newstatesman.com 
<https://www.newstatesman.com/culture/sport/2022/01/the-paradoxes-of-novak-djokovic>
  


The paradoxes of Novak Djokovic


By Jonathan Liew

8-10 minutes

  _____  

Photo by Justin Setterfield/Getty Images 

A small crowd had gathered outside the Park Hotel in Melbourne. Long past 
midnight, under cover of darkness, they lit candles and sang songs. They waved 
Serbian flags and held aloft banners bearing the name and image of their chosen 
one. Was this some sort of sinister religious cult? A moonlight vigil in memory 
of a murdered political dissident? Or simply excitable tennis fans trying to 
get a view of their favourite player?

In reality, it was a mixture of all three. As it turned out, Novak Djokovic was 
not dead. He was not even really being incarcerated. Unlike many of the 
internees at the makeshift immigration detainment centre in Carlton – refugees 
and asylum seekers being held in squalid conditions, often for years, while 
their cases were processed – the world No 1 men’s tennis player was free to 
leave and get on a first-class flight back home whenever he wanted.

His only crime, if you could even call it that, was to attempt to enter 
Fortress Australia in 2022 without a vaccination certificate or a valid medical 
exemption. In the meantime, expensive lawyers were arguing his case. A 
fast-tracked court hearing on Monday 10 January will determine whether he can 
stay in the country and compete in the Australian Open, where he is favourite 
to break the all-time men’s record of 21 Grand Slam titles.

None of which seemed to provide much comfort to Djokovic’s outraged fans or 
family, who continued to demand the release of their idol in what you have to 
call slightly melodramatic terms. “Jesus was crucified, and he endured, he is 
still alive among us,” Djokovic’s father Srdan said. “They are trying to 
crucify Novak in the same way, to underestimate him, to throw him to his knees, 
to do everything to him.”

Back in the secular world, an arcane dispute over visa requirements for a 
tennis tournament had somehow escalated into a full-blown diplomatic incident. 
The Serbian president Aleksandar Vucic was unstinting in his criticism of the 
Australian Prime Minister Scott Morrison, accusing him of a “political 
witch-hunt”. Angry crowds gathered in Belgrade. Australia’s ambassador to 
Serbia was summoned to the foreign ministry to explain himself.

How did we reach this point? On the face of things, Djokovic’s plight was 
entirely of his own making. Although he has never publicly disclosed his 
vaccination status, he has made fairly unambiguous anti-vaccine comments in the 
past, and strongly opposed regulations requiring players to get vaccinated in 
order to compete. As Rafael Nadal, one of his rivals, put it: “If you are 
vaccinated, you can play. He made his own decisions.”

But as ever with Djokovic, there were complicating factors. For one thing, the 
player had been assured by tournament organisers and the Victoria authorities 
that he was free to travel, having been granted a vaccine exemption on medical 
grounds (believed to be a recent Covid infection). Yet on arrival at Melbourne 
airport, amid growing public outcry, Australian border staff and Morrison took 
a different view. Djokovic was held and questioned at the airport for several 
hours. Finally he was denied entry and moved to the Park, which according to 
TripAdvisor is 105th out of 170 hotels in Melbourne.

Clearly the whole thing had been handled abominably from bottom to top, with a 
strong suspicion that Morrison was using Djokovic’s case to boost his own 
political standing. In any case, for a player who has long harboured an acute 
persecution complex, a sense that the world is against him, there was plenty of 
fresh fuel here: more obstacles to be surmounted, more enemies to be fought, an 
adversity that would only strengthen his resolve. This has in many ways been 
the theme of Djokovic’s career, a trophy-laden dominance that still identifies 
itself as a kind of guerrilla resistance.

There is a word in Serbian culture – inat – which is often translated as 
defiance, resilience, pride or stubbornness, but really has no equivalent in 
English. In fact there is an innate paradox to inat, one that incorporates both 
refusal and resignation, satisfaction and dissatisfaction, self-awareness and 
self-delusion all at once. Inat is the state of simultaneously accepting one’s 
fate while also resolving to fight it. Inat is choosing with relish to do the 
thing that is forbidden, taking strength from one’s moment of greatest 
weakness, growing in direct proportion to the animosity one encounters.

In the case of Djokovic, it invariably involves taking the path of most 
resistance, a belief that victory without struggle is no sort of victory at 
all. On the court he has finally overhauled the great Nadal and Roger Federer 
with a game based on immaculate defence, on counter-punching, on absorbing an 
opponent’s power and throwing it back in their face. Off the court he seems to 
harbour a desperate need to be liked, even as his actions – angry outbursts 
against officials, a spiky relationship with the media, disagreements with 
rival players, his anti-vaccine stance – seem fated to antagonise.

I crave your love, and so I will make it impossible for you to love me. This is 
the enigma of Djokovic: his mantra, motivation and the source of his power. 
Perhaps this helps to explain why Djokovic seems to inspire such fanatical 
devotion in a small core of believers, even as the wider world disdains him. 
Perhaps, too, it explains why the world’s best tennis player is currently being 
confined in a four-star hotel room while his rivals prepare and practise. Why 
not just get jabbed? Why not just go home? But that would in many ways be to 
miss the point of inat. As Djokovic appeared at the window to salute the 
supporters who had gathered to serenade him, you couldn’t help feeling they 
were all getting exactly what they wanted.

 

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