we know hut
here’s surely much to discuss here so things sun get ugly we stud round milking the moment thinking of our special nurture taut fun tire you weir you right down you’ll find yourself eventfully culling home or wit's left of it when you do the surprise shut lawsuit will seem tepid like lust week still we got together on this island wearing workbooks fund opening odd suns sometimes we find hut we need buns soup beer sometimes just you nun of worms the ides of you coon of worms comes fund goes eventually I will wrestle with it surely the others will us well that’s our moon exercise after ullage looking across the one street on this island we develop our respective world views oddly we all think the sum thing this is our prism this place the sun house token its time and we hover token in ours
Re: codon 13 / animated gif
Indeed, it's mind-boggling, wonderful. Alan, yr Real Dismemberment is mighty cool as well - Onvoid, John At 01:54 AM 9/20/2005, you wrote: more than cool, fantastic! To you know Berman's work? - Alan On Mon, 19 Sep 2005, Talan Memmott wrote: cool! On Mon, 19 Sep 2005 22:33:27 -0700 lanny quarles [EMAIL PROTECTED] wrote: codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 ) __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Drew noose, Was thumb
Drew noose drew my smoke and dednalg whistle in the hallway crusted mud pill selttob jutting up like smalc shake the leafless tree slwarc the sky bust and month chow harm ,fog grit ,lluf remmah buried ,niard yr focus of the buried fridge and foot yr sock tick plowing through the tpels sludge ice and sign clunking ,drowsing ,flying ,damming ,porking ,sotting in eht tnemesab ,lung swifter sodden than ,clause or shaking on the fleeting noose Was thumb was sport gnicnalg at the lungs trayed along the street the couches ygnops flood and mold a birdy sky reels away joke and landing the tub shade sbmilc the window drips corn and turds cluster near the drain a rotting cat your damp smile barely breathes gnihtemos gleaming in the door you and flopping mighty quick laundry puzzled hats redluoms like a soup or basement your face skin chained your mile lather focused on the inchy swelling in yr thumb John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Fwd: no text
Date: Sun, 18 Sep 2005 15:58:29 -0700 From: Paul Lambert [EMAIL PROTECTED] Subject: no text To: John M Bennett [EMAIL PROTECTED] X-Mailer: Apple Mail (2.622) X-Spam-Score: 0.50 () [Tag at 5.00] FROM_ENDS_IN_NUMS X-CanItPRO-Stream: bennett.23 redirected to 11_tagonly_no_subject X-Scanned-By: CanIt (www . roaringpenguin . com) on 128.146.216.83 Original-recipient: rfc822;[EMAIL PROTECTED] No Text Mr. Speaker, I parked my car and ran went towards the lecture hall at the University where the event where he was to speak was to be held. I floowed with the people doe-sey-doeing 100 miles an hour dance water to the event I assume you are going there too? I cant remember what the person at the podium spoke of about but know that I never was able to find my way back to the car. My car that is. Homelessness and poverty is forever with us before blank Johns EMP, but we don't yet know yet blank first few years blank governments null talent transportation, finance, food, dance blank FCNL atomic age is here my Dear Portia be forewarned decay vomit turn vomit turn vomit achieve empty headmaster null void the Dean empty field hearing death least empty headmaster null void the Dean National Liberation (FCNL) crap made five thousand unsuccessful attempts vomit crap be known as blank planning null France Ah France. In blank GSEs management null increasing importance. Ha Ha Ha blood crap in several prisoner null counter party risk hurt test mud. They mud not blank SPEAKER pro tempore (Mr. Mack). Under blank Provisional Government crap wounded twice in several prisoner of war camps he died of diarrhea null counter party risk decay not enclosed in Paris. blood said hurt crap concerned about what doe-sey-doeing are inviting attack there. They outbid somebody vomit recognize de Gaulle fought death least empty weak underbelly, doe-sey-doeing Franklin D. Roosevelt dance this decay bent, then blank French Committee null Operation Overlord. corroborated by blank effects death Verdun where blood graduated 13th July, 1944, blank ante by July, 1943, mud difficulty working with de Gaulle decay page here, dance rig rates have brought our adversaries know blank first few years blank two men demanding empty field hearing death blank casing decay an exploration setback null blank Saudis don't have Charles de Gaulle could help administer blank attack. I perfer the mocha make mine a mocha a decaf mocha not too sweet please add some more hot water then It's too sweet. I was walking through the doors into another building and there were these dome shaped rubberized textured step sort of things I kept slipping off of down on my butt. The others seemed to by in large be able to acsend these things. I went back down some regular steps and out a side door. His concern crap empty Jesuit school, blood crap wounded again dance water. before blank conflict. Promoted vomit blank class null captain in Lille, France, on 2nd March, 1916 crap empty headmaster null empty Jesuit school, blood crap educated in empty good student dance rig rates have empty statement hurt blank two men demanding empty field hearing death blank day. blank EIA ups blank FCNL atomic age is here my Dear Portia be empty counter party risk decay vomit one page here, dance it really atomic age is here. My Dear Portia guarantee doe-sey-doeing are inviting attack there. They outbid somebody vomit command null Operation Overlord. corroborated by blank Speaker's announced on 2nd March, 1916 crap hurt crap wounded again dance blank French Republic. Roosevelt dance military writings described EMP effects hurt de Gaulle's action dance decided vomit turn vomit blank well atomic age is here my Dear Portia be known as co-presidents. De Gaulle mud difficulty working with his co-president dance this When doe-sey-doeing 100 percent null counter party null blank French Committee null blank class null blank governments null counter party risk hurt de Gaulle crap hurt crap made by Dr. John De Gaulle fought death blank United States, dance rig rates have Charles de Gaulle fought death least empty month, but I mud not anticipated blank liberated portions null National Liberation (FCNL) crap hurt if I atomic age is here my Dear Portia now be known as blank armed forces. Harrison Scott Brown crap concerned about hurt crap captured by blank Speaker's announced (what decay famously quoted for nicknaming blank liberated portions null blank United States, dance blank magnitude null empty weak underbelly, doe-sey-doeing are inviting attack there. They outbid somebody vomit Algeria. blank SPEAKER pro tempore (Mr. Mack). Under blank Johns EMP, but we don't have empty counter party null blank GSEs management null blank attack. His concern crap recognized by Dr. John De Gaulle moved vomit turn vomit exclude him from Britain dance Norway. On 30th May 1943, de Gaulle crap held in February, 1915, de Gaulle fought death blank conflict. Promoted vomit recognize de Gaulle's Provisional Government crap born in
this
this
14 by David-Baptiste Chirot
Wryting, The minimalist concrete poetry site at: http://www.logolalia.com/minimalistconcretepoetry/ has been updated with 14 new pieces by David-Baptiste Chirot. If you spend one hour of your walking around outside life thinking what could I make that's like these you will never look at the world around you the same again. You will see that poetry surrounds us all, and you'll thank David-Baptiste Chirot for the epiphany. Enjoy, Dan
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Re: Image Poem - better URL
NSM: [Tue Sep 20 15:22:07 PDT 2005]
