Catching up with Lawrence Ferlinghetti

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/03/19/DDGJ16AQ8A.DTL&type=books

Heidi Benson, Chronicle Staff Writer
Thursday, March 19, 2009

On Tuesday, poet Lawrence Ferlinghetti turns 90. Nearly 60 years ago, 
he came to San Francisco, fell in love with this "small white city," 
and soon after co-founded City Lights Books. One of the most vibrant 
and long-lived cultural institutions in town, the store remains an 
international magnet for the imaginative, as does the Web site for 
City Lights Booksellers & Publishers (Citylights.com). Just this 
week, production began on a film based on the obscenity trial over 
Ferlinghetti's publication of Allen Ginsberg's poem "Howl."

Mayor Gavin Newsom has declared that March 24 will henceforth be 
called "Lawrence Ferlinghetti Day," in honor of his "enormous 
contributions to our city's life and culture," while the bookstore 
staff invites everyone to send along birthday wishes, via e-mail, to: 
[email protected].

Q: When you were named San Francisco's first poet laureate in 1998, 
you spoke of the damage to the culture caused by the yawning gap 
between the city's rich and poor. Have your worst fears been borne out?

A: When I arrived in the city, the citizens seemed to have an island, 
considering San Francisco a kind of offshore republic, founded by 
gold miners and gold diggers, cast-off seamen and vagabonds, railroad 
barons and rogue adventurers and ladies of fortune. What with the 
electronic revolution and the Information Age, we have joined the 
rest of the world.

Oldies such as myself talk about the good old days with nostalgia 
since that was when they were young and beautiful (and full of testosterone).

Q: You served as a ship's commander in the Pacific during World War 
II. What's the most important thing you learned in the Navy?

A: In four years at sea, I learned that the sea is a monster and can 
turn on you at any time. Seeing Nagasaki made me an instant pacifist.

Q: How have the concerns of poets changed since you began writing?

A: In the social revolution of the 1960s, the chant was "Be here 
now." Today with television, e-mail and especially cell phones, it's 
"Be somewhere else now."

Q: Your favorite 19th century American poet?

A: Walt Whitman, of course. He gave voice to the people and 
articulated an American populist consciousness.

Q: Why do you prefer the term wide-open poetry to Beat poetry?

A: I never wrote "Beat" poetry. Wide-open poetry refers to what Pablo 
Neruda told me in Cuba in 1950 at the beginning of the Fidelista 
revolution: Neruda said, "I love your wide-open poetry."

He was either referring to the wide-ranging content of my poetry, or, 
in a different mode, to the poetry of the Beats. Wide-open poetry 
also refers to the "open form" typography of a poem on the page. (A 
term borrowed from the gestural painting of the Abstract Expressionists.)

Q: Can writing be taught?

A: It has to be taut.

Q: Is texting poetry?

A: It can be.

Q: You've always been an activist, as well as an artist. What do you 
advise activists who are complacent now that a new, seemingly more 
enlightened administration is in charge?

A: The dictatorial reign of George the Second almost destroyed our 
civil liberties as well as our economy.

We shall now see whether an "enlightened" administration can defeat 
Washington, D.C.,'s culture of corruption. The press has given 
socialism a bad name, falsely equating it with Soviet Communism. What 
is needed today is a form of civil libertarian socialism in which all 
democratic civil rights are fully protected.

What with shrinking energy resources and radical climate change, a 
worldwide planned economy is needed. Why won't any politician even whisper it?

Q: In the upcoming film of "Howl," James Franco will play Allen 
Ginsberg. Who is playing you?

A: Charlie Chaplin.

Q: Who is the love of your life?

A: Life itself is the love of my life.

Q: What's the secret of your beautiful skin?

A: Genetics.
--

E-mail Heidi Benson at [email protected].

.


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