[Zappa-List] Frank Zappa Miles Davis jazz-rock

2011-08-07 Thread zav_sto
I really enjoy Zappa's jazz-rock music, especially HOT RATS (1969). I always 
used to read rave reviews about Miles Davis' jazz-rock album BITCHES BREW 
(1970), and once in a while IN A SILENT WAY (1969) was mentioned. I have never 
found much to like in either of these two albums, so I figured if these were 
the best Miles had to offer from the period when he switched to electric 
instruments, I decided to concentrate instead on his recordings with John 
Coltrane prior to 1956.

Years later I still don't like BITCHES BREW and IN A SILENT WAY very much, but 
I recently discovered that Miles' music before and after BITCHES BREW blows 
that album out of the water (I don't know what the critics were thinking rating 
BITCHES BREW so highly).

The MILES DAVIS QUINTET 1965-'68 (6CD box set) showcases some stunning jazz 
that is just beginning to show rock influences creeping in. Some of the 
original albums represented are E.S.P., MILES SMILES, SORCERER, NEFERTITI, 
MILES IN THE SKY, and FILLES DE KILIMANJARO. If you want to sample only one 
album from this period, I would recommend MILES IN THE SKY.

After BITCHES BREW some great early fusion appears on THE COMPLETE JACK JOHNSON 
SESSIONS (5CD box set). The music was edited and spliced to create the albums 
of the day, something that Zappa had been doing for years, but it was entirely 
new for a jazz artist to be doing this at the time. Be forewarned; this box set 
has many alternate takes that are similar.

The closest thing to HOT RATS from Miles Davis is maybe THE CELLAR DOOR 
SESSIONS (6CD box set). Each of the 6 discs is a different live set from across 
4 days in December 1970. There is some overlap in the music, but if you listen 
to only one set at a time it is mind-blowing.

There's a good interactive Davis discography at
http://rateyourmusic.com/artist/miles_davis
if anyone is interested. The fan reviews there are the reason I started 
checking out these box sets in the first place, after writing off BITCHES BREW 
years ago.

-Bri





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Re: [Zappa-List] Frank Zappa Miles Davis jazz-rock

2011-08-07 Thread Craig Satzman
Zav,
These 6 albums were mainstays in my dad's rotation. Listening to Jazz at
such an early age (I am 51), allowed me to open my mind to what music can
be. It allowed me to be open to music, especially FRANK ZAPPA, while others
my age were being raised on commercial radio...
Thanks for the reminder...
CS
--
The MILES DAVIS QUINTET 1965-'68 (6CD box set) showcases some stunning jazz
that is just beginning to show rock influences creeping in. Some of the
original albums represented are E.S.P., MILES SMILES, SORCERER, NEFERTITI,
MILES IN THE SKY, and FILLES DE KILIMANJARO. If you want to sample only one
album from this period, I would recommend MILES IN THE SKY.

On Sun, Aug 7, 2011 at 9:30 AM, zav_sto zav_...@yahoo.ca wrote:

 **


 I really enjoy Zappa's jazz-rock music, especially HOT RATS (1969). I
 always used to read rave reviews about Miles Davis' jazz-rock album BITCHES
 BREW (1970), and once in a while IN A SILENT WAY (1969) was mentioned. I
 have never found much to like in either of these two albums, so I figured if
 these were the best Miles had to offer from the period when he switched to
 electric instruments, I decided to concentrate instead on his recordings
 with John Coltrane prior to 1956.

 Years later I still don't like BITCHES BREW and IN A SILENT WAY very much,
 but I recently discovered that Miles' music before and after BITCHES BREW
 blows that album out of the water (I don't know what the critics were
 thinking rating BITCHES BREW so highly).

 The MILES DAVIS QUINTET 1965-'68 (6CD box set) showcases some stunning jazz
 that is just beginning to show rock influences creeping in. Some of the
 original albums represented are E.S.P., MILES SMILES, SORCERER, NEFERTITI,
 MILES IN THE SKY, and FILLES DE KILIMANJARO. If you want to sample only one
 album from this period, I would recommend MILES IN THE SKY.

 After BITCHES BREW some great early fusion appears on THE COMPLETE JACK
 JOHNSON SESSIONS (5CD box set). The music was edited and spliced to create
 the albums of the day, something that Zappa had been doing for years, but it
 was entirely new for a jazz artist to be doing this at the time. Be
 forewarned; this box set has many alternate takes that are similar.

 The closest thing to HOT RATS from Miles Davis is maybe THE CELLAR DOOR
 SESSIONS (6CD box set). Each of the 6 discs is a different live set from
 across 4 days in December 1970. There is some overlap in the music, but if
 you listen to only one set at a time it is mind-blowing.

 There's a good interactive Davis discography at
 http://rateyourmusic.com/artist/miles_davis
 if anyone is interested. The fan reviews there are the reason I started
 checking out these box sets in the first place, after writing off BITCHES
 BREW years ago.

