<[EMAIL PROTECTED]> wrote:
From: franck ancel <[EMAIL PROTECTED]>
Subject: Re: [spectre] media art and dictatorial regimes
To: spectre@mikrolisten.de
Date: Wednesday, July 9, 2008, 4:59 PM
jaromil a écrit :
> Even more, since a trip to Asia is very expensive, I'm taking
>
jaromil a écrit :
Even more, since a trip to Asia is very expensive, I'm taking
advantage to visit the south of that world right after, paying a visit
to Jogja's amazing media art scene for the (grassroot!) Cellsbutton
festival, which i recommend to all ISEA participants: please d
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re all,
first thanks for the discussion, i'm an online discussion junkie.
On Mon, Jun 30, 2008 at 08:29:37AM +0100, Armin Medosch wrote:
> Melinda, Alex,
>
> I would clearly be the last one to excuse imperialisms of the past
> or ofthe pr
Heiko Recktenwald a écrit :
My favourite book on China is Richard Huelsenbeck (of dada fame)
"China isst Menschen" on the riots in the twenties.
H.
Twenties back
http://www.amazon.com/Hotel-Shanghai-Vicki-Baum/dp/images/3462026720
F.
__
SPECTRE
Armin
Well, I dont see that discussion happening at
all. I only notice a deafening silence.
There are new talks announced and reports of any bloody suppression of
a revolt were not confirmed.
My favourite book on China is Richard Huelsenbeck (of dada fame) "China
isst Menschen" on the riots
Melinda, Alex,
I would clearly be the last one to excuse imperialisms of the past or of
the present. however, i find this relativism problematic. sure,
australia has a disgusting policy towards immigrants, as have by now
nearly all european countries. in my posting I was also addressing the
justif
I find this discussion odd
wouldn't working in most countries, under most regimes, be problematic?
all western democratic governments supports horrible human rights
abuses, engage in wars for profit, are well documented torturers,
thier corporations destroy communities and the environment in
Dear Armin, your email about artists working in China is questioning
the intentions of artists participating in the Synthetic Times
exhibition in Beijing, and artists working in countries with
problematic regimes in general. I assume you have informed yourself
and talked to many of the ar
hey armin,
i understand your point, and i concur with the problems you see.
(although i doubt whether there is something that you can refer to as
'the field as a whole', and i would also claim that this is nothing
special for 'media art', but concerns any artist and cultural
practicioner; or
The currently running exhibition in beijing, synthetic times, and the
holding of isea 2008 in singapure both raise the question of the
compatibility of media art with dictatorial regimes. I am not commenting
on the quality of individual art works, and surely a show as big as the
beijing one contai
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