The Music Library Association's copyright page has a good summary of
copyright law governing pre-1972 sound recordings at
http://copyright.musiclibraryassoc.org/Resources/AudioPreservationAndAccess
, under the section titled Discussion.
The post below is correct; pre-1972 sound recordings are
Just out curiosity Mike, do you know if ALA has different categories of
membership. Would you be sold on a list as a librarian?
On Fri, Oct 1, 2010 at 9:55 AM, Mike Tribby
mike.tri...@quality-books.comwrote:
I shouldn't be forced to opt out in order to control what flows into my
mailbox. The
This is interesting because the last time I tried to buy an ALA list which
was some years ago, they did NOT have list specific to media librarians.
On Fri, Oct 1, 2010 at 11:22 AM, Meghann Matwichuk mtw...@udel.edu wrote:
I think Mike is on to something -- I am an ALA member, as is the other
Hi Kim,
I guess I disagree with Gary. Short term access to resources for classes
is something we've provided for forever in Reserve Services here at the
University of Connecticut. Historically that was books but now we've
grown to journal articles, full text links to journals and ebooks,
personal
I am not sure if we are talking about the same kind of film, but fiction
feature films are nearly always licensed from large companies or sales
agents that represent them and you definitely may not license them to
anyone beyond the term of your contract without their agreement. I imagine
if you
Reserve books are inventoriable...they presumably get cataloged and become
part of the library's collection, no?
gary
Hi Kim,
I guess I disagree with Gary. Short term access to resources for classes
is something we've provided for forever in Reserve Services here at the
University of
Dear Colleagues,
Can anybody tell me where I can find a Best Practices for managing
video collections?
Thanks to everybody for answering my previous questions. The information
you've provided has been very helpful.
Benjamin Turner
Assistant Professor, Instructional Services
St.
There is no such thing.
At risk of shamelessly flacking my work, my Greenwood book has stuff in it
that still holds true: http://www.greenwood.com/catalog/GR1658.aspx
There are a handful of Guidelines out there
Kris Brancolini's Audiovisual policies in ARL libraries is looking a bit
shaggy
Thank you, Elizabeth for this clarity.
I had been told the same thing from Criterion, in Canada.
However, many of the distributors who have digital rights do not uphold
this belief.
They tell us that they cannot license beyond their agreement with the
rights' holder.
I've often brought up
