Underground, Again

Mark Rudd's 'Underground: My Life with SDS and the Weathermen'

http://theragblog.blogspot.com/2009/03/books-jonah-raskin-on-mark-rudd.html

A charismatic individual with very little sustained radical 
organizing, he came out of nowhere at a crucial moment in the 1960s 
and was instantly catapulted into the national spotlight.

By Jonah Raskin
The Rag Blog
March 30, 2009

[Underground: My Life with SDS and the Weathermen, by Mark Rudd, 
published by William Morrow, March 24, 2009.]

In the beginning was the underground. Indeed, the "underground" as a 
form of resistance to established power is a thread that runs through 
the centuries. Specific, historical undergrounds have existed 
whenever and wherever "the state" has existed. If there are police, 
prisons and judges, there will be undergrounds ­ oppositions that are 
clandestine, and invisible. It's in the nature of human beings the 
world over to form secret organizations, and networks aimed at 
sabotaging the structures of society: the military, the work place, 
the church, and the family.

Ironically, the 1960s was an era in which the concept and the 
practice of the underground thrived, even as a generation of hippies, 
freaks, misfits, Yippies, feminists, Black Panthers, radicals, and 
non-conformists came into the open, took to the streets, and went 
naked both literally and figuratively. It wasn't until the 1970s, 
which, one might argue is when "the 1960s" really happened, that 
political undergrounds ­ such as the Weather Underground, and the 
Symbionese Liberation Army ­ were born. About those two groups there 
has been almost uninterrupted fascination. There have been dozens of 
books and movies about them: Patty Hearst, Bernardine Dohrn, Bill 
Ayers, and the SLA members.

In the 1960s and 1970s, I wrote for underground newspapers, like The 
Seed and The Liberated Guardian, and worked for Liberation News 
Service. I was also affiliated with the Weather Underground; my wife, 
Eleanor Raskin, was part of the underground. I wrote most of "New 
Morning," a communiqué from the Weather Underground, and I also aided 
and abetted -- to use the legal terminology -- Abbie Hoffman when he 
was underground in the 1970s. My own parents had been clandestine 
members of the Communist Party of the U.S.A. from 1932 to 1948, when 
they resigned. I grew up with the assumption that going underground 
was a necessary part of any political movement, and knew that one day 
I'd go underground, too.

A new book by Mark Rudd entitled Underground: My Life with SDS and 
the Weathermen, takes yet another look at the underground phenomenon. 
Mark Rudd was underground for seven years in the 1970s. Previously, 
he had been a member of Students for a Democratic Society (SDS), then 
a leader of Weatherman, the SDS faction that advocated rioting in the 
streets, and committing acts of violence, including the detonation of 
bombs. Though Rudd was underground from 1970 to 1977, and though he 
had contact with the Weather Underground, he was not a member of the 
organization, neither as a leader -- there was a central committee -- 
nor a follower. The title of the book is ambiguous; a casual reader 
might look at it and assume that it's about the Weather Underground. 
In fact it isn't.

Like Abbie Hoffman, Mark Rudd wasn't suited for the underground life 
­ he needed attention, and attention is, of course, the last thing 
that any fugitive wants. Unless of course, he or she really wants to 
be caught, and to receive attention.

The Townhouse Explosion of March 1970 which resulted in the deaths of 
three members of the fledgling Weather Underground so profoundly 
shook Rudd that he could not be connected to former friends who were 
now making bombs. He calls them "comrades" but it's a word that 
sounds odd coming out of his mouth. True enough, he wants "comrades" 
but he also wants to be the # One Comrade, which isn't in the spirit 
of comradeship at all.

I saw Rudd twice when he was underground and a fugitive wanted by the 
FBI. The first time, he expressed genuine regret and remorse for the 
explosion and the death of Ted Gold, Diana Oughton and Terry Robbins. 
He made it clear to me at that time, in 1970, that he did not believe 
in the use of violence by revolutionaries in order to achieve 
political goals. The second time I saw him, in New Haven, 
Connecticut, he was a silent, anonymous bystander during the 
demonstrations to protest the trial of Bobby Seale, the founder of 
the Black Panther Party. In a sense, he was a father of those 
demonstrations. Protesters were doing what he had been urging 
students to do for years. But now, he couldn't take part.

I have seen Rudd several times since he surrendered to the 
authorities, in New York and in Albuquerque, New Mexico where he 
lives. He is also in Sam Green's documentary film, The Weather 
Underground, which offers far more fiction than fact about the 
organization. Green's film has made Rudd's name and face familiar to 
today's radicals. The fact that he was not in fact a member of the 
Weather Underground makes no difference to them. He's in the movie, 
and the movie has replaced the historical record. In the popular 
mind, Rudd and Weatherman have become nearly synonymous. This book 
will likely solidify that impression, so ironically the more he 
insists on his distance from the underground the more he's linked to 
it, which enabled him to have all the glamour associated with the 
underground and to have clean hands at the same time.

Underground: My Life with SDS and Weathermen reflects Rudd's curious 
relationship with SDS, Weatherman and the U. S. mass media. A 
charismatic individual with very little sustained radical organizing, 
he came out of nowhere at a crucial moment in the 1960s and was 
instantly catapulted into the national spotlight. In that sense, he 
is a representative figure of that time when unknown, minor actors on 
the stage of history briefly became major heroes of the revolution. 
In 1968 and 1969, Rudd became a spokesperson for the New Left. More 
accurately, one might say that the news media selected him as to be a 
spokesperson -- and a symbol of youthful rebellion. He went along for 
the ride, and he tells a lot of that story here.

