Summary: Down-on-his-luck Rancher Dan Evans undertakes a dangerous mission, 
joining a group of men taking outlaw Ben Wade to prison. They must survive 
Indians, others out to get Wade, and Wade's own gang in order to get him on the 
3:10 train to Yuma.

My Quick Take: This is a fun, exciting movie in the tradition of old Westerns. 
There are bad guys, good (or not-so-bad) guys, and lots of action.  Plenty of 
chases and gunfights, even a few explosions. Russell Crowe as always is a 
captivating presence, dominating the screen and the scene. Christian 
Bale--almost a chameleon of an actor--gets into his role as the desperate 
rancher. Good supporting cast, great cinematography and camera work, 
pulse-pounding music. Did I mention the gunfights? And the horse chases?  
Really enjoyed this pic.  

My Full Take: At its core, the Western is a morality tale, the story of a 
basically good man struggling against sinister forces while remaining true to 
what’s right. What those forces are—evil land barons, gunfighters, Mother 
Nature—is less important than the struggle the hero undertakes to overcome 
them.  When others abandon him—even when he doubts himself—the hero stands 
alone, fighting to the end.  
 
Rancher Dan Evans (Christian Bale) is such a man. Dan can barely hold his 
family together, battling drought, his younger son’s tuberculosis, a land owner 
to whom he’s heavily in debt, and his own physical limitations (having lost 
part of a leg in the Civil War). Dan can’t even muster the energy to rebuke his 
oldest son’s increasingly critical and disrespectful remarks, because they echo 
his own self-doubts. Dan feels his wife slowly slipping away from him, which 
only feeds his own growing desperation. Things get worse when the land owner’s 
men burn down his barn and drive his cattle away as a warning to pay up or get 
out. 
 
As Dan and his boys later go to fetch the herd, they see in the distance a 
heist in progress. The infamous Ben Wade (Russell Crowe) and his gang are 
attacking a stagecoach. A real menace, Wade has committed over twenty heists, 
costing hundreds of thousands of dollars and the lives of dozens of men. In 
short order, Wade’s gang has killed everyone and stolen the money. The sequence 
is thrilling, full of hyperkinetic energy as pursuers and the pursued engage in 
a desperate chase, horses galloping like mad, grizzled, hard-looking men 
cursing and yelling as they release a barrage of bullets. The whole scene is 
shot with frenetic close ups and gorgeous long pans, and driven by a musical 
score that heightens the action.  Who needs a car chase?
 
Later, when Wade is captured, Dan agrees to accompany the party taking Wade to 
catch the 3:10 train to Yuma prison—a desperate move motivated by the money 
he’ll receive for the job.  The journey is rife with danger: Indians, other men 
hungry for vengeance on Wade, Wade’s own pursuing gang, and worst of all, Wade 
himself.  
 
Crowe’s Ben Wade is the kind of smooth villain who does pencil drawings during 
a holdup, uses his wits as much as his gun, reads the Bible, and treats women 
with charm and respect. He doesn’t kill for sport: Wade spares Dan after the 
holdup even though his men want to kill him (a decision he later comes to 
regret). But this is not a bad guy with a good heart. He remains a cold-blooded 
killer, or as he says, “I’m rotten to the core”.
 
It’s Wade’s dual nature that Dan must battle, as he fights to remember why he’s 
risking all to turn in someone who’s actually done him no personal harm. “Why 
don’t you take the money and go home to your pretty wife?” Wade asks Dan. “What 
are you trying to prove?”
 
It’s a good question, especially seeing that some of Dan’s partners are almost 
as bad as Wade himself. But Dan is driven by his need for money and security. 
And, increasingly, the need to save the soul of his oldest son William, who 
starts to admire Wade as a kind of hero, strong where his father is weak.  
Crazed by his need to do something “good for once”, Dan pushes on past the 
point of reason.
 
“3:10 to Yuma” gets the Western mythos right. It’s full of larger-than-life 
characters. Dangers lurk behind every rock and bush. There are plenty of 
chases, fights, gun battles, explosions—enough for even modern tastes. The 
actors are good across the board. Russell Crowe is great as Wade, at times 
charming, at times chilling, always commanding. Christian Bale inhabits the 
role of the thin, bedraggled Dan Evans, a hero not by nature, but by need. The 
supporting cast is likewise good, especially Peter Fonda in a memorable but 
too-brief stint as an obsessive bounty hunter. The picture looks great too, 
from the towns to the gorgeous scenery to the characters themselves. Even the 
musical score fits. The movie works on all counts. It’s s a fun, exciting ride.
 
Now, this being a traditional pic, it must be said that women and people of 
color get short shrift. The only Indians seen try to kill Dan and his party 
(though to be fair, they are protecting their land from intruders). There are 
plenty of Chinese, shown digging a railroad tunnel. Don’t recall a single Black 
in the picture (though one guy gripes that they need to bring in some Negroes 
to show the “Chinamen” how to work harder). Women are either longsuffering 
wives or bar maids good for a dalliance. But in the historical context of the 
times, it’s all pretty accurate for the specific subject matter. I’d still like 
to see more Westerns doing what “Posse” attempted, by showcasing Black 
involvement on the frontier, but that doesn’t stop this from being a fun, 
exciting picture.
 
I’m not sure why the Western has fallen out of favor in recent years. Despite 
critically praised movies like “Unforgiven” and “Open Range”, it seems that 
this once favorite of genre pics is going the way of—well, the cowboy himself.  
Maybe modern audiences can no longer relate to something that seems like 
ancient history. Maybe horses and six-shot pistols can’t compete with 
high-speed car chases and transforming robots, and small frontier towns seem 
boring compared to the likes of New York City.

Whatever the reason, it’s a shame, because when done right, a Western can be 
just as exciting, just as relevant in its exploration of humanity’s struggles 
as anything taking place in modern times.  “3:10 to Yuma” stands as a good 
example. 
 
My Grade: A-

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