grey) (area

Ugo La Pietra :: Disequilibrated Systems
 

03 - 07 . 7 . 2018
ORIS, Zagreb
 
curators: Darko Fritz and Sonja Leboš


On Tuesday, July 3, 2018. at 7 pm the exhibition Ugo La Pietra :: 
Disequilibrated Systems is going to open at Oris House of Architecture in 
Zagreb. This exhibition is the first module in shaping a large international 
exhibition about the International Meetings in Vela Luka 1968-1972 that is 
going to be presented in detail in the Museum of Modern and Contemporary Art in 
Rijeka in 2021, after a multiannual preparations conducted by grey) (area.
 
International Meetings took place in 1968, 1970, and 1972. in Vela Luka with 
contribution of important domestic and international names. Meetings commenced 
as a summer artists' colony to work in the traditional system of mosaics, while 
in the following editions interdisciplinary syntheses of various art 
disciplines, urban planning, architecture and finally multimedia approach that 
included mass media were carried out. In 1970 the construction of tourist 
settlement Plitvine was planned, and the author of the urban design was Ricardo 
Porro. One of the contributors was Ugo la Pietra, whose work on that theme is 
going to be presented for the first time at all.
 
The international importance of the institution of La Pietra's 
interdisciplinary work is uncontestable. As the initiator of numerous research 
and artistic groups  (Gruppo del Cenobio, Gruppo La Lepre Lunare, Gruppo Design 
Radicale, Global Tools, Cooperativa Maroncelli, Fabbrica di Comunicazione, 
Libero Laboratorio), La Pietra has established his work in crossing the 
boundaries between architectonic, design and artistic practice.
 
The most important for our context is his work from 1967 when he initiated the 
theory of disequilibrated systems, and transformed that theory in the series of 
works and actions of radical design in urban environment; the research of urban 
peripheries that he initiated with L. Marzoto in 1968 which explicitly referred 
to strategies of reappropriation of urban ambiance by the users, citizens 
respectively; most importantly his contribution within the frame of the 
International Artists Meetings in Vela Luka in 1970 and proposals for the 
interventions in the landscape of the island of Korčula.

La Pietra speaks of his work in the following manner: “The 'objectual' reality 
has to be sought by analyzing a social and environmental situation in which 
alienated objects and persons interact in a form of mutual exploitation. The 
loss of reality of the objects corresponds to the moment in which they overcome 
their elementary message, becoming bearers of structural reality that can no 
longer be explained by a plain relation between labor force, purchase-power and 
value of use.”
 
La Pietra's need to “deliver to society not so much an object but a method” 
based on the theory that he named “Disequilibrated Systems” and which allows to 
individuals and communities to spot and appropriate  “degrees of freedom” in 
order to “live” and not just “use” the city, is visible from his untiring 
mobilization of different journals and magazines, as well as from incessant 
research, problematizing relations between the center and periphery and from 
series of works that tackle reappropriation of the city by its citizens.
 
Possible interventions at the coast nearby Vela Luka, where he collaborated on 
the Plitvine tourist settlement plan, La Pietra also describes as a 
disequilibratedintervention. He thought that the fundamental desire of an urban 
man in a tourist settlement was to find space for collective creation, and he 
recognized the needs of a tourist for privacy, service, freedom, creativity and 
communication. His project proposed a spatial model for transforming the 
Dalmatian littoral landscape. The proposal included a radical land-art 
intervention of cutting the top of a nearby islet, which is very similar to the 
project by Ivan Kožarić, who cut the top of a mountain but from another 
conceptual perspective.
 
La Pietra's films are another form of modulating synesthetic thinking and 
decoding the urban, so the exhibition includes four.

more at http://sivazona.hr/events/ugo-la-pietra-zagreb

ORIS HOUSE OF ARCHITECTURE
Kralja Držislava 3, Zagreb

Free entrance . 9 am - 9 pm (mon-fri) . 11 am - 9 pm (sat)

The exhibition is opened until July 7, and after Zagreb it is going to be 
presented in Split's Gallery of Fine Arts in October 2018.


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