[spectre] Brutal Realities. Art, Subjectivi ty and ‘The News’ | Cool Media Hot Talk Show

2007-06-20 Diskussionsfäden Tania Goryucheva

COOL MEDIA HOT TALK SHOW
D.I.Y. talk show on art  media
http://www.coolmediahottalk.net/

features:

TOPIC:  Brutal Realities. Art, Subjectivity and ‘The News’
SPEAKERS: Nanette Hoogslag about OOG and Florian Schneider about  
DICTIONARY OF WAR
QUESTIONS: ask-it-yourself now and during the show at http:// 
www.coolmediahottalk.net/


Wednesday June 27, 20.30 CET
video stream and interface for online participation: http:// 
www.coolmediahottalk.net/livepage.jsp
location: De Balie - Centre for Culture and Politics, Amsterdam  
http://www.debalie.nl (bring your laptops and mobiles)


EXTRA: music performance of Nanko http://www.laterax.com/nanko.htm


ABOUT THE TOPIC:

Brutal Realities
Art, Subjectivity and ‘The News’

“In the digital age you cannot stop information” - how many times did  
we hear this hollowed out cliché? Countless for sure. But exactly  
what kind of information? How to judge it? How to develop a personal  
relation to it?


‘The News’ is one of these information flows that in the era of  
digital media seems to become ever more pervasive, inescapable  
really. As it does so it seems to divide itself into a curious  
dichotomy: it (‘the news’) either becomes trivialised, or it reflects  
the perpetual miseries of the brutal realities that apparently  
surround us; disasters, war, famine, oppression, ecological  
devastation, family drama, and a general feeling of estrangement. In  
any case difficult to develop a personal relationship to it, be it  
trivia or conversely our daily portion of misery...


How does art and how do artists relate to this omnipresence of  
suffering in real-time? Can art help us to develop the distance, the  
silence, the space in-between that makes it possible to reflect ‘The  
News’? Can it point a way out of estrangement of the global anxiety  
machine? Can it rekindle our empathy for the pain of others?


And is social reality in any case coextensive with ‘the news’? Or  
should we rather develop and alternative relationship to social  
reality? And how then should this be done?


Can a project such as OOG in the web edition of the Dutch national  
daily newspaper De Volkskrant (www.volkskrant.nl/oog), where a  
different artist is invited every two weeks to comment on the news in  
an on-line art work every two weeks, help us to develop another (a  
more healthy?) subjective relationship to ‘the news’?


Can a project such as the Dictionary of War (http:// 
dictionaryofwar.org) help us to establish an alternative critical  
relationship to social reality? How can it reach a broader audience  
without falling into the same trap of mass-mediation?


Or is the very idea of subjectivity towards ‘the news’ nothing but a  
regressive and reactionary gesture?



ABOUT THE SPEAKERS:

Nanette Hoogslag (NL) is a visual artist and illustrator. She studied  
graphic design at the Gerrit Rietveld Academy in Amsterdam and did an  
MA in illustration at Royal College of Art in London in 1990. She  
established herself as an illustrator and designer in Amsterdam,  
working for design and editorial clients worldwide. She has been  
teaching illustration and design at various art colleges in The  
Netherlands, currently she teaches illustration and concept  
development at the Illustration Department at the school of Visual  
Arts, HKU in Utrecht.
In 2005 Nanette Hoogslag developed the idea for OOG (eye in Dutch),  
inviting artists to react to the news, their role, function and  
content, in an online environment, which became 'Oog' a weekly online  
page in one of the largest Dutch national newspapers the  
'Volkskrant'. In 2006 the concept of Oog was presented in a live show  
'Ooglive' in the Westergasfabriek and shown as part of Faith in  
Exposure in Montevideo 2007.

Oog: http://extra.volkskrant.nl/oog
Ooglive: www.ooglive.com
illustrations: www.hoogslag.nl

Florian Schneider (DE) is a filmmaker, writer, and developer in the  
fields of new media, networking and open source technologies. In his  
work he focuses on bordercrossings between mainstream and independent  
media, art and activism, theory and technology.
As a filmmaker he directed several award-winning documentaries and  
made theme-evenings for the german-french tv station arte on the  
topics of migration and new global movements. He is one of the  
initiators of the KEIN MENSCH IST ILLEGAL campaign at documentaX and  
subsequent projects. He founded, designed and supported countless  
online-projects, such as the European internet platform D-A-S-H and  
the online-network KEIN.ORG. He is the director of the new media  
festivals MAKEWORLD (2001), NEURO (2004) and one of the co-organizers  
of the upcoming FADAIAT2 event in Tarifa/Tangiers, in June 2005. His  
publications include contributions in Der Spiegel and other renowned  
magazines and newspapers. From 2001, he has published Makeworlds  
paper 1-4, a newspaper magazine for theory, art and activism. For  
incommunicado 05, a special issue will be 

