I see some promising books here.  Thanks for the synopses.  I saved
your list.
 
 Maurice Jennings
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From: scifinoir2@yahoogroups.com [mailto:[EMAIL PROTECTED] On
Behalf Of B. Smith
Sent: Tuesday, December 18, 2007 5:12 PM
To: scifinoir2@yahoogroups.com
Subject: [scifinoir2] Re: OT: Deriving Pleasure from Books read, and unread



I have a huge to "To Be Read or Re-read" pile. Unfortunately it keeps 
growing because of all the other books I discover and purchase.

The stuff on my bookshelf for immediate and near future reading:

Blood Meridian by Cormac McCarthy (will be read over the holidays)

The One from the Other by Philip Kerr. It's a continuation of his 
Berlin Noir series. Bernhard Gunther is a detective in WW II and post-
war Germany.

Dark of the Moon by John Sandford. It's a spinoff of the Lucas 
Davenport series.

Rainstorm by Barry Eisler. The third book in the John Rain series.

For More Than Glory by William C. Dietz. A good dose of military sf.

American Gods by Neil Gaiman.

Jack Kirby's Fourth World Omnibus, Vol. 1. A really nice hardcove of 
Kirby's first batch of New Gods stories.

Watchmen ( The Absolute Edition) by Alan Moore and Dave Gibbons. This 
is the massive, slipcased, recolored hardcover edition that came out 
a couple of years ago. It's so lovely I can't bear to read it. My 
original single issues and well used and loaned trade paperback are 
there if I need a fix.

The Dark River by John Twelve Hawks. My wife really liked the first 
book in the series The Traveler. I thought it was pretty by the 
numbers genre sf being presented as something else. I've decided to 
read book two to see who's right. ;)

Motherless Brooklyn by Jonathan Lethem. I'll read it someday. I 
promise.

Paradise Screwed: Selected Columns of Carl Hiaasen. I pick it up and 
read a few columns when I want a laugh.

Speed Tribes: Days and Nights with Japan's Next Generation by Karl 
Taro Greenfeld. I liked the book a lot but for some reason I've never 
finished it.

