anielle Imara, David Quiles Guilló, Dennis
> Vogler, desire_direct, Diana Galimzyanova, Diego Bernaschina, Domenico
> Barra, d_d Games, Eduardo Dias Melo, Edward Picot, Elle Thorkveld,
> Elmer Basso, Emile Schleich, Emilio Vavarella, eric van zuilen, Eskil
> Borgen, Eylul Dogruel, Feli
rough the use of single inverted commas, transforming virtual to
‘virtual’, and thereby proposes a correction to all instances on the web as
a ‘virtual’ networked space."
#networkedart #virtual #language #conceptual #browserextension
--
regards
Garrett Lynch IRL
_
garr...@asquar
Hi Annick
I've been exhibited within a few. As mentioned many have disappeared since
then so I've provided a few urls to help you track down some info.
Most recently this was the most interesting to be a part of - #exstrange :
a curatorial intervention on ebay:
_
garr...@asquare.org
http://www.asquare.org/
Current events and soon:
Real Virtuality The Networked Art of Garrett Lynch:
http://realvirtuality.peripheralforms.com/
A network of people who attended an exhibition and contributed to the
creation of this work
http://asquare.org/work/peoplenetwork
White Flag - Call for flag designs
As part of my artist in residence @ Peripheral Forms, there is a call for
digital imagery as proposed flag designs for networks - flags that
symbolise the ideals, principles, essence, realism or failure of 'virtual'
and networked spaces.
The best flags will be
Last few days!
--
The School of Arts and Creative Industries, London South Bank University
presents a solo exhibition of networked artworks by artist Garrett Lynch
(IRL) (http://www.asquare.org/) titled Transformations.
Transformations presents nine networked
The School of Arts and Creative Industries, London South Bank University
presents a solo exhibition of networked artworks by artist Garrett Lynch
(IRL) (http://www.asquare.org/) titled Transformations.
Transformations presents nine networked artworks conceived over a four-year
period that explore
Now live on eBay for 7 days.
ART, LIMITED EDITION, PRINT | Auction action – commission an artwork by
Garrett Lynch
http://www.ebay.co.uk/itm/ART-LIMITED-EDITION-PRINT-Auction-
action-commission-an-artwork-exstrange-/282357470750
Bid for your chance to commission an artwork. What
Announcing a new collaborative work by Garrett Lynch & Frédérique Santune
Best of Luck with the Wall (variant)
http://www.asquare.org/best-of-luck-variant/
---
In Josh Begley's film, Best of Luck with the Wall (2016), a comment on the
proposed border wall bet
Emiliano I'm sure the Spectre community would love to see your work but you
need to post it through as plain text and no attachments. Look forward to
seeing it.
regards
Garrett
_
garr...@asquare.org
http://www.asquare.org/
http://www.asquare.org/networkresearch/
> On 27 Sep
will receive
a reply with details.
Thanks in advance.
Garrett Lynch
_
http://www.asquare.org/
http://www.asquare.org/networkresearch/
__
SPECTRE list for media culture in Deep Europe
Info, archive and help:
http://post.in-mind.de/cgi-bin/mailman
Out of Office (http://www.o-u-t-o-f-o-f-f-i-c-e.com/) devised by Mathew
Britton, a micro-curatorial platform distributed by email is being
exhibited at the Colony 14 Festival taking place across four venues in
Cardigan, Wales.
The festival runs from the 20th of August until the 1st of September
Apologies for x-posting
The journal of performance studies, Liminalities issue 10.1 (
http://liminalities.net/10-1/), a special issue guest edited by Garrett
Lynch (University of South Wales) and Rea Dennis (Deakin University), is
now online. The contributions to this issue have been compiled
Apologies for cross posting.
Remote Encounters: Connecting bodies, collapsing spaces and temporal
ubiquity in networked performance
keywords: performance, networked, body, space, place, time, real,
virtual
URL: http://remote-encounters.tumblr.com/
Apologies for cross posting.
Remote Encounters: Connecting bodies, collapsing spaces and temporal
ubiquity in networked performance
keywords: performance, networked, body, space, place, time, real,
virtual
URL: http://remote-encounters.tumblr.com/
Apologies for cross posting.
The schedule and registration for the networked performance conference
Remote Encounters: Connecting bodies, collapsing spaces and temporal
ubiquity in networked performance is now online.
Conference schedule: http://remote-encounters.tumblr.com/schedule
Apologies for cross posting.
The schedule and registration (early bird prices) for the networked
performance conference Remote Encounters: Connecting bodies,
collapsing spaces and temporal ubiquity in networked performance is
now online.
Conference schedule:
Apologies for cross posting.
The schedule and registration (early bird prices) for the networked
performance conference Remote Encounters: Connecting bodies,
collapsing spaces and temporal ubiquity in networked performance is
now online.
Conference schedule:
of a
large space provided by the organisers.
For further details and an informal chat contact Garrett Lynch
(glynch[at]glam[dot]ac[dot]uk) or Inga Burrows
(iburrows[at]glam[dot]ac[dot]uk)
:: Submissions ::
Deadline: 4pm (GMT), Sunday 30/09/2012
Proposals are now being accepted
advantage of a
large space provided by the organisers.