 -Bri

  



Re: [Zappa-List] Frank Zappa

2008-11-30 Thread Jack C. Oonk
Interesting... No details on when  where this is released - and available?
SOFA
  - Original Message - 
  From: Eddy 
  To: [EMAIL PROTECTED] 
  Cc: Zappa-List@yahoogroups.com 
  Sent: Sunday, November 30, 2008 2:22 AM
  Subject: [Zappa-List] Frank Zappa


  Frank Zappa  The Mothers Of Invention In The 1960s DVD (Chrome Dreams/MVD)

  This film reviews the true story of The Mothers of Invention and the music 
they made during the first incarnation of the band. With group members Jimmy 
Carl Black, Bunk Gardner, Don Preston and Art Tripp taking up the tale and 
revealing - often for the first time - what the real Frank Zappa was all about; 
and with contributions from 'scenesters 'like LA wildman Kim Fowley, biographer 
Billy James, Zappa academic Ben Watson, music journalist Richie Unterberger and 
English writer and musician Alan Clayson - acclaimed biographer of Edgar Varèse 
- this program is the most detailed, informative and enjoyable documentary on 
Frank Zappa and The Mothers of Invention yet to emerge. Also features rare 
footage of Frank and The Mothers from throughout the 1960s, archive interviews, 
seldom seen live performances, and a host of other features. 

  Track Listing/Features: 
  Who Are The Brain Police? 
  Hungry Freaks Daddy 
  Trouble Every Day 
  Brown Shoes Don't Make It 
  America Drinks And Goes Home 
  Are You Hung Up? 
  Flower Punk 
  Love Of My Life 
  Dog Breath Variations 
  Willie The Pimp 
  and many others 

  Bonus Materials:
  Digital Contributor Biographies
  Extended interviews
  And more!


   

[Zappa-List] Frank Zappa died at age 52 of prostate cancer.

2008-11-05 Thread Frank ?
Hey everyone,

Yesterday at the age of 52, I went for a Prostate Exam.
It really was not that bad, not even having to lean against the table 
while the Dr. poked his finger up my ass.

So why am I sharing all of this?
Because I am a Zappa fan and do want to help spread the word that 
getting an exam is not that bad.

So, I urge you to get this done and continue to enjoy the music of 
Frank Zappa!

Oh ya, Ike Willis be one the road this next month, so check out the 
website and find out where!

http://www.ikewillis.com

Hank




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[Zappa-List] Frank Zappa on Cover of The New LA WEEKLY

2008-09-18 Thread Dawayne Bailey
http://www.laweekly.com/2008-09-18/stage/racy-against-time/




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Re: [Zappa-List] Frank Zappa article on www.jazz.com

2008-02-06 Thread mr_and_mrs_skull
Wouldn't have ever happened. FZ expressed his extreme dislike of Miles on at 
least one occasion I can recall.

Mr. Skull

. . . and perhaps even fantasize about what might have happened if Miles had 
given FZ the call for the Bitches Brew sessions.

  You can read the article here

  http://www.jazz.com/dozens/the-dozens-the-jazzy-side-of-frank-zappa

  Check out the rest of the site while you are visiting.  There are
  probably a number of articles and reviews of interest to members of
  this group.

  http://www.jazz.com

  Regards,

  Ted Gioia
  [EMAIL PROTECTED]



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http://www.killuglyradio.com , thank you. 
  Yahoo! Groups Links





[Zappa-List] Frank Zappa article on www.jazz.com

2008-01-12 Thread tedgioia
Members of the Zappa list may be interested in reading my article on
essential Frank Zappa jazz-oriented tracks on the new www.jazz.com web
site.

You can read the article here

http://www.jazz.com/dozens/the-dozens-the-jazzy-side-of-frank-zappa

Check out the rest of the site while you are visiting.  There are
probably a number of articles and reviews of interest to members of
this group.

http://www.jazz.com

Regards,

Ted Gioia
[EMAIL PROTECTED]



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[Zappa-List] Frank Zappa: Past Flops And Future Shocks

2006-09-05 Thread Chris Warner


Frank Zappa: Past Flops And Future Shocks
Richard Williams, Melody Maker, 25 August 1973

HIS ARMS AROUND a red-haired girl whose ample 
chest was covered with a Mighty
Thor t-shirt, debonair Frank Zappa (32) sank 
deeper into the couch, flexed his
bare bronzed torso, refused a Gitane ? Too 
strong for me ? and concentrated
his mind on the latest edition of the Mothers of 
Invention.

This is the first of my bands, he said, which 
possesses the technical
facility to play the harder stuff from memory.

The band, an octet, is currently on tour in 
Europe, and makes its only British
concert appearance at the Empire Pool, Wembley, 
on September 14. The new lineup,
which has already completed two tours of America 
and one in Australia, comprises
Zappa on guitar and vocals, Jean-Luc Ponty 
(violin), Ian Underwood (clarinet,
bass-clarinet, flute, synthesiser), Bruce Fowler 
(trombone), George Duke
(keyboards), Tom Fowler (bass-guitar), Ralph 
Humphrey (drums), and Ruth
Underwood ? Ian's wife ? on marimba, vibes, 
typani, and assorted small
percussion.

It is not, said Frank, in any way a successor to 
or continuation from the
20-piece Grand Wazoo/Hot Rats orchestra which 
appeared at the Oval cricket
ground last year.

It doesn't sound like any band of any sort that 
you've heard any place ? the
instrumentation alone gives it a completely 
different tone quality. As a result
of the widely differing timbres of the 
instruments, you get a lot of contrast.

Much of their material, too, is unfamiliar. 'St 
Alphonzo's Pancake Breakfast',
'Don't Eat The Yellow Snow', two blues called 
'Penguin In Bondage' and 'Slough
My Throng', and lastly something called, 'Don't 
You Ever Wash That Thing?' which
Frank describes as an instrumental with 
choreography.

They'll also be playing some old favourites, 
specifically 'The Eric Dolphy
Memorial Barbecue', 'Green Genes', 'King Kong', 
'Chunga's Revenge', and ? for
the first time in five years and by popular 
demand ? 'Brown Shoes Don't Make
It'.