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Re: codon 13 / animated gif
Excellent! -Peter ARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -Original Message- From: lanny quarles [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Mon, 19 Sep 2005 22:33:27 -0700 Subject: codon 13 / animated gif codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif
Re: codon 13 / animated gif
I think youmentioned him to me before.. Wallace Berman right? and Tosh is his son and the publisher of Tam-Tam books. I have seen a few interesting pieces on the web. anyway thanks all for the kind words. lq - Original Message - From: Alan Sondheim [EMAIL PROTECTED] To: WRYTING-L@listserv.utoronto.ca Sent: Monday, September 19, 2005 10:54 PM Subject: Re: codon 13 / animated gif more than cool, fantastic! To you know Berman's work? - Alan On Mon, 19 Sep 2005, Talan Memmott wrote: cool! On Mon, 19 Sep 2005 22:33:27 -0700 lanny quarles [EMAIL PROTECTED] wrote: codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 )
Welfano News: President Hugo Chavez Visits Bronx
http://victoria.indymedia.org/news/2005/09/43711.php Hip Hop: Welfano News: President Hugo Chavez Visits Bronx In contrast to the official U.S government treatment of the Pres. Chavez, in the Bronx, at the Point CDC, hundreds of people came to meet and greet the popular Latin America president with music, love and admiration. The Welfare Poets, who only a month ago traveled to and performed in Venezuela at the International Youth and Student Festival, played a funky African 6/8 rhythm as he entered the Live From the Edge Theatre and greeted local politicians and supporters who were present. Welfano News N.Y.C. September 17, 2005 Welfanos sing: Ooo ahh! Chavez no se va! President Hugo Chavez of the Bolivarian Republic of Venezuela was welcomed to the Bronx yesterday by the cheers of Ooo ahh, Chavez no se va, Ooo ahh, Chavez no se va. Pres. Chavez was in NYC for the Security Council meeting at the United Nations where he blasted the council's initial document as well as the council's undemocratic nature, citing the outdated veto ability of five nation members of the Security Council. Who has the obligation to protect other [nations]? The United States, to protect Iraq, invades Iraq. The United States, to protect Venezuela, launches a coup in Venezuela, Pres. Chavez responded when asked about the integrity of the United Nations. In contrast to the official U.S government treatment of the Pres. Chavez, in the Bronx, at the Point CDC, hundreds of people came to meet and greet the popular Latin America president with music, love and admiration. The Welfare Poets, who only a month ago traveled to and performed in Venezuela at the International Youth and Student Festival, played a funky African 6/8 rhythm as he entered the Live From the Edge Theatre and greeted local politicians and supporters who were present. The packed theatre became silent when Pres. Chavez made his way to the Welfare Poets to meet the members of the crew. Welfare Poets elder, Angel Rodriguez, presented Pres. Chavez with the latest album, Rhymes for Treason. Pres. Chavez asked for a translation of the album title to which Hector responded rimas (lirica) para la traicion al imperialismo. Pres. Chavez went on to say that capitalism was the science of destruction, before stopping and talking to each member of the group. When asked by Pres. Chavez to perform another song, the Welfare Poets performed Se Acabo, a song about the struggle for demilitarization and decontamination in Vieques, Puerto Rico. Pres. Chavez commented that one of the first things he did when he was democratically elected was to end Venezuela's participation in bombing maneuvers in Vieques, sponsored by the United States Navy, where the navy rented the bombing range to other nations. As he bopped and sang Se Acabo with the Welfare Poets and the gathered crowd, the Welfare Poets went from bomba to hip hop representing lyrics of liberation with rooted rhythms of Puerto Rico, Africa and the Americas. Pres. Chavez left the theatre in parade fashion with the Welfare Poets leading the crowd in a chant of Ooo ahh, Chavez no se va, Oo ahh, Chavez no se va. In the Point's atrium, Palo Monte and Bronx community groups greeted President Chavez, where he pledged to assist river restoration projects and played guira to Dominican-Haitian music. Spirits where high for the Welfare Poets, who less than a month ago performed in one of Venezuela's hoods during the International Youth and Students Festival and where honored for this chance opportunity to meet and perform for Pres. Chavez. Pres. Chavez left them saying The mere fact that you are producing these rhymes in the belly of the beast is testament to your strength. They will remember the encounter as it inspires them to continue playing their role educating, organizing, and performing for the welfare of people under a system where we don't fare too well. Bidding Farewell to downpression! Welfanos of the World Unite! Support the Bolivarian Revolution! Condemn Robertson and the US' Government Terrorism against Venezuela and around the world! Build a new world of peace and justice! Quotes of Chavez from http://www.vtv.gov.ve and Welfano News http://www.welfarepoets.com educating, organizing, peforming blog http://blog.myspace.com/welfarepoets Calendar: Celebrate Grito de Lares and Puerto Rican Resistance with these two events 1) Despierta Boricua: September 23rd, 2005 645am, HecOne of the Welfare Poets live on air! Tune in every week to Despierta Boricua, whether you receive a reminder or not, 6:45am WBAI 99.5fm or via web stream, for those of you outside of NYC, http://www.wbai.org 2)Grito de Lares, Month of Puerto Rican Resistance from Grito de Lares to Nationalists Uprising When: September 23rd, 2005 7pm Where: Maestro Cultural Center 700 Elton Ave., Bronx, NY #2, 5 to 149th Street and Third ave, walk to 154th street and make a left onto Elton Ave Invited Speakers: Antonio Camacho Negron, former
Re: codon 13 / animated gif
There's a book out of WB's work - I had it a few years ago. Tosh was on wryting at one point - might still be. But the work has a kind of resonance not least of which the faces and hebrew - Alan On Tue, 20 Sep 2005, lanny quarles wrote: I think youmentioned him to me before.. Wallace Berman right? and Tosh is his son and the publisher of Tam-Tam books. I have seen a few interesting pieces on the web. anyway thanks all for the kind words. lq - Original Message - From: Alan Sondheim [EMAIL PROTECTED] To: WRYTING-L@listserv.utoronto.ca Sent: Monday, September 19, 2005 10:54 PM Subject: Re: codon 13 / animated gif more than cool, fantastic! To you know Berman's work? - Alan On Mon, 19 Sep 2005, Talan Memmott wrote: cool! On Mon, 19 Sep 2005 22:33:27 -0700 lanny quarles [EMAIL PROTECTED] wrote: codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 ) ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 )
Save America's Everglades SEND ACTION~a27829u30516 (fwd)
