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Hi,
some of you have probably already noticed this via fb or rss, I am writing a
new book on, working title, "The Rise of the Network Commons".
It returns to the topos of the wireless commons on which I worked during
the early 2000s. In this new ver
Armin Medosch. It presents works of artists from The Fields exhibition
http://rixc.org/fields/ adapted for the radio art context of Kunstradio.
The first part presents “We Take Nothing For Granted – On the Building
of an Alert and Knowledgeable Citizenry” by Matthew Biederman, Marko
Peljhan, Brian
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Hi all,
In Vienna, slowly the – still relatively new - director of Kunsthalle is
showing his profile. After many years under the populist autocrat Matt,
Nicolas Schaffhausen brings some well needed profundity to Kunsthalle.
This latest exhibition, Th
approaches in this world that would support your
position? I would be interested in getting to know more about them ...
>
> All the best,
> and keep on writing,
> Inke
>
>
>
>
> Am 04.02.2015 um 13:22 schrieb Armin Medosch mailto:ar...@easynet.co.uk>>:
>
>>
>
Hi,
over the past year, I have written a draft book on the notion of the
Network Commons. I have made this a kind of experiment, by publishing
early and quite rough drafts. This is now the last chapter, which
contains a lot of the experiences of a recent trip to the Wireless
community weekend in B
), Leonardo Book Series, MIT Press (Juni 2016)
by Armin Medosch
New Tendencies, a nonaligned modernist art movement, emerged in the
early 1960s in the former Yugoslavia, a nonaligned country. It
represented a new sensibility, rejecting both Abstract Expressionism
and socialist realism in an attempt to
Eckermann, Doron Goldfarb, Armin Medosch, Gerald
Nestler, Felix Stalder, Axel Stockburger and Ina Zwerger.
Exhibition / Presentation: 22–26 June 2016 during MAK opening times
MAK FORUM
MAK – Austrian Museum of Applied Arts / Contemporary Art
Stubenring 5, 1010 Vienna
In the MAK FORUM
Book Presentation: New Tendencies – Art at the Threshold of the
Information Revolution (1961 – 1978) Sun 11 September 2016 1:30PM-3PM
FIS Stage POSTCITY, Ars Electronica, Linz
Armin Medosch will present his new book on the international art
movement and network New Tendencies, who were important
dear all,
please feel welcome to join us for this free lecture on Thursday this
week at Goldsmiths in New Cross, London
best
Armin
Lecture Theatre, Ben Pimlott Building
6 Oct 2016 5:30pm - 7:30pm
Writer, artist and curator Armin Medosch introduces his new book New
Tendencies Art at the
ween Brian Holmes and Armin
Medosch, and has become a research theme explored by a growing number of
people in Chicago, Vienna and other places. An initial collection of
ideas and notes can be found here: http://www.thenextlayer.org/
After Technopolitics@Boem "Smelling the Rat" in 2011
hi spectrists,
some of you might be interested in a thesis I have written last year
about: Technological Determinism in Media Art
The thesis is, in short, that certain founding fathers have succeeded
in establishing media art institutionally but it was a pyrrhic victory.
the language and 'ph
hello
Shu Lea recently reminded us that the purpose of mailinglists is not
only to self promote. At the same time I think it is a valued service
that there are all these announcements on spectre. However, i think in a
supposedly open environemnt such as a list - a sort of closed openness,
protecte
.
-
The Solent Centre for Architecture + Design, in partnership with London
based media art innovators Hive Networks and artist Armin Medosch, have
been working with Southampton City Council's Oral History Unit on Hidden
Histories, a unique project that turns the
sorry for x-posting
a.
---
A new public wireless interface: Hivenetworks successfully launch
'Street Radio' in Southampton
On Friday the 14th of March 2008 ten 'street radio' nodes went live in
Southampton narrowcasting Hidden Histories -- stories from Southamptons
Oral History
The currently running exhibition in beijing, synthetic times, and the
holding of isea 2008 in singapure both raise the question of the
compatibility of media art with dictatorial regimes. I am not commenting
on the quality of individual art works, and surely a show as big as the
beijing one contai
issent and social
> > critique have been purged”). And after your visit to China read
> > again the catalogue (btw. have you read the texts from for example
> > Arthur Kroker, Jordan Crandall or some of the project descriptions
> > like that of Kr+cF, and can you imagi
was there a discussion?
i think this is worth watching
http://v2v.cc/v2v/digital_handcraft
On Tue, 2008-07-08 at 13:17 +0200, Andreas Broeckmann wrote:
> [some of the '?' are wrongly translated special
> and chinese characters, others are what they
> should be; -ab]
>
>
>
> #THE CHIN
nment for the construction of nationalist cultural
identity as export commodity.
resist!
Armin Medosch
On 25 Sep 06, at 14:08, Oliver Grau wrote:
> THEAUSTRIANABSTRACTS
> 23TH SEP TO 15TH OCT 2006
>
> ARTI ET AMICITIAE, ROKIN 112, 1012 LB AMSTERDAM
> OPENING: 22TH SEP 2006, 7 P.M.
between the bizarre and sublime
http://www.mazine.ws/node/401
__
SPECTRE list for media culture in Deep Europe
Info, archive and help:
http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
some new
ideas and woulod be happy to get some feedback.
cheers Armin Medosch
Cool Cut Mix, Version 3, Januar 2007 app. 16 000 words or 83.000
characters without free spaces
[This text is a draft written for the forthcoming publication Ambient
Information Systems, expected September 2007
The Next Layer or: The Emergence of Open Source Culture
Draft text for Pixelache publication, Armin Medosch, London/Vienna 2006
- 2007
First we had media art. In the early days of electronic and digital
culture media art was an important way of considering relationships
between society and
artist" is
> simply redundant , in favor of a more egalitarian model of "culture
> producers" not depending on institutions for support?
>
> -marius
>
>
> Armin Medosch wrote:
> > The Next Layer or: The Emergence of Open Source Culture
> >
> >
hi
I think this post by Brian Holmes adds some interesting perspectives to
this debate
http://brianholmes.wordpress.com/2011/03/04/art-and-the-paradoxical-citizen/
best
armin
On Thu, 2011-03-10 at 12:50 +0100, Andreas Maria Jacobs wrote:
> Hi Jaromil et al
>
> Nicely said and exactly what mat
Armin Medosch | Automation, Cybernation and the Art of New Tendencies
(1961-1973): Art as Visual Research
Lecture, Wednesday, May 11, 2011, 7 p.m.
Academy of Fine Arts Vienna, Schillerplatz 3, A-1010 Vienna
DG14/Turm 4 (top floor, then go up the staircase by room 214)
Armin Medosch’s lecture
Hi,
I actually don't have time but it reminds strongly of Birkhoff's
aesthetic measure cf
http://www.fi.muni.cz/reports/files/older/FIMU-RS-99-06.pdf
This was picked up by Max Bense in the 1950s who tried to merge it with
information theory. Similar but different Abraham Moles who elaborated a
me
Simon,
this is the best that has been said sofar on this subject on this list,
I can only agree.
While I will sign any petition I sometimes feel the new media scene is
suffering a persecution complex. Those cuts, as disagreeable as they
are, need to be seen in a wider context of an era where art
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