. And between scenes, you see him doing that same
sort of obsessive, constant analysis of things. He doesn't go
anywhere. He just sort of stays on set, pacing back and forth.

McDiarmid reluctantly admits that, despite all his years on the stage,
he'll be best remembered for his work in Star Wars.

If you make movies, your face and your performance is there forever
more, and if you are involved in a big movie - the biggest movie of
all time - then it's obviously going to be there, McDiarmid said.
And it does give me pause.

But it's not all that I do. And I haven't, I hope, got it out of
proportion. That would be the only problem.

Besides, he's not at all impressed with having his face on a Star
Wars action figure.

I think it's a bigger thing for Hayden than it's been for me. Those
little figures or whatever it is. The T-shirts. It's been a very, very
strange thing indeed.

[scifinoir2] Austin Marquee Today

2005-05-20 Thread Bosco Bosco
I spotted this on a building down town:

Sith Happens

I thought it was hilarious. My girlfriend didnt get it. When worlds
collide all over again.

Bosco

I got friends who are in prison and Friends who are dead.
I'm gonna tell ya something that I've often said.

You know these things that happen,
That's just the way it's supposed to be.
And I can't help but wonder,
Don't ya know it coulda been me.



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[scifinoir2] 'Star Wars' Grosses $16.5M in Midnight Run

2005-05-20 Thread Kelly Wright
http://hosted.ap.org/dynamic/stories/F/FILM_STAR_WARS_BOX_OFFICE?SITE=WIMILSECTION=HOME

May 20, 10:04 AM EDT

'Star Wars' Grosses $16.5M in Midnight Run

LOS ANGELES (AP) -- Moviegoers flocked to the dark side in droves,
giving the final installment of George Lucas' Star Wars tale a
record-breaking midnight run.

Star Wars: Episode III - Revenge of the Sith raked in an estimated
$16.5 million from 2,900 midnight screenings Thursday, according to
box-office tracker Exhibitor Relations.

That's double what the Oscar-winning film The Lord of the Rings: The
Return of the King took in during its midnight showings in 2003. The
third film from director Peter Jackson's trilogy rang up about $8
million domestically from 2,100 midnight shows.

This is extremely impressive, said Paul Dergarabedian, president of
Exhibitor Relations. It just says so much about how excited people
are to see this film that they lined up at midnight and just got on
board and went along for the ride.

After the midnight debut, Revenge of the Sith widened to 3,661
theaters for daytime and evening screenings. The studio, 20th Century
Fox, said box-office results for the first full day would be available
Friday.

Tickets for the film went on sale last month. Soon after, legions of
fans began lining up at theaters across the country, many dressed in
full Star Wars regalia and sporting Jedi light sabers.

The final chapter in Lucas' six-film saga chronicles Anakin
Skywalker's transformation from hero to villain Darth Vader. The film
may be the darkest chapter in the Star Wars story, featuring more
violence and a story line showing how a democratic government turns
into a despotic regime.

Revenge of the Sith is the first Star Wars film to earn a PG-13
rating. The first five films were rated PG.






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[scifinoir2] Get to know your friends and neighbors

2005-05-20 Thread Kelly Wright
http://www.mugshots.com/Criminal/Killers/Kelly+Wright.htm




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[scifinoir2] Grey's Anatomy

2005-05-20 Thread Emma Lathan
I have not watched this show as much as I may have wanted to.  I did
connect with it immediately-relating to the star's plight instantly or
at least the aspect of having to live up to her mother's reputation.

I was disappointed that the Black woman was one of the typical
stereotypes.  The Mutt and Jeff thing that happens with Her and Isiah
Washington's character and the interns gets old.

As for ER, they have had people of color in the cast on the show for
11 years.  With the departure of Noah Wyle, they will be the senior
members of the cast in terms of longevity unless they get the chop. 
However, ER has never done any episodes that focused on the nurses
unless they were the love interest of one of the doctors and that
means that said nurse is usually white.  Even Donal Logue, who was a
walk on, managed to garner a recurring role as a flight nurse by being
romantically involved with Dr. Lewis gets more screen time and story
arc than Haleh, Chuny, Malik and the gang.  Sure they had Peter
Benton, Deb (Ching Mei) Chen, Jean Boulet, CCH Pounder's character,
Michael Michele's character, Dr. Gallant, Dr. Pratt and Neela.  So
what.
Some of them had their moments. Others were a footnote. All were in
when they needed to cave to diversity pressure.  I inadvertantly taped
the episode when Pratt and Gallant were picked up by the picked for
driving while Black.  I dubbed that the Black History Month episode
since if came along for February sweeps.

I honestly hate Dr. Pratt.  He is another stereotype.  I liked Gallant
better and felt that he got short schriff when Pratt came on. 
Apparently, Michael Michelle's character was the only Black woman
doctor they could find in Chicago.  Lynne Adams' nurse (the one that
rubbed Carol the wrong way at her clinic and who ended up with the
clinic after Carol again did something stupid because of Doug) just
faded away.

Back to Grey's Anatomy.  It is good that they are doing more but just
like with Star Trek and  Star Wars, I will really get excited when
they have a Black woman main character (in this case it would be
doctor) who is interesting and not in crisis or a drill sergeant
(although I don't mind that so much as that usually is all there is)
and who gets interesting storylines and who is not Halle Berry or
Thandie Newton (as much as I do like her.)


I'm not going there to die. I just need to know if I was ever really alive.  
 - Spike (Cowboy Bebop)


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[scifinoir2] Fw: Network Viewers Still in the Dark on Smoking Gun Memo

2005-05-20 Thread Amy Harlib


[EMAIL PROTECTED]
Please take action and pass this on.  Word about this critical story must
get out there!