-- Forwarded message -- Date: Tue, 20 Sep 2005 10:44:13 -0400 (EDT) From: WWF Conservation Action Network [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Save America's Everglades SEND ACTION~a27829u30516 Action deadline: September 30, 2005 Dear Alan, Help save America's Everglades by urging Congress to authorize key parts of a massive, ongoing Everglades restoration effort. Each of the 68 project components of the Everglades restoration must be authorized by Congress through the Water Resources Development Act (WRDA). To help the imperiled Everglades this year, the WRDA must be put on the Senate's agenda so that two key projects can be approved. (The House has already passed its version of the bill.) Once a healthy eight-million acre river of grass, the Everglades has been reduced to half of its original size by agriculture, urban sprawl, and unwise water management. The remaining globally-unique wetlands of the Everglades are home to rare panthers, wading birds, and vast expanses of sawgrass. To reverse the damage done by the extensive re-plumbing of the Everglades, the federal government and state of Florida are undertaking a $7.8 billion dollar restoration effort, the most ambitious environmental restoration project ever attempted. TAKE ACTION: Learn more and urge your senators to quickly approve the Everglades restoration projects. * QUICK OPTION: Send the message below, as is, by simply replying to this email. (This option works only if you received this email directly from the Conservation Action Network.) * POWERFUL OPTION: Personalize your letter. Go to http://takeaction.worldwildlife.org/ctt.asp?u=30516l=105636 and follow the instructions for adding your own thoughts to your message. Decision makers pay much more attention to personalized messages. If you have any questions or problems with taking action, contact us at [EMAIL PROTECTED] for help. The restoration of the Everglades has made huge strides in the past few years. With your support, we can see it to completion and bring this amazing place back to full health. Thank you for your help. Sincerely, Debbie Harrison Director, South Florida Program (http://takeaction.worldwildlife.org/ctt.asp?u=30516l=105637) World Wildlife Fund [EMAIL PROTECTED] [Debbie Harrison has led efforts to restore south Florida's wilderness for more than 20 years.] LEARN MORE: The WRDA currently pending in Congress would authorize two critically important Everglades restoration projects: the Indian River Lagoon at the northern tip of the Everglades ecosystem and the Picayune Strand Restoration in the southwest section of the ecosystem. These two projects are essential to getting the water right and restoring this remarkable natural system. The Indian River Lagoon project will restore natural sheet flow to the Everglades ecosystem by redirecting water to the Everglades instead of out to the ocean, providing reservoirs for storage of water in the wet season and release in the dry season, building stormwater treatment facilities to improve the water quality of the water flowing through the Everglades ecosystem, and removing millions of cubic yards of muck from the St. Lucie Estuary. The project will restore 90,000 acres of wetlands, significantly enhancing the health of the system. The Picayune Strand restoration will reestablish the natural sheet flow to the Ten Thousand Islands, restore 72,000 acres of habitat, and restore ecological connectivity of the Florida Panthers National Wildlife Refuge, the Belle Meade State Conservation and Recreation Lands Project Area, and the Fakahatchee Strand State Preserve. Learn more about restoration of the Everglades at http://takeaction.worldwildlife.org/ctt.asp?u=30516l=105670 World Wildlife Fund's scientists have identified the Florida Keys and Everglades as part of the Earth's 200 most valuable ecoregions -- places where the planet's biological wealth is most distinctive and rich, and where we must fight hardest for its conservation. You can explore the wonders of wild South Florida, read about the threats that face this irreplaceable region, and learn about the hard work WWF and its partners are doing to ensure that the Florida Keys and Everglades are restored and protected for current and future generations at http://takeaction.worldwildlife.org/ctt.asp?u=30516l=105637. DO MORE: -- Forward this alert to your friends and colleagues. -- Call your senators -- via the capitol switchboard at (202) 224-3121-- and make the main points from the letter below. ***LETTER TEXT** Dear (your senators' names will be inserted here): As your constituent and as a taxpayer deeply concerned about the health of our environment and the need to leave our children a living planet, I urge you to help restore America's Everglades, one of our most valuable natural resources, by advocating
Re: we know hut
don't know how to edit yourself, and I'll say that without being pretensious--but straight to the point. It's the littler, littler, wrote littler till just before finally disappear! Xiao Yao --- Allen Bramhall [EMAIL PROTECTED] wrote: heres surely much to discuss here so things sun get ugly we stud round milking the moment thinking of our special nurture taut fun tire you weir you right down youll find yourself eventfully culling home or wit's left of it when you do the surprise shut lawsuit will seem tepid like lust week still we got together on this island wearing workbooks fund opening odd suns sometimes we find hut we need buns soup beer sometimes just you nun of worms the ides of you coon of worms comes fund goes eventually I will wrestle with it surely the others will us well thats our moon exercise after ullage looking across the one street on this island we develop our respective world views oddly we all think the sum thing this is our prism this place the sun house token its time and we hover token in ours __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: this
his t ory
Spilt light
Spilt light Dong butter gnurl noose, plowed glaucous legs smoke, shattered spat shadow whistle, cream bleating hog crusted, the face inside the wrinkled shrub is empty diaper, light mud. Dander blood on the doorknob, rat sable nope gushed, floppy plunger outside in the fridge, throat grease snort, strokes the wet eyes of the heaving bile tube simp sump. Punge black back, funnel flop, knocked up map. Shattered ham map drool, fungus slather crushed my clangor clouds, peeling away growling -- blade sock crawl suck slunk -- munching isolabic on the beached cow, kinda lung slung where I unbob in the foam. My plunging clods of light are glaucous around the spandex flack of tulip blood clonking; I dread the unglaucous sores on the loaf of porn broth, clamor of my dead rat flab. The flaming sky's panting curves are shat carnage across the bundled heads of muscles blinking, putrid bandolier in the sock's breast shadow, sot, my blood blot tooting clots. Sprayed on wrinkled enamel, my guts ate the spilt light plunged in spandex, pistol panting curves across the head-shat streaks of unpuckered sleep, my blindless tooth. You wet loon torn glancing, stroked wet funnel, flopped lungs, glaucous sky's flaming flack rinsing away the peeled tulips, my spongy mouth bile meat slapped around like mold wind clanging against the upchucking flagpole. Couch moult, night sky enters my flameout, stroked spills flecked across the butt tub razing the carnage of muscled grasses, guttered ping shine drippings in the gravy. Bonker turds, my throat flops inside the cornea of the eaten hyacinth, stroked eyes of the masticated head drain clusters, my swiped hole: rotting hint. Sorta damp, oily breast milk, clods of clouds, barely putrid stockings hung by the snorting heads gleaming. Basement shadow nap, potboiler, bandolier moult shat the pencil stub panting in the lather of the dusty glaucous streaks beneath the light-curved stubble of anorexic sleep, swollen sky's muscle peeled away: unwet gnawed head jutting, wet pill in the putrid shrub, clangor carnage wrinkling pants, peeled muscle blood of grass, fuckless dander sludge in the leafless shade. Popped plunge polyp plops a round of grit, enters my throat, hammer ticking spandex flops, unfocused breast fart lapels, unlike drowsing socks, lighter fluid stench inside the snorkling eye of porking, stroked head-eaten petals beneath the sodden shingled light, noose of light, moulting pills spilling across my three breast, heliotrope-slick beasts of the paps, funnel clunking the pencil snot muscle eraser, flipping back on the glaucous fiery tips in the straight darkness of kink clustered round the dinky face off in the cracked eye dropper. --Bob BrueckL (all words from John M. Bennett poems)
Re: we know hut
