Dear friends, artists and curious minds !

Some thoughts on artificial intelligence,
on effortless ‚aicons',
and my best wishes
for the year to come.

See text below.
Timo Kahlen





Timo Kahlen / AI
x + 1
AI-generated images, 2023
from the ‚aicons‘ series


It’s all too easy. Effortless, generated at the spur of the moment - ex tempore 
- by artificial intelligence from a minimal input, my short written prompt spit 
at the machine - and diffused, composed, rendered online within split seconds, 
as multiple variations of iconic images - call them ‚aicons‘, if you will - 
capturing my attention, entangling my emotions and twisting my beliefs. All too 
easy, no sweat and tears, appropriating - summa summarum - all avant-gardes of 
the past, all visual trash of the present, and all diffuse and imagined dreams 
of the future: pressing this ‚learnt‘ imagery into algorithms, speeding it 
through neural networks, and consuming time and energy on countless servers 
located all around the globe - with the profane goal (amongst others) to quench 
my (insatiable) thirst for new images, for new emotions, and for new swells of 
endorphins, as I click at my very own, (seemingly private) ‚individual’ output 
on my personal, hand-held digital display. 


The history of art will repeat itself. AI-generated images assume a powerful, 
yet ambivalent, ‚mediated‘ visual presence. On the one hand, they entangle our 
emotions, projecting déjà-vus of scenes and motifs we have experienced before, 
simulate a liveliness and warmth, stimulate a form of recognition and take on a 
‚photographic’, assuringly documentary stance. On the other hand, we detect 
traces of manipulation, of deceit: a distorted hand, an inconsistency in 
perspective, a misfit proportion, a blur where it should not be. We come to 
understand that the camera-less, virtual compositions have no physical and no 
time-based existence, no depth beyond the smooth surface of our digital 
display, no tangible quality or assessable value. They are not ours. Are not 
‚original‘ in the best sense of the word, but mere variations - out of 
countless others, generated by each new user with each new click - of what has 
existed before. Virtual ‚Doppelgänger’ images generated impromptu and without 
effort, shared and replicated, to be - once again - ‚learnt‘ on by machines, ad 
infinitum, to reiterate and to re-write the history of art.


Timo Kahlen
Berlin
January 1, 2024


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