  FAIR-L
 Fairness  Accuracy In Reporting
Media analysis, critiques and activism

 http://www.fair.org/index.php?page=2520

 ACTION ALERT:
 Network Viewers Still in the Dark on Smoking Gun Memo
 Print media continue to downplay story

 May 20, 2005

 Following FAIR's call for more mainstream coverage of the smoking gun
memo--the secret British document containing new evidence that the Bush
administration manipulated intelligence to justify its plan to invade
Iraq--a steady trickle of news reports have appeared. But that coverage has
been downplayed in general and is still completely absent from the nightly
news.

 The Los Angeles Times published a page 3 story on the memo on May 12, and
the Washington Post ran a page 18 story the following day. More than two
weeks after the story broke in the Sunday Times of London (5/1/05), it
finally made the front page of a major U.S. newspaper, the Chicago Tribune
(5/17/05).

 After referring to the memo (5/2/05) in a story on the British electoral
campaign, the New York Times failed to report on the document's implications
about the Bush administration until today (5/20/05); the one-column story
didn't mention the manipulation of intelligence until the eighth paragraph.
(Times columnist Paul Krugman also discussed the memo on the paper's opinion
page on May 16.)

 The Washington Post's ombudsman, Michael Getler, who the previous week
(5/8/05) had mentioned reader complaints about the Post's lack of memo
coverage without evaluating their substance, revisited the issue with a much
more critical eye in his most recent column (5/15/05). (The ombud gave
back-handed credit to FAIR and the group Media Matters for America--both
self-described media watchdog organizations--for prompting him to delve
into the story.) Getler wrote that Post editors initially told him they
didn't pursue the story because they were tied up with election
coverage--this despite the fact that the leaked memo became a major
election story in Britain and likely contributed to Tony Blair's weak
returns. When he questioned them again after the email campaign, Getler
wrote, editors agreed that this story should be covered and said they were
going to go back and do that; the Post's May 13 story followed.

 Getler called investigation of the memo's conclusions journalistically
mandatory and suggested that the Post story should have been placed on the
front page.

 While the memo has begun to get wider coverage in print, broadcasters have
maintained a near silence on the issue. The story has turned up in a few
short CNN segments (Crossfire, 5/13/05; Live Sunday, 5/15/05; Wolf Blitzer
Reports, 5/16/05), but the only mention of the memo FAIR found on the major
broadcast networks came on ABC's Sunday morning show This Week (5/15/05), in
which host George Stephanopoulos questioned Sen. John McCain about its
contents. When McCain declared that he didn't agree with it and defended
the Bush administration's decision to go to war, Stephanopoulos didn't
question him further. A look at the nightly news reveals not a single story
aired about the memo and its implications.

 When finally questioned by CNN (5/16/05), White House press secretary
Scott McClellan claimed he hadn't seen the memo, but that the reports
about it were flat-out wrong. British government officials, however, did
not dispute the contents of the memo--which can be read in full online at
http://downingstreetmemo.com/ --and a former senior American official called
it an absolutely accurate description of what transpired (Knight Ridder,
5/6/05).

 The Chicago Tribune (5/17/05) named several factors that had caused a
less than robust discussion of the smoking gun memo: Aside from the White
House's denials, and the media's slow reaction, the paper asserted that the
public generally seems indifferent to the issue or unwilling to rehash the
bitter prewar debate over the reasons for the war. Of course, it's hard to
judge the public's interest in a story the media have largely shielded them
from.

 ACTION:
 Please contact the nightly news programs and ask them to investigate and
report on the new evidence that the Bush administration manipulated
intelligence to support its plan to invade Iraq.

 CONTACT:
 ABC World News Tonight
 Phone: 212-456-4040
 mailto:[EMAIL PROTECTED]

 CBS Evening News
 Phone: 212-975-3691
 mailto:[EMAIL PROTECTED]

 NBC Nightly News
 Phone: 212-664-4971
 mailto:[EMAIL PROTECTED]

 PBS NewsHour with Jim Lehrer
 Phone: 703-739-5000
 mailto:[EMAIL PROTECTED]

 As always, please remember that your comments have more impact if you
maintain a polite tone.
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[scifinoir2] Star Wars Episode III: Revenge of the Sith mirrors reality

2005-05-20 Thread hesychastic
Most contemporary American policitians and journalists have grown
up in a sanitised 'PC era' where such forcefulness is usually
mistakenly interpreted as a personal attack. Yet in my view
Galloway's testimony contains not a single truly aggressive phrase
or ugly clause.

http://webdiary.smh.com.au/archives/jack_robertson/001038.html

Indeed, we've reached a point where most find the truth an
insult. They can't distinguish the two. Such an atmosphere
fosters lies, and weak character. Galloway's proper scolding of 
Coleman, Hitchens, et al had nothing to do with PC. It had 
everything to do with testicular fortitude and speaking truth to 
power and not giving a phuque about the consequences. (cause there 
won't be any)

The quoted interpretation of PC is kind of sloppy, actually as label
shorthand, profoundly sloppy, because the language of political
correctness has not been an impediment to speaking truth to power,
merely an impediment used by those minorities seeking social justice
and civil rights to keep from having their interests and points of
view from being unconsciously trampled at every occasion.

None of the folks who have asserted their existence in this regard
have any real power that is an impediment to freedoms. The
association of lesbigay chicanas at Berkley has never been, nor will
it ever be a threat to civil liberties, unless you have an
overpowering urge to run around barking about wetback dykes and
otherwise imposing yourself on their sensibilities.

