Re: hearing me out

2007-05-09 Thread Maria Damon

this is so cool!

At 10:46 PM -0500 5/8/07, mIEKAL aND wrote:

FORMICA ELLIPSIS

the ants, the ants, the ants

http://driftlessmedia.com/mp3s/formica_ellipsis.mp3http://driftlessmedia.com/mp3s/formica_ellipsis.mp3



SUNSPOT ROBOT

Sunspots have been more common in the past seven decades than at 
any time in the last 8,000 years, according to a new historic 
reconstruction of solar activity.


http://driftlessmedia.com/mp3s/sunspot_robot.mp3http://driftlessmedia.com/mp3s/sunspot_robot.mp3


2 POETICS EVENTS IN TWIN CITIES!!! today!!!

2007-04-13 Thread Maria Damon

From: Walter Lew [EMAIL PROTECTED]
Subject: Walter K. Lew Lecture Friday and Reading Saturday in Minneapolis
To: [EMAIL PROTECTED]

For those of you in the Twin Cities area, a last-minute notice of a 
talk and reading I'm giving:


Meaning's Many-Patterned Movement:
What the Long History of Korean Intermedia Texts Can Offer Us as New Artists

Korean studies scholar and poet Walter K. Lew will present different 
examples from the long history of Korean texts that combine language, 
icons and other imagery, and sometimes performance. These range from 
7th-century Buddhist dharani and the 15th-century development of a 
new Korean orthography (actually, orthophony) to multimedia 
performances during the Japanese colonial era and the avant-garde 
poetries of Yi Sang (1910-1937) and Yi Won (b. 1968). Time 
permitting, he will suggest ways in which they can serve as models 
for new work in the present. Lew teaches in the English Dept. of the 
U. of Miami in Coral Gables, FL.


WHEN:
Friday. April 13 at 3 p.m.

WHERE:
Minnesota Population Center Seminar room
Lower Level, 50 Willey Hall
University of Minnesota, West Bank

CONTACT:
Karen Kinoshita
University of Minnesota
College of Liberal Arts
Institute for Advanced Study
612.626.5054 or 612.626.5028
[EMAIL PROTECTED]
http://ias.umn.edu/

SPONSORS:
The Institute for Advanced Study and Dept. of English of the 
University of Minnesota


Lew will also give a brief reading the following evening, Sat., April 
14, as part of the opening ceremony for an exhibit on the Korean War 
titled Still Present Pasts at Intermedia Arts in Minneapolis (2822 
Lyndale Avenue South / phone: 612.871.).


for dylan, parody and palindrome fans, a triple bill

2007-03-19 Thread Maria Damon

apologies for x-posting

http://www.adamkotsko.com/weblog/2007/03/i-palindrome-i.html

Re: The secret to being in the snow

2007-03-16 Thread Maria Damon

snow-flake/flow-snake:
know to a like


At 8:06 AM -0600 3/16/07, Halvard Johnson wrote:

Is
   to throw your snowball at the future
   and miss






On Mar 16, 2007, at 12:58 AM, P!^VP 0!Z!^VP wrote:

Is 
   to throw yourself at the future

   and miss.


P!^VP


art as knowing

2007-03-15 Thread Maria Damon
for twin citians and environs, a conference march 23-24, including 
the kamau brathwaite reading recently announced:

http://artasknowing.umn.edu/


Re: Weary Wordz

2007-03-13 Thread Maria Damon
wow this is great!

On 13 Mar 2007, Obododimma Oha wrote:
 
 
 Saw wordz crawlin thru da wayas
 Da skreen tastid twistid n reacht
 Da limit ev igzausshn
 
 Saw wordz failin
 At the zero moment ev Zen
 Wordz weary worn 
 At di end ev da beginin
 
 -- Obododimma Oha.
 
 
 
 **
 Obododimma Oha
   PhD (Stylistics/War Rhetoric)
   MSc (Legal, Criminological,  Security Psychology)
   Senior Lecturer in Stylistics, Semiotics,  Discourse Analysis
 Department of English, University of Ibadan
   
   Fellow, Centre for Peace  Conflict Studies
   University of Ibadan, NIGERIA

 
  
 -
 Bored stiff? Loosen up...
 Download and play hundreds of games for free on Yahoo! Games.


KAMAU BRATHWIATE MPLS VISIT

2007-03-11 Thread Maria Damon

Dear All
The English Department (UMN) and the IAS's Art as Knowing 
Collaborative are sponsoring a reading by KAMAU BRATHWAITE at the 
Loft, 1011 Washington Avenue South, Minneapolis, March 23, 7 pm. 
Those of you who saw his 1997 performance at the Cross-Cultural 
Poetics conference know what an astonishing experience it is to see 
him perform.

Xcp: Cross-Cultural Poetics

2007-03-04 Thread Maria Damon

apologies for x-posting:

NEW XCP: CROSS CULTURAL POETICS
 BACK ISSUE SALE

XCP: CROSS CULTURAL POETICS no. 17 (Public 
Language  Dreamstories) has just been released. 
The issue includes new essays by Michael 
Davidson, Roger Farr (on Dorothy Trujillo Lusk), 
Katherine McKittrick (author of Demonic Grounds: 
Black Women and the Cartographies of Struggle, 
University of Minnesota Press); new writing by 
Nourbèse Philip, Kamau Brathwaite, Fred Wah, and 
Opal Palmer Adisa; and reviews of new books by 
Michael Parenti, Retort, Aldon Lynn Nielsen and 
Lauri Ramey,  others.


FOUR ISSUE/TWO YEAR subscriptions are available 
to individuals at the rate of $30 (checks payable 
to College of St. Catherine). Please inquire 
about institutional rates.


XCP: CROSS CULTURAL POETICS is also selling back 
issues (while supplies last) from now through May 
1, 2007, at the rate of $3 per issue. A complete 
list of back issues (no. 1-14) is available on 
our website, http://www.xcp.bfn.org/journal.html 
. This offer does not include our special double 
issue (The Dictionary Issue), no. 15/16, which 
is available for $12. Special bulk rates can also 
be arranged for people interested in teaching 
back issues.


FORTHCOMING THIS SPRING in XCP: CROSS CULTURAL 
POETICS no. 18 is new writing by Adrienne Rich, 
Amiri Baraka, Barbara Jane Reyes, Rodrigo 
Toscano, Jaswinder Bolina, Patricia Smith, Duriel 
Harris, a review-essay on new South African 
poetry, an essay on the workers' movement in 
Argentina, and much more.


Send checks (payable to College of St. Catherine) 
to Mark Nowak, ed., XCP: CROSS CULTURAL POETICS, 
c/o College of St. Catherine, 601  25th Avenue 
South, Minneapolis, MN, 55454.


