[VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhardt

2010-08-31 Thread Peter Kooiman
Hello Monica, Your quoting of Sanz reminds me, just after the argument about the unequal thickness of the strings Sanz goes on to say that "..que con bordones, si haces la letra o punto E...sale la quinta vacante en quarta baxo", in the translation from your stringing article: "Furthermo

[VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhardt

2010-08-31 Thread Peter Kooiman
e chord will >sound a fourth below. With a bourdon punto E would be A d a d' f', with A still a fifth above the base line instrument surely? Peter - Original Message ----- From: "Peter Kooiman" To: "Monica Hall" Cc: Sent: Tuesday, August 31, 2010

[VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhardt

2010-08-31 Thread Peter Kooiman
Yup, just realized was being thicker than usual, please disregard! - Original Message - From: "Peter Kooiman" To: "Monica Hall" Cc: "Vihuelalist" Sent: Tuesday, 31 August, 2010 5:24:09 PM Subject: [VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhar

[VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhardt

2010-08-31 Thread Peter Kooiman
- Original Message - >> From: "Peter Kooiman" >> To: "Monica Hall" >> Cc: >> Sent: Tuesday, August 31, 2010 2:47 PM >> Subject: Re: [VIHUELA] Re: Bartolotti Videos performed by Lex Eisenhardt >> >> >>> Hello Monica, >>>

[VIHUELA] Re: Euonimo and Aristonus

2010-08-31 Thread Peter Kooiman
It's from Strabo's Geographika, Strabo in turn attributes the story to Timaeos. I only have a German translation, a websearch for "Eunomos" will probably yield what you are looking for. Regards Peter - Original Message - From: "Monica Hall" To: "Vihuelalist" Sent: Tuesday, 31 August,

[VIHUELA] Re: Euonimo and Aristonus

2010-08-31 Thread Peter Kooiman
ength. Peter - Original Message - From: "Peter Kooiman" To: "Monica Hall" Cc: "Vihuelalist" Sent: Tuesday, 31 August, 2010 11:43:07 PM Subject: [VIHUELA] Re: Euonimo and Aristonus It's from Strabo's Geographika, Strabo in turn attributes the story to

[VIHUELA] Re: stringing and performance

2010-09-01 Thread Peter Kooiman
Hello Lex, >With regard to what Sanz says about strumming the D minor chord and the >resulting 4/6 position (the A in the bass): a considerable portion of his >text is about how to play basso continuo on the guitar, and in accordance >with his advice to use bourdons for that his tablature examp

[VIHUELA] Re: stringing and performance

2010-09-01 Thread Peter Kooiman
>With regard to what Sanz says about strumming the D minor chord and the >resulting 4/6 position (the A in the bass): a considerable portion of his >text is about how to play basso continuo on the guitar, and in accordance >with his advice to use bourdons for that his tablature examples show o

[VIHUELA] Re: stringing and performance

2010-09-01 Thread Peter Kooiman
d also for the strummed versions without mentioning that very important difference. - Original Message ----- From: "Peter Kooiman" To: "Lex Eisenhardt" Cc: "Vihuelalist" Sent: Wednesday, 1 September, 2010 11:58:25 AM Subject: [VIHUELA] Re: stringing and perfo

[VIHUELA] Re: stringing and performance

2010-09-01 Thread Peter Kooiman
ssage - From: "Lex Eisenhardt" To: "Peter Kooiman" Cc: "Vihuelalist" Sent: Wednesday, 1 September, 2010 12:16:59 PM Subject: Re: [VIHUELA] stringing and performance Thank you for your kind words, Peter. Yes, you are right of course. The very first example give

[VIHUELA] Re: Baroque guitar, where to start?

2011-02-03 Thread Peter Kooiman
Hello Franz, > but some quite odd with melodylines suddenly jumping an octave up or down. So > I suspected that these were not written for re-entrant tuning, or only the upper string > being re-entrant, but to take it like this seems also not convincing either. I find that m

[VIHUELA] Re: Where to end?

2011-02-04 Thread Peter Kooiman
>Yet again - re-entrant tunings have nothing to do with campanelas. What >Sanz says is >This is the reason - when making trills, slurs and other ornaments with the >left hand, the bourdon interferes with them because it is a thick string >and the other is thin, and therefor

[VIHUELA] Re: Ambiguity

2011-02-06 Thread Peter Kooiman
> Not surprisingly, Sanz indicates trills or mordents for the two > lower courses in the first two books: Also, in his "Regla quarta del trino" Sanz offers this advice: "I want to give a famous rule so that you know where a trill sounds good, and you can always do it even though it

[VIHUELA] Re: Sanz

2012-08-06 Thread Peter Kooiman
You are after the "Editorial Alpuerto" edition, facsimile + transcription by De Zayas. ISBN 8438100937 apparently. I do not have it myself, publisher's website is unhelpful. -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Monica Hall Sen

[VIHUELA] Re: German translations

2018-04-23 Thread Peter Kooiman
> on account (honor) of the instruction in guitar playing given I wonder if that is correct though. Would " umbwillen er vor beeden Khönigli Persohnen auf der Kittara gespielt" not be "while he played for (both?) royals on the guitar"? Regards Peter -Original Message- From: lute-...@c

[VIHUELA] Re: Mersenne reference

2020-02-05 Thread Peter Kooiman
Livre Second, Theoreme II, page 322 Free copy an Google Books (hit the red "Read ebook" link on the left) https://books.google.com/books?id=fVsiWYQUGpcC -Original Message- From: lute-...@new-old-mail.cs.dartmouth.edu On Behalf Of Monica Hall Sent: Wednesday 5 February 2020 11:01 To: V