Pranam KR

On Sun, 5 May 2024 at 22:33, 'Bala N. Aiyer' via KeralaIyers <
keralaiy...@googlegroups.com> wrote:

> Excellent and very informative article about Vedic Studies.
> This must be read by all Hindus.
> While some Western Authors are corrupted by their own Biblical thinking
> and some had overt desire to destroy the Indian culture and convert the
> population, there were several really good scholars who did lots of real
> service to our traditions by studying and popularising the teachins that
> many Hindus failed to do.
>
> With kind regards & best wishes,
>
> Bala N. Aiyer
>
>
> On Sunday, May 5, 2024 at 09:52:00 PM CDT, Rajaram Krishnamurthy <
> keyarinc...@gmail.com> wrote:
>
>
>
>
> *Western Vedic Research *
>
> In the present sorry state in which the nation finds itself it has to
> learn about its own heritage like the Vedas from the findings of Western
> scholars called "orientalists" and from Indians conducting research on the
> same lines as they. I concede that European scholars have made a very
> valuable study of the Vedas. We must be thankful to them for their work.
> Some of them like Max Muller
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#MAX%20MULLER> conducted
> research out of their esteem for our scriptures. They took great pains to
> gather the old texts and published volume after volume incorporating their
> findings.
>
> Two hundred years ago Sir William Jones
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#SIR%20WILLAIM%20JONES>,
> who was a judge of the Calcutta high court, started the Asiatic Society.
> The number of books this institution has published on Vedic subjects should
> arose our wonder. With the help of the East India Company, Sir William
> published the Rgveda with the commentary of Sayana and also a number of
> other Hindu works. Apart from Englishmen, Indologists from France, Germany
> and Russia have also done outstanding work here. "The discovery of the
> Vedas of the Hindus is more significant than Columbus's discovery of
> America, " thus exclaimed some Indologists exulting in their findings.
>
> These foreigners discovered Vedic and Vedantic texts from various parts of
> the country. They translated the dharma-, grhya- and srauta - sutras
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#SRAUTA%20SUTRAS>.
> The Kundalini Tantra gained importance only after Arthur Avalon
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#ARTHUR%20AVALON> had
> written extensively on it. A number of Westerns have contributed studies of
> other aspects of our culture also. It was because of the Protection of
> Ancient Monuments Act that came into force during the viceroyalty of Lord
> Curzon <https://kamakoti.org/hindudharma/part5/referp5b.htm#LORD%20CURZON> 
> that
> our temples and other monuments were saved from vandals. Fergusson
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#FERGUSSON> took
> photographs of our artistic treasures (sculptures) and made them known to
> the world. Men like Cunningham
> <https://kamakoti.org/hindudharma/part5/referp5b.htm>, Sir John Marshall
> and Mortimer
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#SIR%20JOHN%20MARSHALL%20&%20MORTIMER-WHEELER>
>  -Wheeler did
> notable work in Indian archaeology. It was because of the labours of
> *Mackenzie* who gathered manuscripts from various parts of India that we
> come to know about many of our sastras. The department of epigraphy was
> started during British rule.
>
> We suffered in many ways at the hands of the British but it was during
> their time that some good was also done. But this good was not unmixed and
> had undesirable elements in it. The intention of many of those who called
> themselves orientalists or Indologists was not above reproach. They wanted
> to reconstruct the history of India on the basis of their study of the
> Vedas and, in the course of this, they concocted the Aryan- Dravidian
> theory of races and sowed the seeds of hatred among the people. Purporting
> to be rationalists they wrongly interpreted, in an allegorical manner, what
> cannot be comprehended by our senses. In commenting on the Vedas, they took
> the view that the sages were primitive men. Though some of them pretended
> to be impartial, their hidden intention in conducting research into our
> religious texts was to propagate Christianity and show Hinduism in a poor
> light.
>
> A number of Westerners saw the similarity between Sanskrit and their own
> languages and devoted themselves to comparative philology
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#COMPARITIVE%20PHILOSOPHY>
> .
>
> We may applaud European Indologists for their research work, for making
> our sastras known to a wider world and for the hard work they put in. But
> they were hardly in sympathy with our view of the Vedas. What is the
> purpose of these scriptures? By chanting them, by filling the world with
> their sound and by the performance of rites like sacrifices, the good of
> mankind is ensured. This view the Western Indologists rejected. They tried
> to understand on a purely intellectual plane what is beyond the
> comprehension of the human mind. And with this limited understanding of
> theirs they printed big tomes on the Vedas to be preserved in the
> libraries. Our scriptures are meant to be a living reality of our speech
> and action. Instead of putting them to such noble use, to consign them to
> the libraries, in the form of books, is like keeping living animals in the
> museum instead of in the zoo.
