Re: [Sursound] Strange 'buzz' in Ambisonic recording

Against that, there's the statement that the buzz was also present "less strongly, in the panned B-format from the soloists mic" where there shouldn't be any bass gain at all. Sounds to me like something in the playback set up. Can you go and listen to it on someone else's rig? Dave On 7

Re: [Sursound] Strange 'buzz' in Ambisonic recording

>> On 7 May 2018, at 17:30, Gerard Lardner wrote: >> I recorded a concert on Saturday (John Rutter's /Gloria /and Karl >Jenkins' /The Peacemakers/) using an Ambisonic mic and some others. >I'm encoding the A-format to B-format using VVEncode in Reaper, and >panning in the extra

Re: [Sursound] Strange 'buzz' in Ambisonic recording

Spectral analysis would be a good clue here — sounds like clipping of LF to me jon > On 7 May 2018, at 17:30, Gerard Lardner wrote: > > I'm very much an amateur here, so please forgive what might be a stupid > question! > > I recorded a concert on Saturday (John Rutter's

Re: [Sursound] Strange 'buzz' in Ambisonic recording

I suspect that depending of chosen virtual mic configuration there is so much low frequency gain added that you boost the level of the nearly always existing 50Hz hum so much that you actually hear it. It has sometimes happened to me that I need to lower the input level of the signal to the

[Sursound] Strange 'buzz' in Ambisonic recording

I'm very much an amateur here, so please forgive what might be a stupid question! I recorded a concert on Saturday (John Rutter's /Gloria /and Karl Jenkins' /The Peacemakers/) using an Ambisonic mic and some others. I'm encoding the A-format to B-format using VVEncode in Reaper, and panning