To coincide with the tour, there is (inevitably) 
A New Album ? by the same
personnel plus trumpeter Sal Marquez. It's called 
Over-Nite Sensation, and
contains none of the compositions mentioned 
above. Instead, it sounds like
another sneaky attempt by the Mothers of 
Invention to get their cruddy music on
the radio.

There didn't seem much more to say about this new 
band until we'd all got a
chance to hear it, so Frank discussed the Grand 
Wazoo tour: All the concerts
were great ? except the one in London.

It's tough to take a 20-piece electric band to a 
frozen cricket ground where
the audience is trying to tear down the 
goal-posts (?) and burn them to keep
themselves warm. But we broke all records at the 
Felt Forum in New York.

The Grand Wazoo seemed, I suggested, like a 
pinnacle of his career, the object
he's always been aiming at right from the days of 
Freak Out.

It would have been that kind of a climax, if the 
band had been able to memorise
the arrangements, and if the technical equipment 
had been of the right quality.
The only thing that's important is whether you 
have the opportunity and the
money to present your crazed ideas properly.

200 Motels wasn't done properly because there 
wasn't enough time or money. The
Wazoo tour, for instance, did five concerts and 
grossed 90,000 dollars ? and I
lost 2,000 dollars of my money on it. There was 
no way that I was going to make
any.

I gauge the success of something by whether I 
can appreciate the outcome on a
personal spectator level. If all the parts aren't 
audible, it isn't right ? and
that goes back to the technology and the money to 
provide it.

On 200 Motels, the orchestra beat the shit out 
of the music ? they just didn't
play it properly. I couldn't even recognise it 
when they'd finished. Most of the
actors were non-professionals, and the whole 
thing was shot in 56 hours. We all
needed more time, and if I'd had it, I've have 
gotten better performances out of
everybody, because they were the right people for 
those roles.

In spite of that, I think it was a good film, 
and I believe that over a period
of years you're going to find out how many 
strange predictions in the script
actually come true.

Such as what?

Well, pay particular attention to the dialogue 
between Mark, Howard, and
Aynsley. No matter how twisted you think that 
plot is, it's based on things that
had happened, or on things that were based on 
suppositions extrapolated from
mathematical predictions of people's 
personalities.

Returning to technology, Zappa explained that 
they've brought the PA system
which used to belong to Chicago. It's a 52-input 
stereo system, with all kinds
of studio-type facilities like limiters, 
compressors, tape-delay,
phase-shifters, and variable equalisers.

The guy who's mixing it all for us is Gary 
McNab, who engineered our last six
albums. We finally got him out on the road. He's 
the third mixer this band has
had ? the first one was Stephen Desper, 

Re: [Zappa-List] Frank Zappa: Past Flops And Future Shocks

2006-09-05 Thread jcoonk





Cool!!!
Thanks, Chris!
SOFA


  - Original Message - 
  From: 
  Chris 
  Warner 
  To: Zappa-List@yahoogroups.com ; Peter 
  Warner 
  Sent: Tuesday, September 05, 2006 10:29 
  AM
  Subject: [Zappa-List] Frank Zappa: Past 
  Flops And Future Shocks
  
  
  Frank Zappa: Past Flops And Future ShocksRichard Williams, 
  Melody Maker, 25 August 1973HIS ARMS AROUND a red-haired girl whose 
  ample chest was covered with a MightyThor t-shirt, debonair Frank 
  Zappa (32) sank deeper into the couch, flexed hisbare bronzed torso, 
  refused a Gitane ? "Too strong for me" ? and concentratedhis mind on 
  the latest edition of the Mothers of Invention."This is the first 
  of my bands," he said, "which possesses the technicalfacility to play 
  the harder stuff from memory."The band, an octet, is currently on tour 
  in Europe, and makes its only Britishconcert appearance at the Empire 
  Pool, Wembley, on September 14. The new lineup,which has already 
  completed two tours of America and one in Australia, comprisesZappa on 
  guitar and vocals, Jean-Luc Ponty (violin), Ian Underwood 
  (clarinet,bass-clarinet, flute, synthesiser), Bruce Fowler 
  (trombone), George Duke(keyboards), Tom Fowler (bass-guitar), 
  Ralph Humphrey (drums), and RuthUnderwood ? Ian's wife ? on marimba, 
  vibes, typani, and assorted "smallpercussion."It is not, said 
  Frank, in any way a successor to or continuation from the20-piece 
  Grand Wazoo/Hot Rats orchestra which appeared at the Oval 
  cricketground last year."It doesn't sound like any band of any 
  sort that you've heard any place ? theinstrumentation alone gives it a 
  completely different tone quality. As a resultof the widely differing 
  timbres of the instruments, you get a lot of contrast."Much of 
  their material, too, is unfamiliar. 'St Alphonzo's Pancake 
  Breakfast','Don't Eat The Yellow Snow', two blues called 'Penguin In 
  Bondage' and 'SloughMy Throng', and lastly something called, 'Don't 
  You Ever Wash That Thing?' whichFrank describes as "an instrumental 
  with choreography."They'll also be playing some old 
  favourites, specifically 'The Eric DolphyMemorial Barbecue', 'Green 
  Genes', 'King Kong', 'Chunga's Revenge', and ? forthe first time in 
  five years and by popular demand ? 'Brown Shoes Don't 
  MakeIt'.To coincide with the tour, there is (inevitably) A New 
  Album ? by the samepersonnel plus trumpeter Sal Marquez. It's called 
  Over-Nite Sensation, andcontains none of the compositions mentioned 
  above. Instead, it sounds likeanother sneaky attempt by the Mothers of 
  Invention to get their cruddy music onthe radio.There didn't 
  seem much more to say about this new band until we'd all got achance 
  to hear it, so Frank discussed the Grand Wazoo tour: "All the 
  concertswere great ? except the one in London."It's tough to take 
  a 20-piece electric band to a frozen cricket ground wherethe audience 
  is trying to tear down the goal-posts (?) and burn them to 
  keepthemselves warm. But we broke all records at the Felt Forum in New 
  York."The Grand Wazoo seemed, I suggested, like a pinnacle of his 
  career, the objecthe's always been aiming at right from the days of 
  Freak Out."It would have been that kind of a climax, if the 
  band had been able to memorisethe arrangements, and if the technical 
  equipment had been of the right quality.The only thing that's 
  important is whether you have the opportunity and themoney to present 
  your crazed ideas properly."200 Motels wasn't done properly because 
  there wasn't enough time or money. TheWazoo tour, for instance, did 
  five concerts and grossed 90,000 dollars ? and Ilost 2,000 dollars of 
  my money on it. There was no way that I was going to 
  makeany."I gauge the success of something by whether I can 
  appreciate the outcome on apersonal spectator level. If all the parts 
  aren't audible, it isn't right ? andthat goes back to the technology 
  and the money to provide it."On 200 Motels, the orchestra beat the 
  shit out of the music ? they just didn'tplay it properly. I couldn't 
  even recognise it when they'd finished. Most of theactors were 
  non-professionals, and the whole thing was shot in 56 hours. We 
  allneeded more time, and if I'd had it, I've have gotten better 
  performances out ofeverybody, because they were the right people for 
  those roles."In spite of that, I think it was a good film, and 
  I believe that over a periodof years you're going to find out how many 
  strange predictions in the scriptactually come true."Such as 
  what?"Well, pay particular attention to the dialogue between Mark, 
  Howard, andAynsley. No matter how twisted you think that plot is, it's 
  based on things thathad happened, or on things that were based on 
  suppositions extrapolated frommathematical predictions of people's 
  personalities."