Rudd did not have a long involvement with 1960s activism. Unlike Tom 
Hayden and Mario Savio of the Free Speech Movement he did not 
participate in the Civil Rights Movement in the South, nor did he 
push SDS to become the anti-imperialist organization it became in the 
mid-1960s. He wrote no significant political manifesto, such as the 
Port Huron Statement, and he did not forge any new organization -- 
like the Yippies and the White Panthers. Nor did he create a 
significant alliance ­- like the Venceremos Brigades that brought 
young Americans to Cuba, though he did go to Cuba in 1968.

Rudd was in the public eye for a brief moment that peaked with the 
student protests at Columbia in New York in the spring of 1968. From 
then on he was assured fame, infamy and notoriety. In 1968 and 1969, 
he was defiant, outrageous, and confrontational. He had Chutzpah. He 
said "Shit" and "Up Against the Wall, Motherfucker" and he shocked 
his Ivy League teachers at Columbia. Once the media got hold of him 
it did not let him go; when he turned himself into law enforcement in 
1977 the media descended on him once again, as they had in 1968 and 
fed him up to the nation.

I read a draft of Rudd's memoir several years ago, and made 
suggestions to him, including an idea for the title. I urged him to 
call his book "Che and Me." That title seemed to reflect accurately 
his own sense of grandiosity, and indeed one of the chapters in the 
early manuscript was entitled "Che and Me." It is not in this book, 
alas. Years ago, Rudd also posted essays about himself on his 
website, and I read them there, too. They were written, he told me, 
for today's teenagers, and indeed the language seemed simplified and 
the ideas rendered cartoon-like.

His new book, Underground, does not sound like the previous 
iterations of his life. This new account reads as though it was 
carefully massaged by an editor to make Rudd seem more palatable to 
readers today. It is written for adults, not children: for aging 
radicals, not young, irreverent protestors. Rudd also seems to want 
to make himself appear to be likeable, adorable, and cute. All that 
time in the 1960s, he now says, when he called people "shithead," and 
urged students to smash the state, he was really afraid. Then, he 
didn't care who he offended. Now, he says nice things about almost 
everyone -- even Bernardine Dohrn, the leader of the Weather 
Underground, with whom he has had a running feud -- as much personal 
as political -- since 1970.

If this book were to be faithfully adapted for the movies, it would 
be a long close up of Rudd, with other characters, like his parents, 
appearing on screen briefly. Rudd would be the star of the show. When 
it was first published, I didn't like Christopher Lasch's The Culture 
of Narcissism perhaps because I was too close to the New Left and to 
the kinds of New Left people -- like Kathy Boudin of the Weather 
Underground -- he thought were examples of American narcissism. Now, 
Rudd strikes me as narcissistic. Lasch was insightful. Underground 
shows that he's in love with himself, and with his own image. He has 
little self-awareness, probably because he's so caught up in himself 
and with his image.

In this memoir he tells the story about the time that he and SDS 
members barged into the offices of Grayson Kirk, the President of 
Columbia, and made themselves at home there. Kirk had gone home for 
the day. Rudd describes himself picking up Kirk's telephone and 
calling his middle class, apolitical Jewish parents in New Jersey. He 
wonders now why he did it, and though he offers suggestions, he 
doesn't see the obvious -- that he was rebelling against his parents 
-- and that he wanted them to know. Lots of us were in rebellion 
against our parents, including the children of the Old Left. That's 
why we spoke of the generation gap.

In this book, Rudd is glib about that telephone call, glib about his 
parents, and glib about his relationship to them. He wants to be not 
only Che but Lenny Bruce, too, so he writes of that phone call, 
"Maybe it was simply that Jewish boys call home, it's that deeply 
ingrained." Maybe it's this and maybe it's that. Mark Rudd has that 
Jewish-American habit of shrugging his shoulders ambiguously and 
leaving it at that. It could mean this and it could mean that.

Some of the passages from the old manuscript haven't made it into the 
new book. Some of the ideas Rudd shared me with, and said he wanted 
to include, aren't here, either, like the time his father called him 
a "schmuck." Rudd can also be an astute literary critic of the novels 
of Philip Roth -- that other Jewish boy from New Jersey who wanted 
attention -- but his reflections on Roth aren't here either.

In 1980, when Abbie Hoffman turned himself in to the authorities in 
New York, I had a conversation with Rudd about Abbie, and Abbie's 
need for media attention. I said then that I thought that there's a 
basic human need for attention and recognition. Some of us, like 
Abbie, need it, or think we need it, more than others. Some hardly 
seem to need it or want it at all. Underground suggests, implies, and 
shows that Rudd is up there, along with Abbie, near the top of the 
list of 1960s radicals who wanted attention, and who received far 
more attention than they needed. Media attention is a dangerous 
thing. It undid Abbie, and it also helped to undo Rudd. It remains to 
be seen whether the attention he will receive from the publication 
of, and from the publicity surrounding, this book about his 
underground life will undo him once again.
--

[Jonah Raskin is a prominent author, poet, educator and political 
activist. His most recent book is The Radical Jack London: Writings 
on War and Revolution.]

.


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