Re: [scots-l] player pianos

2003-02-20 Thread Carla and Bob Rogers
Cynthia Cathcart wrote: At 11:46 PM 2/4/03 -0500, you wrote: And Scott Joplin *was* classically trained. He studied classical piano as a child. He studied music theory at the George R. Smith College for Negroes in Sedalia, Missouri. Initially it had been his ambition to become a classical

Re: [scots-l] player pianos

2003-02-20 Thread Toby Rider
Cynthia Cathcart wrote: At 11:46 PM 2/4/03 -0500, you wrote: And Scott Joplin *was* classically trained. He studied classical piano as a child. He studied music theory at the George R. Smith College for Negroes in Sedalia, Missouri. Initially it had been his ambition to become a

Re: [scots-l] player pianos

2003-02-05 Thread Cynthia Cathcart
At 10:55 AM 2/4/03 -0800, you wrote: He eventually yelled at me and threw me out for good when he found out that I was playing traditional music. That just makes me cringe! I can't stand teachers like that. Actually, no, I change that. I appreciate teachers like that, because those students

Re: [scots-l] player pianos

2003-02-05 Thread Cynthia Cathcart
At 11:46 PM 2/4/03 -0500, you wrote: And Scott Joplin *was* classically trained. He studied classical piano as a child. He studied music theory at the George R. Smith College for Negroes in Sedalia, Missouri. Initially it had been his ambition to become a classical pianist and composer.

Re: [scots-l] player pianos

2003-02-04 Thread Cynthia Cathcart
At 09:34 AM 2/3/03 -0800, Toby Rider wrote: I think we get into big trouble when we start applying art music standards of what is good to any kind of traditional music, whether it be Scottish trad. music or jazz. First, I agree completely with your observation, Toby, that styles change. What

Re: [scots-l] player pianos

2003-02-04 Thread David Kilpatrick
Cynthia Cathcart wrote: Traditional musicians can sound dead-wooden as well, but luckily they tend to be fewer and farther between. Does anyone have theories on why this seems to be so? Not just traditional, but self-taught in general, or informally taught. I don't think that people with

Re: [scots-l] player pianos

2003-02-03 Thread Cynthia Cathcart
At 01:55 AM 2/3/03 +, Jack Campin wrote: assuming the equipment was adjusted right for both recording and playback, they will be *exactly* what he meant. I think that was the problem with what we studied in college. We suspected that the equipment was NOT adjusted properly, because it was

[scots-l] player pianos

2003-02-02 Thread Jack Campin
Interesting that Scott Joplin comes up at this time. I'm taking a course on the History of Jazz, and we just listened to what is probably the same recording. It's a scratchy 78 RPM recording of Maple Leaf Rag from a player piano playing a roll recorded by Joplin. I actually heard it before