RE: [Zappa-List] Frank Zappa: Past Flops And Future Shocks

2006-09-05 Thread Jim L












Nice article. Its
always interesting to get some insight about what Frank was thinking when these
vintage recordings were made. So he thought felt forum was a good one and so
on.





Jim
 L











From:
Zappa-List@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Chris Warner
Sent: Tuesday, September 05, 2006
9:30 AM
To: Zappa-List@yahoogroups.com;
Peter Warner
Subject: [Zappa-List] Frank Zappa:
Past Flops And Future Shocks













Frank Zappa: Past Flops And Future Shocks
Richard Williams, Melody Maker, 25 August 1973

HIS ARMS AROUND a red-haired girl whose ample 
chest was covered with a Mighty
Thor t-shirt, debonair Frank Zappa (32) sank 
deeper into the couch, flexed his
bare bronzed torso, refused a Gitane ? Too 
strong for me ? and concentrated
his mind on the latest edition of the Mothers of 
Invention.

This is the first of my bands, he said, which 
possesses the technical
facility to play the harder stuff from memory.

The band, an octet, is currently on tour in 
Europe, and makes its only British
concert appearance at the Empire Pool, Wembley, 
on September 14. The new lineup,
which has already completed two tours of America

and one in Australia,
comprises
Zappa on guitar and vocals, Jean-Luc Ponty 
(violin), Ian Underwood (clarinet,
bass-clarinet, flute, synthesiser), Bruce Fowler 
(trombone), George Duke
(keyboards), Tom Fowler (bass-guitar), Ralph 
Humphrey (drums), and Ruth
Underwood ? Ian's wife ? on marimba, vibes, 
typani, and assorted small
percussion.

It is not, said Frank, in any way a successor to 
or continuation from the
20-piece Grand Wazoo/Hot Rats orchestra which 
appeared at the Oval cricket
ground last year.

It doesn't sound like any band of any sort that 
you've heard any place ? the
instrumentation alone gives it a completely 
different tone quality. As a result
of the widely differing timbres of the 
instruments, you get a lot of contrast.

Much of their material, too, is unfamiliar. 'St 
Alphonzo's Pancake Breakfast',
'Don't Eat The Yellow Snow', two blues called 
'Penguin In Bondage' and 'Slough
My Throng', and lastly something called, 'Don't 
You Ever Wash That Thing?' which
Frank describes as an instrumental with 
choreography.

They'll also be playing some old favourites, 
specifically 'The Eric Dolphy
Memorial Barbecue', 'Green Genes', 'King Kong', 
'Chunga's Revenge', and ? for
the first time in five years and by popular 
demand ? 'Brown Shoes Don't Make
It'.

To coincide with the tour, there is (inevitably) 
A New Album ? by the same
personnel plus trumpeter Sal Marquez. It's called 
Over-Nite Sensation, and
contains none of the compositions mentioned 
above. Instead, it sounds like
another sneaky attempt by the Mothers of 
Invention to get their cruddy music on
the radio.

There didn't seem much more to say about this new 
band until we'd all got a
chance to hear it, so Frank discussed the Grand 
Wazoo tour: All the concerts
were great ? except the one in London.

It's tough to take a 20-piece electric band to a 
frozen cricket ground where
the audience is trying to tear down the 
goal-posts (?) and burn them to keep
themselves warm. But we broke all records at the 
Felt Forum in New York.