Re: Fwd: Beware of yourselves! Beware of each other!

2007-02-19 Thread Maria Damon
plato basically says the same thing in The Republic, but there's 
enough mitigating evidence to suggest that he only half-meant it. 
There is probably plenty of counter-evidence in the Koran as well, 
not least of which is the poetic language in which it's written.



At 7:47 AM -0600 2/19/07, mIEKAL aND wrote:

Just as I suspected...

Begin forwarded message:

From: Nicholas Karavatos 
mailto:[EMAIL PROTECTED][EMAIL PROTECTED]

Date: February 19, 2007 1:41:18 AM CST
To: mailto:[EMAIL PROTECTED][EMAIL PROTECTED]
Subject: Beware of yourselves! Beware of each other!
Reply-To: UB Poetics discussion group 
mailto:[EMAIL PROTECTED][EMAIL PROTECTED]


Stay away from poets. The erring follow them.
Qur'an 26:224 (Pickthal)

And the Poets, - It is those straying in Evil, who follow them:
Qur'an 26:224 (Yusuf Ali)

And as to the poets, those who go astray follow them.
Qur'an 26:224 (Shakir)

As for the poets, they are followed only by the strayers.
Qur'an 26:224 (Khalifa)

WaalshshuAAarao yattabiAAuhumu alghawoona


Re: lost works do what you like and other works

2007-02-12 Thread Maria Damon

what was the title? i'll take a look.  how frustrating.

At 9:28 AM -0800 2/12/07, ishaq arashi wrote:

peace,

i am writing in reference to a short writ entitled do what you like a
story
about the killing of a girl in my town set the music of blind faith. i
was wonder is you still have a copy of the story since i was the subject
a hate crime which
presented itself in the form of a break in into my flat and my computer,
which contained my writing, was stolen along with my prayer mat.

i am currently attempting to retrieve some of my lost writings


you assistance would be much appreciated


kh

sincerely

l y braithwaite


http://en.wikipedia.org/wiki/Lawrence_Ytzhak_Braithwaite




http://www.sidebrow.net/2006/a047braithwaite.php


Re: lost works do what you like and other works

2007-02-12 Thread Maria Damon
oops just noticed that's the first thing yoy said.  can't find it in 
my files...


At 9:28 AM -0800 2/12/07, ishaq arashi wrote:

peace,

i am writing in reference to a short writ entitled do what you like a
story
about the killing of a girl in my town set the music of blind faith. i
was wonder is you still have a copy of the story since i was the subject
a hate crime which
presented itself in the form of a break in into my flat and my computer,
which contained my writing, was stolen along with my prayer mat.

i am currently attempting to retrieve some of my lost writings


you assistance would be much appreciated


kh

sincerely

l y braithwaite


http://en.wikipedia.org/wiki/Lawrence_Ytzhak_Braithwaite




http://www.sidebrow.net/2006/a047braithwaite.php


Re: Alan Sondheim and Gertrude Stein

2007-02-03 Thread Maria Damon
Let me chime in and say ALL HAIL TO THE CHIEF OF CODEWORK!!!  All 
praise to the Emperor of Cybermind!  all kudos to the Zenith of 
Wryting!  All congratulations to the King of Bandwidth! all happiness 
and longevity to the Dear Leader of  Internet Artistry!  All 
magnificence to the Lord of E-Poetics!

Have a wonderful day!!!

At 10:40 AM -0700 2/3/07, Sheila Murphy wrote:
Great combination! Happy birthday, Alan, my friend. I wish you many 
happy returns. You are GREAT!


Warm wishes from the Southwest,

Sheila E
of Maricopa County


Re: A.N.A.R.E. Telegraphic code

2007-01-19 Thread Maria Damon
having just watched genet's un chant d'amour on ubuweb and rereading 
Miracle of the Rose for the first time in ages writing on (prison) walls 
has a special and beautiful meaning right now...


mIEKAL aND wrote:

My four words have always been

ice | death | light | wealth

which many many years ago I wrote on my wall with a pencil.

~mIEKAL


On Jan 19, 2007, at 11:24 AM, Alan Sondheim wrote:


Actually you could use two words, zero/one - Alan, remembering Borges


On Fri, 19 Jan 2007, mIEKAL aND wrote:


On Jan 19, 2007, at 10:13 AM, phanero wrote:


i wish i understood
the context that compresses the difference between Sea Leopards and 
Tussock grass to WUYLJ to WUYMK.
in my everyday life, it seems like i could live or describe every 
day by only using about 4 words with some system like this.



what 4 words would that be?


[Fwd: Assassination of Hrank Dink]

2007-01-19 Thread Maria Damon


---BeginMessage---
For those of you who follow the debate on the Armenian Genocide, Turkish
law 301 which makes it a crime to use the G word and defame the Turkish
Republic, Hrank Dink, Armenian-Turkish editor of Argos was assassinated
this morning in Istanbul. We have direct connections with his group as
Taner Akcam, the leading Turkish historian who confirms the events of 1915
as Genocide is on our staff.


This is from New Anatolian but you can find a lot more on the web:


Prominent Turkish-Armenian journalist Hrant Dink murdered

(AP)
19 January 2007


Journalist Hrant Dink, one of the most prominent voices of Turkey's
Armenian community, was killed by a gunman Friday at the entrance to his
newspaper's offices, police said.

Dink, a 53-year-old Turkish citizen of Armenian descent, had gone on trial
numerous times for speaking out about the mass killings of Armenians by
Ottoman Empire at the beginning of the 20th century. He had received
threats from ultra-nationalists, who viewed him as a traitor.

Dink was a public figure in Turkey, and as the editor of the bilingual
Turkish-Armenian newspaper Agos, one of its most prominent Armenian
voices.

In his last column for Agos, Dink complained that he had become famous as
an enemy of Turks and wrote of threats against him. He said he had
received no protection from authorities despite his complaints.

My computer's memory is loaded with sentences full of hatred and
threats, Dink wrote. I am just like a pigeon ... I look around to my
left and right, in front and behind me as much as it does. My head is just
as active.

Prime Minister Recep Tayyip Erdogan, in a news conference after the
killing, vowed to catch those responsible and called the slaying an attack
on Turkey's unity.

Erdogan said he had appointed top officials from the justice and security
ministries to investigate the killing, and that two suspects had been
arrested in Istanbul. He gave no details on the suspects.

Hrant's body is lying on the ground as if those bullets were fired at
Turkey, Can Dundar, also a journalist, told private NTV television.

Turkey's relationship with its Armenian community is fraught with tension,
controversy and painful memories of a brutal past.
Much of Turkey's once-sizeable Armenian population was driven out
beginning around 1915.

