Hurray Deg
I don't know who is the fool self distributer, but he is a fool.
I'm a self distributer for Erez Laufer films for some other directors in
which Erez was the editor.
Before pricing our fees, I made a market survey so as to be attractive. Yet
to get a small contribution to the costs of
Hi- All-
I am communicating a thank you from Laurel Leff, Associate Professor of
Journalism at Northeastern University, whom you have been assisting with film
recommendations on the Holocaust and America:
http://www.northeastern.edu/camd/journalism/people/laurel-leff/
I have started combing
HI Deg,
I, too, would walk away from this license. It's far too expensive and difficult
to enforce, and is too restrictive.
Best,
Jo Ann
Jo Ann Reynolds
Reserve Services Coordinator
University of Connecticut
Homer Babbidge Library
369 Fairfield Road, Unit 1005RR
Storrs, CT 06269-1005
Perhaps there's a double opportunity moment in this? One to educate faculty
about licensing and streaming? and one to reach out to vendors and
independents to talk about the realities of libraries and how fantastically
misplaced their hope is if they pin it all on academic sales to support
Well, I'm always happy when a competitors pricing makes Film Ideas pricing look
cheap. But putting price aside and just looking at the structure, there are
several items that stand out to me.
I don't see the benefit of limiting use to the classroom. Although there may be
minuscule demand for
I agree. It is too restrictive pricey for the use, oversight would be a
pain.
Steven
Steven Milewski
Assistant Professor
Social Work Digital Media Technologies Librarian
Learning, Research Engagement | University Libraries
University of Tennessee | Knoxville
865 974 2647
smile...@utk.edu
Additional pricing for online use is a killer for sales. One of the first
criteria we use in deciding which individual films to license streaming is
whether it will be used for a blended or online course. This is the wave
of the future for graduate education and many foundation courses.
The
Finding the distributor of a film can be time consuming.
I have a search pattern I follow depending on the type of film (feature,
documentary, foreign)
The search pattern include a Google search at some point but rarely do vendor
holdings come up in that search.
It would be a great service to us
Deb,
My colleague, who is the liaison to our Center for Holocaust Genocide
Studies, recommended the following 2 guides for title suggestions:
USC: http://libguides.usc.edu/content.php?pid=87981sid=661100
Keene: http://www.keene.edu/cchgs_video/videos.cfm?category_id=1
She personally
This workshop might be of interest to those of you managing moving image
(analog and digital) materials. It's being held as a pre-conference workshop
at the Association of Moving Image Archivists (AMIA) conference, but
attendees can register separately. I should note that this year, the
conference
This is really a search engine optimization question. I'm sure the producers
would like their titles to show up as well. My first thought was to have the
National Media Market maintain a database of its Exhibiting Partner's titles
but upon further reflection the list would be so incomplete
This is in regard to a question I asked to the AMIA member list. I thought
there are probably a few video librarians who are starting to get
interested in this stuff as well so I'm forwarding it. Nothing too in depth
but some useful info.
-- Forwarded message --
From: Chris Lewis
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