OTOH, true civil libertarians who don't get their principles
inadvertently bunged up with southern strategy bigotry, are also
beginning to see the nature of the predicament. In fact, on a well
run private libertarian list I frequent with edumicated folks, the 
surprise du jour from yonder where PC is understood as distinct
from speaking truth to power was the alex jones article that just
came up about Revenge of the Sith. 

Having seen the movie y'day morning in a megaauditorium packed to 
the rafters with multigenerational nerdage, I'd say that Lucas has 
pulled his own image based and liminal version of a Galloway and has 
the power and the wealth to not have to give phuque and be certain 
that there will be no personal consequences for having done so. XM

Star Wars Episode III: Revenge of the Sith mirrors reality

I wanted to forward this fresh post taken from a private libertarian
list, but I also wanted to copy it to an existing AF thread..., so
copied in whole - replete with characteristic gun zealotry at the
end by its author N. Liebold. XM

www.Infowars.comhttp://www.infowars.com/ | May 18, 2005
Alex Jones

The Star Wars story has had, without a question, the greatest impact
on popular culture of any movie in world history. We will now explore
why it has resonated so strongly with so many people across
generations.

At last, the mainstream media is picking up on something we've been
talking about for years. The plot lines of George Lucas' six Star
Wars
films mirror, in many respects, the activities of western
governments.

George Lucas, the creator of the Star Wars saga, has said over and
over again that he simply plays on subconscious archetypal symbols
that evoke primeval fears and passions. Lucas has also stated on many
occasions that he draws from historical examples of imperial leaders'
lust for war and total power.

Lucas has said that that is why his films have such a powerful effect
of people. Deep down, everyone knows that the greatest threat to life
and liberty isn't the average criminal on the street, but the
monolithic, all-powerful state.

The human desire to resist tyranny is one of the strongest drives we
have and Lucas plays upon that instinct masterfully.

While premiering his film, Star Wars: Revenge of the Sith, at the
Cannes Film Festival George Lucas was asked if his new film was a
social commentary on George Bush and the Iraq invasion (which even
our own government admits is part of America's new kindly, helpful
and loving imperialism).

How can they not ask this when Darth Vader says to his former teacher
Obi-Wan Kenobi, if you're not with me, then you're my enemy.
Remember that Lord Bush, after the 9/11 attacks said, either you are
with us, or you are with the terrorists.

He continued by saying, The issue was, how does a democracy turn
itself into a dictatorship...When I wrote it, Iraq (the U.S.-led war)
didn't exist.. but the parallels of what we did in Vietnam and Iraq
are un believable ...I didn't think it was going to get this close.

Speaking about present day America he said, I hope this doesn't come
true in our country.

There are thousands of examples of classical despotism being
practiced in the US and worldwide today. Here are just a couple:

- Our new Attorney General, Alberto Gonzales, in published memos told
the President and military leaders that US forces could interrogate
detainees to death. If the detainees died while being tortured, the
military's actions would be legal as long as they 

RE: [scifinoir2] Re: What happened to Grey's Anatomy?

2005-05-20 Thread Keith Johnson
Good point. That's why I was asking for an opinion, because I'd quit
watching. Still think Homicide had the most realized Blacks on TV in a
coon's age...

-Original Message-
From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On
Behalf Of Tracey de Morsella (formerly Tracey L. Minor)
Sent: Friday, May 20, 2005 09:20
To: scifinoir2@yahoogroups.com
Subject: RE: [scifinoir2] Re: What happened to Grey's Anatomy?


I Like Washington, and see this role as an opportunity for him.  But...
that could be lust talking.  :)

Stealth diversity..  I like that term.  I do not necessarily have a
problem with stealth diversity..  For many artists of color, it might be
the only way to get high profile, break out roles.  the same for many
producers, writers and directors of color.  I've seen the shows with
true diversity last only 6 six and bottom of the list ratings.  In the
long run it does not do much good.  If Grey Anatomy becomes an ER,
(which seems extremely likely) Washington, that Black actress, and the
Asian actress might find themselves with stable employment with a high
profile role that actually requires them to act, allows them to take
some of the offers of movies that they now will get, enough money to
produce their own stuff if they want, and also will present them with
opportunities for other juicy parts.

If you look at the career paths of Omar Epps,  Eriq La Salle , Ming-Na
and maybe a few other ER alumni of color, ER may have contributed to
some milestones in their careers.  I think being on a top 10 show, in a
part where you are not playing some stereotype could definitely do some
positive things for an actor's career.

So, while I have a few criticisms and reservations about Grey's Anatomy,
I am glad in is thriving.

Tracey
-Original Message-
From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of Keith Johnson
Sent: Friday, May 20, 2005 12:10 AM
To: scifinoir2@yahoogroups.com
Subject: RE: [scifinoir2] Re: What happened to Grey's Anatomy?


From your response and Tracey's, I guess ABC's pullling stealth
diversity, using white-oriented marketing to pull in the mainstream.
Like I said ,all the commercials focus on the whites. And I'm still
troubled by magazine and other media coverage like TV Guide, which
completely ignores the Blacks. Isaiah Washington's a good actor, but
something about him often seemed to get him villain roles. He was a
villain in Romeo Must Die, and a couple other films I saw. I saw him
in an interesting movie a few years back with Mirando Otto (Eowen from
Lord of the Rings), where he falls in love with a white South African
played by Otto. He was a villain in Exit Wounds too. But Washington's
done a lot of work, almost 40 films! Could we be looking at another Sam
Jackson? check out his filmography:

http://www.imdb.com/name/nm0913460/

Also, I have to give him my props, as he's a fellow Texan! -Original
Message-
From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On
Behalf Of Kelly Wright
Sent: Thursday, May 19, 2005 22:07
To: scifinoir2@yahoogroups.com
Subject: [scifinoir2] Re: What happened to Grey's Anatomy?