During World War I, as the Ottoman Turkish empire fought Russian forces,
some of the Armenian minority in eastern Anatolia sided with the Russians.

In May 1915, the Armenian minority, one or two million strong, was
forcefully deported and marched from the Anatolian borders towards Syria
and Mesopotamia (now Iraq). Many died en route.

Armenia says 1.5 million Armenians were killed in this period, either
through systematic massacres or through starvation.

It alleges that a deliberate genocide was carried out by the Ottoman
Turkish empire.

Turkey acknowledges that many Armenians died, but says Turks died too, and
that massacres were committed on both sides as a result of inter-ethnic
violence and the wider World War.

Dink had been convicted of trying to influence the judiciary in 2005 after
Agos ran stories criticizing a law making it a crime to insult Turkey, the
Turkish government or the Turkish national character.

The conviction was rare even in a country where trials of journalists,
academics and writers have become common. Most of the cases, including
that of Nobel Prize-winning novelist Orhan Pamuk last year, were either
dropped on a technicality or lead to acquittals.

Fehmi Koru, a columnist at the Yeni Safak newspaper, said the killing was
aimed at destabilizing Turkey.

His loss is the loss of Turkey, Koru said. Dozens of other journalists,
many of them friends of Dink, publicly condemned the killing. Broadcasters
on CNN-Turk and NTV, two of the major news stations, called it shameful,
saddening and embarrassing.


Dr. Stephen Feinstein, Director
Center for Holocaust and Genocide Studies
University of Minnesota
100 Nolte Hall West
315 Pillsbury Drive
Minneapolis, MN. 55455
Phone: (612)  626-2235
FAX: (612) 626-9169
email: [EMAIL PROTECTED]
WEB SITE: http://www.chgs.umn.edu
---End Message---


Fwd: Rain Taxi auction underway

2007-01-15 Thread Maria Damon
hey all, i've got a handwoven shawl on auction here, plus there's 
lots of great stuff, signed books etc from great folks...check it out!



Date: Mon, 15 Jan 2007 10:20:13 -0600
From: Rain Taxi [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
X-Accept-Language: en-us, en
To: [EMAIL PROTECTED]
Subject: Rain Taxi auction underway

 Dear Literary Friends--

Rain Taxi is having a fundraising auction this week on eBay; please 
visit www.raintaxi.com to check it out!  There are lots of great 
books, broadsides, artworks, etc selling these items helps our 
nonprofit organization stay afloat, so we hope you'll a) take a peek 
yourself, and b) help spread the word by notifying your own friends, 
colleagues, email lists, etc. or by mentioning it on blogs and such. 
The auction ends on Sunday, January 21. 
Many thanks and all best,


Your friends at Rain Taxi

--
Rain Taxi Review of Books
PO Box 3840
Minneapolis, MN 55403
http://www.raintaxi.com


Re: Minou Drouet

2007-01-13 Thread Maria Damon
there was a fantastic, heart-breaking article on minou drouet in the 
New Yorker a few months ago; really fired me made me want to read her 
work.


At 5:27 PM -0800 1/12/07, phanero wrote:
I would like to call attention to this excellent post by Elizabeth 
Treadwell today.


http://secretmint.blogspot.com/2006/12/minou-drouet-or-man-with-yellow-hat-is.html


Re: 365/365, Jennifer

2007-01-11 Thread Maria Damon

hey dan
congrats on a BE-YOU-Tiful series, with such a gorgeous culmination!

At 8:15 AM -0500 1/11/07, Dan Waber wrote:

Jennifer is the love of my life, the glue that holds all my toothpicks
together, my bestest friend in the world, my green velvet beetle bird,
my chipmunk zoo, my oh, my mine and more, always and all ways more.

40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365


Re: a brilliant article by christophe bruno

2007-01-03 Thread Maria Damon
or that ubiquitous descriptor brilliant if flawed --reminding us 
that we are all human, all-too-human...xo, md


At 7:10 PM -0500 1/3/07, Charles Baldwin wrote:

Maria: Thanks and you're right that there's some here that I wouldn't
agree with. I was quick in my adjectives (brilliant) but what I do
like is his assessment of the linguistic vectors of generalized
semantic capitalism (the dimensions: reticular and interruption).
Bruno's analysis is entirely partial, I agree, or I suppose it's more
precise to say entirely symbolic. I find it - and the type of art it
leads him to - useful for this, useful for the way it does brings out
the symbolics of internet protocols and economics (thus his reading of
Google and Turing and Poe and so on.) So, if not brilliant, perhaps
illuminating ...

Sandy


 Maria Damon [EMAIL PROTECTED] 01/03/07 5:45 PM 

hi sandy: i've only read the 1st 2 paragraphs, but already i see some
hasty assertions. For one, not all memory is inscribed via language;
it can be inscribed in the body as well. Esp pre-verbal memories.
SEcond, I thought the point of the panopticon was not that everybody
could see everybody else, but that those in power could see all
prisoners at all time, but the prisoners couldn't necessarily see
each other.  i'll read on to see if i'm jumping to critique too
hastily. xo,md

At 5:17 PM -0500 1/3/07, Charles Baldwin wrote:

http://art.runme.org/1107861771-3038-0/bruno.pdf


Re: The 2006 You Didn't Hear About (fwd)

2007-01-01 Thread Maria Damon

thanks alan!  i really appreciate this shot in the arm.
happy new year xo to all md

At 3:00 AM -0500 1/1/07, Alan Sondheim wrote:

-- Forwarded message --
Date: Sun, 31 Dec 2006 23:50:44 -0500
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: The 2006 You Didn't Hear About

The 2006 You Didn't Hear About

By Rebecca Solnit, AlterNet.
Posted December 29, 2006.
http://www.alternet.org/story/46015/

While many of the big stories in 2006 were bad news,
there were hundreds of activist successes in 2006 that
permanently changed the world.

The big news is usually the bad news, and this year the
biggest stories weren't even news -- climate change and
the war in Iraq were trouble that had begun well before
2006. But dozens of small stories set another tone --
the tone of that graffiti in Seattle during the
shutdown of the World Trade Organization there in 1999:
We are winning -- not the same as we have won and
can stop; we are winning is a call to action.
Activists won dozens of small and not-so-small
victories for human rights and the environment in 2006.
The fabric of the world is woven out of small gestures;
the large ones mostly just rend it and leave more to
mend. And the small gestures continue. Here are some of
them.

On December 31, 2005, Black Mesa Coal shut down its
mine on indigenous land in Arizona because that mine
fed all its coal -- as water-depleting slurry pumped
300 miles across the desert -- to the Mojave Power
Station that cranked out obscene quantities of
particulate matter, sulfur dioxide, and all manner of
other nasty things during the decades of its operation.
The mainstream media played it as a jobs story; the
alternative media mostly missed what had a decade
earlier been a big environmental cause.