>
>
>
> *Methods of Chanting *
>
> Our forefathers devised a number of methods to preserve the unwritten
> Vedas in their original form, to safeguard their tonal and verbal purity.
> They laid down rules to make sure that not a syllable was changed in
> chanting, not a svara was altered. In this way they ensured that the full
> benefits were derived from intoning the mantras. They fixed the time taken
> to enunciate each syllable of a word and called this unit of time or time
> interval "matra*"uot; . how we must regulate our breathing to produce the
> desired vibration in a particular part of our body so that the sound of the
> syllable enunciated is produced in its pure form: even this is determined
> in the Vedanga called Siksa. The similarities and differences between the
> svaras of music and of the Vedas are dealt with. So those differences
> between the sounds voiced by birds and animals on the one hand and the
> Vedic svaras on the other. With all this the right way is shown for the
> intonation of Vedic mantras.
>
> A remarkable method was devised to make sure that words and syllables are
> not altered. According to this the words of a mantra are strung together in
> different patterns like "vakya", "pada", "krama", "jata", "mala", "sikha",
> "rekha", "dhvaja", "danda", "ratha", "ghana".
>
> We call some Vedic scholars "ghanapathins", don't we? It means they have
> learnt the chanting of the scripture up to the advanced stage called
> "ghana". "Pathin" means one who has learnt the "patha". When we listen to
> ghanapathins chant the ghana, we notice that he intones a few words of a
> mantra in different ways, back and forth. It is most delightful to the ear,
> like nectar poured into it. The sonority natural to Vedic chanting is
> enhanced in ghana. Similarly, in the other methods of chanting like krama,
> jata, sikha, mala, and so on the intonation is nothing less than stately,
> indeed divine. The chief purpose of such methods, as already mentioned, is
> to ensure that even not even a syllable of a mantra is altered to the
> slightest extent. The words are braided together, so to speak, and recited
> back and forth.
>
> In "vakyapatha" and "samhitapatha" the mantras are chanted in the original
> (natural) order, with no special pattern adopted. In the vakyapatha some
> words of the mantras are joined together in what is called "sandhi
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#SANDHI>". There is
> sandhi in Tamil also; but in English the words are not joined together. You
> have many examples of sandhi in the Tevaram, Tiruvachakam, Tirukkural,
> Divyaprabandham and other Tamil works. Because of the sandhi the individual
> words are less recognisable in Sanskrit than even in Tamil. In padapatha
> each word in a mantra is clearly separated from the next. It comes next to
> samhitapatha and after it is kramapatha. In this the first word of a mantra
> is joined to the second, the second to the third, the third to the fourth,
> and so on, until we come to the final word.
>
> In old inscriptions in the South we find the names of some important
> people of the place concerned mentioned with the appellation "kramavittan"
> added to the names. "Kramavittan" is the Tamil form of "kramavid" in the
> same way as "Vedavittan" is of "Vedavid". We learn from the inscriptions
> that such Vedic scholars were to be met throughout the Tamil country.
>
> In jata patha, the first word of the mantra is chanted with the second,
> then the order is reversed-the second is chanted with the first. Then,
> again, the first word is chanted with the second, then the second with the
> third, and so on. In this way the entire mantra is chanted, going back and
> forth. In sikhapatha the pattern consists of three words of a mantra,
> instead of the two of jata.
>
> Ghanapatha is more difficult than these. There are four types in this
> method. Here also the words of a mantra are chanted back and forth and
> there is a system of permutation and combination in the chanting. To
> explain all of it would be like conducting a class of arithmetic.
>
> We take all kinds of precautions in the laboratory, don't we, to protect a
> life-saving drug? The sound of the Vedas guards the world against all ills.
> Our forefathers devised these methods of chanting to protect the sound of
> our scripture against change and distortion.
>
> Samhitapatha and padapatha are called "prakrtipatha" (natural way of
> chanting) since the words are recited only once and in their natural order.
> The other methods belong to the "vikrtipatha" (artificial way of chanting)
> category. (In krama, though the words do not go in the strict natural order
> of one-two-three, there is no reversal of the words-the first after the
> second, the second after the third, and so on. So we cannot describe it
> fully as vikrtipatha). Leaving out krama, there are eight vikrti patterns
> and they are recounted in verse to be easily remembered.
>
> *Jata mala sikha rekha dhvaja dando ratho ghanah*
>
> *Ityastau-vikrtayah proktah kramapurva maharsibhih*
>
> All these different methods of chanting are meant to ensure the tonal and
> verbal purity of the Vedas for all time. In pada the words in their natural
> order, in krama two words together, in jata the words going back and forth.
> The words tally in all these methods of chanting and there is the assurance
> that the original form will not be altered.
>
> The benefits to be derived from the different ways of chanting are given
> in this verse
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#IN%20THIS%20VERSE>.