Alex Jorgensen wrote: don't know how to edit yourself, and I'll say that without being pretensious--but straight to the point. It's the littler, littler, wrote littler till just before finally disappear! Xiao Yao I post a lot with the enthusiasm of having done something. this sort of piece benefits from time. so I agree with you. I'll look at it again when it is new to me again. I appreciate yours words. I'm a lower case experimentalist, just trying to get some exercise. Allen
[CC] Net Art Review - Announcements (fwd)
-- Forwarded message -- Date: Wed, 21 Sep 2005 04:56:47 +1000 From: [EMAIL PROTECTED] Reply-To: Cyberculture cyberculture@zacha.org To: cyberculture@zacha.org Subject: [CC] Net Art Review - Announcements --for immediate release-- Net Art Review stops its activities in the month of September 2005. http://netartreview.net The new website http://newmediafix.net will be expanding on the philosophy that led to the creation of NAR. The new site will allow for a more diverse approach to the many areas of emerging technologies and new media culture. NAR readers are invited to visit it just as often as they did Net Art Review. As founder, I want to thank everyone who collaborated regularly on NAR. I also thank people who sent an occasional text from time to time, and, of course, I thank our readers. I want to especially thank the three contributing editors, Ana Boa-Ventura, Molly Hankwitz, and Lora McPhail who kept NAR going strong during the last six months. I also thank our regular contributors for producing great material consistently. Their texts are now part of an archive that is available to online communities. NAR was founded on February of 2003 and it passes the baton to newmediafix.net on September 2005. This is an exciting time because the new website offers fresh possibilities for collaboration and online publishing. This will be a new journey. So, please make sure to visit the new website: http://newmediafix.net And as a final thanks to Net Art Review's former contributors and collaborators, I leave you with their names below; they deserve all the acknowledgment in the world. To see the way newmediafix will be working, please visit: http://newmediafix.net/about.php The very best to all our readers, Eduardo Navas -- Net Art Review contributors: Ana Boa-Ventura --Contributing Editor (Austin, TX, US) Molly Hankwitz -- Contributing Editor (Brisbane, AU/San Francisco, US) Lora McPhail -- Contributing Editor (Los Angeles, CA, US) Eduardo Navas -- Contributing Editor (Los Angeles/San Diego, CA, US) Contributing Writers : Daniele Balit (Rome, IT/Paris, FR) Linda Carroli (Brisbane, AU) Nicholas Economos (Alfred, NY, US) Mark R. Hancock (Coventry, U.K.) Peter Luining (Amsterdam, NL) Francesca De Nicolo (Rome, IT) Ignacio Nieto (Santiago, CL) Kristen Palana (New Jersey, US) Isabel Saij (Cologne, GE/Paris, FR) Ludmil Trenkov (Pasadena, CA, US) Ana Valdes (Sweden) Former Contributing Writers: Garrett Lynch -- Contributing Writer (Kent, UK) Lewis LaCook Neil Jenkins Collaborators: Furtherfield.org (London, UK) Evelyne Rogue - artcogitans.com (Paris, FR) a minima:: (Madrid, ESP ___ Newmediafix mailing list [EMAIL PROTECTED] http://newmediafix.net/mailman/listinfo/newmediafix_newmediaf ix.net This email was sent from Netspace Webmail: http://www.netspace.net.au -- Cyberculture@zacha.org http://www.zacha.org/mailman/listinfo/cyberculture
Orbiter's Long Life Helps Scientists Track Changes on Mars
Guy Webster (818) 354-6278 Jet Propulsion Laboratory, Pasadena, Calif. Dolores Beasley (202) 358-1753 NASA Headquarters, Washington News Release: 2005-152 September 20, 2005 Orbiter's Long Life Helps Scientists Track Changes on Mars New gullies that did not exist in mid-2002 have appeared on a Martian sand dune. That's just one of the surprising discoveries that have resulted from the extended life of NASA's Mars Global Surveyor, which this month began its ninth year in orbit around Mars. Boulders tumbling down a Martian slope left tracks that weren't there two years ago. New impact craters formed since the 1970s suggest changes to age-estimating models. And for three Mars summers in a row, deposits of frozen carbon dioxide near Mars' south pole have shrunk from the previous year's size, suggesting a climate change in progress. "Our prime mission ended in early 2001, but many of the most important findings have come since then, and even bigger ones might lie ahead," said Tom Thorpe, project manager for Mars Global Surveyor at NASA's Jet Propulsion Laboratory, Pasadena, Calif. The orbiter is healthy and may be able to continue studying Mars for five to 10 more years, he said. Mars years are nearly twice as long as Earth years. The orbiter's longevity has enabled monitoring of year-to-year patterns on Mars, such as seasonal dust storms and changes in the polar caps. "Mars is an active planet, and over a range of timescales changes occur, even in the surface," said Dr. Michael Malin of Malin Space Science Systems, San Diego, principal investigator for the Mars Orbiter Camera on Mars Global Surveyor. "To see new gullies and other changes in Mars surface features on a time span of a few years presents us with a more active, dynamic planet than many suspected before Mars Global Surveyor got there," said Michael Meyer, Mars Exploration Program chief scientist, NASA Headquarters, Washington. Two gullies appear in an April 2005 image of a sand-dune slope where they did not exist in July 2002. The Mars Orbiter Camera team has found many sites on Mars with fresh-looking gullies, and checked back at more than 100 gullied sites for possible changes between imaging dates, but this is the first such find. Some gullies, on slopes of large sand dunes, might have formed when frozen carbon dioxide, trapped by windblown sand during winter, vaporized rapidly in spring, releasing gas that made the sand flow as a gully-carving fluid. At another site, more than a dozen boulders left tracks when they rolled down a hill sometime between the taking of images in November 2003 and December 2004. It is possible that they were set in motion by strong wind or by a "marsquake," Malin said. Some changes are slower than expected. Studies suggest new impact craters might appear at only about one-fifth the pace assumed previously, Malin said. That pace is important because crater counts are used to estimate the ages of Mars surfaces. The camera has recorded seasonal patterns of clouds and dust within the atmosphere over the entire planet. In addition, other instruments on Mars Global Surveyor have provided information about atmospheric changes and year-to-year patterns on Mars as the mission has persisted. Daily mapping of dust abundance in Mars' atmosphere by the Thermal Emission Spectrometer has shown dust over large areas during three Mars southern hemisphere summers in a row. However, the extent and duration of dust storms varied from year to year. Mars Global Surveyor was launched Nov. 7, 1996; entered orbit around Mars Sept. 12, 1997; and returned the first Mars data from its science instruments Sept. 15, 1997. Beyond its own investigations, the orbiter provides support for other Mars missions, such as landing-site evaluations, atmospheric monitoring, communication relay and imaging of hardware on the surface. JPL, a division of the California Institute of Technology in Pasadena, manages the mission for NASA's Science Mission Directorate, Washington. JPL's industrial partner is Lockheed Martin Space Systems, Denver, which built and operates the spacecraft. For newly released images on the Internet, visit: http://www.nasa.gov/vision/universe/solarsystem/mgs-092005-images.html and http://www.msss.com/mars_images/moc/2005/09/20/ . For more information about NASA and agency programs on the Internet, visit: http://www.nasa.gov/home -end- To remove yourself from all mailings from NASA Jet Propulsion Labratory, please click here.
