Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
Johnny,

I’m interested in working with you and Sami on this. 

These two characters are often referred to as quarter sharp and quarter flat as 
well. The symbols are also widely used outside Arabic music. The western 
classical tradition from the 20th century on is full of them. They're not 
obscure symbols really. Musicians with even a moderate interest in contemporary 
music are aware of them. 

I’m travelling in Sweden working on Blissymbols at the moment, but when I get 
back home on Friday and can consult some of my reference works I’ll get in 
touch with you. It shouldn’t take long to put something together. 

Michael Everson

On 29 Mar 2015, at 05:21, Johnny Farraj johnnyfar...@yahoo.com wrote:

 Dear unicode list members, 
 
 I wish to get feedback about a new character submission proposal.
 
 Currently the Miscellaneous Symbols table (2600-26FF) includes the following 
 characters:
 
 266D ♭ MUSIC FLAT SIGN
 266F ♯ MUSIC SHARP SIGN
 
 while the Musical Symbols table (1D100 - 1D1FF) includes the following 
 characters:
 
 1D12A 턪 MUSICAL SYMBOL DOUBLE SHARP
 1D12B 턫 MUSICAL SYMBOL DOUBLE FLAT
 1D12C 턬 MUSICAL SYMBOL FLAT UP
 1D12D 턭 MUSICAL SYMBOL FLAT DOWN
 1D130 터 MUSICAL SYMBOL SHARP UP
 1D131 턱 MUSICAL SYMBOL SHARP DOWN
 1D132 턲 MUSICAL SYMBOL QUARTER TONE SHARP
 1D133 턳 MUSICAL SYMBOL QUARTER TONE FLAT
  
 I am proposing the addition of 2 new characters to the Musical Symbols table:
 
 - the half-flat sign (lower note by a quarter tone) 
 - the half-sharp sign (raise note by a quarter tone)
 
 half-flat sign.png
 half-sharp sign.png
 
   
 These are widely used in Arabic music notation, and they express intervals 
 that are multiples of quarter tones.
 
 I am the primary sponsor of this proposal. As far as my credentials, I am the 
 owner of http://maqamworld.com, the most widely used online resource on 
 Arabic music theory, in English.
 I can also enlist the support of many academics in the ethnomusicology field, 
 who specialize in Arabic music.
 
 I welcome any feedback on this proposal.
 
 thanks
 
 Johnny Farraj
 johnnyfar...@yahoo.com


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Re: Meroitic cursive fractions numerical values

2015-03-29 Thread Andrew West
On 28 March 2015 at 20:05, Karl Williamson pub...@khwilliamson.com wrote:

 Existing software that looks at the numeric values of characters is written
 expecting that rational numbers will have been reduced to their lowest form.

That seems to be a rather rash statement. I have software (BabelPad)
which parses the numeric values of characters for numeric sorting
purposes, and it parses 6/12 for MEROITIC CURSIVE FRACTION SIX
TWELFTHS as 0.5. Personally I find it hard to imagine how you could
write software that accepts 6/12 as input and is unable to come up
with the answer of a half.

I would say that fractions should not be reduced to their lowest form
in the Unicode data as some people may need to order fractions by
numerator or denominator, and reducing to lowest form could break the
expectations of some software.  Having said that, I note that the
numeric value of one character has been reduced in the Unicode data:
U+2189 VULGAR FRACTION ZERO THIRDS is given the numeric value of 0
rather that 0/3.

Andrew
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Re: Meroitic cursive fractions numerical values

2015-03-29 Thread Philippe Verdy
How would you note the numeric value property of the mathematical pi
symbol, if you use 0.5, assuming that it should be written as a single
decimal value without using any operator ?
You can't because there's an infinite number of decimals, unless you
explciitly says that the numeric property is limtied to the precision of an
IEEE 64-bit double floatting point value (or 80-bit long double
supported natively by x86 processors).

So you have to imagine that the numeric value property is effectively a
mathematical expression using some conventional set of mathematical symbols
(in which case the numeric value property of the pi symbol should be the
symbol itself). In that case, writing 6/12 or 1/2 is fully equivalent,
mathematically, as this property is a mathematical expression.

Now that property should have a syntax defined. The problem being that for
complex expressions there are several mathematical notations, the most
common used in plaintext being using TeX (except that it does not just note
the expression itself but its presentation and layout).