[spectre] Satellite Voyeurism, Workshop, Dortmund, July 20-22, 2007

2007-06-20 Diskussionsfäden Inke Arns


/// SATELLITE VOYEURISM

Hartware MedienKunstVerein at PHOENIX Halle Dortmund, Germany

Workshop Call, July 20 - 22, 2007

The Workshop “Satellite Voyeurism addresses 
questions of production and reception of 
satellite images. In addition to public lectures 
by international media artists, committed 
scientists and commercial companies' 
representatives of the regions' geo-data 
industry, a two day workshop program with up to 
12 participants takes place. Within the hands-on 
part the participants learn how to use a simple 
antenna, computer, soundcard combination to 
retrieve satellite images of NOAA satellites, and 
share own ideas and projects with the other 
participants. Both lectures and workshop discuss 
the image quality of satellite images but of 
course the subject will also touch upon the field 
of locative media, as GPS, GIS.


Through the workshop the basis for a publication 
shall be created, which includes documentation 
about recent media art projects in the field of 
mapping, satellite images and satellite 
technology.


The workshop is open to 12 participants. 
Participants will get free accommodation and 
depending on the distance we can partly support 
the travel costs. There is no workshop fee. With 
the participation in the workshop the 
participants agree to actively support the 
production of a documentation (deadline for texts 
October 15).


In order to apply for the workshop, please let us 
know, why would you like to like to participate,
what's your field of interest, and what exactly 
you would present to the other participants. 
Please also send a short CV. All material to 
[EMAIL PROTECTED]


Application deadline June 29, 2007.

The workshop is funded by
Der Ministerpraesident des Landes NRW
LAG Soziokultur NRW
Kulturbuero Stadt Dortmund


/// PROGRAM

Fri July 20, 2007 - from 4 pm on
Arrival of participants,
Internal workshop presentations

Sat July 21, 2007 - 11 am - 4 pm
Public lectures with Regine Debatty (WMMNA), Dr. 
Tristan Thielmann (University Siegen), Frank 
Warmelink (Free Consultant for geo-data 
appliance), Francis Hunger (HMKV, Dortmund)

Internal workshop presentations by participants (until 9 pm.)

Sun July 22, 2007 - 11 am - 4 pm
Internal Hands-On Workshop with Thilo Elsner (Observatories Bochum/Amsat-DL)
“Receiving satellite images from NOAA satellites with just an antenna and a PC
Internal workshop presentations and BBQ

Mon July 23, 2007
departure


THE LECTURES ON SATURDAY, 21 JULY 2007, ARE PUBLIC AND DO NOT REQUIRE BOOKING.


/// About Hartware MedienKunstVerein, Dortmund

HMKV serves as a platform for the production, 
presentation, education on and contextualisation 
of contemporary and experimental media art. The 
activities of HMKV deal, in different formats, 
with the theme “Augmented Space: in exhibitions, 
workshops, performances, symposia, publications, 
Internet applications and in European research 
projects. The success of last year's “How I 
learned to love RFID workshop at HMKV (conceived 
by Francis Hunger) and the emergence of popular 
geographic mapping tools led to the development 
of the “Satellite Voyeurism workshop in 2007, 
directed by Francis Hunger.



CONTACT

Office:
Hartware MedienKunstVerein
Francis Hunger
Guentherstrasse 65
44143 Dortmund

Exhibition and Workshop Venue:
HMKV at PHOENIX Halle
Hochofenstrasse / corner Rombergstrasse
44263 Dortmund-Hoerde

[EMAIL PROTECTED]
http://www.hmkv.de
Tel: ++49+231+823106





--

Dr. Inke Arns
Künstlerische Leiterin / Artistic Director
Hartware MedienKunstVerein
Güntherstrasse 65 * D-44143 Dortmund
T ++49 (0) 231 - 823 106
F ++49 (0) 231 - 882 02 40
[EMAIL PROTECTED]
www.inkearns.de

Don't miss these shows when travelling (to) Europe this summer:

/// History Will Repeat Itself // Strategies of re-enactment
in contemporary (media) art and performance, HMKV at PHOENIX Halle
Dortmund/D, 9 June - 23 Sep 2007, www.hmkv.de

// irational.org // Tools, Techniques and Events 1996-2006,
CCA Glasgow/GB, 16 June - 21 July 2007, www.cca-glasgow.com

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