Thanks Ero for the reference. The contribution of Michel Chion is major
to understand a world where large part of sounds are coming from
loudspeakers. His acousmatic music is also excellent.
A bilingual glossary is available from his web site:
http://michelchion.com/texts
Also a free eBook editio
Actually I’m enjoying this discussion, and considering opening up a new
research area in ‘asthmatic composition’. ;-)
S.
> On 21 Nov 2015, at 10:23, Jörn Nettingsmeier
> wrote:
>
> On 11/21/2015 11:15 AM, Dave Malham wrote:
>> Not quite sure how we got from defining acousmatic music to film s
> And yet another reason - with dialogue in glorious mono on one channel,
> dubbing for other languages is super-easy.
>
> Richard Dobson
>
Mmm,but if the dialogue is not understandable (loosely, 'inaudible') does
that matter?
To descend into bad taste : What's the betting the average ISIS video*
And yet another reason - with dialogue in glorious mono on one channel,
dubbing for other languages is super-easy.
Richard Dobson
On 21/11/2015 10:52, Eero Aro wrote:
..
Ever since, 99% of all dialogue has been placed in the center channel
for the
reasons Dave is describing.
There are even mo
Sorry, still continuing the off-topic with this subject.
Dave Malham wrote:
...they sure as hell notice if voices don't "come from the actor's
mouth".
Hehe. A propos Blumlein:
Reminds me of the story told in the Blumlein biography, which explains how
Blumlein became interested about "binaural
Imaging for Audio'
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Dave Malham wrote:
Not quite sure how we got from defining acousmatic music to film sound
I mentioned that the word is used with cinema sound. It's not just music
that
can be acousmatic, it's sound as such.
Michel Chion has developed a number of conceptions that were needed
to be able to dis
On 11/21/2015 11:15 AM, Dave Malham wrote:
Not quite sure how we got from defining acousmatic music to film sound,
but...
For the record, we got here from Scott announcing study opportunities (a
hazy after-image of the original intention of this thread is still
visible in the subject line).
gt; Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>
--
As of 1st October 2012, I have retired from the University.
These are my own views and may or may not be shared
I totally agree; and found much the same on many of the recent Bond
films. 'Tomorrow Never Dies' was especially overladen and noisy; perhaps
they felt they had to cover up the more than usually silly plot.
But I do have to acknowledge that the sound system in our local Frome
cinema is probably n
David Pickett wrote:
>
> Which brings us back to why Blumlein invented
> stereo. Yet even the IMAX version of Spectre has
> the voices all panned centre! Concerning which,
> I sat in a good seat (very comfortable!) and was
> appalled at the lack of coherence of the sound
> generally. I have he
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