In February indigenous leaders, forest activists and
logging companies reached a historic deal that
protected five million acres outright and limited
logging on another 10 million acres of the Great Bear
Wilderness in north-coast British Columbia. That's an
area more than twice the size of Yellowstone National
Park wholly preserved with another four or so
Yellowstones protected -- and not just set aside as
national parks are, but put under the joint
jurisdiction of the First Nations people from the
region and of the provincial government.

Indigenous peoples won victories all over the world in
2006, perhaps beginning with the inauguration of labor
leader Evo Morales as president of Bolivia on January
22nd, the first indigenous president of the largely
indigenous nation since the Spanish invasion almost
five centuries before. He made good on his campaign
promises to nationalize energy resources and negotiated
contracts giving the impoverished nation far higher
percentages of profits from natural-gas extraction. In
November, the Achuar people of the Peru-Ecuador
rainforest blockaded a major oil producer and forced it
and the Peruvian government to implement environmental
reforms.

Similarly, on July 20th, the Nigerian courts ordered
Shell Corporation to pay $1.5 billion to the Ijaw
people of the Niger Delta, who had been fighting the
oil company for compensation for environmental
devastation since 2000. In December, in Botswana, the
San people -- sometimes called the Bushmen -- won the
court case over their eviction from their homeland. The
decision restored their right to live, hunt, and travel
on their ancestral lands.

While the Navajo still fight an attempt to site a new
power plant on their reservation, there were other
victories against the environmental destructiveness of
energy production when Congress banned all new oil,
gas, and mineral drilling leases on the Rocky Mountain
Front region of Montana, one portion of the west chewed
up by the Bush-era extraction stampede.

There were domestic victories on other fronts. One
major U.S. citizen achievement was the October defeat
of attempts to privatize and jack up usage fees on the
Internet, despite $200 million in corporate spending on
the issue. A new grassroots movement defeated the
telecom industry's attempt to take over this major new
zone of global communication for its own profit. A
minor but sweet victory for independent thinking and
bold opposition was Stephen Colbert's April dressing
down of the Bush Administration, to the president's
face, at the White House Press Corps dinner. The
mainstream media, also excoriated by the bold Colbert,
ignored the spectacular verbal attack until the
alternative media made the story impossible to ignore.
Such trajectories -- major stories investigated,
exposed and explained by the alternative media until
the mainstream can no longer ignore the news -- are one
of the reasons why net neutrality matters.

Another grassroots groundswell that mattered was the
immigrants' rights marches of last spring, which were
launched with the surprising turnout in Los Angeles --
not the easiest city for walking and marching -- of
more than a million Latinos and others defiant of
crackdowns 

Re: 355/365, Harley

2007-01-01 Thread Maria Damon

bravo, dan, for this beautifully sustained series!!

At 7:54 AM -0500 1/1/07, Dan Waber wrote:

Harley always seemed to me like the perfect gentleman. Unflappable,
impeccably dressed, married to a woman who was more like Jacqueline
Kennedy-Onassis than anyone I ever knew, he was the quiet one of the
brothers, and taught me graciousness.

40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365


Re: 355/365, Harley

2007-01-01 Thread Maria Damon
oops, i'm off by 10 days. oh well, consider my accolades an 
affirmation rather than a closure.


At 7:54 AM -0500 1/1/07, Dan Waber wrote:

Harley always seemed to me like the perfect gentleman. Unflappable,
impeccably dressed, married to a woman who was more like Jacqueline
Kennedy-Onassis than anyone I ever knew, he was the quiet one of the
brothers, and taught me graciousness.

40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365


Fwd: {LEA: nmp}. LEAD: New Media Poetics and Poetry Chat Transcripts Available!

2006-12-12 Thread Maria Damon

Date: Tue, 12 Dec 2006 12:14:54 +0800
From: Nisar Keshvani, LEA [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: {LEA: nmp}. LEAD: New Media Poetics and Poetry Chat Transcripts
 Available!


Please feel free to distribute this widely.



Dear Colleague:

It is with great pleasure we announce the 
success of the the New Media Poetics and Poetry 
Discussion and Live Chat Forum. The Leonardo 
Electronic Almanac Discussion (LEAD) accompanies 
selected Special Issues. A live chat session 
with authors/artists and a moderated discussion 
list for readers to engage with authors.


Access the Sandy Baldwin's overview and live 
chats with authors/artists at: 
http://leoalmanac.org/resources/lead/nmp/index.asphttp://leoalmanac.org/resources/lead/nmp/index.asp


Moderator's Note
:: 
http://leoalmanac.org/resources/lead/nmp/cbaldwin.aspDiscussion, 
as in dispersion, setting free, and shaking


http://leoalmanac.org/resources/lead/nmp/cbaldwin.asphttp://leoalmanac.org/resources/lead/nmp/cbaldwin.asp
   by Sandy Baldwin

LEAD Chat Transcripts
:: http://leoalmanac.org/resources/lead/nmp/jcayley.aspJohn Cayley

http://leoalmanac.org/resources/lead/nmp/jcayley.asphttp://leoalmanac.org/resources/lead/nmp/jcayley.asp
   9 Oct 2006 @ 1400hrs EST

:: http://leoalmanac.org/resources/lead/nmp/lglazier.asp Loss Glazier

 
http://leoalmanac.org/resources/lead/nmp/lglazier.asphttp://leoalmanac.org/resources/lead/nmp/lglazier.asp
   10 Oct 2006 @ 1900hrs  EST

:: http://leoalmanac.org/resources/lead/nmp/mez.asp MEZ

http://leoalmanac.org/resources/lead/nmp/mez.asphttp://leoalmanac.org/resources/lead/nmp/mez.asp
   17 Oct 2006 @ 0300hrs EST

:: 
http://leoalmanac.org/resources/lead/nmp/sstrickland.asp 
Stephanie Strickland


http://leoalmanac.org/resources/lead/nmp/sstrickland.asphttp://leoalmanac.org/resources/lead/nmp/sstrickland.asp
   20 Oct 2006 @ 1300hrs EST

:: http://leoalmanac.org/resources/lead/nmp/mportela.asp Manuel Portela

http://leoalmanac.org/resources/lead/nmp/mportela.asphttp://leoalmanac.org/resources/lead/nmp/mportela.asp
   23 Oct 2006 @ 1600hrs EST

:: http://leoalmanac.org/resources/lead/nmp/jnelson.asp Jason Nelson

 
http://leoalmanac.org/resources/lead/nmp/jnelson.asphttp://leoalmanac.org/resources/lead/nmp/jnelson.asp
   24 Oct 2006 @ 1300hrs EST

What is the LEA New Media Poetics Special?
Guest edited by Tim Peterson, the issue features 
Loss Pequeño Glazier, John Cayley with Dimitri 
Lemmerman, Lori Emerson, Phillippe Bootz, Manuel 
Portela, Stephanie Strickland, Mez, Maria 
Engberg and Matthias Hillner. Don't forget to 
scurry over to the equally exciting gallery, 
exhibiting works by Jason Nelson, Aya Karpinska, 
Daniel Canazon Howe, mIEKAL aND, CamillE BacoS, 
Nadine Hilbert and Gast Bouschet.