Could Unicode define a basic plaintext syntax for a subset of mathematical
expressions that are useful to parse the numeric value field ? It would
of course contain the syntax for numbers (using all decimal digits from
various scripts, but ignoring the localized conventions for decimal
separators, reduced to just the ASCII dot, and the grouping separators,
reduced to none), restricting the use of unnecessary whitespaces in that
field, reducing the use of unnecessary leading zeroes, or trailing zeroes
in decimal parts), it would contain the subset of symbolic constants
encoded in Unicode as symbolic constants (such as pi, e, i). It would not
contain any symbolic constant directly expressible with others. It could
potentially contain superscript digits used for exponents.

And of course it would contain the common set of arithmetic operators (+,
the ASCII MINUS-HYPHEN or mathematical MINUS, × or the ASCII ASTERISK, /
or  ÷, ^ for noting exponentiation, and parentheses), or algebric operators
(such as√). It would not include special operators  (such as ±) that can't
be evaluated to a single number in a single dimensional numerical body (so
we limit us to the body of complex numbers ?). Further extensions would
include some common functions such as core trigonometric and hyperbolic
functions (sine, cosine, tangent, cotangent) and their inverse, and
logarithms.

That syntax would not specify if those expressions are effectively
evaluatable such as 0/0 (it's up to implementations to check this according
to their own numeric domain) as the syntax does not specify the numeric
domain (body or ring?) in which it will be evaluated (for example 1/0 is
valid in some rings where all member numbers are invertible, including
zero), and it will not assume that -1 is necessarily different from +1
(they are equivalent in Z/2Z which just contains two members: 0 and 1, and
where 2 or 4 are also equal 0) or the precision of numbers (1/100
could be equal to 0 in an integer domain).

This could be the base for defining a basic set of expressions that many
programming languages could support in their syntax, using the precision
they want or can support (even if their native syntax use other similar
notations with simple substitution rules.

For this reason, it seems more natural to avoid reducing fractions in the
numeric property value, and keep them in their natural form : 6/12 NOT
reduced to 1/2, and 0/3 NOT reduced to 0 (because this may
incorrectly assume a subset of a linear numeric body): let the
implementation define itself its numeric domain and these expressions are
evaluatable in that domain: the parser will be the same, only the evaluator
will be different as it completely depends on the numeric domain.


2015-03-29 11:41 GMT+02:00 Andrew West andrewcw...@gmail.com:

 On 28 March 2015 at 20:05, Karl Williamson pub...@khwilliamson.com
 wrote:
 
  Existing software that looks at the numeric values of characters is
 written
  expecting that rational numbers will have been reduced to their lowest
 form.

 That seems to be a rather rash statement. I have software (BabelPad)
 which parses the numeric values of characters for numeric sorting
 purposes, and it parses 6/12 for MEROITIC CURSIVE FRACTION SIX
 TWELFTHS as 0.5. Personally I find it hard to imagine how you could
 write software that accepts 6/12 as input and is unable to come up
 with the answer of a half.

 I would say that fractions should not be reduced to their lowest form
 in the Unicode data as some people may need to order fractions by
 numerator or denominator, and reducing to lowest form could break the
 expectations of some software.  Having said that, I note that the
 numeric value of one character has been reduced in the Unicode data:
 U+2189 VULGAR FRACTION ZERO THIRDS is given the numeric value of 0
 rather that 0/3.

 Andrew
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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Garth Wallace
Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
ones currently in the charts do not appear to be in common use.

The most common symbol for the quarter tone flat, from what I've gathered,
is a reversed flat sign. Some composers use the flat with stroke. One
potential complication: AIUI the Arel-Ezgi-Uzdilek system for notating Turkish
music, which divides each whole tone into nine koma, uses both, along with
a few altered sharps.

On Sunday, March 29, 2015, Michael Everson ever...@evertype.com wrote:

 Johnny,

 I’m interested in working with you and Sami on this.

 These two characters are often referred to as quarter sharp and quarter
 flat as well. The symbols are also widely used outside Arabic music. The
 western classical tradition from the 20th century on is full of them.
 They're not obscure symbols really. Musicians with even a moderate interest
 in contemporary music are aware of them.

 I’m travelling in Sweden working on Blissymbols at the moment, but when I
 get back home on Friday and can consult some of my reference works I’ll get
 in touch with you. It shouldn’t take long to put something together.

 Michael Everson

 On 29 Mar 2015, at 05:21, Johnny Farraj johnnyfar...@yahoo.com
 javascript:; wrote:

  Dear unicode list members,
 
  I wish to get feedback about a new character submission proposal.
 