The Grand Wazoo seemed, I suggested, like a 
pinnacle of his career, the object
he's always been aiming at right from the days of 
Freak Out.

It would have been that kind of a climax, if the 
band had been able to memorise
the arrangements, and if the technical equipment 
had been of the right quality.
The only thing that's important is whether you 
have the opportunity and the
money to present your crazed ideas properly.

200 Motels wasn't done properly because there 
wasn't enough time or money. The
Wazoo tour, for instance, did five concerts and 
grossed 90,000 dollars ? and I
lost 2,000 dollars of my money on it. There was 
no way that I was going to make
any.

I gauge the success of something by whether I 
can appreciate the outcome on a
personal spectator level. If all the parts aren't 
audible, it isn't right ? and
that goes back to the technology and the money to 
provide it.

On 200 Motels, the orchestra beat the shit out 
of the music ? they just didn't
play it properly. I couldn't even recognise it 
when they'd finished. Most of the
actors were non-professionals, and the whole 
thing was shot in 56 hours. We all
needed more time, and if I'd had it, I've have 
gotten better performances out of
everybody, because they were the right people for 
those roles.

In spite of that, I think it was a good film, 
and I believe that over a period
of years you're going to find out how many 
strange predictions in the script
actually come true.

Such as what?

Well, pay particular attention to the dialogue 
between Mark, Howard, and
Aynsley. No matter how twisted you think that 
plot is, it's based on things that
had happened, or on things that were based on 
suppositions extrapolated from
mathematical predictions of people's 
personalities

[Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread Jim L











I saw this message
over on another list and was intrigued. It almost rigs a bell but I cant
seem to recall why. Anyone?









Some years ago I found a txt-file with the following beginning:(Frank Zappa/Grace Slick)RCA Studios, Hollywood, CA June 5, 1968Produced by Al Schmitt Engineered by Mark Linett  Pat IeraciGrace Slick--vocals, keyboardFZ--leaderArthur Tripp III--drums, percussionIan Underwood--piano, woodwindsDonald Preston--keyboards.







Jim
 L














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Re: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread marco

 Jim L [EMAIL PROTECTED] schrijft: 
 I saw this message over on another list and was intrigued. It almost rigs a
 bell but I can't seem to recall why. Anyone?

Take a look at this:
http://globalia.net/donlope/fz/related/Jefferson_Airplane_Loves_You.html

best wishes,
Marco




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Re: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread marco
  Jim L [EMAIL PROTECTED] schrijft: 
  I saw this message over on another list and was intrigued. It almost rigs a
  bell but I can't seem to recall why. Anyone?
 
 Take a look at this:
 http://globalia.net/donlope/fz/related/Jefferson_Airplane_Loves_You.html

And but also... this:
http://www.united-mutations.com/j/jefferson_airplane.htm

Marco


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RE: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread Nick Ullmann
Yeh, I agree! At the beginnign of a show, he is trying to get the audience 
to woo Grace back onto the stage, but can't think where and when (earlyish 
material, I think - also a very good show, with some funky rock),




Kind Regards, nick




Original Message Follows
From: Jim L [EMAIL PROTECTED]
Reply-To: Zappa-List@yahoogroups.com
To: The Zappa-List Zappa-List@yahoogroups.com
Subject: [Zappa-List] Frank Zappa/Grace Slick?
Date: Thu, 23 Mar 2006 06:11:41 -0600

I saw this message over on another list and was intrigued. It almost rigs a
bell but I can't seem to recall why. Anyone?





Some years ago I found a txt-file with the following beginning:

(Frank Zappa/Grace Slick)
RCA Studios, Hollywood, CA June 5, 1968
Produced by Al Schmitt Engineered by Mark Linett  Pat Ieraci

Grace Slick--vocals, keyboard
FZ--leader
Arthur Tripp III--drums, percussion
Ian Underwood--piano, woodwinds
Donald Preston--keyboards.





Jim L




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Re: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread jcoonk






That would be the 13-Nov 1970, Fillmore East show that was 
vined in the List this past summer.
You're right; it was a good show - but it could stand some professional 
tweakage to equalize all of the vocal parts...
SOFA

  - Original Message - 
  From: 
  Nick 
  Ullmann 
  To: Zappa-List@yahoogroups.com 
  Sent: Thursday, March 23, 2006 5:23 
  PM
  Subject: RE: [Zappa-List] Frank 
  Zappa/Grace Slick?
  Yeh, I agree! At the beginnign of a show, he is trying to get 
  the audience to woo Grace back onto the stage, but can't think where and 
  when (earlyish material, I think - also a very good show, with some funky 
  rock), 
  Kind Regards, nickOriginal Message 
  FollowsFrom: "Jim L" [EMAIL PROTECTED]Reply-To: 
  Zappa-List@yahoogroups.comTo: 
  "The Zappa-List" Zappa-List@yahoogroups.comSubject: 
  [Zappa-List] Frank Zappa/Grace Slick?Date: Thu, 23 
  Mar 2006 06:11:41 -0600I saw this message over on another list and was 
  intrigued. It almost rigs abell but I can't seem to recall why. 
  Anyone?Some years ago I found a txt-file with the 
  following beginning:(Frank Zappa/Grace Slick)RCA Studios, 
  Hollywood, CA June 5, 1968Produced by Al Schmitt Engineered by Mark Linett 
   Pat IeraciGrace Slick--vocals, keyboardFZ--leaderArthur 
  Tripp III--drums, percussionIan Underwood--piano, woodwindsDonald 
  Preston--keyboards.Jim 
  LFor further Z-related fun, please visit http://www.thebignote.com or http://www.killuglyradio.com , thank 
  you. Yahoo! Groups Links* To visit your group on the web, 
  go to: http://groups.yahoo.com/group/Zappa-List/* 
  To unsubscribe from this group, send an email to: [EMAIL PROTECTED]* 
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Re: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread jcoonk






