On Tue, 20 Dec 2011 06:17:42 -0800 (PST), Chris Despopoulos wrote
I just found this -- a thesis by Natasha Frances Miles submitted
to the University of Birmingham. Time permitting, I intend to
give it a read. I can't imagine the guitar didn't enjoy certain burlesque
qualities from
On Sun, 18 Dec 2011 14:56:46 -, Monica Hall wrote
What other instrument do you suppose that he had in mind then? The
only instrument with a large enough compass to be able to reproduce
the bass line below the voice part in every set of circumstances
would be a keyboard instrument and
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banging and
thrashing about as fashionable amongst some modern continuo groupings..
regards
Martyn
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On Sun, 11 Dec 2011 17:03:13 +0200, wikla wrote
Well, Oliver Strunk writes chitarrino. As far as I know,
chitarrino, 4 course renaissance guitar, was not at all unknown in
Italy in times of Agazzari...
Hmm, as if there where a fixed terminology at that time ... Thank's to
those silly
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On Wed, 11 May 2011 15:43:48 +0100, Monica Hall wrote
Well - if any one else wants to see my musical example I put it on
my www.earlyguitar.ning.com page with the scores - the first in the
list.
Comments and corrections to the harmony welcome.
Hello,
where do these figurs come from -
version.
The second one is so far of any compositional conventions of the 17 century
(harmonic speed, thesis/arsis placement of harmonic changes etc.) that I
won't comment on it.
Cheers, RalfD
Monica
- Original Message -
From: R. Mattes r...@mh-freiburg.de
To: Monica Hall mjlh
for
the practice.
I might sound grumpy but this seems to become a unhealthy habbit recently.
Cheers, Ralf Mattes
MH
--- On Mon, 9/5/11, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: [VIHUELA] Re: Guitar continuo example
To: Rockford Mjos rm
On Tue, 10 May 2011 14:37:10 +0100 (BST), Martyn Hodgson wrote
If you're interested in the bacground and legal arguments, there are
summaries of the case, known as Sawkins v Hyperion Records Ltd 2005,
on various sites such as
www.4-5graysinnsquare.co.uk/news/index.cfm?id=1391
Thanks
On Mon, 9 May 2011 12:56:20 -0500, Rockford Mjos wrote
Kremberg and others assume a guitar tuned in D so, of course, a
transposing part would mean thinking E-tuned guitar shapes on a D
instrument (for example).
And the spinetta is also a transposing instrument?
Might well be parts written
the
size of my message box. And it's anoying that, when searching for a
post, a lot of not so relevant mails show up, only because old quotes
still linger at the deep bottom of these messages.
Cheers, Ralf Mattes
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R. Mattes -
Hochschule fuer Musik Freiburg
r...@inm.mh-freiburg.de
To get
On Fri, 15 Apr 2011 10:12:08 +0100 (BST), Martyn Hodgson wrote
Dear Michael,
With due respect to all concerned in your project, may I say
that it's a mistake not to include the figures in the edition.
If I understand Michael's post, he isn't removing the figures, he just
doesn't
/~wbc/lute-admin/index.html
Cheers, RalfD
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R. Mattes -
Hochschule fuer Musik Freiburg
r...@inm.mh-freiburg.de
=1001000#c
polyphpny - direct hyponym- counterpoint
Cheers, Ralf Mattes
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Musik Freiburg r...@inm.mh-freiburg.de
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, but it doesn't have to.
Yes, but wouldn't that mean that Lex used the appropriate term? ;-)
Cheers, Ralf Mattes
Best wishes,
Stewart.
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On Wed, 9 Feb 2011 17:06:37 -0500, Nelson, Jocelyn wrote
Dear Roman, Stewart, Ralf, and List,
Dear Jocelyn,
After slaving away at teaching music history students and working
in tandem with my theory/composition colleagues for around a
decade, I'd like to say that all the texts and
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