View archives of the LEA New Media Poetics Discussion Forum:
http://groups.google.com/group/leanmphttp://groups.google.com/group/leanmp

About the moderator
Sandy Baldwin (Ph.D, New York University) is 
Assistant Professor of English and Director of 
the Center for Literary Computing at West 
Virginia University.


warm rgds
nisar keshvani
editor in chief,
Leonardo Electronic Almanac: http://leoalmanac.orghttp://leoalmanac.org

--~--~-~--~~~---~--~~
 You received this message because you are 
subscribed to the Google Groups New Media 
Poetry and Poetics: Leonardo Electronic Almanac 
group.

To post to this group, send email to [EMAIL PROTECTED]
To unsubscribe from this group, send email to 
[EMAIL PROTECTED]
For more options, visit this group at 
http://groups.google.com/group/leanmp?hl=en

-~--~~~~--~~--~--~---


vispo

2006-12-06 Thread Maria Damon

http://www.youtube.com/watch?v=pdMzE-ZdKSomode=relatedsearch=


Re: chemosynthetic communities

2006-12-05 Thread Maria Damon
yay woods hole oceanographic institute!  that's right down the street 
from my mother's place on the cape.


At 6:49 PM -0600 12/5/06, mIEKAL aND wrote:

Bizarre deep-sea creatures imaged off New Zealand
Movie Camera

The weird and wonderful creatures living by methane vents in the 
southwest Pacific have been photographed for the first time (see 
images right and below).


http://www.newscientist.com/data/images/ns/cms/dn10653/dn10653-3_600.jpg

The deep-sea communities live around methane seeps off New Zealand's 
eastern coast, up to 1 kilometre beneath the sea surface. The team 
of 21 researchers from the US and New Zealand, who spent two weeks 
exploring the area, have just returned to shore. See video footage 
recorded by the researchers here, here and here.


It's the first time cold seeps have been viewed and sampled in the 
southwest Pacific, and will greatly contribute to our knowledge of 
these intriguing ecosystems, says Amy Baco-Taylor from the Woods 
Hole Oceanographic Institution in the US.


Cold seeps are areas of the seabed where methane or hydrogen 
sulphide gas escape from stores deep underneath. Like hydrothermal 
vents, the gases support unique life forms that can convert the 
energy-rich chemicals into living matter in the absence of any 
sunlight.

Sheer extent

Animals living around methane seeps off Chile and Japan have been 
observed before, but not near New Zealand. The seeps here are 
remarkable in the sheer extent of their chemosynthetic communities, 
says Baco-Taylor, whose team visited eight such sites between 750 
and 1050 metres beneath the surface.


They used sonar to map the seafloor and to detect plumes of water 
rich in methane, then lowered a video and stills camera system over 
each site.


This allowed them to record images of tube worms between 30 cm and 
40 cm in length as they emerged from beneath limestone boulders. 
They also recorded corals, sponges and shell beds covered with 
various types of clam and mussel.


The expedition was led by scientists from the Woods Hole 
Oceanographic Institution, the Scripps Institution of Oceanography 
and the University of Hawaii at Manoa in the US, and New Zealand's 
National Institute of Water and Atmospheric Research.


Re: RAPTOR RHAPSODY

2006-11-22 Thread Maria Damon

happy birthday AZURE! i hope you did something fun/

Alan Sondheim wrote:



And the day you sent the email, the 22nd, was Azure's 30th birthday as 
well.


Happy Thanksgiving!

- Alan

On Wed, 22 Nov 2006, susan maurer wrote:

neglected to mention the day i was sitting at my computer was my 
birthday sm




From: susan maurer [EMAIL PROTECTED]
Reply-To: Theory and Writing WRYTING-L@LISTSERV.WVU.EDU
To: WRYTING-L@LISTSERV.WVU.EDU
Subject: RAPTOR RHAPSODY
Date: Wed, 22 Nov 2006 09:29:34 -0500

i was sitting at my computer when i received a request for a mss . 
zipped it out and found out two days ago the editor loved it and 
it will be out in early 07. magical really. happy tgiving all. susan 
maurer


_
All-in-one security and maintenance for your PC.� Get a free 90-day 
trial! 
http://clk.atdmt.com/MSN/go/msnnkwlo005002msn/direct/01/?href=http://clk.atdmt.com/MSN/go/msnnkwlo005001msn/direct/01/?href=http://www.windowsonecare.com/?sc_cid=msn_hotmail 



_
Share your latest news with your friends with the Windows Live Spaces 
friends module. 
http://clk.atdmt.com/MSN/go/msnnkwsp007001msn/direct/01/?href=http://spaces.live.com/spacesapi.aspx?wx_action=createwx_url=/friends.aspxmk 






blog at http://nikuko.blogspot.com - for URLs, DVDs, CDs, books/etc. see
http://www.asondheim.org/advert.txt - contact [EMAIL PROTECTED], -
general directory of work: http://www.asondheim.org
Trace at: http://tracearchive.ntu.ac.uk - search Alan Sondheim
http://clc.as.wvu.edu:8080/clc/Members/sondheim


Mark Nowak in Cleveland and Michigan

2006-10-19 Thread Maria Damon

Mark Nowak in Michigan  Cleveland

Friday, November 3, 2006
Michigan State University Museum, Lansing
Lecture: Writing in the First Person Plural: The Ford/NUMSA Worker-poets of
Pretoria and Port Elizabeth 12:15 PM, MSU Museum Auditorium
(part of the show Workers Culture in Two Nations: South Africa and the
United States,
http://www.museum.msu.edu/Exhibitions/Current/WorkersCultureinTwoNations.html)

Thursday November 2-Sunday November 5, 2006
Cleveland Public Theatre staging of Capitalization
(Nowak will be speaking on a post-performance panel on Saturday, November
4)
http://www.cptonline.org/seasoncalendar/event.cfm?eventid=250eventdateid=1742


Re: My Father the Icon; My Father the Molester (fwd)

2006-10-17 Thread Maria Damon
fascinating.  people are so afraid of these things, as if they 
weren't commonplace.  why not accept a tale of abuse and forgiveness?