  Currently the Miscellaneous Symbols table (2600-26FF) includes the
 following characters:
 
  266D ♭ MUSIC FLAT SIGN
  266F ♯ MUSIC SHARP SIGN
 
  while the Musical Symbols table (1D100 - 1D1FF) includes the following
 characters:
 
  1D12A 턪 MUSICAL SYMBOL DOUBLE SHARP
  1D12B 턫 MUSICAL SYMBOL DOUBLE FLAT
  1D12C 턬 MUSICAL SYMBOL FLAT UP
  1D12D 턭 MUSICAL SYMBOL FLAT DOWN
  1D130 터 MUSICAL SYMBOL SHARP UP
  1D131 턱 MUSICAL SYMBOL SHARP DOWN
  1D132 턲 MUSICAL SYMBOL QUARTER TONE SHARP
  1D133 턳 MUSICAL SYMBOL QUARTER TONE FLAT
 
  I am proposing the addition of 2 new characters to the Musical Symbols
 table:
 
  - the half-flat sign (lower note by a quarter tone)
  - the half-sharp sign (raise note by a quarter tone)
 
  half-flat sign.png
  half-sharp sign.png
 
 
  These are widely used in Arabic music notation, and they express
 intervals that are multiples of quarter tones.
 
  I am the primary sponsor of this proposal. As far as my credentials, I
 am the owner of http://maqamworld.com, the most widely used online
 resource on Arabic music theory, in English.
  I can also enlist the support of many academics in the ethnomusicology
 field, who specialize in Arabic music.
 
  I welcome any feedback on this proposal.
 
  thanks
 
  Johnny Farraj
  johnnyfar...@yahoo.com javascript:;


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Julian Bradfield
On 2015-03-29, Johnny Farraj johnnyfar...@yahoo.com wrote:
 Michael,
 Thanks for the swift response, and your interest.
 Your collaboration is greatly appreciated.
 Do you have any experience in submitting new Unicode character proposals?
 And/or with creating the reference copy  of a symbol in the format required?

I think Michael should print this out and frame it, as a modern equivalent
of the slave muttering memento mori ...



-- 
The University of Edinburgh is a charitable body, registered in
Scotland, with registration number SC005336.

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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
On 29 Mar 2015, at 19:53, Johnny Farraj johnnyfar...@yahoo.com wrote:

 Michael,
 Thanks for the swift response, and your interest.
 Your collaboration is greatly appreciated.

My pleasure.

 Do you have any experience in submitting new Unicode character proposals? 
 And/or with creating the reference copy  of a symbol in the format required?

A little. See http://www.evertype.com/formal.html

:-)

Michael Everson


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Garth Wallace
Right, I was just pointing out that Turkish music is a potential
complication if changing the glyph for MUSICAL SYMBOL QUARTER TONE
FLAT.

Here's how I understand it:
Arabic music - uses the flat-with-stroke exclusively as a quarter tone flat
Western quarter tone music - uses the reversed flat and
flat-with-stroke interchangeably as a quarter tone flat, but the
reversed flat is more common
Turkish music - uses both the reversed flat and flat-with-stroke
contrastively (neither, strictly speaking, as a quarter tone flat
since quarter tones do not exist in Turkish music)

On Sun, Mar 29, 2015 at 1:41 PM, sami shumays abushum...@hotmail.com wrote:
 Just one comment: the reversed flat is not commonly used in Arabic notation,
 it is primarily a Turkish symbol.  The symbols Johnny is proposing are
 important so that we can have easy access to the symbols appropriate to our
 music.

 Though Arabic and Turkish music systems share many characteristics, they are
 not one unified system.  And Johnny and I are not experts in the Turkish
 system, although we have familiarity with it, so experts in Turkish music
 would need to weigh in regarding any additional symbols needed for their
 music.  For Arabic Music notation, the two Johnny proposes would be
 sufficient.

 -Sami

 Sent from my Verizon Wireless 4G LTE Smartphone


  Original message 
 From: Garth Wallace
 Date:03/29/2015 4:02 PM (GMT-05:00)
 To: Michael Everson
 Cc: unicode@unicode.org, Johnny Farraj , Sami Shumays
 Subject: Re: preliminary proposal: New Unicode characters for Arabic music
 half-flat and half-sharp

 Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL
 SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The
 ones currently in the charts do not appear to be in common use.

 The most common symbol for the quarter tone flat, from what I've gathered,
 is a reversed flat sign. Some composers use the flat with stroke. One
 potential complication: AIUI the Arel-Ezgi-Uzdilek system for notating
 Turkish music, which divides each whole tone into nine koma, uses both,
 along with a few altered sharps.