I like Grey's Anatomy, it is a perfect companion to Desparate
Housewives but if I miss either, it is not a tragedy.  When the show
first came on I mentioned the 'bizarro world' aspect of it --where the
blacks were ostensibly in charge and were, in essence, oppressing the
downtrodden white characters.  I am sure the show's creators had to make
many compromises.  For instance, one of the four interns was supposed to
be a black man but I guess that was too much diversity for the suits
that run ABC.  Television is a cruel master and an incredibly difficult
place for a person of color to get a foothold.

There has been much to do about Everybody loves Raymond coming to a
conclusion after nine seasons.  One of the hubbubs when the show was
getting off the ground was that they didn't want Italian Ray Barone's
wife to be too ethnic.  By that Les Moonves (who is married to an
Asian woman as is Rupert Murdock)didn't want Ray's wife to be Italian or
Jewish.  They originally wanted someone like Meredith Baxter Birney.  If
Ray Romano can't get an Italian wife in a show based on his life on a
show he co-created and co-executive produces, what chance does a black
show producer have?

That said, let me say I thoroughly enjoyed the episode of Grey's
Anatomy where Anna Maria Horsford played an old scrub nurse who was
dying and even though her illness was terminal and the hospital could do
nothing to save her the administration was letting her stay until she
died.  This episode showed the humanity of all the black totems and
taught the callow young white interns something about caring and
community.

As an aside, I have never been an Isaiah Washington fan.  I loathe
almost every character I have seen him play including his debut in Spike
Lee's Girl 6 where despite substantial screen time he is credited
simply as the Shoplifter.  But I saw him 

[scifinoir2] Fw: Democracy, this is it.

2005-05-20 Thread Amy Harlib






[EMAIL PROTECTED]




  
  
We need your help organizing round-the-clock, 24-hour 
  Citizen Filibusters to Stop the Right-Wing Power Grab. Help send a message 
  that senators should do the right thing and stand up to Republican Leader 
  Bill Frist's abuse of power. We're kicking off the citizen filibusters on 
  Tuesday, May 24 at 12 Noon. You can schedule one in your community 
  with other MoveOn members and help send a message about the abuse of power 
  by Republican leaders in Washington. 
  

I know we've sent you lots of emails asking you to act in the last few weeks, 
as we've geared up to prevent the impending Republican judicial takeover. Now 
we're pretty much down to the wire, with the vote on the "nuclear option" to 
pack the courts with radical judges coming in the next few days, and thought to 
be too close call. So we really are pulling out all the stops, and I have one 
big request: as a final attempt to sound the alarm about Republicans' plans, 
we're organizing 24-hour "Citizen Filibusters" in front of courthouses 
from coast to coast. Will you post a location, and call the media, so other 
MoveOn members in your area can join you for this critical action? 
http://www.moveonpac.org/event/citizenfilibusters/?id=5547-1346069-Yt8vudy0lD.Y6ZwRisXx7gt=3
If Republicans succeed, they'll have complete power to reshape the Supreme 
Court, appointing justices who oppose worker protections, women's rights, and 
environmental laws. This could be the most important decision the Senate makes 
this decade, because the impact of these lifetime appointments will be felt for 
a generation.
The round-the-clock citizen filibusters begin nationwide on Tuesday, May 24 
starting at 12 Noon. Will you help? Please click below to get started. If you 
can't sign up as a host look for an event in your community that you could 
attend. All we really need is for you to select a location if there isn't one 
setup in your community.
http://www.moveonpac.org/event/citizenfilibusters/?id=5547-1346069-Yt8vudy0lD.Y6ZwRisXx7gt=4
We'll provide a detailed guide to help you organize and invite other MoveOn 
members to participate as citizen filibusterers. The citizen filibusters will 
simulate the Senate filibuster that has been a critical part of our democratic 
system of checks and balances for more than 200 years.
We're following an inspiring example. At 11:00 a.m. on April 26, a group of 
students at Princeton University in New Jersey started a round-the-clock mock 
filibuster outside a campus building named for the family of Senator Frist. 
Through rain, exams and the dead of night their speeches continued for more than 
two weeks non-stop with visits by distinguished professors including a Nobel 
Prize-winning physicist, congressmen, senators and lots of students — Democrats, 
Republicans and Independents.
The citizen filibusters are an important way to demonstrate broad opposition 
to the Republican drive for absolute power. Organizing a citizen filibuster 
might sound like a lot of work but we've got all the information you need. All 
you really need to do is post a location. We'll invite other MoveOn members in 
your area to join in. Then, if possible, you alert the media or ask one of your 
attendees to do it.
We know you might have to take off work, school or find child care but this 
is one of those moments when we really need your help. Please make a commitment 
to organize a 24-hour citizen filibuster now.
http://www.moveonpac.org/event/citizenfilibusters/?id=5547-1346069-Yt8vudy0lD.Y6ZwRisXx7gt=5
The Senate is currently debating the nominations of two judges — Janice 
Rogers Brown and Priscilla Owen. Here is a summary of how bad they are and why 
it is important that they don't become judges.
Janice Rogers Brown, a Justice on the California Supreme 
Court, would threaten the most basic protections for workers and the environment 
that have kept our country strong since the Great Depression. She follows a 
radical judicial philosophy, (often called "Constitution in Exile") that says 
courts have a duty to block Congress from interfering with a corporation's 
"right" to profitably pollute, or an employer's "right" to demand unlimited 
hours at any wage from their employees. On the state Supreme Court she has 
attacked California's anti-discrimination statute, affordable housing laws, fees 
levied against major urban polluters, and laws that protects whistleblowers from 
retaliation by their employers and consumers from corporate fraud.
Pricilla Owen, a Justice on the Texas Supreme Court, has 
been repeatedly admonished by her own conservative colleagues for what Attorney 
General Alberto Gonzales described as her "unconscionable judicial activism." As 
a candidate for the Supreme Court job Owen defied ethics standards by accepting 
substantial campaign contributions from giant corporations including Enron and 
Halliburton and then later issuing rulings in their favor. In 

