Hi Martin,
The Discogs site has the DKP 9001 version. Is this of any use?
http://www.discogs.com/Laurie-Johnson-First-Men-In-The-Moon/release/4086074
Steve
> On 6 Jan 2016, at 23:08, Martin Leese wrote:
>
> Hi All,
>
> I have recently purchased the 1980 LP
Likewise. I get some vague sense of spaciousness but nothing 3D.
On 27 Oct 2014, at 11:28, dw d...@dwareing.plus.com wrote:
http://www.bbc.co.uk/programmes/p028snwx
Almost all in/near-head, to my ears.
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Sursound mailing list
FWIW, the (expensive) Meridian domestic DSP's can accept and decode Dolby
TrueHD, which is based upon MLP and one of their boxes can extract 8 channel
from HDMI. Also, I know from direct experience that a G series decoder can
accept and decode B-format from one of its sets of line inputs.
On
I have original CD’s of both Watermark and The Celts and cannot see any
ambisonic symbols on either, CD’s or sleeve notes, sadly. I wonder as well
whether there was more than one version of one or both albums.
On 5 Nov 2013, at 20:35, Bearcat M. Şándor bear...@feline-soul.com wrote:
To get
Me for one.
Steve
On 13 Apr 2012, at 08:37, Paul Hodges wrote:
Actually, I'd be interested to know how many people on this list
listen to surround recordings on a surround system for simple
pleasure, as opposed to in the lab or as part of specific
investigations of the process.
Paul
Meridian may be expensive, too, but at least they are sticking with
Ambisonics. Full horizontal 1st order B-format is now included in
their decoders, as well as UHJ, superstereo and Trifield. Oh, and I'm
a Meridian customer enjoying one of the few (only?) current domestic
ambisonic
On 13 Jun 2011, at 09:30, Dave Malham wrote:
On 12/06/2011 00:34, Robert Greene wrote:
Yes that is it!
Incidentally, I would like to add a (nonmathematical)
point. I think dipoles are more or less a disaster for Ambisonics
Bass is one thing, but what dipoles mostly do is bounce sound off
technique was used during recording
Yes you can.
Just one word: Trifield.
Steven Dive stevend...@mac.com wrote:
...
I understand that Trifield is derived from the same groundwork as
Ambisonic, which also gives us ambi superstereo. It's a matter of
personal judgement, I think, but do you more
From my perspective as a home user of a commercial home surround
decoder (Ambisonic UHJ, Trifield, Dolby etc.), I almost never see any
info on recording techniques on record labels and I can't foresee any
record labels ever stating which microphone techniques were used.
The manual for my