I have no means of putting in the frequencies. I don't know how the guy did it. He said he had a machine--probably something like a frex machine? Or some sort of frequency generator.
And whether he put them into the glass before 'baking' the glass, while baking or after? I doubt he could put them in WHILE baking--which is called fusing, unless he ran the frequency machine close to the kiln perhaps.. It's a simple process to fuse the dichro glass, but I no longer have a kiln to do it in. All a person does is buy different colors of dichro glass sheets, cut 2 pieces out of 2 different colors, lay them on top of each other and put them in a kiln. At a certain temperature the glass will melt together and form a solid piece. Depending on the original sheets of color you can get some pretty spectacular looking pieces. But you can do this with ANY glass. The reason people use dichroic glass is because of the color variations WITHIN each color. Meaning that if you buy a piece of red glass (like glass you'd make a stained glass window with) you will just get a solid red. But if you buy a sheet of red dichroic glass, you will get many shades of red, and gold in that one sheet, depending on how the light strikes the glass. But you still would have to know how or when to run the frequencies 'through the glass. According to the sites I read dichro, from the way it is made, seems to hold frequencies. But again--how these frequencies are added to the glass I can't be positive. I did ask the guy how he did it, and of course he didn't want to tell me. Only said that he had a machine, so I'm sure he had some sort of frequency machine. I would THINK that the glass pieces are made, then placed on the plate on the machine and then you'd let it run through all the frequencies for a while. It would seem that it would be best to run the frequencies WHILE the glass was melting in the kiln, as that would seem to place the frequencies INTO the glass itself, but how this would be possible I'm not sure. It would take experimentation--like perhaps set the Frex up to run next to the kiln the whole time the glass was melting and then cooling as this can take 12 to 24 hours. That may just do the trick and would seem the best way to me. But it might also work just as good if a person put a finished dichroic piece on the output plate of a frequency machine and ran it for 12 hours or more. So doing it the second way--placing the dichro piece on the machine plate would mean that you could buy ANY piece of dichro necklace you liked and put your own frequencies in! You can buy beautiful dichroic jewelry in lots of places, especially craft shows, for 20 bucks or so, then run your own machine. You'd test if it worked or not by muscle testing. If anyone has a frequency machine and tries this I would be very interested in knowing if it works or not. If it worked the way I think it would--by placing the dichro pieces on the frequency machine, then someone could really make some money selling these. Buying dichro sheets is not very expensive at all, especially when you are cutting just 1 inch or so pieces for a necklace. Buying a very small kiln is around $100 or so--at least it use to be, not sure now. Or you could find some craft person that's already making dichro jewelry and make a wholesale deal with them, then run them with your own frequency machine. I wish now I had a kiln and a machine--I'd be experimenting with this! Or even just a frequency machine because I can get some pre-made dichro pieces easily around here at the craft shows. Samala, Renee -------Original Message------- Ok. Renee, i got what you mean. Since you know how to make those glass thingy, can you not put in the emf repeller?I'll buy one from you if you decide to make them. Take care. Melly --- On Fri, 11/18/11, [email protected] <[email protected]> wrote: From: [email protected] <[email protected]> Subject: silver-digest Digest V2011 #359 To: [email protected] Date: Friday, November 18, 2011, 11:22 AM
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