RE: [scifinoir2] Darkest of Star Wars dark lords get his day in the sun

2005-05-20 Thread Keith Johnson
Title: Message





After 
seeing "Sith" today, I just *knew* it had to be the same actor. how awesome it 
is the same guy playing the Emperor in all the movies! What a strange two-edged 
sword it must be for actors, to get recognized most for what may be your least 
challenging or complex work. Or to be typecast by a role you loved, but want to 
put behind you. George Reeves, Leonard Nimoy and others have had that 
struggle.But hey, if it pays the bills--more than pays them, I 
imagine--it can allow you the freedom to do all those plays and 
stuff.

At 
least McDiarmid seems to have a good attitude. I know the late Alec Guiness came 
to despise the fact that he'd be most rememebered as Obi Wan. I remember reading 
an interview where he was faintly contemptuous of his fans, whom he felt were 
odd and needed to get real lives. That was sad.

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Kelly WrightSent: Friday, May 20, 2005 10:07To: 
  scifinoir2@yahoogroups.comSubject: [scifinoir2] Darkest of "Star 
  Wars" dark lords get his day in the sunhttp://www.jsonline.com/onwisconsin/movies/may05/327099.aspDarkest 
  of 'Star Wars' dark lords gets his day in the sunBy BOB 
  LONGINOAtlanta Journal-ConstitutionPosted: May 19, 
  2005Skywalker Ranch, Calif. - More than 20 years after Scottish actor 
  IanMcDiarmid first donned the dark threads of Emperor Palpatine as 
  rulerof "Star Wars' " evil Empire, the robe's back on.53727'Star 
  Wars'And in "Revenge of the Sith," the final installment in George 
  Lucas'"Star Wars" saga that opened worldwide this week, the dark lord 
  isfinally having his day in the sun.Palpatine gets to wield a 
  lightsaber, slicing his way through amélange of Jedi knights.He 
  uses that hellish lightning-from-the-fingertips moxie he's got in 
  ablistering, senate chamber-smashing duel with Yoda. And he gets 
  toorder around Anakin Skywalker, compelling him to do evil deeds 
  withsimple commands, like "Kill him."If Darth Vader is the baddest 
  guy in the universe, what does that makehim?"It makes me beyond 
  that," said McDiarmid, a veteran stage and TVactor with limited big-screen 
  appearances. "Blackest of the black.Darkest of the dark. But, 
  unfortunately, still recognizably human."McDiarmid was 38 when fans 
  first saw him as the creepy, disfiguredemperor when "The Return of the 
  Jedi" was released in 1983.Now he's 60 and actually much closer in age 
  to the character he'splayed in four "Star Wars" films.From Shakespeare 
  to SithMcDiarmid has progressed from senator to supreme chancellor to, 
  now,the man who would be emperor.For a dozen years, McDiarmid was 
  joint artistic director of theAlmeida Theatre in north London. He's 
  performed with the RoyalShakespeare Company, the Royal National Theatre 
  and the Royal Court.He's played Edward II, Henry IV and Prospero in "The 
  Tempest." He'shad small parts on the big screen in Tim Burton's "Sleepy 
  Hollow,""Gorky Park" and "Dirty Rotten Scoundrels."His left 
  profile, emphasizing a weak chin, slightly pointed nose and asplash of 
  swept-back gray hair, is the spitting image of the notoriousMr. Burns of 
  "The Simpsons.""The whole of 'The Simpsons' (seems to be) obsessed 
  with 'Star Wars,'" McDiarmid said.He doesn't know if Palpatine was 
  in Matt Groening's mind, the actoradded, "but I wouldn't be 
  surprised."Lucas hadn't seen McDiarmid's work on stage, but a casting 
  directordid, in the small, upstairs theater at the Royal Court at the dawn 
  ofthe '80s."It was Sam Shepard's play, 'Seduced,' in which I 
  played the aging -well, his version of the aging - Howard Hughes with the 
  long hair andthe fingernails, motionless in bed," McDiarmid 
  recalled.His performance struck the right notes: paranoia, 
  confidence,arrogance, obsessiveness.Later, McDiarmid was called to 
  lunch with Lucas."Even when I got back (home), I didn't know why we 
  had been speaking,though I imagined it had something to do with 'Star 
  Wars,' " he said.His agent phoned.Obviously it went well 
  because you got the part, the agent said."I said, 'What part?' 
  "The agent leafed through his papers, searching for the role, and 
  thenuttered four words - emperor of the universe." 'We'll be doing 
  that then,' I said. And that's how it started."Creating a 
  villainOnce McDiarmid saw the ghastly prosthetics planned for the 
  emperor'sface - the reason behind his metamorphosis from the 
  normal-lookingsupreme chancellor to the hideous emperor is illustrated in 
  "Sith" -he conjured up the character's distinctive, cackling 
  voice."Oh, he's like a toad," McDiarmid said. "He's a terrible 
  reptile. Ithought his voice should come from the dark depths. From the 
  bowels ofthe Earth or the bowels of his being. . . ."And the voice 
  just sort of arrived.""Sith" provides McDiarmid with the most screen 
  time he's had yet.High praiseHis co-star, Hayden Christensen, 

[scifinoir2] Scorpius is in Sith!

