Re: [scots-l] Re: J. Scott Skinners new CD

2002-11-23 Thread John Erdman
Can't you mathematically 'correct for' poor cylinder speed control to get an
idea of what speed he was playing at?.
 Seems that if you know the info about the apparent pitch and the apparent
tempo, and one makes a few basics assumptions: such as the tune should be
played in the key of ?? and the standard tuning of that was was A= 440?
then one could fairly easily calculate that actual tempo he was playing at.

Trouble is you'd have to be really far off in the cylinder speed and/or
tuning to have much of an effect on the tempo. I've a hunch that Skinner
recorded with today's technology would still sound fast.   At least that's
the sense I get from my reading about him and his playing.

John



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From: Kate Dunlay or David Greenberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: [scots-l] Re: J. Scott Skinners new CD
Date: Fri, Nov 22, 2002, 9:35 AM


I like the album as a historical document, to hear how Skinner played,
what he played, what speed he played at, and so on.


 I have that old vinyl LP also.  You can't actually tell at what speed
 Skinner played from the LP because, although it may have faithfully
 reproduced the cylinders are whatever, those didn't play at the right
 speed either.  I mean, he just didn't play as fast as some of those
 cuts go.  I am fairly sure of that because the key of the music is
 not correct in at least the one case I checked.  I don't believe he
 would have been tuned so extra high or played the pieces in the wrong
 key PLUS played way too fast.  The most sensible explanation is that
 the cylinder/record just went too fast at playback (or maybe even too
 slow when recording?).  Also, I think they were purposefully trying
 to fit a lot on one cylinder/record.

 - Kate
 --
 http://www.DunGreenMusic.com
 Halifax, Nova Scotia
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Re: [scots-l] Re: J. Scott Skinners new CD

2002-11-23 Thread Kate Dunlay or David Greenberg
Can't you mathematically 'correct for' poor cylinder speed control to get an
idea of what speed he was playing at?.
 Seems that if you know the info about the apparent pitch and the apparent
tempo, and one makes a few basics assumptions: such as the tune should be
played in the key of ?? and the standard tuning of that was was A= 440?
then one could fairly easily calculate that actual tempo he was playing at.


Absolutely.  Easy to do if someone decides that's the correct thing 
to do and takes responsibility for it and notes the corrections made.

Trouble is you'd have to be really far off in the cylinder speed and/or
tuning to have much of an effect on the tempo. I've a hunch that Skinner
recorded with today's technology would still sound fast.   At least that's
the sense I get from my reading about him and his playing.


I agree he probably played a bit fast anyway because his recordings 
don't have that drive that comes from hanging back a bit and not 
pushing the beat.  Still, I disagree that the speed of a recording 
has to be way off to make a significant difference to the tempo.  I 
think we really notice differences in tempo.  David learned a lot of 
Mary MacDonald tunes from old tapes, some of which were too slow. 
Doug MacPhee has often had to remind him to speed up a bit because 
she didn't play things that slow.  But it's hard to change your 
ingrained impression when you've listened to something over and over. 
So the lesson there is to make the effort to correct the recording 
instead of just tuning to it!  But you have to be relatively sure 
that the musicians on the tape were actually using standard pitch or 
close to it, because that's not always true.  At least with the Cape 
Breton recordings there is usually piano as well as fiddle (not that 
pianos can't be way out of tune too!).

- Kate D.
--
http://www.DunGreenMusic.com
Halifax, Nova Scotia
Posted to Scots-L - The Traditional Scottish Music  Culture List - To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html