At 10:59 PM -0400 10/16/06, Alan Sondheim wrote:

-- Forwarded message --
Date: Mon, 16 Oct 2006 22:16:57 -0400
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: My Father the Icon; My Father the Molester

My Father the Icon; My Father the Molester

Daughter of Communist leader Herbert Aptheker recalls
the pain and reconciliation that led to writing about
her childhood abuse.

By Bettina Aptheker October 15, 2006
http://www.latimes.com/news/printedition/opinion/la-op-aptheker15oct15,1,2000947.story

 [The oped below by Bettina Aptheker is based on her
 recent memoir, Intimate Politics. A discussion/review
 of this book by Chris Phelps appeared in The Chronicle
 of Higher Education in the edition dated October 6.
 The Chronicle objects to the reprinting of material
 that appears in CHE, but the article is available to
 subscribers of CHE at http://chronicle.com/.

We also print below material from the discussion of the
Phelps article on the listserve of the Historians of
American Communism (HOAC)
http://www.h-net.org/~hoac/. Other contributions to
the HOAC discussion can be found by typing in the
keyword aptheker in the list archives. -- moderator]

Comments from: Bettina Aptheker, Clare Spark, Melvyn
Dubofsky, Mark Rosenzweig, Stephen Schwartz

===

My Father the Icon; My Father the Molester

Daughter of Communist leader Herbert Aptheker recalls
the pain and reconciliation that led to writing about
her childhood abuse.

By Bettina Aptheker October 15, 2006
http://www.latimes.com/news/printedition/opinion/la-op-aptheker15oct15,1,2000947.story

It is a little disconcerting and somewhat chilling to
read reviews of my recently published memoir and see my
own words quoted back to me. It is not because I don't
like what I wrote, or feel shame about it. It is
because I was the holder of so many family secrets, and
the injunction to silence was so strong. In writing my
story, I broke all of the family rules.

Growing up, I held tight to the illusion that
everything would by OK if I too could project the image
of the perfect family, even though my inner life was so
fraught with tension. In seeing recent reviews of my
book, although favorable, sometimes the child part of
my mind shrinks in horror: What have you done? And
then the calm, adult part of my mind says: You have
told the truth to the best of your ability. Any of us
who has experienced childhood sexual abuse or other
forms of abuse, even as adults, knows something of
these conflicted feelings.

My parents, Fay and Herbert Aptheker, were members of
the U.S. Communist Party. My mother was a union
organizer, and my father was often described in the New
York Times as the party's leading theoretician, as if
it were an appendage to his name. He was also a radical
historian and the literary executor of the papers of
W.E.B. DuBois. He published extensively and was an
exceedingly controversial figure in the historical
profession, and his Communist affiliation assured that
he was blacklisted from any university work, beginning
in the 1930s.

I grew up in the 1950s striving to be the perfect
daughter as my embattled parents bravely stood up to
the McCarthy hearings, anti-Communist purges and trials
and the executions of Julius and Ethel Rosenberg. In
childhood, I assumed that I would inherit my father's
dream and further his ambition. This was my parents'
expectation. As I matured, I gave up those particular
dreams and ambitions, but I did not give up my mother
and my father, even after the memories of sexual abuse
arose. As I wrote in the memoir, I sought a middle
ground between the grief of an irreconcilable break and
the long shadow of denial.

It was when I began writing the memoir in the
mid-1990s, and especially its childhood section, that I
had my first memories of sexual abuse by my father,
which I had entirely suppressed until then. I was
mucking around in my childhood because my daughter and
my partner, reading early drafts, kept saying that the
narrative was emotionally flat. Where are you? they
wanted to know. What were you feeling? I was the
narrator, but the story read as though I was floating
around on the ceiling of my childhood, watching it
unfold.

The psychological term for this is dissociation. I was
about 3 years old when the sexual abuse began, and it
was when my father and I were playing a game called
choo-choo train on the rug on the living room floor of
our apartment in Brooklyn. My father stopped molesting
me when I was 13. By then, of course, it was no longer
a game. It was clear in my memory that my father took
great care never to hurt me physically; he was, in
fact, very gentle with me. But he also made clear I was
never, ever to tell anyone about our games.

Once the memories erupted - and they did erupt with
astonishing, volcanic force - I stopped writing. I
needed counseling, and 

Re: Urban Graffiti

2006-09-25 Thread Maria Damon

cool! where is it?

At 8:27 AM -0700 9/25/06, chris wrote:

I really liked this mural I walked past just the other day:

http://trnsnd.net/graf.html


Re: I LABORATORY

2006-09-11 Thread Maria Damon
Title: Re: I LABORATORY


très stein, ma chère.

At 12:22 AM -0500 9/11/06, Audacia Dangereyes wrote:
I LABORATORY

you mean to say they print such things by women

let strangers into your dinner

soup and deprecating cows saluted

progress out of sight took a taxi

cynical convictions split the web

funny-place to fetch my writing

they published a gurgle in the eyes of concussion

bet you a turnip your sister believes

without looking-up she read tid-bits of her favourite god



http://stoneagetype.tk




Re: Opening Digital Bodies Saturday Sept 2nd 4 - 6 PM

2006-08-28 Thread Maria Damon
Title: Re: Opening Digital Bodies Saturday Sept 2nd 4 - 6
PM


this looks fun!! wish i cd attend. but where are the
chicks?

At 3:42 PM +0200 8/28/06, Geert Dekkers wrote:
http:nznl.org/
digital_bodies/
Digital
Bodies.html

NOTES ON THE
TRANSITION FROM THE DIGITAL
TO THE PHYSICAL (AND
BACK AGAIN)

GEERT
DEKKERS (NL)
FOOFWA D'IMOBILITÉ (CH)
MOGENS JACOBSEN (DK)
JAN
ROBERT LEEGTE (NL)
ALAN
SONDHEIM (USA)

you are cordially invited for
theopening
Saturday 2 09 / 16 h / 18
h

reutengalerie amsterdam
fokke
simonszstraat 49
wo/za
13 h/18 h

2 09
/ 7 10 06




Re: FACE OFF

2006-08-26 Thread Maria Damon

these last two take the cake.

At 3:34 PM -0700 8/26/06, Talan Memmott wrote:

1. Why bother.

2. no one sees you.