new art website
Dear Colleagues and Friends, After more than two year’s research and collaboration with Serbian artist, Andrej Tisma, I am pleased to announce our new website on contemporary art which links creativity, consciousness, science, nature, and technology: http://www.webheaven.co.yu/spiritart/ This website incorporates the past thirteen years of my exploration into manifesting and sharing sensations without using art objects. We welcome your comments and suggestions. Arleen Hartman, Artist [EMAIL PROTECTED]
Re: was thumb == AH Remix
AH RemixWas thumb was sport gnicnalg at the lungs trayed along the street the couches ygnops flood and mold a birdy sky reels away j o ke and la n din g the t u b shade sbmilc the window dr ips corn and turds clus ter near the d rai n a ro tting cat yo ur damp smile barely breath es gnih temos gleaming in the door you and floppingmighty qui ck laundry puzz led hats redluoms like a soup or basement y o ur facesk in cha ined yo ur milelathe r focus ed on the i nchy sw elling i n yr thumb Was thumb was sport gnicnalg at the lungs trayed along thestre etthe couc hes ygnops flood and mold a birdy sky reels away joke and land ing the tu b sh ades bmilcthe window drips corn and t urds cluster near the drain a rott ing cat yo ur d ampsmile b arely brea thes gnih temo sgleamingin th e door you and flopping mighty quick laundry pu zzledhats redl uoms li ke a sou p or b asement your face skin chained your mile lather focus ed on theinch y s wellingin yr thumb Was thumb wassport gnicnalg at the lu ngs t rayed alon g th e s treet th e couc hes ygnops flood andmold a birdy sky reels a way j oke and lan ding th e tub sh ade sb milc the window dripscorn and turds cluster nearthe draina ro tti ng cat y our da mp smile barely breat hes gnihtemos gleaming in t he door youand fl opping m ighty quick laundry puzzledhats redluoms like a so up or basement your fa ce skinchaine d your mile lather f ocused on the inchy swel ling in yr thumb Wa s t humb wassport gnicnalg at the lung s trayed along the stree t the couches yg nops flo od and m old a birdy sky reels awayjoke and landing the tubsha de sbmilc t he w ind ow dripscornand turds cluster ne ar the drain a rotting c at yo ur damp smi le b are ly breat hes g nihtemos gleaming i n the door you and flopp ing m ighty quick laun drypuzzledhatsredluoms like a soupor basement your face s kin chained you r mil e lather f ocusedon the inchy swelling in yr thumb Was thu mb w as sport gn icna lgat the l ungs t rayed along the stre et the couches ygnops fl oodand mold abir dysky reel s awayjoke and landing th e tub shade sbmilc the w indo w drips cor n an d turds cl usternear the drain a rotting cat your damp smil e ba rely breath es gni htemosgleami ng in the door y ouand flopping mighty quic k la undry puzzl ed ha tsredluomslikea soup or basement y our face skin chained yo ur mi le lather f ocuse d o n the in chy sw elling in yr thumb Was thumb was sport gnic nalg at the lung s tr aye d alongthe st reet the couches ygno ps flood and mold a bird y sk y reels awa y jo keand land ing th e tub shade sbmilc th e window drips corn and turds cluster ne ar th e d rain a r otting cat your damp smilebarely breathes gnihtem os gleaming in the doo r you an d flop ping mighty quick la undry puzzled hats redlu oms l ike a soup or bas ement yo ur fac e skin chained your m ile lather focused on th e inc hy swellingin yrthumb W as thu mb was sport gnicnalgat the lungs trayed alo ng th e street t he c ouches ygn ops fl ood and mold a birdysky reels away joke and landi ng the tubshad e s bmilc th e wind ow drips corn and tur ds cluster near the drai n a r otting catyou r d amp smil e bare ly breathes gnihtemos gleaming in the door you andflopping m ight y q uick lau ndry p uzzled hats redluoms like a soup or basementyourface skinchai nedyour mi le lat her focused on the inchy swelling in yr thumbWas t humb was s port gn ic nalgat the lungs trayed alo ng t h e s treet the couchesygnops flo od a ndmold a b irdy sky reels awayjoke an d landin g the tub shade sbmilc the window drips corn and turds cluster near th e dr aina rotti ng cat your damp smile barely breathes gnihtemos gleaming in the door y ou a nd flopping mighty quic k la undry puzzl ed hats redluoms like a soup or basement yourface skin chain e d you r mile lather focused o n the inchy swelling in yr thumb Was thumb was sport gnicnalg at the lu ngs trayed along the street the couches ygnops f lood and mold a birdy sky reels away
Re: drew noose == AH Remix
AH Remix Drew noose drew my smoke and dednalg whi stle in the hallway crusted mud pill seltto b jutting up like smalc s hake the leafless tree slwarc the sky bust and mo nth chow harm , fog grit ,lluf remmah buried ,niard yrfocus of the buried fridgeand foot yr sock tick plowing throug h the tpels sludge ice an d sign clunking ,drowsing ,f lying ,damming ,porking ,sotting in eht tnemesab ,lung swifter sodden than ,claus e or shaking on the fleeting noose Drew noose drew my smoke and dednalg whistle in th e hal lway crusted mud pill selttob jutting up like smalc shake the leafless tree slwarc th e sky bust and month chow harm ,fog grit ,lluf remmah buried ,niard yr focus of the buried fridge and foot yr sock tick plo wing through the tpels sludge ice and sign clunking ,drowsing ,flying ,da mming ,porki ng ,sotting in eht tnemesab ,lung swifter sodden than ,clause or shaking on the f lee ting noose Drew noose drew my smoke and dednalg whistle in the hallway crusted mud pill sel tto b jutting up like smalc shake the leafless trees lwarc the sky bust and month chow ha rm ,fog grit ,llu f remmah buried ,niardyr foc us of the buried fridg e and foot yr sock tick plowing through the tpels sludge ice and sig n cl unking ,drowsing ,flying ,damming , porking ,sotting in eht t neme sab ,lung swifter sodden than ,clause or shaking on the fleeting noos e Drew noose drew my smoke and dednalg whi stle in the hallway cru s ted mud pill selttob jutting up like smalc shake t he leafless tree slwar c thesky bust and month chow harm ,fog grit ,lluf rem mah buried ,niard y r foc us of the buried fridge and foot yr sock tick plowing through the tpels sl u dge i ce and sign clunking ,drowsing ,flying ,damming ,porking ,sotting in eht tnemesab ,l u ng swifter sodden than ,clause or shaking on the fleeting noose Drew noose drew my smoke and d ednalg whistle in the hallway crusted mud pill selttob jutting up like smalc shake th e leafless tree slwarc the sk y bust and month chow harm ,fog grit ,lluf remmah buried ,niard yr focus of the buried fridge and foot yr sock tick plowing t h rough the tpels sludge ice and sign clunking ,drowsing ,flying ,damming ,porking ,sotting in ehttnemesab ,lung swifter sodden than ,clause or sha ki ng on the fleeting noose D rew noose drew my smoke and dednalg whistle in the hal lway crusted mud pill selt tob jutting up like smalc shake the leafless tree slwar c the sky bust and month c how harm ,fog grit ,lluf remmah buried ,niard yr foc us of the buried fridge and foot yr sock tick plowing through the tpels sludge ice and sign clunking ,drowsing,flying ,damming ,porking ,sotting in eht tnemesab ,l ung swifter sodden than ,clause or shaking on the fleeting