No country for old men

http://www.thismagazine.ca/issues/2009/03/demographics_baby_boomers.php

Baby boomers: drop the watercolours, back away slowly

March-April 2009
RM Vaughan

In last spring's flimsy caper comedy Mad Money, an uneasy truth 
lingered beneath the slapstick thievery and rolling-in-greenbacks 
hijinks: the fabled baby boomers, now hitting their early 60s, have 
no idea how to deal with the diminishing returns of their impending 
senior citizenship. Pardon me if I gloat.

The film opens with Diane Keaton and Ted Danson, a greying 
upper-class couple with grown children, flitting around their vast, 
over-decorated home like panicked pelicans, wattles and all. Ted's 
character has lost his job, and Diane's has never worked. They 
contemplate getting jobs for which they are overqualified (or simply 
too self-important) to perform, but are so horrified by this prospect 
that when Diane finally does get a crappy job, her desperation and 
complete disbelief in her change of fortune leads her to go on a 
gluttonous crime spree.

Watching Mad Money, it occurred to me that, as a post-boomer, 
generation X-er, echo baby ­ choose your own term ­ I have performed 
many jobs "beneath" my education or class standing. And so has 
everybody I know.

In fact, I can't think of one person from my generation who has not 
spent at least half of his or her adult life gainfully underemployed 
­ typically by boomers with a third, or less, of our education and 
credentials. For clarification, I am, according to most demographic 
standards, a near-boomer. I prefer the term "post-boomer," thank you, 
if the B-word must be used.

I was born in 1965, the year traditionally cited as the end of the 
post-WWII baby boom. But I have always considered this calendar 
system woefully imprecise. Boomers are a cultural phenomenon ­ as 
they like to tell us every single day ­ and not a demographic one.

A boomer is someone whose first "English Invasion" pop music crush 
was the Beatles. Mine was the Sex Pistols (and that's one hell of a 
telling gulf). A boomer fondly remembers his or her first colour 
television. A post-boomer remembers the day the cable was hooked up. 
Boomers were taken to Expo '67 to get their first taste of culture on 
a grand scale. Post-boomers were taken to ... well, nothing.

One of the first bitter lessons we postboomers learned about the 
adult world is that once a boomer has all the cake he or she wants 
(practically free university tuition, full universal health care, 
bountiful entry-level jobs with minimal qualifications, CUSO), they 
don't put the rest of the cake in the freezer for a future sweet 
tooth ­ they take a hammer to it and shove the mush down the garberator.

But now boomers are edging toward their golden years and you can see 
the fear steaming out of day spas and rumbling across golf courses 
like a charged purple haze.

Naturally, they've turned a timeless reality into a fresh business 
opportunity. Bookstores are packed with how-to-age books for boomers. 
The ever-resourceful Moses Znaimer has dubbed his own pre-walker days 
his "zoomer" years and created a magazine to sell the brand. Radio 
stations are converting to Age of Aquarius nap-time programming, and 
televisions are flooded with gardening and travel shows.

Sherry Cooper's bestselling The New Retirement: How It Will Change 
Our Future (the hubris of the boomers demands that everything they do 
be declared "new" ­ what next, The New Death?) attempts to counter 
boomer mortality anxiety with recipes for "wellness" management and, 
most important, investment profit maximization (one suspects the two 
goals are mutually inclusive).

According to sherrycooper.com, "boomers will redefine retirement with 
great energy and creativity, working well beyond age 65 and mostly by 
choice...healthy goal-driven boomers will seek purposeful leisure..." 
Am I the only person who finds that paragraph terrifying?

Working "well beyond age 65"? Swell. That's great news for the 
economy, transnational trade, all levels of government, the civil 
service, the CBC, academia, the arts (I could go on here, but it's 
too depressing). Seasons 30 to 40 of The Vinyl Café ought to be a riot.

And what exactly is this futuristic-sounding "purposeful leisure"? I 
read that quote to a fellow post-boomer artist, and he stopped cold, 
gulped, and said, "Oh God, now they're all going to be artists ... 
watercolours are back."

While I don't condone violence, I can condone a reasonable, humane 
culling of the aging herd. They don't have to actually die, just 
virtually pass away. And here's how: if you are a boomer, stop. Just 
stop. Stop working, stop acquiring, stop micro-managing your (and my) 
universe, stop sucking the life out of popular culture, stop going 
outdoors in those ghastly Crocs and Tilley Endurable hats, and, 
please, stop talking about how you're eventually going to stop and, 
instead, stop. Now.

You've had a good run, flower children, longer than anybody else's, 
but the bloom's off, it's last call at Alice's Café, time to 
relocate. I hear P.E.I. is nice, and it has a convenient bridge. The 
kind that locks at night.

.


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