For further details and an informal chat contact Garrett Lynch
(glynch[at]glam[dot]ac[dot]uk) or Inga Burrows
(iburrows[at]glam[dot]ac[dot]uk)
:: Submissions ::
Deadline: 4pm (GMT), Friday 31/08/12
Proposals are now being accepted
advantage of a
large space provided by the organisers.
For further details and an informal chat contact Garrett Lynch
(glynch[at]glam[dot]ac[dot]uk) or Inga Burrows
(iburrows[at]glam[dot]ac[dot]uk)
:: Submissions ::
Deadline: 4pm (GMT), Friday 31/08/12
Proposals are now being accepted
include: Duncan Alexander, Mark Beasley, Chris
Collins, Petra Cortright, Theo Darst, Marjolijn Dijkman, Paul
Flannery, Joe Hamilton (aka Hypergeography), Jan Robert Leegte, Sara
Ludy, Garrett Lynch, Michael Ray-Vaughn, Sherwin Rivera Tibayan,
Nicolas Sassoon, Rick Silva, Pascual Sisto, Kate
AM, Garrett Lynch li...@asquare.org
wrote:
Strike one more for creative expression online.
Not sure how many people here use the artreview community but this
may be of interest. This is poor form that they are allowing an ISP
provider to dictate what is acceptable art but surprising
Strike one more for creative expression online.
Not sure how many people here use the artreview community but this may be of
interest. This is poor form that they are allowing an ISP provider to dictate
what is acceptable art but surprising that they did not predict issues like
this with
(VERSION FRANÇAISE EN BAS)
Announcing the release of Video Networks by Garrett Lynch:
http://www.asquare.org/project/videonetworks/
and the collaborative two channel video installation, Dialogues by
Garrett Lynch and Frédérique Santune:
http://www.asquare.org/project/videonetworks/dialogues
Snd:arc- (Sound and Architecture) a free evening of live sound art and
visual experimentation curated by Paul Adams and Garrett Lynch as part
of the Open Ear collaborations took place Friday 18th May 8:00 -
11:30pm at Canterbury Christ Church University, Broadstairs Campus,
Northwood Road
Campus, Northwood
Road, Broadstairs.
The event will feature performances and experimental video works by a
number of artists including:
Performances by:
Matt Wright
Andy Birtwistle
Garrett Lynch
Paul Adams
Experimental videos by:
Pascal Bouchet
Ampersand
and more
Please note
) a free evening of open air live sound art and visual
experimentation. The event will be curated by Paul Adams and Garrett
Lynch as part of the non-profit audio / visual organisation Open Ear
(http://openear.wordpress.com/). We are seeking in particular artist’s
who can work with the outside space
Noema (http://www.noemalab.org/) conducted an interview with Garrett
Lynch this month about his art work / practice which they have
published in Italian and English on their website. To read the
interview see the Noema site:
http://www.noemalab.org/sections/arte_focus.php?IDFocus=208
About
Announcing the release of Perpetual.portrait by Garrett Lynch:
http://www.asquare.org/project/perpetualportrait/
Perpetual.portrait was photographed during 2003 and completed as a
gallery piece for the inaugural exhibition Renewal 1868/2004 at the
Sidney Cooper Gallery, Canterbury, England
Announcing the release of net.tv an art browser (browser as art work)
by Garrett Lynch:
http://www.asquare.org/project/net-tv/
---
Net.tv is a cross between a browser and a streaming media player
designed to view the internet
) playing Zoom Tube (1999-2000) by Ian Clarke
and Jumpcut (2001) by Matt Wright,
Mr. Paul Adams (laptop) playing 'Traumatic Tap'
Matt Wright playing the premiere of John Lely's 'Precision Sonics'
(2005) for 3 turntables
Garrett Lynch - visuals
plus
circuit-bending adventures
tuba multiphonics
oli
From: Heiko Recktenwald
It is incredible, that the ONLY convincing internationally known
political art against Abu Graib etc is by good old Botero, who is
believed to paint for society ladies. Maybe he was never unpolitical
with his fat officers etc.
Net.art seems to be brain.dead,
Why,
System for Multiple Compositions on a Theme
(http://www.asquare.org/project/composition_system/) is currently being
exhibited as part of stunned.org's net.art open
(http://www.stunned.org/).
System for Multiple Compositions on a Theme is a series of videos shot
and edited on analog equipment
A short interview with Garrett Lynch has been posted to Weblogart by
the organisers of The First Independent Free Internet Art Gallery
(http://www.bestonweb.net/wett.htm). The interview can be viewed here:
http://weblogart.blogspot.com/2006/05/interview-with-garrett-lynch.html
a+
gar
and inconceivable of the former
Under this framework Garrett Lynch and Frederique Santune would like to
announce the release of three networked performance video
collaborations entitled:
Grimace
C.a.r.n.e.t. . .d.a.b.o.r.d
Looping Portrait #1
Each work was performed live employing multiple digital
On 8 Mar 2006, at 08:57, [EMAIL PROTECTED] wrote:
what is the new in new media...what is the Trans in
transmedia.
definitions to contrast them from the existing, the established, rather
than attempt to define them as they are still emerging
how do codifying phrases as
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