noose Drew noose drew my smoke an d dednalg whistle in the hallway crusted mud pill selttob jutting up like smalc shake the lea fle ss tree slwarc the sky bust and month chow harm ,fog grit ,lluf remmah buried ,niard yr focus of the buried fridge and foot yr sock tick plowing through the tpels sludge ice and sign clunking ,dr owsing ,flying ,damming ,porking ,sotting in eht tnemesab ,lung swifter sodd en than ,clause or shaking on the fleeting noose Drew noose drew my smoke and d ednalg whistl e in the hallwa y c rus ted mud pill selttob jutting up like smalc shake the leafless tree slwarc the sky bu st and month chow harm ,fog grit ,lluf remmah buried ,niard yr focus of th e buri ed fridge and foot yr sock tick plowing through the tpel s sl udge ice and sign clunking ,drowsing ,flying ,damming ,pork ing , sotting in eht tnemesab ,lung swifter sodden than ,clau se or sha king on th e fleeting noose Drew noose drew my s moke an d dednalg whi stle in the hallway crusted mud pill selttob jutting up like smalc shake the leafless tree slwarc the sky bust and month chow harm ,fog grit ,llu f remmah buried ,niard yr focus of the buried fridge and foot yr sock tick plowing through the tpels
Re: spilt light ==AH Remix
AH RemixSpilt light Dong butter gnurl noose, plowed glaucous legs smoke, shattered spat shadow whistle, crea m bleating hog crusted, the face inside the wrinkled shrub is empty diaper, light mud. Dander blood on the doork nob, rat sable nope gushed, floppy plunger outside in the fr idge, throatgr eas e snort, strokes the wet eyes o f the h eaving bile tube simp sump. Punge bla ck back, funnel flop , kno cked up map. Shattered ham map drool, fungus slath er crushed mycla ngor c louds , peeling away grow ling -- blade so ck crawl sucksl unk -- munching "isolabic" on the beached cow, kinda lung slung where I unbob i n th e foam. My plu ng ing clods of light are glauco us a round the spandex flack of tulip bloo d clonking; I dread the unglaucous sores on the l oaf of porn broth, clamor of my dead rat flab. The flam ing sky's panting cur ves are shat carnage acr oss the bundl ed heads of muscles blinking, putrid bandolier in the s ock's breast shadow, sot, my bloo d blot tooting clots. Spra yed on wrinkled e namel, my guts ate the spilt light plunged in spandex, pistol panting curves acro ss the head- shat streaks of unpuckered sleep, my bl indless tooth. You we t loon torn glan cing, stroked wet funnel, flopped l ungs, glaucous sky's f laming flack rinsing away th e peeled tulips, m y sp ongy mouth bile meat slapped around like mold windclanging against theupchucking fl agpole. Couch moult, nigh t sky enters m y flameout, stroked spills f lecked across the butt tub razing the carnage of muscled grasses, guttered ping shine drippings in the gravy. Bonker turds, my throat flops inside the cornea of the eaten hyacinth, s tr oked eyes of the ma sticated head drain clusters, my swiped hol e: rotting hi nt.Sorta damp, oily breast milk, clods of clouds, barely putri d stockings hung by the snorting heads gleaming. Basement shadow n ap, potboiler, band oliermoult shat the pencil stub panting in the lather of t he dusty g laucous streaks be ne ath the light-curved stubble of anorexic sl eep, swollen sky's muscle p eeled away: unwet gnawed head jutting, wet pill in the putrid s hrub, clangor carnage wr inkling pants, peeled muscle blood of grass, fuckl ess dand P opped plunge polyp plo ps a round of grit, enters my throat, hammer ticking spandex flops, unfocused bre ast f art lapels, unlike drowsing socks, lighter flui d stench inside the snorkling eye of porking, stroked head-eaten petals beneath thesodden shi ng led l ight, noose of ligh t, mo ulti ng pi lls s pill ing a cross my thr ee b rea st, heliotrope - slick beasts of the paps, funnel clunking the pencil snot muscle eraser, flipp ing back on t he glau cous fiery tips in thestraight darkne ss o f kink clustered ro und the dinky face off in t he cracked ey e dropper. Spilt light Dong butter gnurl noose, plow ed glaucous legs smoke, shat tered spat shadow whistl e, cream bleating ho g crusted, the face inside the wr inkled shrub is em pty diaper, light mud. Dander blood on the doorknob, rat sable nope gush ed, floppy plunger outside in the fridge, throat grease snort, strokes the wet eyes of the heavi ng bile tube simp sump. Punge black back, funnel flo p, knock ed up map. Shattered ham map drool, fungus slather crushed my clangor clouds, peeling away gr owli ng -- blad e sock crawl suck slun k -- munc hing "isolabic" on the beached cow, kinda lung slung wher e I unbob in the foam. My plunging clods of light are glaucous around the spande x flack of tulip blood clo nking; I dre ad the unglaucous sores on the loaf of p o rn broth, clamor of my dead rat flab. The flamin g sky's panting curves are shat carnage across the bundl ed heads of muscles blinking, putr id bandolier in the sock's breast shad o w, sot, my bl ood blot tooting clots. Spray ed on wrinkled en amel, my guts ate the spilt light plun ge d in spandex, pistol panting cur ves across the head-shat streaks of
lowercase carnage coronax
a nightshade landscape tilts on end, to the POV of abstract carnage sequstering propulsion's analogue synchronous rows of rapine atmospheric plungers breathe, plunge and ejaculate blindly lining the incandescent fuselage tether whose tesselate hyperform mimics a series of stylized aerodynamic zoomorphic sample segments wyrming to a coronax of perpetually collapsing angularities in the distance the solemn incantatory vulcanism of the sacrificial omphalos refracts from daemonic particulate singularities which cluster the site feeding their intoxication's random spin variables and broadcasting altered fragments from their proliferating surfaces: be ll ow ho ll ow uv ul on ma me zc os ti ne er ik ra ak en bo in fi zi ks ht ei nc oo ou lo ge ri ct he on ga dm ir ab et id zd id et ts it id sz je en OPo so filter quince mawll maw suva inkulum tyuaz sleep the hexagon vehicle dome white nausea of palps linking water cube vacuum surge the glass goat skull sarcophagustongue parts the uvulumesococcyx bannered in rendering flagellates jettisoning harvestor drones to extract our xylon ribcage unkle fw komininsi old glue bladder drowning in fibrous rapunzel warts slovenly with cellophane elevator polyps gas kinky hogparts cast in gelatinous lead dance to a minstrel of blue fire gross miscalculations projected against the shard face Yes, cohedron the spiny whistle clasp passes through shimmering platelets careen though black canyons reflecting modulating heat singatures cohedron // muton KILPIOPI slg adf perfor dolor foloi chordata illuminata must harness dol ogo naislepting vacuoles canke drf slgblnzdm voluptank coro nax
remix of jukka and lanny = AH Remix
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Re: this
On Sep 20, 2005, at 6:50 AM, Dan Waber wrote: this this tle Hal If there is anyone here I have not offended, I apologize. --Johannes Brahms Halvard Johnson email: [EMAIL PROTECTED] [EMAIL PROTECTED] website: http://home.earthlink.net/~halvard blogs: http://entropyandme.blogspot.com http://imageswithoutwords.blogspot.com
Re: lowercase carnage coronax = AH Remix with Bob's Spilt Light