Yeah, you've got to really listen for it - which is why I said the show 
could stand some tweakage. The instruments come thru fine, the vocals are there 
about 75% of the time; it's the asides that need boosting, but there are a lot 
of them.
Still, an excellent show...
Now, if only someone would come forward with the other show from that 
2-night run featuring Joni Mitchell reciting "Penelope wants to fuck the 
sea"...
A Grail, of sorts.
SOFA

  - Original Message - 
  From: 
  Jim 
  L 
  To: Zappa-List@yahoogroups.com 
  Sent: Thursday, March 23, 2006 6:10 
  PM
  Subject: RE: [Zappa-List] Frank 
  Zappa/Grace Slick?
  
  
  Well that’s 
  interesting sense I started that vine. I’ll have to listen to it again. Thanks 
  for the info SOFA.
  
  
  Jim 
  L
  
  
  
  
  From: Zappa-List@yahoogroups.com 
  [mailto:[EMAIL PROTECTED] On 
  Behalf Of [EMAIL PROTECTED]Sent: Thursday, March 23, 2006 4:51 
  PMTo: Zappa-List@yahoogroups.comSubject: Re: [Zappa-List] Frank 
  Zappa/Grace Slick?
  
  
  That would be the 
  13-Nov 1970, Fillmore 
  East show that was vined in the List this past 
  summer.
  
  You're right; it was a 
  good show - but it could stand some professional tweakage to equalize all of 
  the vocal parts...
  
  SOFA
  

- Original Message - 


From: Nick 
Ullmann 

To: Zappa-List@yahoogroups.com 


Sent: 
Thursday, March 23, 2006 5:23 PM

Subject: RE: 
    [Zappa-List] Frank Zappa/Grace 
Slick?


Yeh, I agree! At the 
beginnign of a show, he is trying to get the audience to woo Grace back 
onto the stage, but can't think where and when (earlyish material, I 
think - also a very good show, with some funky 
rock), 
Kind Regards, nickOriginal Message 
FollowsFrom: "Jim L" [EMAIL PROTECTED]Reply-To: 
Zappa-List@yahoogroups.comTo: 
"The Zappa-List" Zappa-List@yahoogroups.comSubject: 
[Zappa-List] Frank Zappa/Grace Slick?Date: Thu, 
23 Mar 2006 06:11:41 -0600I saw this message over on another list 
and was intrigued. It almost rigs abell but I can't seem to recall why. 
Anyone?Some years ago I found a txt-file with the 
following beginning:(Frank Zappa/Grace Slick)RCA Studios, 
Hollywood, CA June 5, 1968Produced by 
Al Schmitt Engineered by Mark Linett  Pat IeraciGrace 
Slick--vocals, keyboardFZ--leaderArthur Tripp III--drums, 
percussionIan Underwood--piano, woodwindsDonald 
Preston--keyboards.Jim L






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Re: [Zappa-List] Frank Zappa/Grace Slick?????????????????????????

2006-03-23 Thread Nick Ullmann
Thanks, Sofa, my memory isn't what it used to be.
That November show is a great one - I'm going to put it on nice and loud 
tonight, methinks,




Kind Regards, nick




Original Message Follows
From: [EMAIL PROTECTED]
Reply-To: Zappa-List@yahoogroups.com
To: Zappa-List@yahoogroups.com
Subject: Re: [Zappa-List] Frank Zappa/Grace Slick?
Date: Thu, 23 Mar 2006 18:47:50 -0500

Yeah, you've got to really listen for it - which is why I said the show 
could stand some tweakage. The instruments come thru fine, the vocals are 
there about 75% of the time; it's the asides that need boosting, but there 
are a lot of them.
Still, an excellent show...
Now, if only someone would come forward with the other show from that 
2-night run featuring Joni Mitchell reciting Penelope wants to fuck the 
sea...
A Grail, of sorts.
SOFA
   - Original Message -
   From: Jim L
   To: Zappa-List@yahoogroups.com
   Sent: Thursday, March 23, 2006 6:10 PM
   Subject: RE: [Zappa-List] Frank Zappa/Grace 
Slick?


   Well that's interesting sense I started that vine. I'll have to listen to 
it again. Thanks for the info SOFA.



   Jim L


--

   From: Zappa-List@yahoogroups.com [mailto:[EMAIL PROTECTED] On 
Behalf Of [EMAIL PROTECTED]
   Sent: Thursday, March 23, 2006 4:51 PM
   To: Zappa-List@yahoogroups.com
   Subject: Re: [Zappa-List] Frank Zappa/Grace 
Slick?



   That would be the 13-Nov 1970, Fillmore East show that was vined in the 
List this past summer.

   You're right; it was a good show - but it could stand some professional 
tweakage to equalize all of the vocal parts...

   SOFA

 - Original Message -

 From: Nick Ullmann

 To: Zappa-List@yahoogroups.com

 Sent: Thursday, March 23, 2006 5:23 PM

 Subject: RE: [Zappa-List] Frank Zappa/Grace 
Slick?