 On Sunday, March 29, 2015, Michael Everson ever...@evertype.com wrote:

 Johnny,

 I’m interested in working with you and Sami on this.

 These two characters are often referred to as quarter sharp and quarter flat
 as well. The symbols are also widely used outside Arabic music. The western
 classical tradition from the 20th century on is full of them. They're not
 obscure symbols really. Musicians with even a moderate interest in
 contemporary music are aware of them.

 I’m travelling in Sweden working on Blissymbols at the moment, but when I
 get back home on Friday and can consult some of my reference works I’ll get
 in touch with you. It shouldn’t take long to put something together.

 Michael Everson

 On 29 Mar 2015, at 05:21, Johnny Farraj johnnyfar...@yahoo.com wrote:

 Dear unicode list members,

 I wish to get feedback about a new character submission proposal.

 Currently the Miscellaneous Symbols table (2600-26FF) includes the
 following characters:

 266D ♭ MUSIC FLAT SIGN
 266F ♯ MUSIC SHARP SIGN

 while the Musical Symbols table (1D100 - 1D1FF) includes the following
 characters:

 1D12A 턪 MUSICAL SYMBOL DOUBLE SHARP
 1D12B 턫 MUSICAL SYMBOL DOUBLE FLAT
 1D12C 턬 MUSICAL SYMBOL FLAT UP
 1D12D 턭 MUSICAL SYMBOL FLAT DOWN
 1D130 터 MUSICAL SYMBOL SHARP UP
 1D131 턱 MUSICAL SYMBOL SHARP DOWN
 1D132 턲 MUSICAL SYMBOL QUARTER TONE SHARP
 1D133 턳 MUSICAL SYMBOL QUARTER TONE FLAT

 I am proposing the addition of 2 new characters to the Musical Symbols
 table:

 - the half-flat sign (lower note by a quarter tone)
 - the half-sharp sign (raise note by a quarter tone)

 half-flat sign.png
 half-sharp sign.png


 These are widely used in Arabic music notation, and they express intervals
 that are multiples of quarter tones.

 I am the primary sponsor of this proposal. As far as my credentials, I am
 the owner of http://maqamworld.com, the most widely used online resource on
 Arabic music theory, in English.
 I can also enlist the support of many academics in the ethnomusicology
 field, who specialize in Arabic music.

 I welcome any feedback on this proposal.

 thanks

 Johnny Farraj
 johnnyfar...@yahoo.com


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:

 Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL 
 SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The 
 ones currently in the charts do not appear to be in common use.

It would be better to let the symbols be used as intended to be drawn. 
Documenting such widely varied “glyph variation” would not end up serving the 
user community, I think. 

 The most common symbol for the quarter tone flat, from what I've gathered, is 
 a reversed flat sign. Some composers use the flat with stroke. One potential 
 complication: AIUI the Arel-Ezgi-Uzdilek system for notating Turkish music, 
 which divides each whole tone into nine koma, uses both, along with a few 
 altered sharps.

Have you references? 

This topic may be a little obscure for the general list; we can take it offline.

Michael Everson * http://www.evertype.com/


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
On 29 Mar 2015, at 22:41, sami shumays abushum...@hotmail.com wrote:

 Just one comment: the reversed flat is not commonly used in Arabic notation,

But is it used? 

 it is primarily a Turkish symbol.  The symbols Johnny is proposing are 
 important so that we can have easy access to the symbols appropriate to our 
 music.
 
 Though Arabic and Turkish music systems share many characteristics, they are 
 not one unified system.  And Johnny and I are not experts in the Turkish 
 system, although we have familiarity with it, so experts in Turkish music 
 would need to weigh in regarding any additional symbols needed for their 
 music.  For Arabic Music notation, the two Johnny proposes would be 
 sufficient. 

This is why we should have detailed discussion about these and related 
characters. 

Michael Everson * http://www.evertype.com/


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
On 29 Mar 2015, at 23:29, Garth Wallace gwa...@gmail.com wrote:

 Right, I was just pointing out that Turkish music is a potential
 complication if changing the glyph for MUSICAL SYMBOL QUARTER TONE
 FLAT.
 
 Here's how I understand it:
 Arabic music - uses the flat-with-stroke exclusively as a quarter tone flat
 Western quarter tone music - uses the reversed flat and
 flat-with-stroke interchangeably as a quarter tone flat, but the
 reversed flat is more common
 Turkish music - uses both the reversed flat and flat-with-stroke
 contrastively (neither, strictly speaking, as a quarter tone flat
 since quarter tones do not exist in Turkish music)

That’s quite some variety. There are also the three-quarter flat and sharp in 
Western music to consider. I’ll be able to dig into this after I get back to 
Ireland from Sweden on Friday.