AH Remix tulip blood on wrinkled enamel, my three gnawed head drainskull sarcophagustongue peeling away growling -- the streaksof the sacrificial clusters, my swiped analogue tooth.stroked spills flecked Yes, cohedron Dander blood of therotting hint. Sorta heat singatures uvulumesococcyx bannereda minstrel of anorexic parts the glass goat across thestraight ct reflecting modulating noose of the plungersspin variables proliferating surfaces: plops a round of windclanging against the snorting heads light plunged in theglass goat across the distance the glaucous fiery tipsacross my throat, hammer ticking spandex flops, spongy mouthbile meat dol in the loaf of the head- flack rinsing awaythe light-curved breast, heliotrope- light putrid ejaculateblindly chordata illuminata must the POV guts ate the latherof funnel, flopped lungs, in the cornea of strokedhead-eaten dinky face tilts on the head- flack rinsing awaythe butt tub shard face inside the spandex flack my rapunzelwarts vehicle dome snorkling eye of grit, ht ei nc oo ou loge ri gross miscalculations omphalos refracts from their enbo in lining the glaucous fiery tips across the wrinklingpants, peeled tulips, my blood blot daemonic cluster thesleep the distance the putrid stockings hung to extract ourslgblnzdm sores on the site masticated head jutting, wetdusty glaucous eraser, flipping back on the wrinkled enamel,my throat grease Dong butter gnurl noose, slg dance toextract our slgblnzdm sores on ga dm ir ab et ts it id et idet ts it id et ts it id et id sz je stroked spills fleckedYes, cohedron Dander blood clonking; I unbob in the wrinkledenamel, my clangor clouds, barely OPo KILPIOPI careen thoughblack angularities beneath the shimmering platelets shadowwhistle, cream naislepting vacuoles vacuum intoxication'srandom hyperform mimics a minstrel of wind clanging againstthe sock's breast shadow, bandolier moult shat carnagecurves are glaucous eraser, flipping back on the spinywhistle clasp clods of palps of voluptank dread the stubbleof xylon ribcage unkle Bonker filter quince mawll thestubble of grit, ht ei nc oo ou lo ge ri grossmiscalculations omphalos refracts from their of clouds,barely OPo KILPIOPI careen though black back, funnelclunking perfor ra ak en surge the glass goat across theinside the pencil snot muscle peeled tulips, my blindless onma me zc os ti ne er wyrming to a coronax of grit, ht ei ncoo ou lo ge ri gross miscalculations omphalos refracts frommuscle blood of my blindless on ga dm ir ab et ts it idspandex, pistol panting damp, oily breast fart soddenshingled light, eaten hyacinth, petals beneath the lather ofthe peeled hole: gas kinky hogparts cast darkness of musclesblinking, in the light-curved breast, heliotrope- light areshat carnage so elevator polyps be ll ow uv ul ogo onzoomorphic sample zd id spandex, pistol panting damp, oilybreast shadow, bandolier moult shat the light-curved breast,heliotrope- light putrid bandolier moult shat the spandexflops, spongy mouth bile meat dol in fibrous tooting clots.Sprayed outside in the feeding their en surge the spandexflack rinsing away the wrinkled enamel, my swiped analoguetooth. stroked wet of wind clanging against the putridejaculate blindly chordata illuminata must the streaks slungwhere I unbob in rendering flagellates drowning in segmentsgleaming. Basement canyons canke fragments from musclepeeled away: unfocused breast fart sodden shingled light,eaten hyacinth, petals beneath the spiny whistle clasp clodsof the peeled hole: gas kinky hogparts cast darkness of the snorting heads light plunged in the carnage of therapine atmospheric drones to the sock's breast milk,singularities which projected against the peeled hole: gaskinky hogparts cast darkness of stroked wet dusty glaucoussky's flaming sequstering propulsion's "isolabic" onwrinkled enamel, my throat, hammer ticking spandex flackrinsing away growling -- munching drf slapped around thecornea of xylon ribcage unkle Bonker filter quince mawll thesacrificial clusters, my blindless on wrinkled shrub isempty fridge, throat flops Popped plunge polyp porn broth,clamor of muscles blinking, in the lapels, unlike drowsingof anorexic parts the sleep the distance the putridstockings hung to a minstrel of the shimmering plateletsshadow whistle, cream naislepting vacuoles vacuumintoxication's random hyperform mimics a nightshadelandscape of kink slovenly with cellophane particulateporking, perpetually collapsing paps, funnel flop,jettisoning harvestor You wet dusty glaucous streaks ofunpuckered smoke, shattered spat tube simp sump. Pungesynchronous rows of grit, ht ei nc oo ou lo ge ri grossmiscalculations omphalos refracts from their en bo in thesnorting heads slick beasts of enters my flameout, curvesare glaucous fiery tips across the glass goat across thespandex flack my clangor carnage socks, lighter fluid sot,my blood on wrinkled enamel, my throat, hammer
Re: lowercase carnage coronax
20.09.2005 22:55:29, Lanny Quarles [EMAIL PROTECTED] wrote: a nightshade landscape tilts on end, to the POV of abstract carnage sequstering propulsion's analogue synchronous rows of rapine atmospheric plungers breathe, plunge and ejaculate blindly lining the incandescent fuselage tether whose tesselate hyperform mimics a series of stylized aerodynamic zoomorphic sample segments wyrming to a coronax of perpetually collapsing angularities in the distance the solemn incantatory vulcanism of the sacrificial omphalos refracts from daemonic particulate singularities which cluster the site feeding their intoxication's random spin variables and broadcasting altered fragments from their proliferating surfaces: be ll ow ho ll ow uv ul on ma me zc os ti ne er ik ra ak en bo in fi zi ks ht ei nc oo ou lo ge ri ct he on ga dm ir ab et id zd id et ts it id sz je en OPo so filter quince mawll maw suva inkulum tyuaz sleep the hexagon vehicle dome white nausea of palps linking water cube vacuum surge the glass goat skull sarcophagustongue parts the uvulumesococcyx bannered in rendering flagellates jettisoning harvestor drones to extract our xylon ribcage unkle fw komininsi old glue bladder drowning in fibrous rapunzel warts slovenly with cellophane elevator polyps gas kinky hogparts cast in gelatinous lead dance to a minstrel of blue fire gross miscalculations projected against the shard face Yes, cohedron the spiny whistle clasp passes through shimmering platelets careen though black canyons reflecting modulating heat singatures cohedron // muton KILPIOPI slg adf perfor dolor foloi chordata illuminata must harness dol ogo naislepting vacuoles canke drf slgblnzdm voluptank coro nax what can i say?
Re: 14 by David-Baptiste Chirot
At 09:06 PM 20/09/2005, you wrote: Wryting, The minimalist concrete poetry site at: http://www.logolalia.com/minimalistconcretepoetry/ has been updated with 14 new pieces by David-Baptiste Chirot. http://www.flickr.com/photos/[EMAIL PROTECTED]/39973949/ is like a melancholically_gazing Giacometti-cross-android seems 2 go well with the latest sigur ros album Takk [gorgeousfragility on a music stick] :) thx dan. ][mez][ _intricate mirror mem[e_st]ories_ _ch[str]ained+[D-fence]linked_ http://www.hotkey.net.au/~netwurker/ http://netwurker.blogspot.com/ .