--- In [EMAIL PROTECTED] <mailto:scifinoir2%40yahoogroups.com> ups.com,
"ravenadal" <[EMAIL PROTECTED]> wrote:
>
> In my lifetime, I have purchased scores more books than I will ever
> read. Sometimes I purchase books simply because I love the idea of
> the book. Other times I have purchased books because of their 
portent
> (for instance, I own but have never read "Roots"). When "Waiting 
to
> Exhale," or whatever black women were reading was hot, I would own 
a 
> "lending" copy and reap the benefits thereof. Lastly, I simply take
> comfort in always something on hand, waiting to be read.
> 
> ~rave!
> 
> 
www.chicagotribune.com/services/newspaper/printedition/sunday/art/chi-
1209_pressplaydec09,2,7668874.story
> chicagotribune.com
> LITERATURE
> Deriving pleasure from books read, and unread
> 
> By Patrick T. Reardon
> 
> Tribune staff reporter
> 
> December 9, 2007
> Click here to find out more!
> 
> Readers know, and non-readers just don't get it. I'm talking about 
the
> stacks of unread books that can be found scattered, like small
> shrines, around the home of anyone who relishes the joy of the 
written
> word.
> 
> Maybe you have one by your bed, or next to your chair, or on a
> windowsill. Maybe your stack is horizontal -- taking up a shelf or 
an
> entire bookcase. Maybe, like me, you've got a lot of book piles. 
I've
> had some books for decades, waiting to be read.
> 
> For me, there are waves of anticipatory pleasure every time I glance
> at these books, some dusty-topped, others fairly new to the heap, 
and
> perhaps a touch of guilt as well -- seeing "Rough Crossings" (Ecco,
> 2006), Simon Schama's study of the American slave trade, on top of
> Norman Mailer's Egyptian novel "Ancient Evenings" (Little Brown,
> 1983), on top of Rebecca Solnit's "Wanderlust: A History of Walking"
> (Viking, 2000).
> 
> What's nice about having so many books piled up is that there's
> something there to match almost any mood I happen to be in. 
Recently,
> for instance, I found myself mired in a fairly turgid examination of
> the history of the Bible's Book of Revelation. Frustrated, I set it
> aside and decided to dive into my book stacks.
> 
> Almost at random, I grabbed " Amnesia Moon" by Jonathan Lethem
> (Harcourt Brace, 1995) and began a quick, delightful run through 
four
> very different novels.
> 
> Lethem tells the sci-fi tale of Chaos, who, in a post-apocalyptic
> world, hits the road in an attempt to discover what caused life to 
be
> altered so drastically. Along the way, he realizes he's also trying 
to
> figure out who he really is. It's a wonderfully inventive story that
> constantly keeps the reader more than a bit off kilter, and Lethem
> uses his plot as the backbone for a series of commentaries on modern
> existence and the meaning (or lack thereof) of life.
> 
> Forty years ago, Robert Heinlein tried this late in his career,
> generally with ham-handed results. Lethem's characters, by contrast,
> are never stick figures, and his writing is filled with constant
> surprises. It works as science fiction and as serious literature.
> 
> " The Catalans" by Patrick O'Brian, originally published in 1953 and
> re-issued in 2005 by Norton, was the next book to come to hand, and,
> although less satisfying than the Lethem novel, it was not without 
its
> pleasures.
> 
> O'Brian, who died Jan. 2, 2000, is known for his best-selling and
> highly praised series of 20 seafaring novels centering on the
> friendship of Stephen Maturin and Jack Aubrey, all of which I've 
read
> with great relish, many of them more than once. The first of those
> wasn't published until 1970, when O'Brian was 56.
> 
> "The Catalans," written nearly two decades earlier, is the story of
> Alain Roig, who, after spending much of his adult life in French
> Indo-China, returns to his Catalonian village at the French-Spanish
> border. He's there to confront his cousin Xavier over what their
> family perceives is Xavier's disastrous plan to marry a much younger
> divorcee. O'Brian devotes much of the novel to conversations that,
> unfortunately, are presented for many pages like the dialogue of a
> play, without the benefit of his considerable descriptive talents.
> 
> Yet there are moments when he gives glimpses of his skill, such as 
his
> account of Alain's painful struggle in front of dozens of family
> members to carry a vat of grapes down the steep side of a hill. 
Anyone
> who has ever decided to show off by carrying an object that turned 
out
> much heavier than expected knows the feeling.
> 
> While "The Catalans" is from early in O'Brian's career, Muriel Spark
> was at the height of her powers in 1963 when she published " The 
Girls
> of Slender Means," still available in paperback from New Directions.
> 
> The book, set in London in the final months of World War II, is
> centered on the May of Teck Club, a rooming house for "ladies of
> slender means," almost all of whom are in their 20s -- and at least 
a
> little bit mad. But that's true of the book's other characters as
> well. They're all a little gaga, a little sensible, a little 
heroic, a
> little confused -- well, a lot confused. Their personal lives are as
> disrupted and uncertain as the world after six years of war.
> 
