From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: Re: [VIHUELA] 5 course guitar - partial strums
To: Monica Hall mjlh...@tiscali.co.uk
Date: Friday, 1 June, 2012, 8:08
Dear Monica,
Just to test the envelope a little, a couple of observations arising
from
Yes indeed. In fact the relevant section in the Eds. Transatlantique
edition was written by Rafael Andia and on his recording of the
complete works of De Visee he does have the bourdon on the 4th course
on the thumb side. It doesn't seem to make a lot of difference to the
music.
I am curious if there is an answer to your question. Tangentally, I have a
theory that so many strummed chords didn't include the 5th course, that they
didn't even bother to put a dot there if it would make a dissonance, they just
assumed you wouldn't include it in the strum.
On May 31, 2012,
Durbrow edurb...@sea.plala.or.jp
Subject: [VIHUELA] Re: 5 course guitar - partial strums
To: vl vihuela@cs.dartmouth.edu
Date: Friday, 1 June, 2012, 12:30
I am curious if there is an answer to your question. Tangentally, I
have a theory that so many strummed chords didn't include
On Jun 1, 2012, at 9:35 PM, Martyn Hodgson wrote:
Your point about the 5th course is certainly well made, however, missing this
course is not so tricky as avoiding playing the first course when using a
downwards index strum. Indeed, I raised the matter since I'd heard quite a
few players
, Foscarini, Pesori are
referring
to the standard alfabeto chords.
Monica
- Original Message -
From: Ed Durbrow edurb...@sea.plala.or.jp
To: vl vihuela@cs.dartmouth.edu
Sent: Friday, June 01, 2012 12:30 PM
Subject: [VIHUELA] Re: 5 course guitar - partial strums
I am curious
guitar compositions by Losy.
Martyn
--- On Fri, 1/6/12, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: 5 course guitar - partial strums
To: Ed Durbrow edurb...@sea.plala.or.jp
Cc: Vihuelalist vihuela@cs.dartmouth.edu
: [VIHUELA] Re: 5 course guitar - partial strums
To be pedantic, the Ms with dots I mentioned (a Lobkowicz Ms - OLIM
Prague II Ms Kk77) is probably Austrian or Bohemian in origin. In fact
the title page of the first part has ' Pieces Composee Par le Comte
Logis' - though perhaps