Boog City 28 Now Available
Please forward --- Boog City 28, September/October 2005 Available featuring: Our Music section, edited by Jonathan Berger, featuring: --Berger on Curtis Eller's American Circus and Don McCloskey's Bombs Over Bristol --Roger Hitts on all that is his Courtney Love Our Printed Matter section, edited by Jean-Paul Pecqueur, featuring: --Nick Bredie on Maria Damon and mIEKAL aND's pleasure-TEXT-possession --Pecqueur on John Olson's Oxbow Kazoo Our Poetry section, edited by Dana Ward, features work from: --Julia Cohen --Michael Cross --Dylan Michel --K. Silem Mohammad Art editor Brenda Iijima brings us work from artist Anna Tsouloufi of Chicago. - And thanks to our copy editor, Joe Bates. - Please patronize our advertisers: Bowery Poetry Club * www.bowerypoetry.com Effing Press * www.effingpress.com Palm Press * www.palmpress.org Verse Press * www.versepress.org Winnow Press * www.winnowpress.com Poetz * www.poetz.com/calendar Jackie Sheeler Talk Engine * www.talkengine.net - Advertising or donation inquiries can be directed to [EMAIL PROTECTED] or by calling 212-842-2664 - You can pick up Boog City for free at the following locations: East Village Acme Bar and Grill alt.coffee Angelika Film Center and Café Anthology Film Archives Bluestockings Bowery Poetry Club Cafe Pick Me Up CBGB's CB's 313 Gallery C-Note Continental Lakeside Lounge Life Cafe The Living Room Mission Cafe Nuyorican Poets Café Pianos The Pink Pony St. Mark's Books St. Mark's Church Shakespeare Co. Sidewalk Café Sunshine Theater Tonic Tower Video Trash and Vaudeville Other parts of Manhattan Hotel Chelsea Poets House in Williamsburg Bliss Cafe Clovis Press Earwax Galapagos Northsix Sideshow Gallery Soundfix/Fix Café Spoonbill Sugartown Supercore Cafe -- David A. Kirschenbaum, editor and publisher Boog City 330 W.28th St., Suite 6H NY, NY 10001-4754 For event and publication information: http://boogcityevents.blogspot.com/ T: (212) 842-BOOG (2664) F: (212) 842-2429
Fwd: Coral Lambert, International Sculpture Works in New Orleans, Louisiana
From: John Hock [EMAIL PROTECTED] Date: September 20, 2005 12:24:16 PM CDT To: [EMAIL PROTECTED] Subject: Coral Lambert, International Sculpture Works in New Orleans, Louisiana Dear Friends, Fellow Artists, Katrina refugee supporters, I am, and many of you are too, friends and peers with Coral Lambert of the International Sculpture Works, New Orleans, Louisiana. Coral, co-founder of the International Sculpture Works in New Orleans with her husband Paul Higham were, like most in New Orleans-Lost Everything. Devastated and displaced by Hurricane Katrina and the flooding in New Orleans, we are trying to help, directly. Franconia Sculpture Park is sponsoring Coral and Paul at the Park for the next 3 to 6 months as refugees. Franconia Sculpture Park, is setting up a fund to help Coral and Paul recover their losses. 100% of donations will be passed onto Coral and Paul. Donations should be made out to: Franconia Sculpture Park. Please indicate on the check memo: Katrina Artist's Relief. Please make sure we have your name and address so we can send you the appropriate write-off acknowledgement for tax purposes. Please send donations to: Franconia Sculpture Park Katrina Artists Relief 29815 Unity Ave. Shafer, MN 55074 USA An article on Coral and Paul with images of their studio in New Orleans pre and post Katrina is at: http://www.mnartists.org/article.do; jsessionid=7FD5DAFC467B27A7F30589B748DBC6E4?rid=78409 An article in the UK Independent. http://news.independent.co.uk/world/americas/article311904.ece Also a link to another article: http://mnartists.org/article.do?rid=78409 John Hock Artistic Director Franconia Sculpture Park 29815 Unity Ave Shafer, Mn 55074 Phone/Fax 651-465-3701 FSP/website www.franconia .org
Only the Primes, Ma’am
Only the Primes, Ma’am 2005 http://www.kunst.no/bjornmag/mpphp2004/AUDPr012005.mp3 (audio file 1MB) Your Unlistenable Music Moment of the Day - Process: Size of audio file SXXX = SIZX # of primes lessthanORequalto SIXZ = PXXX Selection of PXXX prime samples in audio file SXXX = SXXP mwp
Re: we know hut
Allen, It's got lots, and surely I'm no final decider of anything, or maybe anyone else with regards to vision of what you've to say, your own sense being the truest golden ear. What I should have said is that when you've got that, and I understand and appreciate your comments, you'd have been left with more than many of us. Glad you're sharing!! Alex --- Allen Bramhall [EMAIL PROTECTED] wrote: Alex Jorgensen wrote: don't know how to edit yourself, and I'll say that without being pretensious--but straight to the point. It's the littler, littler, wrote littler till just before finally disappear! Xiao Yao I post a lot with the enthusiasm of having done something. this sort of piece benefits from time. so I agree with you. I'll look at it again when it is new to me again. I appreciate yours words. I'm a lower case experimentalist, just trying to get some exercise. Allen __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
19th Century Lazarus Gagging on Figurines
19th Century Lazarus Gagging on Figurines [Use Tophat,
please/]
Disregardi Gears. K-MUTON says {know nothing, know nothing
well}:
"Gagarino Figurines"
Eleazar of Worms will abulafia a continuous real-valued
function defined on a closed interval, masking gematric carburetion
whoseImre Shefer would shoof to anagensis homologies to ancestor capsid
barret heterocysts their diploid life cycles in syngametic effigies:
historichromophose the amphibious verb-place-holder with ornamental
noun mimicry exegesis swimmerettes whose adjectival wort-careening
accretion templates linger blending through the larval phobos of
mythophoric plasmogamy shakras whose coiling spinal inference yet
details a proboscid meiosis of referential diffraction clues:Eleazar
of proboscid Wormonkey distillation seed will give abulafiatsto the caprice
of caveats unfolding chemoautotrophic semanticystsin their decomposition of
grammatological anapsidolors whose hierolymphic blimp lungs are videographic
lipid colloids fluted throughan ambulacra of felting formed
simulacracuticles whose squamous retention indexes are slightly tacky-acting
reagent analogues:
"Gagarino Figurines"
gag gag gag (hump the flag)
a
rino
gag a neutrino:
18th century Lazaruses are usually green.
The 19th century smaragdino ala Gagarino Figurino is non
other than Lazulous.
Lazulous Gagarino.
The watchfob and the cane. pure psychic denial. pure
psychic denial.
Pure Lazarus Green.
Ditty of gagging. gagging in figurines,
gagging on figurines.
Green Khidr Lazulous Neutrino Figurino Gagarino is gagging
on figurines.
zikr-zikr zen ring mafiosis.
The 19th century Lazarus.
The 19th century Lazarus.
Paydirt.
Poem: Paydirt.
It's with dirt you pay.
paying with dirt.
Lazulous brushing off the dirt from his thing-self gagging
on figurines fall-down.
Muscle-Tongue = Green Lazarus and white male insane
boxy-boxy.
Say operatic hamster cage.
Say Green Lazarus Operatic Hamster Cage showdown of
Okay.
Okay.
show down.
On the 19th.
Lazarauz says society is hermitical.
Lazarsu soys society is hermedical.
Lozoirsois sayeth socitius ish hermanetical,
neutered.
Lozoisoiree sasaya socioi-oi ich hearmynoodical,
nautical.
On the 19th.
Okay. Show down.
Girl laughing at the thing-self Lazarus.
Cruel girl laughing at the thing-self
Lazarus.
Whole Life back from the dead of pre.
Pre'dead.
Whole nautical Lazarus body of Oceans. Cruel Girl
Laughing, pre-dead.
The whole body.
Tapir.
Sweet Tapir, Lazarus would ride ye, and gag on
figurines.
Last Supper Neutrino bathing.
Lazarus across the shimmering waters, more pure, more
vital, more alive than water, or light,
that shimmering at the surface,
reaching stupidly, reaching back
staring back. Earth Staring Back into
Lazulous.
Jane Bowles dead in Malaga.
Lazarus Gagarino gagging on figurines.
Champions of Ornithology. Hawkman. Shakespeare
Hawkman.
Musical jade exoskeleton body-cage for Shakespeare
Hawkman
pecking the promethean liver from Lza Urus E-socket. E= MC
SQUARED
DJ MC SQUARED
wiki-wiki
loci
microsocial
truncated network
truncated
laugh-track. next mirror vaguely promotional. usurp
mirror.
set lotion.
Let us Sin. (brethr in)
Let us Syn in.
Let us Sin: A-Men/
"I nurse the brain by nursing the body, " Dr. Biron
replied.
"I build up my patient's system by careful attention to
hygiene,
diet, and rest, and I pretend to ignore his mental
alienation.
There is always a spark of sense in a diseased
brain."
Lazulous Hawkman Shakespeare, Champion of
Ornithology
is gagging on figurines, warm flexible semi-translucent
chitonous pupas with a single grand thorn from the upper torso.
Let us say,
Thunder comes from a Grand Thorn Pupa Torso gagging on
19th Century Lazarus smelling of Lebanese Bologna:
Hark! Hark! I hear the Strain of Strutting Chanticleer cry
cockadidle-dowe. (for some 500 years, even, some very good
puppets.)
Lazarus. Dog Puddle. Slup.Slup.Slup.
K-MUTON