On Sat, 26 Aug 2006 23:10:27 +0100
 Pixel [EMAIL PROTECTED] wrote:

1.
Why bother being debonaire if nobody sees you?

2.
If no one sees you, then you'd have to have zebra hair to make them notice.

xp


- Original Message - From: Halvard Johnson [EMAIL PROTECTED]
To: WRYTING-L@LISTSERV.WVU.EDU
Sent: Saturday, August 26, 2006 10:29 PM
Subject: Re: FACE OFF


On Aug 26, 2006, at 1:12 PM, mIEKAL aND wrote:


1.
Why bother being a thousandaire if nobody loves you?

2.
If nobody loves you, then you'll have to be a godzillionaire so 
somebody will talk to you.


1.
Why bother being a Frigidaire if nobody turns you on?

2.
If nobody turns you on, then you'll have to have an iceman come to 
cool you off.





Am I wrong, or are fewer and fewer people
 using the word 'Weltschmerz' these days?
--Christopher Howell

Halvard Johnson

[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://home.earthlink.net/~halvard
http://entropyandme.blogspot.com
http://imageswithoutwords.blogspot.com
http://www.hamiltonstone.org


Re: SUPERFICIAL RELATIONSHIPS

2006-08-25 Thread Maria Damon
Title: Re: SUPERFICIAL RELATIONSHIPS


audacia wrote, i embroidered:

SUPERFICIAL RELATIONSHIPS

emerged from glassy rock
 silica
threaded quipu

blood launched the growing light
 mayhem
anticipate dawn

scarcely paralyzed she will never forget to rally

star-terrain to wriggle digits

splatter blew through the wider to reveal

scramble against humitic shale

source records emitted the explosion
 marbled
progress closet earth

atonal thunder popped a pregnant soprano next
 aslant
the fixed pleasure-drone

my fatigue collected innocence
 his
name was a well-known riddle

antecedents lost in mists of the bagpipe
 mythic
only to motherwit keenings

in hoarse voice to laugh at anything

open-hearted polar elusions

artificial replacement for public miracles
 that's
the name of the game

documents dancing in the tiniest iceberg
 the
scream of the people

giant throne turning invisible automatically
 the Ice
Queen often dreamt-of

walking until skull-computer snapped into existence
 the
hanging garden's a good place for that




http://stoneagetype.tk



Re: A Carved Ivory Figure of a Roman Actor Wearing the Traditonal Tragic Costume and Mask.

2006-08-23 Thread Maria Damon

hey this stuff is great!

At 12:59 AM -0700 8/23/06, phanero wrote:
Let's see if I can do this confessionalism thing, since it seems to 
be rather outre'

among who-what-who-rang-you rang? aawwwhh.

Fact: My landscapist and horticulturist is nearly finished 
installing about a 35ft run of black, timber, and crook-stem bamboo 
along the fence-line with my northern neighbors.


Fact: We got a really good deal, because her supplier is like this 
totally wigged out hippie
Oregon stoner bamboo dude (mid 30's) whose business is to go and 
harvest big patches of bamboo
that have gotten away from their owners and who want it removed. He 
repots it or replants
it rurally and sells it for less than half of even a wholesale 
nursery price. For 2 Grand I have
an instant stand of Bamboo whose average mean height is about 9 ft 
tall and well over 50 individuals.


Fact: Today when I went to mail out Alan's book on the Weathermen, I 
stopped at a new Asian
Bubble-Tea shop to get an iced Americano triple Shot and browse at 
my favorite Antique/Slash
junq shop 2 doors down. I picked up Everett F. Bleiler's _The 
Checklist of Fantastic Literature_,
and _Witchcraft in the Southwest: Spanish and Indian Supernaturalism 
on the Rio Grande_ by
Marc Simmons which has a wonderful photograph of a trio of Mexican 
witches from 1895.

This book will dovetail nicely into a new cluster of Ethnographic witchcraft
texts I am slowly collecting. Nowhere near as large as my 
Head-hunting collection, but I'm

not even really trying at this point.

Fact: One of the laborers today was a student of Chinese. He was 22. 
The other laborer
is a well-known local guitarist named Darren but I don't know the 
name of his band.

He helped me move my old 36 television into the basement and would not accept
the $20 I offered him because I have so few male friends and there's 
never really
any context for me to ask for physical assistance with moving stuff. 
I thought that was
pretty nice of him. At one point during the day we all had a long 
talk about the film


White King, Red Rubber, Black Death
http://www.imdb.com/title/tt0404551/
which is essentially about the cover-up of the realities of life in the Congo
during Leopold II's reign etc, which is where Conrad got his Heart of Darkness
story from. What was odd, Is that I saw another documentary about the problem
with the Nile Perch in Lake Victoria who had the same African Historian in it
but who isn't listed at all on the IMDB web-page which sort of pisses me off.

http://www.commondreams.org/views06/0416-24.htm

In the movie, a longish section is about how the children take the 
styrofoam boxes
and melt them down along the shores to sniff the glue.. This makes 
them sleep
very deeply, so many people go and find the sleeping children in 
order to sodomize
their sleeping bodies. The same narrator does both films or at least 
I'm pretty sure
it was the same guy. The Nile Perch film was so depressing I had to 
turn it off.
It was that bad. South Indians are completely exploiting this area 
to the ruination
if the environment etc. I say that, because that's a prominent 
feature in the film, though
I'm sure there's more complexity to it if I could have stood to 
watch it more, but actually
seeing little kids huddled around little kettles of melting 
styrofoam just about made me

gag so I turned it off.

Yesterday Grace was telling me about a friend of hers, another 
Californian Native American
who was actually a special type of Apache shaman, one of the gender 
ambiguous types.
She was describing his clothing which I found very interesting. I 
guess he also had some chemical

issues and died.

Vlad came over today, and he started a long diatribe against the 
Jews. He has a very Czech way
of looking at things, and I tried to point him in the direction of 
Israeli nation bad like more or less
most nations, and Jew more or less variable.. He seem to agree 
with this, though he held deep
reservations about the basic character of the average jew: They are 
not craftsman, they build nothing,
They are scumbag..  I can't help but love the way he calls folks he 
doesn't like scumbags..

Vlad is a mailman, and one hell of a craftsman in a sense.

Today I finally found a decent Medusa Bust. She looks confused, sad, 
anxious, and tragic.
She's sitting next to my cheapo chinese lamp in front of the printer 
on my scandinavian cherrywood

faux veneer desk.

The Fetishist and the Iconoclast are like two sides of a coin, but 
the funny thing is,
they are also both their own other. The fetishist is an iconoclast 
of the image of the iconoclast,

and the Iconoclast's Iconoclasm is a fetish. Go figure.

This is basically why I think art and poetry are sort of bullshit. I 
mean I get stuff
out of it, but really, any leaf is as good as a rembrandt or better, 
and listening to my
Mom talk (or anybody really) is just as interesting as Shakespeare 
at least to me.
I know there are perils with the radical democratization and 

Re: 219/365, George

2006-08-18 Thread Maria Damon

what was the story?

