David Francis wrote:
...Anyone got any other tricks for nifty tune changes?
One of my favourites is going from Garster's Dream (G) into Da Brig
(D). The last four notes of Garster are D, E, F#, and G, while the
first four of Da Brig are A, B, C# and D', so you're rising up a scale
while
Anna Wendy Stevenson of Bella McNab's often leads us through an extemporised
set of jigs for the interminable Orkney Strip the Willow, and usually puts
Andy de Jarlis (in E) after Calliope. I think the tune can be found in
Jerry Holland's collection.
In a band I played with a few years back we
David Francis wrote:
Anna Wendy Stevenson of Bella McNab's often leads us through an extemporised
set of jigs for the interminable Orkney Strip the Willow, and usually puts
Andy de Jarlis (in E) after Calliope. I think the tune can be found in
Jerry Holland's collection.
Wow, I never thought of
usually puts
Andy de Jarlis (in E) after Calliope. I think the tune can be found in
Jerry Holland's collection.
Wow, I never thought of doing Andy de Jarlis right after it..
The jump down the octave is really effective. Anyone got any other tricks
for nifty tune changes? The short stop