> Spark writes with a light comic touch, but there's an undertone of a
> kind of existential desperation. Even so, the characters muddle
> through as best they can. There are minor and major tragedies, love
> affairs, a live bomb and what may have been a religious conversion.
> But mostly they live their lives -- as do we all.
> 
> I had owned the Spark book for a long time, but the final novel I
> picked up, " All Passion Spent" by Vita Sackville-West (first
> published in 1931 and still available from Carroll & Graf), was 
fairly
> new to my stacks.
> 
> If you're not familiar with Sackville-West and her writing, you're
> missing out on a lot.
> 
> Born into British aristocracy -- she grew up in a stately 15th 
Century
> mansion that had been a gift to her family from Queen Elizabeth I --
> Sackville-West was deeply in love with her husband, Sir Harold
> Nicolson, a prominent British politician. Which might not sound like
> much, except that, throughout her life, she took a series of lesbian
> lovers, including Virginia Woolf, while Nicolson had his own string 
of
> homosexual affairs. Nonetheless, as their son Nigel Nicolson showed 
in
> his 1973 book "Portrait of a Marriage," theirs was a match that was
> exceedingly happy and successful, if unorthodox.
> 
> Not that you need to know any of that to enjoy Sackville-West's
> poetry, non-fiction and novels, of which "All Passion Spent" is a
> sparkling example.
> 
> The title is ironic. Lady Slane, whose much celebrated politician
> husband has just died after long, eventful life, including a stint 
as
> prime minister, is 88 years old and is seen by her elderly children 
as
> a doddering non-entity. Yet after a lifetime in her husband's 
shadow,
> she seizes on her sudden freedom to begin to rediscover the life she
> gave up more than half a century earlier when she agreed to marry.
> 
> I can't tell you how many times during my reading of the novel I
> couldn't help but smile at some penetrating self-insight of Lady
> Slane, or some gently jarring plot twist, or some delightful 
exchange
> between characters, such as when one of her sons says to a sibling,
> "Mother is a person who has never had her feet on the ground.
> Cloud-cuckoo-land -- that's Mother's natural home." He just doesn't
> get it, but the reader does.
> 
> After finishing the novel, I ordered a copy of Sackville-West's 1942
> novel, "Grand Canyon," about a Nazi invasion of the U.S. It will 
take
> its place in my stacks of books, and every time I notice it, I'll 
know
> the pleasure of looking forward to reading it.
> 
> - - -
> 
> Sampling the goods
> 
> Four novels, four very different worlds. Here are some excerpts:
> 
> "Amnesia Moon" by Jonathan Lethem
> 
> "Chaos didn't want to have to look at the McDonaldonians while he 
ate.
> Boyd leaned back in his seat and grinned ... 'These cats are from 
the
> mountains, man. They probably dropped out of kindergarten. Probably
> never even seen television. We're talking Appalachia here, man.
> Tobacco Road. They came down here to the Strip and got jobs for
> three-fifty an hour and it's all they know. The company rule book is
> their bible. So when everyone cleared out of the Strip, these cats
> just stuck, because they didn't know anything else ... I call them
> McDonaldonians because that's where they live now -- McDonaldonia.
> Just another little pocket of weirdness.'"
> 
> "The Catalans" by Patrick O'Brian
> 
> "Another twenty [steps]. Could he manage another twenty? They could
> see him now from the top: he appeared from that distance to be going
> quite well; his perpetual deviations from the straight line and his
> tiny shuffling paces could not be seen from there. His face could 
not
> be seen, either, deathly pale under the dust, fixed, eyes 
exorbitant,
> no conscious expression of any kind, a face of intense and beaten
> suffering."
> 
> "The Girls of Slender Means" by Muriel Spark
> 
> "[Dorothy's] voice from the wash-room distracted Jane: 'Oh, hell, 
I'm
> black with soot, I'm absolutely filthington.' She opened Jane's door
> without knocking and put in her head, 'Got any soapyjo?' It was some
> months before she was to put her head round Jane's door and 
announce,
> 'Filthy luck. I'm preggers. Come to the wedding.' Jane said, on 
being
> asked for the use of her soap, 'Can you lend me fifteen shillings 
till
> next Friday?' It was her final resort for getting rid of people when
> she was doing brain-work."
> 
> "All Passion Spent" by Vita Sackville-West
> 
> He looked almost tenderly at Lady Slane's pink shaded lamps and 
Turkey
> rug. If one wanted beauty, one had only to rest one's eyes on her, 
so
> fine and old and lovely, like an ivory carving; flowing down like
> water into her chair, so slight and supple were her limbs, the
> firelight casting a flush of rose over her features and snowy hair.
> Youth had no beauty like the beauty of an old face; the face of 
youth
> was an unwritten page. Youth could never sit as still as that, in
> absolute repose, as though all haste, all movement, were over and 
done
> with, and nothing left but waiting and acquiescence."
> 
> ----------
> 
> [EMAIL PROTECTED]
> 
> Copyright C 2007, Chicago Tribune
>



 


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