At 7:36 AM -0400 8/18/06, Dan Waber wrote:

George wept, openly, as he told me a story, the first night we met,
sitting in the middle of a busy downtown NYC restaurant, at a table of
thirteen. I know no better example of how to be a human.

40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365


Re: promise/skewity... appendix.Z / Twittering (exerpt)

2006-08-14 Thread Maria Damon
ah it never seems to end...misunderstanding among 
intimates.  cuz the stakes are so high.  skewed 
communication, skewered heart, squirming on the 
spit like an impaled frog.


At 2:59 AM -0700 8/14/06, Talan Memmott wrote:
Loyalty is for dogs. Dogs and pussies. Now. Or, 
so it seems. One thinks this Punk would know 
better -- know this already, but you can't teach 
an old dog new tricks. He's too busy getting 
ready, already, for his next campaign. The next, 
which will be the next never next. Failure is 
predetermined; a repeating pattern beyond his 
control. What control? He's too weak to even 
consider. Still, he will march whole-heartedly 
into the next, his own demise. He already has, 
again. And all will shake their heads, lower 
their heads in disgust. She makes a promise. She 
makes a promise to break a promise. The initial 
promise is still unspoken but he knows it's 
there, was there -- he feels it, he felt it. He 
thought. She want's him to make a promise. She 
wants him to make a promise she knows he cannot 
keep. She wants him to break. He wants her to 
make a promise he knows she will not keep. This 
is nothing new. Fathomless.
Before she speaks he tells her he will keep the 
promise, her promise; unspoken. But, first he 
wants to know the conditions, what must he do, 
exactly, for it, the promise to be kept -- 
considered.
She can only promise -- what she will do, in 
actuality, is another matter. Entirely. He can 
only promise -- what he will do next doing is 
another matter entirely. He will keep her 
promise, but wants to know what he is 
protecting. She will need evidence. She will ask 
for the evidence and pretend to be surprised, as 
if she is being presented with a gift. A great 
gift, proving everything. Unspoken. Dogs and 
pussies!  She can only promise skewity. He can 
only promise skewity, though she thinks 
differently. That he promises something else. 
She's no longer interested.
No longer interested, she's already in Paris. 
2000. No. Pas deux mille. Le c'est pas le temps 
pourtant. Supplémentaire dans l'avénir. Bastille 
Day, and everyone is American.  2001. Le c'est 
pas deux mille et une. Bastille Day, and 
everyone is American. Dogs and pussies! She will 
promise if he will promise. She will make him 
promise in order to keep her promise. He will 
promise with the prospect that she will keep her 
promise. Otherwise...


Re: shows you've read little

2006-08-14 Thread Maria Damon
Title: Re: shows you've read little


this is exactly the MN mindset. folks who use a lot of
words are villainous. when i went to see the k branagh/e thompson film
of Much Ado About Nothing here in MN i had a v funny experience.
Keanu Reeves's first lines are Sire, I am a man of few
words. You could feel the audience warming up to him
immediately and the ensuing confusion when he turned out to be the bad
guy.

At 6:48 PM -0500 8/14/06, Tony Trigilio wrote:
http://www.starve.org/usenet.html

You claim that words are a satanic medium . . . by that logic,
the fewer words they use, the less satanic they are.

Source:
Page 148 of White Noise

Keywords:
shows, you've, read,
little

About The Usenet Project:

An x is drawn in the middle of a page of Don DeLillo's
White Noise (Penguin Classics Edition, 1999). The first
three, sometimes four, words (excluding articles and prepositions)
that intersect the lines of this x from its cross are fed
into Google's Usenet index, which now dates back to 1981. On
even-numbered days, the most recent Google entry is used, using
Google's sort by date function. On
odd-numbered days, the first Google entry to appear is used, anything
from 1981 to the present. A new posting will be included every
week -- an archive of radiant rants, habits, and hobbies. Thanks
to Bernadette Mayer's X on Page 50 at half inch
intervals.




Re: FEUILLETON

2006-08-13 Thread Maria Damon
Title: Re: FEUILLETON


what's the compositional principle at work?

At 3:48 PM -0500 8/13/06, Audacia Dangereyes wrote:
FEUILLETON

you said humbly

both read books

vanishing and easily

outdistanced by time

I got to the scene

panting all ancient history


http://stoneagetype.tk




Re: IMMUNITY

2006-08-12 Thread Maria Damon

author disunity

plagiar domb

Quaoar can

gondled air

sphere caress

major dotage

haptic regulus

aura aplomb

alchemical suffix


Re: IMMUNITY

2006-08-12 Thread Maria Damon

scratch that

master plantagenet

planet levitation

circumscribes audacia

plummet your nugget

smowing blokerings around

maybe Mary-wise verbiferous

your mettle dinner something

meaning something making


Re: [vel] Wikipedia 2006

2006-08-10 Thread Maria Damon
i've had this issue since alan went off poetics, b/c he put me on a 
list of cc's and then i got on wryting.


At 12:45 PM -0400 8/10/06, Paul Stone wrote:

Just for your info Alan:

For the past month or so, almost all of your posts have been coming 
to me in duplicate. Has anyone else had this phenomenon?



##
Paul Stone
[EMAIL PROTECTED]
Kingsville, ON, Canada


Re: melancholia's tremulous dreadlocks issue 1

2006-07-30 Thread Maria Damon

yeah, this is really good.

At 7:14 PM -0400 7/30/06, Alan Sondheim wrote:
This is an amazing issue by the way - all the work I read is really 
good (I sound like highschool) - I think it's some of mIEKAL's best 
work but who am I to know - Alan



-- Forwarded message --
From: mIEKAL aND [EMAIL PROTECTED]
Date: Jul 30, 2006 12:54 PM
Subject: Fwd: melancholia's tremulous dreadlocks issue 1
To: WRYTING-L@listserv.utoronto.ca

Begin forwarded message:


From: Andrew Lundwall [EMAIL PROTECTED]
Date: July 30, 2006 6:09:06 AM CDT
To: [EMAIL PROTECTED]
Subject: melancholia's tremulous dreadlocks issue 1

http://www.melancholiastremulousdreadlocks.com


the first ever issue of melancholia's tremulous dreadlocks is
online now...

poets featured in this edition of mtd:


mIEKAL aND!

John M. Bennett!

Marcia Arrieta!

Petra Backonja!

Anny Ballardini!

Bob Marcacci!

Robert Chrysler!

kari edwards!

Alex Gildzen!

Johannes Goransson!

Richard Denner!

Jeff Harrison!

Chris Toll!

Eileen Tabios!

Lina Ramona Vitkauskas!




please visit:

http://www.melancholiastremulousdreadlocks.com/



cheers!

andrew lundwall




--
http://www.asondheim.org
http://nikuko.blogspot.com
http://www.asondheim.org/advert.txt