 Yeh, I agree! At the beginnign of a show, he is trying to get the 
audience
 to woo Grace back onto the stage, but can't think where and when 
(earlyish
 material, I think - also a very good show, with some funky rock),




 Kind Regards, nick




 Original Message Follows
 From: Jim L [EMAIL PROTECTED]
 Reply-To: Zappa-List@yahoogroups.com
 To: The Zappa-List Zappa-List@yahoogroups.com
 Subject: [Zappa-List] Frank Zappa/Grace Slick?
 Date: Thu, 23 Mar 2006 06:11:41 -0600

 I saw this message over on another list and was intrigued. It almost 
rigs a
 bell but I can't seem to recall why. Anyone?





 Some years ago I found a txt-file with the following beginning:

 (Frank Zappa/Grace Slick)
 RCA Studios, Hollywood, CA June 5, 1968
 Produced by Al Schmitt Engineered by Mark Linett  Pat Ieraci

 Grace Slick--vocals, keyboard
 FZ--leader
 Arthur Tripp III--drums, percussion
 Ian Underwood--piano, woodwinds
 Donald Preston--keyboards.

 Jim L




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[Zappa-List] FRANK ZAPPA and other classic Musicians Rare concerts on dvd !

2005-11-21 Thread D.J.
[[This is a different kind of Spamming that we don't allow here at the 
Zappa-List - we call this bootlegging; now say bye-bye to D.J.
SOFA]]

Hi;
Yes all the performances are Live...I have enclosed my list
of Live items I have available at GREAT prices if you are
interested...
Thanks for the interest!!!

THESE ARE AVAILABLE ON DVD  VIDEO
ABBA- Live on the Midnight Special 1977
ABBA- Live 1979...[[snip]]
FRANK ZAPPA- Live KCET- TV- Los Angeles 1974...




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[Zappa-List] Frank Zappa - Phase II - The Big Note (Documentary) in Cinema in Amsterdam!!!

2005-07-25 Thread MysterE
Hi All, 
 
On tuesday August 2 at 9.45 pm the documentary 'Frank Zappa - Phase 
II - The Big Note' Will be shown @ Cinema 'Het Ketelhuis' 
(www.ketelhuis.nl). De documentaire can be seen on Cinema Format 
Screen and sound. For those who want to enjoy this interesting 
documentary they can go to the cinema Het Ketelhuis in Amsterdam at 
the Westergasfabriekterrein, on Tuesday August 2. Je can call them to 
make a reservation local telephone number 020-6840090 or through 
Belbios, and the price is lower than of most 'commerical'(Pathe) 
cinemas! 
 
 
  
Info on the documentary: 
 
Frank Zappa: Phase II - the big note 
Netherlands 2002, ± 90 min. 
  
Director and scenario: Frank Scheffer 
Producer: Frank Scheffer (Allegri Film) 
Camera: Melle van Essen, Rene van der Eijk 
Sound: Wib Nelissen, Harold Jalving 
Eidting: Riekje Ziengs 
Music: Frank Zappa e.o. 
 
 
 
 
FRANK ZAPPA: Phase Two--The Big Note 
(Preview of a work in process) 
  
Ever seen Frank Zappa without facial hair? Join us for a compelling 
new video documentary by Frank Scheffer for Dutch television station 
VPRO--a comprehensive overview of Frank Zappa's unique achievements, 
peppered with mesmerizing historical footage. Performances by the 
Ensemble Modern and the Amsterdam Concertgebouw Orchestra, statements 
by Frank Zappa himself, Edgar Varèse, Pierre Boulez, Captain 
Beefheart, Ian Underwood, George Duke, Haskell Wexler, and Gail  
Dweezil Zappa. Directed by Frank Scheffer. (2002) 90m 
 
 
 
 
Frank Zappa Phase II: The Big Note 
Directed by Frank Scheffer 
  
So what is tonight's special treat? Let's see. A Dutch director named 
Frank Scheffer brings us a 90-minute documentary about legendary 
composer, Frank Zappa. 
  
Highly-insightful and entertaining clips and rare footage are spliced 
in, most notably four or five brief interviews with Zappa and a 
television appearance in which he had no facial hair. They really 
give you the feeling that Zappa was a clumsy and shy kid at one point 
in his life.  
  
In addition, several interviews with ex-members of his band give 
insight on what it was like to work with such a prolific and unique 
composer. A powerful man with a visionary mind, he pushed the limits 
of musician's abilities into realms they initially refused to 
consider exploring. His spontaneous conducting style while working 
with audiences and orchestras is probably still under-appreciated. 






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http://www.killuglyradio.com , thank you. 
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RE: [Zappa-List] Frank Zappa - Phase II - The Big Note (Documentary) in Cinema in Amsterdam!!!

2005-07-25 Thread Nick Ullmann
Hi, any chance you could record this in audio?? I'd love a copy if you 
could,




Kind Regards, nick




Original Message Follows
From: MysterE [EMAIL PROTECTED]
Reply-To: Zappa-List@yahoogroups.com
To: Zappa-List@yahoogroups.com
Subject: [Zappa-List] Frank Zappa - Phase II - The Big Note (Documentary) in 
Cinema in Amsterdam!!!
Date: Mon, 25 Jul 2005 09:53:19 -

Hi All,

On tuesday August 2 at 9.45 pm the documentary 'Frank Zappa - Phase
II - The Big Note' Will be shown @ Cinema 'Het Ketelhuis'
(www.ketelhuis.nl). De documentaire can be seen on Cinema Format
Screen and sound. For those who want to enjoy this interesting
documentary they can go to the cinema Het Ketelhuis in Amsterdam at
the Westergasfabriekterrein, on Tuesday August 2. Je can call them to
make a reservation local telephone number 020-6840090 or through
Belbios, and the price is lower than of most 'commerical'(Pathe)
cinemas!



