Thank you Michael and Richard. It's now beginning to make more practical sense
to me!
1. Just out of interest, when you upsample to Third Order Ambisonics, does
that mean simulating the missing information? Is it possible to record directly
in TOA?
2. Richard, you mention using the TOA Harpex
Thank you Michael and Richard. It's now beginning to make more practical
sense to me!
1. Just out of interest, when you upsample to Third Order Ambisonics,
does that mean simulating the missing information?
I suppose so, but there are people on this list who could give a better
verb than
On Tue, Jun 10, 2014 at 07:40:14AM +0100, Curtis Alcock wrote:
1. Just out of interest, when you upsample to Third Order Ambisonics,
does that mean simulating the missing information?
In a sense, yes. What happens is that the input signal is divided
in a large number of narrow frequency bands,
Thanks for your replies, Fons.
If your studio is to be used for hearing research you should
probably ask yourself if you want this sort of processing - it
sort of 'interpretes' the spatial information in a way that
is not at all related to how our brains do it.
Do you think it depend on the
On Tue, Jun 10, 2014 at 11:49:13AM +0100, Curtis Alcock wrote:
Thanks for your replies, Fons.
If your studio is to be used for hearing research you should
probably ask yourself if you want this sort of processing - it
sort of 'interpretes' the spatial information in a way that
is not
YL wrote:
Hi, there,
I'm radio program producer and recently my boss asked me to think about how
to produce 3D audio in stereo.
It is not clear to me what you hope to achieve;
more information would be helpful. By
produce 3D audio do you mean full-sphere
surround sound, or horizontal-only
--
An HTML attachment was scrubbed...
URL:
https://mail.music.vt.edu/mailman/private/sursound/attachments/20140610/803c9033/attachment.html
___
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here
hi??there??
Thank you very much on producing 3D audio in stereo. some suggests me to using
binaural or Ambisonics signal for industrial stereo applications, which ,
however, make a crosstalk cancellation system into this DSP so that listeners
could get the right position information when
