Your memory jives with mine though as I recall, the instruments did surround
the Soundfield. The vocalist was not recorded directly; rather, her voice was
amplified through a loudspeaker positioned in front of the Soundfield.
Jeff silberman
From: Martin Leese
are unmistakable...
Jeff Silberman
From: Eric Carmichel e...@elcaudio.com
To: sursound@music.vt.edu sursound@music.vt.edu
Sent: Wednesday, June 26, 2013 10:02 AM
Subject: [Sursound] Giving Precedence to Ambisonics
Greetings All,
I have a friend who's an advocate
and the center to center spacing was 9 inches. An
electronically generated tick was switched to each loudspeaker in turn
starting at the center and moving full right, full left and full right again
before ending in the center. The pros and cons of each technique are
unmistakable...
Jeff Silberman
will become all the more
advantageous.
--- On Sat, 4/14/12, Ronald C.F. Antony r...@cubiculum.com wrote:
On 14 Apr 2012, at 04:46, JEFF SILBERMAN ambis...@pacbell.net wrote:
The solution lies in getting the home/spec builder industry to integrate
in-wall loudspeakers at pre-specified locations
The solution lies in getting the home/spec builder industry to integrate
in-wall loudspeakers at pre-specified locations (including ceiling) in the 21st
century media room which room will become the new normal much like the
kitchen has certain de-facto features/standards which are now taken for
--- On Mon, 4/2/12, Eric Benjamin eb...@pacbell.net wrote:
In subsequent thinking about his question it occurs to me
that the plausibility,
not of the signals in the recording but of acoustic signals
that enter the
listener's ears, is an important indicator of whether the
listener finds
--- On Mon, 4/2/12, Eric Benjamin eb...@pacbell.net wrote:
Don't take this to mean that I don't like ORTF recordings.
I do like them. The
best stereo recording that I have ever made was an ORTF
recording. But then, I'm
not a very good recording engineer. I think that one of
the
