[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Martyn Hodgson
Dear Monica, As far as I can see, the evidence from extant instruments seems to be that slotted bridges were often employed in the 17th century, especially by French makers; Italian makers seemingly preferring a bridge with individual string holes (tho' there are exceptions).

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Chris Despopoulos
Well, my guitar has holes for the bridge. I can't comment on the historical accuracy of it. In my imagination, I always assumed the use of slots gave you the option to adjust the spacing between strings on a course. Maybe different players had different preferences. Or maybe you

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Monica Hall
Dear Martin That is very helpful and very interesting especially what you say about them improving the bass response. I don't know much about how guitars were constructed and it seems difficult to get detailed and accurate information about them and in particular to find out whether they

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Monica Hall
Dear Rocky Very interesting again. My slots are square shaped but taper i.e. bigger at the front than at the back. At the rose side the feet go straigtht down onto the table but at other side they end in the bar of the bridge. One disadvantage of the slots which I have found is that they

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Eugene C. Braig IV
Maybe a lot to ask, but it would be both valuable and interesting, and certainly is not impossible. As a fan of mandolin going back as far as there have been instruments to carry related names, one of my favorite references is: Morey, Stephen. 1993. Mandolins of the 18th century. Editrice

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Monica Hall
This is exactly the kind of survey you've requested here, but of instruments that were (or were most likely) named similarly to mandolin. It clocks a relatively brief 154 pages. Each chapter has a description of the basic characteristics of each type, and then simply catalogues known

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Eugene C. Braig IV
-Original Message- From: Monica Hall [mailto:mjlh...@tiscali.co.uk] Sent: Monday, November 28, 2011 10:32 AM To: Eugene C. Braig IV Cc: Vihuelalist Subject: Re: [VIHUELA] Re: Guitar bridges Exactly - now who will volunteer to write it. I would love to... if it weren't for that

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Monica Hall
- Original Message - From: Eugene C. Braig IV brai...@osu.edu To: 'Monica Hall' mjlh...@tiscali.co.uk Cc: 'Vihuelalist' vihuela@cs.dartmouth.edu Sent: Monday, November 28, 2011 3:32 PM Subject: [VIHUELA] Re: Guitar bridges -Original Message- From: Monica Hall

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Eugene C. Braig IV
Sounds like a plan. ...If I can convince you to coauthor! Eugene -Original Message- From: Monica Hall [mailto:mjlh...@tiscali.co.uk] Sent: Monday, November 28, 2011 11:06 AM To: Eugene C. Braig IV Cc: Vihuelalist Subject: Re: [VIHUELA] Re: Guitar bridges - Original

[VIHUELA] Re: Guitar bridges

2011-11-28 Thread Lex Eisenhardt
One explanation has been that slotted bridges allow more adjustment of string height at the bridge but, in my experience, there is no very significant difference whether tied from the top or bottom of the slot since static forces will always tend to pull the point where the string