2005-05-20 Thread Keith Johnson
Title: Message





Kelly, from 
your post about the blue-faced dude in "Sith": A Peter Cushing 
look-alike. At the end of the film, there's an actor who bears a strong resemblance to the late 
actor who played Grand Moff Tarkin, one of 
the villains in the first "Star Wars" movie.

Guess what, that 
actor is played by Wayne Pygram, "Scorpius" from Farscape! Also in the movie is 
Keisha Castle-Hughes of "Whale Rider" fame. I guess the movie was shot in 
Australia in part, as both actors are natives.









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RE: [scifinoir2] Kelsey Grammer to play Beast in X-Men 3

2005-05-20 Thread Keith Johnson
Title: Message





Huh?? 
Grammer as Hank Mccoy? Why? Didn't they already have a quick shot of another 
actor playing McCoy in "X2"? Also, isn't Grammer a little old and frankly 
out-of-shape to play the superstrong, super-athletic Beast? He may have the 
intelligent bearing and diction, but I just can't see Frasier Crane literally 
bouncing off the walls!
On 
another note, I'm surprised they're thinking of Maggie Grace to play Kitty 
Pryde. Pryde is Jewish, Grace doesn't appear to be.

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Kelly WrightSent: Friday, May 20, 2005 10:48To: 
  scifinoir2@yahoogroups.comSubject: [scifinoir2] Kelsey Grammer to 
  play Beast in X-Men 3http://news.yahoo.com/s/eo/20050520/en_movies_eo/16596Kelsey 
  Grammer has been tapped to play Beast--the super-intelligentblue behemoth, 
  in the forthcoming X-Men 3, according to Variety.He'll be joined by 
  two other new X-Men recruits, Kitty Pryde, akaShadowcat, who can pass 
  through walls (Lost's Maggie Grace is reportedto be the top candidate), 
  and the winged Angel.They'll square off against another evil mutant, 
  the metal-clad giantJuggernaut, to be played by Vinnie Jones (Snatch, 
  Lock, Stock and TwoSmoking Barrels).British director Matthew 
  Vaughn is taking over behind the camera fromBryan Singer (who is helming 
  the new Superman). X-Men 3 is slated tohit theaters over Memorial Day 
  2006. 
  __The 
  Black Prince. The Black Church. A State of Mind.http://www.theworldebon.com







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RE: [scifinoir2] What happened to Grey's Anatomy?

2005-05-20 Thread Keith Johnson
Title: Message





I said 
I didn't watch it anymore, because the Blacks weren't getting good treatment. 
That's why I posted, to see if I was missing something worth coming back to. And 
from what y'all say maybe so. As for the "nurse", yeah, she's an intern. Typo on 
my part. I mentioned that scene not to criticize it, but because it was a 
powerful moment that I happened to catch, but I haven't "happened" to catch 
equally powerful moments with the Black actors. (though truth be told, there's 
not a Sister on there with a body like that.Whoo-hoo!!!) In other 
words, in the three or four episodes I watched fully, and in the few pieces of 
episodes I've caught, and in the trailers, the Blacks haven't been 
front-and-center. So I assumed my random sampling reflected the overall tone of 
the show. Maybe I'll give it a chance again...

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Leslee FreemanSent: Friday, May 20, 2005 12:23To: 
  scifinoir2@yahoogroups.comSubject: Re: [scifinoir2] What happened 
  to "Grey's Anatomy"?
  You cannot even be watching this show :)The 
  buxom nurse isn't a nurse, she is an intern with all the rest. She stripped 
  because she got sick of everyone flipping out because she used to be a 
  Victoria's Secret-type model, so she did it to shut them up. Sort of like, ok, 
  now I'm naked, you'veall seen it first hand, so shut up about it. On the 
  previews it lookedcheesy, but it made sense in the context of the 
  episode.The Asian nurse is having an affair with the younger of the 
  black doctors, and their story is one of the main sublines, second only to the 
  star's romance. We see how he relates to how she used to be, and that is what 
  drew him to her, Of course, the fact that she IS like he used to be is giving 
  them major problems. We are starting to see layers of the evil black nurse. 
  She is a typical mentor type, but not just stereotypical black woman evil 
  anymore. 
  
  It is not perfect, and may not be your cup of 
  tea, but it is far, FAR better than most shows portraying minorities on TV. 
  
  
  But then, my expectation is much lower. I have 
  accepted that until we create shows on TV1 and BET, we will not have the type 
  of roles we can truly relate to. This is our own damn fault, you know, so I 
  enjoy shows based on whether or not I like the story now. 
  
- Original Message - 
From: 
[EMAIL PROTECTED] 
To: scifinoir2@yahoogroups.com 

Sent: Thursday, May 19, 2005 12:08 
PM
Subject: [scifinoir2] What happened to 
"Grey's Anatomy"?

