Very interesting - I wouldn't dare to let anyone else on the list hear me
playing.
Actually I agree with Robert - it sounds as if you are leaving out the
bordon on the 5th course most of the time, whether intentionally or by
accident. The one
place where the bordon on the 5th course is
Monica,
Amen! Ornamentation, strum patterns and rhythm . . . there's lots more to
explore in guitar repertoire besides stringing.
Dear List:
I would like to announce the November 3rd debut of my new early music group,
Chitarrina in a concert of 16th century French and Italian music
--- Nelson, Jocelyn [EMAIL PROTECTED] wrote:
Amen! Ornamentation, strum patterns and rhythm . . .
there's lots more to explore in guitar repertoire
besides stringing.
amen (II) ... sometimes, even with a pick!
jocelyn -
in bocca al lupo for the new york venue. a search
on google images
Dear Stuart, list
I agree with you, this pieces can be anything you want, and they can be
played in a dancy or in a more serious, instrumental way. The Vacas was
a baile, a rithmic thing, but Sebastian de Covarruvias defines it this way
Las Vacas es una cierta sonada entre músicos, y sobre ella
Dear Eloy,
Many apologies, but could you please translate that quotation for me?
I'm wondering why one can't play 'seriously' in a 'dancy' way. Seems an odd
dichotomy.
Rob
www.rmguitar.info
-Original Message-
From: Eloy Cruz [mailto:[EMAIL PROTECTED]
Sent: 16 October 2007 21:44
At 03:33 PM 10/13/2007, Monica Hall wrote:
(I don't know if any of our modern virtuosi have revived these passacalles
with bongo drums, samples, nyckelharpa etc)
Well they have certainly revived Santiago de Murcia's music with
everything
including the kitchen sink...but Guerau has escaped their
--- Stuart Walsh [EMAIL PROTECTED] wrote:
but I
can't imagine anyone
springing to their feet with this stuff.
perhaps but i can imagine a group of discerning
revellers of any age, at any time and at any level of
intoxification being utterly transfixed by the beauty
of so-called
