1,2,3Š Avant-Gardes

   *1,2,3Š Avant-Gardes*
   Experiment / Film / Art / Archive

   Dec. 9, 2006-Jan. 28, 2007
   Opening: Dec. 8, 2006, 7pm

   Centre for Contemporary Art Ujazdowski Castle
   Warsaw, Poland


   Artists:
   Akademia Ruchu, Antosz & Andzia, Pawe? Althamer / Artur Z.mijewski,
   Piotr Andrejew, Bernadette Corporation, Kazimierz Bendkowski,
   Matthew Buckingham, Bogdan Dziworski, Marcin Giz.ycki, Janusz Haka,
   Oskar Hansen, Judith Hopf / Katrin Pesch, Tadeusz Junak, Jacques de
   Koning, Igor Krenz, Grzegorz Królikiewicz, Zofia Kulik, Pawe? Kwiek,
   Przemys?aw Kwiek, Natalia LL, Jolanta Marcolla, Jonathan Monk, Ewa
   Partum, Andrzej Paw?owski, Zygmunt Piotrowski, Józef Robakowski,
   Jeroen de Rijke / Willem de Rooij, Zbigniew Rybczyn'ski, Zygmunt
   Rytka, Wilhelm Sasnal, Jadwiga Singer, Zdzis?aw Sosnowski,
   Mieczys?aw Szczuka, Micha? Tarkowski, Stefan & Franciszka Themerson,
   Teresa Tyszkiewicz, Ryszard Was'ko, Jan S. Wojciechowski, Krzysztof
   Zare;bski, Florian Zeyfang


   The exhibition 1,2,3Š Avant-Gardes celebrates the (ongoing) history
   of the experiment in film and art, and the interactions between
   these two fields. The exhibition brings together artists and
   filmmakers from different countries and generations, juxtaposing
   their work with the outstanding history of Polish avant-garde film,
   represented by the works of Pawe? Kwiek, Józef Robakowski, Natalia
   LL, Stefan and Franciszka Themerson, Bogdan Dziworski and many others.

   The exhibition works with the tension created by a "horizontal" and
   a "vertical" interpretation of the multiplicity of the avant-garde
   and evoked by the exhibition's title 1,2,3Š Avant-Gardes: Horizontal
   - in the sense of different ideas of modernism, the pluralism of
   film and conceptual image-work existing in the different worlds of
   the Cold War and today; Vertical - suggesting the search for a
   possible historicisation of Polish avant-garde art and film, a
   linearity, to be discovered and reconstructed in light of the many
   distortions in Polish history over the last 80 years.

   Vertically, it contains a reference to the three movements important
   to experimentation with art and film: the very first modernist
   avant-garde, the neo-avant-garde of the 1970s, and the artists who
   started working in the 1990s to address, often with irony or
   idealism, the heritage of the two previous movements. In contrast,
   the title's horizontal reading includes different understandings of
   the notion of avant-garde - like Peter Wollen's text Two
   Avant-Gardes that elaborates on the difference between narrative
   politics and politics of the formal experiment - suggesting
   something like a third, fourth and even fifth avant-gardeŠ

   1,2,3Š Avant-Gardes experiments itself with a setting that confronts
   the videos and films of artists working since the 1990s and
   influenced by different legacies and notions of moving image with
   the extensive work of earlier generations of artists, performers and
   filmmakers in Poland. The exhibition consists of six rooms,
   organised according to different themes, such as Analytical
   strategies, Political and Ideological Engagement, Sound / Image,
   Imagination, Games / Participation, Consumption, and features work
   especially developed for the show.

   Another important issue off the exhibition is work with the archive.
   The show is a specific summary of the previous events of the program
   of the Film Archive of the CCA Ujazdowski Castle, which is a
   research project focused on gathering and analysing Polish film and
   art. The aim of the program is to reveal new layers of communication
   between film and art, and to develop contemporary contexts of
   presentation for this historic material.


   1,2,3Š Avant-Gardes is curated by ?ukasz Ronduda and Florian Zeyfang and
   conceived within the framework of Buero Kopernikus, an initiative of
   the Kulturstiftung des Bundes (German Federal Cultural Foundation).
   The exhibition is supported by IFA Institut für Auslandsbeziehungen,
   Stichting Mondriaan, and Piktogram Magazine. Collaboration: Kaja
   Pawe?ek. Exhibiton design: Centrala http://www.centrala.net.pl



   For further information:
   Kaja Pawe?ek: + 48 22 6281271 # 104, [EMAIL PROTECTED]
   http://www.buero-kopernikus.org/en/project/2/36/0



   1,2,3Š Avant-Gardes will be shown in 2007 at Künstlerhaus Stuttgart
   (with a special focus) and at Sala Rekalde, Bilbao. A catalogue will
   be published with essays by Leire Vergara, David Crowley, Steven
   Ball/David Curtis, Stefanie Peter, Anselm Franke, Jan Verwoert,
   Michal Wolinski, ?ukasz Ronduda, and including an archive section
   and artist pages.




   Centre for Contemporary Art
   Ujazdowski Castle
   Al. Ujazdowskie 6,
   00-461 Warsaw, Poland
   tel: (+48 22) 628 12 71-3
   fax: (+48 22) 628 95 50
   e-mail: [EMAIL PROTECTED]


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