I tuned into this show because I'd heard a Sister was the creator and 
main writer. She spoke at length with Tavis Smiley aboutthe diverse 
cast (three Blacks and an Asian) and how the stories often center around 
guests of color. That may be true, but I haven't seen anything that really 
differentiates this from other shows I've seen that focus on the 
whites. The star's in a love affair with the doc played by Patrick 
Dempsey, the buxom nurse (who used to be on Roswell) has gotten some 
storylines, including one that had her stripping to her underwear in front 
of her co-workers. The Asian nurse is apparently pregnant. Frankly I 
quit watching after two episodes because nothing convinced me the Blacks 
would get major treatment. From what I can tell they're more like 
window dressing to the white characters. 
I notice that among the Blacks we have what are becoming familiar 
caricatures: the older doctor who ostensibly runs the place. But like 
Fancy on NYPD Blue, it remindsme of the device where you create 
a leader who's Black, then push him to the background...a mean doc who's 
shepherding the newbies. She comes onscreen, barks at the youngsters, then 
stalks off...and Isiah Washington's arrogant, self-centered genius, who 
reminds me ofEric LaSalle's character on "ER". He gets a few 
lines where he helps himself by being a real human to his charges, then off 
he goes. They all seem to do little more than provide plot points for the 
scared doctors to be, yet have little in the way of fully fleshed out roles 
themselves. 

Maybe I'm wrong, but I just feel the hoped-for strong usage of the 
people of color isn't materializing. This seems to be borne out by all the 
coverage I've seen: not one commercial on TV shows the Black actors, instead 
focusing almost exclusively on the star and her lover, with a little bit of 
coverage given to the other non-Blacks. TV Guide recently did an 
article on the show that included a two-page spread of photos of the 
"stars that make it hot". Not *one* of the Blacks was pictured!

Am I off base? Are the Blacks used effectively? Do the guest stars 
consist of people of color with strong roles? Anyone watching this?









Yahoo! 

Re: [scifinoir2] Samurai Champloo -- hip hop anime?

2005-05-20 Thread Martin Pratt



I caught it last Saturday at the first airing, and I'm almost as hooked on it as I was on "Bebop". My only reservation IS the hip-hop flavor of it, which I suppose I'm just too old to fully appreciate. I will watch it, though.Nora [EMAIL PROTECTED] wrote:
Saw the first episode of this anime last night on Adult Swim, and I wonderedif anyone else had checked it out. It's by the same people who did CowboyBebop, but with a rap (specifically old school "scratch" stuff) instead of ajazz influence this time. It has bolder lines than you see in most anime,and a more stylized look that reminds me of graffiti art I've seen in NewYork. One of the characters uses a fighting style that looks like a crossbetween break dancing and capoeira (although it's also clearly designed forthe sword). Even the bits of writing that you see here and there has ahip-hop feel; the Japanese is written in 80s graffiti style. Here's anolder article about it which touches on the hip-hop bits of the anime:http://www.fpsmagazine.com/review/041209champloo.shtmlNora"Excuse me while I whip this out."Cleavon Little , "Blazing Saddles"
		Yahoo! Mail 
Stay connected, organized, and protected. Take the tour







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[scifinoir2] NYTimes.com: America's Nurse

2005-05-20 Thread aharlib
Title: E-Mail This










































	



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I rather like this idea!




OPINION |

May 20, 2005





Op-Ed Contributor:
Americas Nurse






By TERI MILLS



Its time to dethrone the surgeon general and appoint a National Nurse.


 

		













		










1. Op-Ed Columnist: The Chinese Connection 
2. In U.S. Report, Brutal Details of 2 Afghan Inmates Deaths 
3. Op-Ed Contributor: Americas Nurse 
4. Op-Ed Columnist: The Best P.R.: Straight Talk 
5. A Critic Takes On the Logic of Female Orgasm 



 Go to Complete List






		



















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The New York Times Company | Privacy Policy












	


			









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[scifinoir2] NYTimes.com: The Best P.R.: Straight Talk

2005-05-20 Thread aharlib
Title: E-Mail This










































	



This page was sent to you by:
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Wise words.




OPINION |

May 20, 2005





Op-Ed Columnist:
The Best P.R.: Straight Talk






By THOMAS L. FRIEDMAN



The greatest respect we can show to Arabs and Muslims is to take them seriously and stop gazing at our own navels.


 

		













		










1. Op-Ed Columnist: The Chinese Connection 
2. In U.S. Report, Brutal Details of 2 Afghan Inmates Deaths 
3. Op-Ed Contributor: Americas Nurse 
4. Op-Ed Columnist: The Best P.R.: Straight Talk 
5. A Critic Takes On the Logic of Female Orgasm 



 Go to Complete List






		



















Copyright 2005
The New York Times Company | Privacy Policy












	


			









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RE: [scifinoir2] Scientists Warn Against Weaponizing Space

2005-05-20 Thread Keith Johnson
Title: Message





Hell, 
I guess we need Gary Seven to drop an orbital nuclear weapon on China, blowing 
it up at the last moment! Think we'll get the message then?

