Thank you for reading these!
1) In terms of e-reserves (section 1), it's really important to read both
the limitations and the enhancements. They qualify that general assertion,
and make clear that you need a transformative purpose, which in the case of
e-reserves would be appropriate to the
Thanks, Pat (and thanks again for spearheading the development of these
guidelines)
I am a still a bit concerned about the e-reserves section--the limitations
and enhancements not withstanding.
If I am reading this section correctly, almost any full-length copyrighted
video work that is central
I dunno about that, Bob...I'm just trying to get some clarity in these
concepts and guidelines.
gary
Three cheers to Gary for sticking up for the content owners.
Bob
Film Ideas, Inc.
On Jan 30, 2012, at 2:55 PM, videolib-requ...@lists.berkeley.edu wrote:
When replying, please edit your
Thanks Gary but I think it is more than that. Face to Face really can
not be used at all as it is VERY specific that this applies ONLY to films
shown in physical location with an instructor present. Luckily it is one of
the few copyright exemptions that is very very clear.
It strikes me that
