Hi all
a quick comment on ideal line sources:
The free-field impulse response of an ideal line source (as Dave suggested, an
infinite line of monopole sources, with same phase and amplitude and infinitely
closely spaced)
is the free-field Green function of the wave equation in 2D (in the freq
Hi Svein,
don't you want to announce something on this list? ;-)
Regards,
Andrew
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…about the last post. Please just ignore it for the time being.
Regards,
Andrew
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Hello!
Hold your horses. There will be news coming out next week! (I'm trying
to implement a press strategy here... :-)
Svein
On 24. mars. 2011, at 15:02, Andrew Levine wrote:
Hi Svein,
don't you want to announce something on this list? ;-)
Regards,
Andrew
Oh, the suspense of it all I'm all of a tizz
- Neil
On Mar 24, 2011, at 10:06 AM, Svein Berge wrote:
Hello!
Hold your horses. There will be news coming out next week! (I'm trying to
implement a press strategy here... :-)
Svein
On 24. mars. 2011, at 15:02, Andrew Levine wrote:
Hello,
As I mentioned earlier, I was working on packaging ambdec for Mac OS
X. I've got it done and tested but for now it will only work on 10.6
(Snow Leopard). As soon as I get to compile it for 32 bits I'll post
another installer for Mac OS 10.5.
The installer will put ambdec in
On 03/24/2011 04:15 PM, david monacchi wrote:
Dear all,
we're planning to build in Pesaro-Italy a small ambisonic studio with
13 loudspeakers (full 3D - 4@-45°, 4@0°, 4@+45°, 1@90°)..
knowing your field-recording work, i can see how you'd focus on first
order, but i can't help noticing how
and to add to this, I can say that Jorn's examples in the SPIRAL were the first
one to really convince me of the value of ambisonics... I always had bad
decoders and/or low order experiences, and there was some clever filter design
in a 3rd order setting... fantastic!
p
Le 2011-03-24 à 18:40,
On Thu, Mar 24, 2011 at 04:15:22PM +0100, david monacchi wrote:
Dear all,
we're planning to build in Pesaro-Italy a small ambisonic studio with 13
loudspeakers (full 3D - 4@-45°, 4@0°, 4@+45°, 1@90°).. We're now in the
process of moving walls, treating acoustically the room, etc.. The