  
  -Original Message-From: 
  scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of 
  Brent WodehouseSent: Friday, May 20, 2005 19:29To: 
  scifinoir2@yahoogroups.comSubject: [scifinoir2] Scientists Warn 
  Against Weaponizing Spacehttp://www.space.com/news/ap_050520_space_weapons.htmlScientists 
  Warn Against Weaponizing SpaceBy Nick WadhamsAssociated 
  Pressposted: 20 May 2005UNITED NATIONS (AP) - A 
  scientists' group on Thursday warned the UnitedStates against weaponizing 
  space, saying the move would be prohibitivelyexpensive and could set off a 
  new arms race.The Union of Concerned Scientists, a watchdog group that 
  opposes weaponsin space, said the United Nations should consider drafting 
  a treaty thatwould prohibit interfering with unarmed satellites, taking 
  away anyjustification for putting weapons in space to protect 
  them."The United States has a huge lead in the space field - it can 
  afford totry out the multilateral approach,'' said Jonathan Dean, a former 
  U.S.ambassador and an adviser on global security issues.The 
  Union's demand comes as the administration of President Bush isreviewing 
  the U.S. space policy doctrine. Some scientists worry that thereview will 
  set out a more aggressive policy that could lead to thegreater 
  militarization of space.On Wednesday, White House spokesman Scott 
  McClellan told reporters thatthe policy review was not considering the 
  weaponization of space. But hesaid new threats to U.S. satellites have 
  emerged in the years since theU.S. space doctrine was last reviewed in 
  1996, and those satellites mustbe protected."There are changes 
  that have occurred over the last eight or nine years,and there are 
  countries that have taken an interest in space, McClellansaid. "And they 
  have looked at things that could - or technologies thatcould - threaten 
  our space systems. And so you obviously need to take thatinto account when 
  you're updating the policy.''The Bush administration has also included 
  some money in the budget forspace-based weapons programs to defend 
  satellites, strike ground targetsand defend against missile attacks, said 
  Laura Grego, a scientist with theunion.Any complete weapons system 
  in space would be very expensive, running intothe many billions of 
  dollars. Developing a shield to defend against asingle missile attack 
  would require deploying 1,000 space-basedinterceptors and cost anywhere 
  between $20 billion and $100 billion, saidDavid Wright, a union scientists 
  and co-author of a recent report on thefeasibility of space 
  weapons.And such a system would require a huge expansion of U.S. 
  launchingcapability. The United States currently launches between 10-12 
  largerockets a year, while with space interceptors, it would need to 
  launchmany times more that each year.Wright argued that 
  space-based ground attack systems were not yetpractical either. One, 
  dubbed "Rods from God'' - which would fire rods oftungsten from space - 
  would cost 50-100 times as much as a similar attackfrom the 
  ground."The fact that it's still being considered I think suggests 
  that there'ssome sort of emotional attachment to it for putting weapons in 
  spacerather than a hard-nosed analysis,'' Wright said.Any such 
  move would also likely draw swift international condemnation. In2002, 
  after the United States withdrew from the 1972 Anti-BallisticMissile 
  Treaty, China and Russia submitted a proposal for a newinternational 
  treaty to ban weapons in outer space.But the United States has said it 
  sees no need for any new space armscontrol agreements. It is party to the 
  1967 Outer Space Treaty, whichprohibits stationing weapons of mass 
  destruction in 
  space.







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[scifinoir2] Revenge of the Sith lives up to its promise--NO spoilers

2005-05-20 Thread Keith Johnson
Title: Message





This 
one is spoiler-free, really just a stream-of-consciusness jotting down of my 
emotional reaction. Overall it wasn't surprising but was very enjoyable. Perhaps 
not as satisfying in terms of writing and acting quality as "The Empire Strikes 
Back", but very good. I'll drop a spoiler-filled review in a few days, 
once more of you have had a chance to see it.


No 
spoilers...

With "Revenge of the Sith", George Lucas goes out with a 
bang, not the whimper I'd feared. "Sith" is vastly superior to the boring 
and mostly unnecessary Episodes 1 and 2. The overall tone is darker, more 
mature, and the story flows better than anything since "The Empire Strikes 
Back". Though I knew what to expect--Anakin turns bad, almost everybody 
dies--the execution was what counted.Like "Titanic", where we knew the 
ending but enjoyed the ride, "Sith" executes with a high level of 
excitement, action, and compelling drama. I can't remember how much time I spent 
on the edge of my seat as light sabre's sliced the air (and flesh) 
orhundreds of battling ships filled the screen. I "oohed" and "aahed" and 
yelled as the embattled Jedi fought an ultimately hopeless battle against the 
return of evil and the fall of the Republic. Perhaps most notably, the 
acting is much improved from the stilted and wooden-sounding lines from the 
previous films. Gone are stretches of cringe-inducing love scenes, or 
akward moments as the actors stare blankly into space as if unsure of what to 
say next. Actors which Eps 1 and 2 incredibly made appear incompetent come 
off as more polished here, their performances more convincing. Vader-to-be 
Hayden Christensen is perhaps the most improved, finally conveying a sense of 
real menace instead of the whiney teen we saw in "Attack of the Clones". 
There are still a few moments of clunky dialogue and spots where the actors 
don't emote enough for my tastes, but overall the writing and acting is sharp 
and fits the pacing of the movie perfectly. Even the music is surprisingly 
mature and sets appropriate moods for the action onscreen. I've often felt 
some of Lucas' efforts have fallen a little short in terms of making me believe 
his world is "real". I've often been distracted by special effects, costumes, 
and sets that seem too manufactured, too obviously make-believe contrivances, 
rather than views into an alternate reality. But I didn't have that problem 
here. "Sith" sucked me in, allowing me to suspend my disbelief enough to really 
get into this film. I felt real sadness and anger as Anakin fell to the Dark 
Side, I thrilled as Obi-Wan and Yoda fought desperate battles to save their 
Order and way of life. I all but hissed as the Emperor's masterful manipulations 
came to fruition. And at the end, with all hope lost but that of the few 
surviving Jedi and the tiny babes who would be charged with setting things 
aright in the future, a lump actually came in my throat as the familar music 
played. Like the characters themselves I was full of despair, but clinging to a 
faint hope for the future. George Lucashas redemed his past missteps with 
a movie that, while not surprising, still manages to move us. It was everything 
I'd hoped it be.







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