>
> *Samhitapathamatrena yatphalam procyate budhaih*
>
> *Padu tu dvigunam vidyat krame tu ca caturgunam*
>
> *Varnakrame satagunam jatayantu sahasrakam*
>
> Considering that our ancestors took so much care to make sure that the
> sound of the Vedas did not undergo the slightest change, it is futile for
> modern researchers to try to establish the date of our scriptures by
> finding out how the sounds of its words have changed.
>
> *Mantrayoga*
>
> The fourteen worlds
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#THE%20FOURTEEN%20WORLDS> 
> constitute
> an immensely vast kingdom. It has an emperor and all living beings are his
> subjects. This kingdom as well as its ruler is eternal and it has its own
> laws. If the kingdom and the king-emperor are eternal, the law also must be
> so. This law is constituted by the Vedas. Though the kingdom, the cosmos,
> is called "anadi", it is dissolved and created again and again. The only
> eternal entities are the Paramatman and his law, the Vedas.
>
> The world comes into being, grows and is dissolved in the deluge. Thus it
> alternates between being and non-being. The emperor and the law remain
> eternal. At the time of every creation the emperor, the Paramatman, also
> creates authorities or "officials" and invests them with the yogic power
> necessary for them to function. In the yoga sastra is taught the truth that
> one's ears are not to be differentiated from outward space. When we
> meditate on this truth we acquire a celestial ear. It is with this ear and
> with the grace of the Paramatman that the authorities appointed by him
> obtain the sound waves that are always present in outward space. They were
> the first to know the Vedas and they are the maharishis (the great seers or
> sages) of the mantras.
>
> Vedic chanting is a mantrayoga. The vibration in each nadi creates certain
> feelings or urges in the consciousness. Sensual desire is aroused by some,
> sloth by some and sorrow by some others. To reverse this, when there is
> sensual desire there is a vibration in some nadis, and when there is anger
> there is vibration in some other nadis, and so on for each type of feeling
> or emotion or urge. We know this from actual experience. When we are at
> ease there is a special glow on our face and this glow is caused by some
> nadis being cool and unagitated. There is a saying "One's inner beauty is
> reflected outwardly on one's face". Our emotions cause their own reactions
> in our nadis. If we succeed in bringing the nadis under control we shall be
> masters of our urges and feelings. There will then be no need to depend on
> any external agency for the purpose.
>
> One way of acquiring control over the nadis is the practice of Rajayoga
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#RAJAYOGA> of which
> pranayama is the most important feature. Mantrayoga is another. When we
> vocalize a syllable, the vital breath is discharged through the space
> intervening our throat, tongue, lips, the upper and lower parts of the
> mouth, etc. It is then that the syllable is voiced or the "aksara dhvani"
> produced. Vibrations are created in the nadis located in those parts of the
> body where the vital breath courses through as a consequence of the
> aksara-dhvani.
>
> What are the Vedic mantras like in this context? Chanting them means only
> voicing such syllables as would cause beneficent vibrations of the nadis,
> beneficent vibrations that would produce such mental states as would lead
> to well being in this world and the hereafter and ultimately to liberation.
> No other type of vibration is caused by the chanting of the mantras.
>
> What is a mantra? "Mananat trayate": that which protects you by being
> turned over again and again and again in the mind. By birth the Brahmin is
> invested with the duty of chanting mantras again and again and producing
> such vibrations in the nadis as would bring Atmic well being. Through the
> power of the mantras he must create this well-being not only for himself
> but also for all creatures.
>
> How are the mantras to be chanted so that we may master them and derive
> the full benefit from them? But first let us consider the faulty ways of
> chanting.
>
> *Giti sighri sirahkampi tatha likhitapathakah*
>
> *Anarthajno lpakanthasca sadete pathakadhamah*
>
> "Giti" means one who chants a mantra as he likes setting it to tune, as it
> were, like a raga. The Vedas must be recited only in accordance with the
> tones appropriate to them. " Sighri" is one who hurries through a hymn. To
> derive the full benefit from the mantra the right matras must be maintained
> in the chanting. "Sirahkampi" denotes one who keeps shaking his head as the
> chants. There must be a certain poise about the man who chants the Vedas.
> The nadi vibrations must be such as are naturally produced in the course of
> the intonation. There must be no other vibrations. If the head is shaken as
> in a music recital the nadi vibrations will be affected. The
> "likhitapathaka" is one who chants, reading from the written text. As I
> have said so often the Vedas must be taught and learned without the help of
> any written text. The "anarthanjna" is one who does not know the meaning
> (here one who does not know the meaning of what he chants). All those
> belonging to these six categories
> <https://kamakoti.org/hindudharma/part5/referp5b.htm#SIX%20CATEGORIES> are
> described as "pathakadhamah" belonging to the lowest types among those who
> chant the Vedas.
>
> K RAJARAM IRS  6524
>
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