Info on the documentary:

Frank Zappa: Phase II - the big note
Netherlands 2002, ± 90 min.

Director and scenario: Frank Scheffer
Producer: Frank Scheffer (Allegri Film)
Camera: Melle van Essen, Rene van der Eijk
Sound: Wib Nelissen, Harold Jalving
Eidting: Riekje Ziengs
Music: Frank Zappa e.o.




FRANK ZAPPA: Phase Two--The Big Note
(Preview of a work in process)

Ever seen Frank Zappa without facial hair? Join us for a compelling
new video documentary by Frank Scheffer for Dutch television station
VPRO--a comprehensive overview of Frank Zappa's unique achievements,
peppered with mesmerizing historical footage. Performances by the
Ensemble Modern and the Amsterdam Concertgebouw Orchestra, statements
by Frank Zappa himself, Edgar Varèse, Pierre Boulez, Captain
Beefheart, Ian Underwood, George Duke, Haskell Wexler, and Gail 
Dweezil Zappa. Directed by Frank Scheffer. (2002) 90m




Frank Zappa Phase II: The Big Note
Directed by Frank Scheffer

So what is tonight's special treat? Let's see. A Dutch director named
Frank Scheffer brings us a 90-minute documentary about legendary
composer, Frank Zappa.

Highly-insightful and entertaining clips and rare footage are spliced
in, most notably four or five brief interviews with Zappa and a
television appearance in which he had no facial hair. They really
give you the feeling that Zappa was a clumsy and shy kid at one point
in his life.

In addition, several interviews with ex-members of his band give
insight on what it was like to work with such a prolific and unique
composer. A powerful man with a visionary mind, he pushed the limits
of musician's abilities into realms they initially refused to
consider exploring. His spontaneous conducting style while working
with audiences and orchestras is probably still under-appreciated.




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http://www.killuglyradio.com , thank you. 
Yahoo! Groups Links

* To visit your group on the web, go to:
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* To unsubscribe from this group, send an email to:
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[Zappa-List] Frank Zappa - 1975-12-05 London, Ontario needed

2005-02-26 Thread lusi tanio




unfortunately i don´t have access to torrents. This show is been torrented at the zappateers tracker and i would like to have a copy. If someone here get this please vine it here. thanks

Luis

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Re: [Zappa-List] Frank Zappa on Crossfire

2005-02-09 Thread SOFA






I heard he shot himself...Shot his girlfriend too.
I could be wrong tho'. (LMAO!)
SOFA
You 
  can measure a debater's character by the speed with which they invoke the 
  evil word, "Hitler." I wonder whatever happened to that prick? 
Mark


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Re: [Zappa-List] Frank Zappa on Crossfire

2005-02-09 Thread chris




Did he really?
ChrisSOFA [EMAIL PROTECTED] wrote:




I heard he shot himself...Shot his girlfriend too.
I could be wrong tho'. (LMAO!)
SOFA
You can measure a debater's character by the speed with which they invoke the evil word, "Hitler." I wonder whatever happened to that prick? MarkFor further Z-related fun, please visit http://www.thebignote.com or http://www.killuglyradio.com , thank you. "I'm gonna be on you like ugly on a Rolling Stone!"- Roy D Mercer__Do You Yahoo!?Tired of spam?  Yahoo! Mail has the best spam protection around http://mail.yahoo.com 


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Re: [Zappa-List] Frank Zappa on Crossfire

2005-02-09 Thread SOFA






Yeah - in the Bunker, of all places! Can you imagine, shooting yourself in 
the Bunker?
That HAD to hurt. 
He shot his girl in the Bunker too...
I read it somewhere, anyway...
SOFA

  - Original Message - 
  From: 
  chris 
  To: Zappa-List@yahoogroups.com 
  Sent: Wednesday, February 09, 2005 4:39 
  PM
  Subject: Re: [Zappa-List] Frank Zappa on 
  Crossfire
  
  Did he really?
  ChrisSOFA [EMAIL PROTECTED] 
  wrote:
  



I heard he shot himself...Shot his girlfriend too.
I could be wrong tho'. (LMAO!)
SOFA
You 
  can measure a debater's character by the speed with which they invoke 
  the evil word, "Hitler." I wonder whatever happened to that prick? 
  Mark


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Re: [Zappa-List] Frank Zappa on Crossfire

2005-02-09 Thread Mark D.

LOL! There is some kind of justice at work here.
Mark

 Wow! Hitler shot himself in Da Bunker as well!!
 chris

 */SOFA [EMAIL PROTECTED]/* wrote:

 Yeah - in the Bunker, of all places! Can you imagine, shooting
 yourself in the Bunker?
 That HAD to hurt.
 He shot his girl in the Bunker too...
 I read it somewhere, anyway...
 SOFA




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[Zappa-List] Frank Zappa on Crossfire

2005-01-07 Thread MikeWarren


In 1986 Frank Zappa told it EXACTLY like it is in defense of our
freedom of speech. In response to the attempts to ban certain lyrics
in rock music, Frank Zappa appeared on Crossfire in March 1986. 

He spoke with intensity,reason, and great power on the ridiculousness
of paranoid conservatives
in their attempt to censor free speech.

In the course of the conversation, Zappa eloquently pointed out the
greatest DANGER in America: FASCIST THEOCRACY.

a href=http://www.ifilm.com/viralvideo?ifilmid=2658805;Frank Zappa
on Crossfire video/abr





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