Music: Hicksville U.S.A.

http://www.pacificsun.com/news/show_story.php?id=746&e=y

Dan Hicks unleashes a mighty swing with latest album

by Greg Cahill
March 26, 2009

Dan Hicks sports one of the most original sounds in pop music, an 
acoustic-based hipster groove coupled with irreverent lyrics that are 
delivered with a droll wit. That blend of folk, old-timey jazz, swing 
and blues defies easy definition. It's been called sardonic swing and 
toe-tapping mountain-hippie swing. Hicks himself has even been 
likened to Hoagie Carmichael with a roach clip.

How does this Mill Valley musician describe his sound?

"I call it folk swing," he says dryly and with a bemused twang. "It's 
a hybrid of my two favorite kinds of music: folk and jazz. You could 
just say that I'm the King of Folk Swing--I'm the father, actually, 
of folk swing. I invented the genre and I know exactly what day and what time.

"You got a problem with that?" he chuckles.
No problem.

In fact, Hicks' first studio album in nine years is cued up on the CD 
player--and it's a hit. His newly released Tall Tales (Surfdog) finds 
the retro raconteur spinning a dozen yarns--eight originals and four 
cover tunes--with his red-hot band the Hot Licks. The CD is a return 
to form that finds the singer backed by fiddles, upright bass and 
female backup singers who split their time between sweet harmonies 
and call-and-response quips. It's reminiscent of the classic '70s 
band that featured Maryanne Price on vocals and Naomi Ruth Eisenberg 
on fiddle and vocals.

It's easy on the ears.

"I like that sound: It's not loud, it's smooth and it's tasty," Hicks 
says. "When I signed with Surfdog nine years ago, I started thinking 
about returning to that sound. I never got too far away from it, with 
the Acoustic Warriors, but we're definitely back with that sound. I 
like the whole package."

Guest musicians include mandolinist David Grisman, slide guitarist 
Roy Rogers and blues harmonica ace Charlie Musselwhite.

Local fans of Hicks' short-lived Bayside Jazz act at the old 
Sweetwater, which found the singer playing traditional jazz tunes on 
Sunday afternoons, will recognize his cover of the jazz standard 
"Song for My Father," replete with guitarist Bruce Forman and 
seldom-recorded lyrics by Dianne Davidson.

It fits right in with Hicks' signature folk swing.

This Santa Rosa native honed his chops in the 1960s as the drummer of 
the Charlatans after shuffling onto the national stage in 1969 with 
Original Recordings, a departure from the psychedelicized San 
Francisco music scene. That Hot Licks debut introduced the campy 
outfit that dished up wry country-inflected tunes about diner 
waitresses, blue-collar workers and barflies.

It was a brilliant blend of humor, beat sensibility and pseudo-nostalgia.

Several classic albums, three decades and a long dry spell later, 
Hicks reemerged in 2000 with the critically acclaimed comeback 
Beatin' the Heat, his first studio recording since 1976. It featured 
Elvis Costello, Tom Waits, Brian Setzer, Bette Midler and Rickie Lee Jones.

Tall Tales is less heavily produced than his recent albums--it's 100 
percent pure unadulterated folk swing.

"I'm happy with this album," Hicks says, adding that the CD was 
recorded at the Plant studio in Sausalito. "There are no gimmicks, so 
it kind of goes back to the way I recorded [in the 1970s at the Blue 
Thumb label with [producer Tommy LiPuma when we'd just sing and play 
and record it all in one take with very little overdubbing.

"It demonstrates the way we are on stage these days."
--

COMING SOON
Dan Hicks and the Hot Licks, with David Grisman, perform at Yoshi's 
in San Francisco Saturday, March 28, at 8 and 10pm. $35. 415/655-5600.

.


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