Michael Everson * http://www.evertype.com/


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Werner LEMBERG

 That’s quite some variety. There are also the three-quarter flat and
 sharp in Western music to consider.  I’ll be able to dig into this
 after I get back to Ireland from Sweden on Friday.

You should check the Standard Music Font Layout (SmuFL) for details;
it also has a freely available font that covers it.

  http://www.smufl.org

The recent version of the specification can be found at

  http://www.smufl.org/files/smufl-1.12.pdf

 Werner

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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Asmus Freytag (t)

On 3/29/2015 2:39 PM, Michael Everson wrote:

On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:


Wouldn't it be easier just to change the example glyphs for U+1D132 MUSICAL 
SYMBOL QUARTER TONE SHARP and U+1D133 MUSICAL SYMBOL QUARTER TONE FLAT? The 
ones currently in the charts do not appear to be in common use.

It would be better to let the symbols be used as intended to be drawn. 
Documenting such widely varied “glyph variation” would not end up serving the 
user community, I think.


Glyph variations are fine as long as there is
a) never a contrasting usage in the same context
b) a common practice of alternating presentations w/o change of meaning
c) a common understanding that the details of presentation are stylistic

In this case, one or more of these conditions appear not to be met.

A./



The most common symbol for the quarter tone flat, from what I've gathered, is a 
reversed flat sign. Some composers use the flat with stroke. One potential 
complication: AIUI the Arel-Ezgi-Uzdilek system for notating Turkish music, 
which divides each whole tone into nine koma, uses both, along with a few 
altered sharps.

Have you references?

This topic may be a little obscure for the general list; we can take it offline.

Michael Everson * http://www.evertype.com/


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Asmus Freytag (t)
It would be worth to bring the collection of music symbols up to a more 
comprehensive set in one go, rather than to do it piecemeal.


A./

On 3/29/2015 3:07 PM, Werner LEMBERG wrote:

That’s quite some variety. There are also the three-quarter flat and
sharp in Western music to consider.  I’ll be able to dig into this
after I get back to Ireland from Sweden on Friday.

You should check the Standard Music Font Layout (SmuFL) for details;
it also has a freely available font that covers it.

   http://www.smufl.org

The recent version of the specification can be found at

   http://www.smufl.org/files/smufl-1.12.pdf

  Werner

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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Michael Everson
On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:

 It would be worth to bring the collection of music symbols up to a more 
 comprehensive set in one go, rather than to do it piecemeal.

Yup.

Michael Everson * http://www.evertype.com/


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Mark E. Shoulson

On 03/29/2015 06:51 PM, Michael Everson wrote:

On 30 Mar 2015, at 00:49, Asmus Freytag (t) asmus-...@ix.netcom.com wrote:


It would be worth to bring the collection of music symbols up to a more 
comprehensive set in one go, rather than to do it piecemeal.

Yup.


Just read through (most of) the smufl reference... Yes, I think we've 
finally found something to do with one of those empty planes that have 
been lying around...


(or at least part of one)

~mark


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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Hans Aberg

 On 30 Mar 2015, at 00:07, Werner LEMBERG w...@gnu.org wrote:

 You should check the Standard Music Font Layout (SmuFL) for details;
 it also has a freely available font that covers it.
 
 http://www.smufl.org
 
 The recent version of the specification can be found at
 
 http://www.smufl.org/files/smufl-1.12.pdf

It works with LilyPond http://lilypond.org, using some OpenLilyPond 
extensions.

Also, there a SMuFL glyph browsing page here:
 http://www.smufl.org/version/latest/



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Re: preliminary proposal: New Unicode characters for Arabic music half-flat and half-sharp

2015-03-29 Thread Hans Aberg

 On 29 Mar 2015, at 22:02, Garth Wallace gwa...@gmail.com wrote:

 The most common symbol for the quarter tone flat, from what I've gathered, is 
 a reversed flat sign. Some composers use the flat with stroke. One potential 
 complication: AIUI the Arel-Ezgi-Uzdilek system for notating Turkish music, 
 which divides each whole tone into nine koma, uses both, along with a few 
 altered sharps.

Some of the Turkish systems are discussed by Ozan Yarman, A Comparative 
Evaluation of Pitch Notations in Turkish Makam Music”.




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